X-Rite Large Spoon - 20ml - 10 Pack (Black)

Mirage v2025 Ultimate Edition - Multiple Seat *

This version of Mirage is for the customer who has multiple printers and work with different types like a Large format printer from Epson and a SureLab or a both a Canon and Epson.

Mirage v2025 Ultimate Edition

This version of Mirage is for the customer who has multiple printers and work with different types like a Large format printer from Epson and a SureLab or a both a Canon and Epson.

EFI Proof Paper 6200XF Semimatt - 60" x 30 meter

The EFI Proof Paper 6200XF Semimatt is a universal, PE-coated, microporous paper for FOGRA39 proofing without paper white simulation.The paper distinguishes itself by an exceptional high ink limit and the large colour gamut is ideal for simulating spot colours. Key features - For FOGRA39 proofing without paper white simulation - Microporous imaging layer - Wide colour gamut - Surface - Semimatt -Grammage 200

EFI Proof Paper 6200XF Semimatt - 42" x 30 meter

The EFI Proof Paper 6200XF Semimatt is a universal, PE-coated, microporous paper for FOGRA39 proofing without paper white simulation.The paper distinguishes itself by an exceptional high ink limit and the large colour gamut is ideal for simulating spot colours. Key features - For FOGRA39 proofing without paper white simulation - Microporous imaging layer - Wide colour gamut - Surface - Semimatt -Grammage 200

EFI Proof Paper 6200XF Semimatt - 36" x 30 meter

The EFI Proof Paper 6200XF Semimatt is a universal, PE-coated, microporous paper for FOGRA39 proofing without paper white simulation.The paper distinguishes itself by an exceptional high ink limit and the large colour gamut is ideal for simulating spot colours. Key features - For FOGRA39 proofing without paper white simulation - Microporous imaging layer - Wide colour gamut - Surface - Semimatt -Grammage 200

EFI Proof Paper 6200XF Semimatt - 50" x 30 meter

The EFI Proof Paper 6200XF Semimatt is a universal, PE-coated, microporous paper for FOGRA39 proofing without paper white simulation.The paper distinguishes itself by an exceptional high ink limit and the large colour gamut is ideal for simulating spot colours. Key features - For FOGRA39 proofing without paper white simulation - Microporous imaging layer - Wide colour gamut - Surface - Semimatt -Grammage 200

EFI Proof Paper 6200XF Semimatt - 44" x 30 meter

The EFI Proof Paper 6200XF Semimatt is a universal, PE-coated, microporous paper for FOGRA39 proofing without paper white simulation.The paper distinguishes itself by an exceptional high ink limit and the large colour gamut is ideal for simulating spot colours. Key features - For FOGRA39 proofing without paper white simulation - Microporous imaging layer - Wide colour gamut - Surface - Semimatt -Grammage 200

EFI Proof Paper 6200XF Semimatt - A2, 100 sheets

The EFI Proof Paper 6200XF Semimatt is a universal, PE-coated, microporous paper for FOGRA39 proofing without paper white simulation.The paper distinguishes itself by an exceptional high ink limit and the large colour gamut is ideal for simulating spot colours. Key features - For FOGRA39 proofing without paper white simulation - Microporous imaging layer - Wide colour gamut - Surface - Semimatt -Grammage 200

Calibrite ColorChecker Video XL

The Calibrite ColorChecker Video XL provides an extra-large format for effortlessly capturing the target at greater distances and wider angles. It provides the same chromatic colours, skin tones and gray reference chips of the standard size ColorChecker Video, but twice as large. You’ll be able to eliminate the need to move your camera closer or adjust the focal length of your lens, shoot in the same lighting condition that is falling on your subject and minimise colour casting from any surrounding light. You’ll also be able to increase the capture resolution for more accurate post-production work. The Calibrite ColorChecker Video XL is designed for those longer and wider shots when the space between your camera and subject is too great to capture a smaller target. Ideal for large production environments such as: Cine Wide Shots: Landscape, Cityscape, Custom Sets Event Filmmaking: Concerts, Churches, Sports, Stage Aerial Filmmaking: Drones Using a ColorChecker Video XL target at capture gets you to a worry-free, colour balanced, consistently neutral and ideally exposed place faster than ever before. It’s an essential colour tool you won’t want to be without, saving you valuable time from pre-production through post. ColorChecker Video XL is an extra-large all-in-one durable and rigid video target. The target is available by itself or with two forms of added protection; your choice of a simple carry sleeve or a fully configurable carrying case. ColorChecker Video charts make your workflow faster, more consistent and more colour balanced. They allow everyone on your team – from producer to cinematographer to editor to colourist – to work with consistent colour information. They save you time, from pre-production through production, and help you get to your creative look faster. Achieving the proper colour balance and exposure for video can be challenging. F-stops in cameras don’t always match. Ambient lighting conditions change. Multiple cameras and lenses have different looks, even if they are the same brand and model. All of this adds up to quality control challenges and increased workload in post-production for your colourist or editor. Here’s what ColorChecker Video offers: Video Colour Target Speed up your colour grading workflow by achieving ideal exposure and colour balance, whether shooting with one camera or multiples. The colour chart includes a series of chromatic colour chips, skin tone chips, gray chips and illumination check chips. The layout is designed for ideal performance when used with vectorscopes and waveforms, whether on camera or in software. Chromatic Colours: two rows of six chromatic colour chips, both saturated and desaturated, specifically designed to align with the colour axis on a vectorscope. These colours provide two levels of colour information to more quickly achieve an ideal colour balance. Skin Tones: ranging from light to dark with subtle undertones to better reproduce accurate flesh tones. This row of chips is positioned on the outer edge of the target for easy alignment. Large Gray Levels: four larger steps for even gray balance, including white, 40IRE gray, deep gray and high gloss black. These levels are ideal for determining proper exposure whether you use a waveform, zebras, or false colours. Use these levels to align the exposure and contrast of cameras you are matching and ensure that mid-tones are rendered accurately. These chips are positioned in the centre of the test target for maximum exposure, even on a wide set. Linear Grayscale: six colour chips for achieving even gray balance. This row addresses highlight and shadow regions. Illumination Check Chips: black and white chips at two corners to better assist in determining even illumination across the target 3rd Party Software Support ColorChecker Video is supported by 3rd party software solutions for improved colour grading and efficiencies. DaVinci Resolve 3DLUT Creator

NCS Index 2050

The most popular NCS Colour product used by colour professionals and enthusiasts globally. NCS Index 2050 is a fan deck that includes all 2050 NCS Standard colours. A highly optimised colour sorting based both on user preferences and the NCS Colour Circle, which makes it easy and quick to find the right colour. PRODUCT DETAILS • 2050 colours. • Large colour samples (22/26 mm). • Sorted by hue, based on the NCS Colour Circle. • A protective elastic band keeps the fan deck neatly folded when not in use. • Most used low chromatic white, grey and black colours in one separate section. • Smart navigation in the top corner of each page. • NCS Notations printed on each of the colour samples. • Matte laminated paper cover. HOW THE COLOURS ARE ARRANGED People generally start with the hue when looking for a colour "Am I looking for a lime green, a yellow or orange?" • The NCS Index 2050 offers therefore a hue-based sorting, following the NCS Colour Circle, to allow navigation among the 2050 colours quick and easy. • Within each hue-section (piece of the pie) the colours are arranged by nuance, following the NCS Colour Triangle. • The nuances go from low chromaticness to high chromaticness (from pale to strong). • In the flow from top to bottom, the colours are sorted by increasing blackness. • White and pure colours are positioned at the top and deeper shades at the bottom. NEUTRAL GREYSCALE For low chromatic colours, people generally change the principle by which they search for a specific colour. For whitish and greyish colours, the nuance of the colour is much more significant than the hue. Therefore, all low chromatic colours are sorted by nuance and can be found in the first section of the NCS Index 2050. NAVIGATION • Large colour samples (22 mm). • Top sample slightly larger (26 mm). • NCS Notations printed in silver on top of colour stripes. • Hue navigation and page number in the top of each page. • NCS Triangle and Circle at bottom of the page.

Calibrite ColorChecker Classic XL

This is a larger version of the ColorChecker Classic for those shots taken at a greater distance like at an outdoor event, on a larger set or for drone photography. Measuring an impressive 530 x 370mm, the Classic XL is the second largest photographic target, with only the ColorChecker Classic Mega overshadowing its size. The XL target is an ideal tool for the following photographic scenarios and more: Wide shots: landscape, long distance portraits, travel Distance photography: interviews, presentations, large sets Aerial photography: drone photography ColorChecker targets are ideal for creating custom camera profiles (DNG and ICC), correcting neutral balance and exposure, and provides a standard for colour corrections. The targets provide a non-subjective standard of comparison to help determine the true colour balance of any colour rendition system. It provides the needed standard for comparing, measuring and analysing differences in colour reproduction in various processes—avoiding costly mistakes. The ColorChecker Classic XL is also available to purchase with an optional sleeve or case for added protection on location. The ColorChecker target is an array of 24 scientifically formulated colours that has been the leading industry colour reference target for more than 40 years. It is designed to deliver true-to-life colour reproduction so that photographers and filmmakers can predict and control how colour will look under any illumination. Each of the 24 colours found on a ColorChecker target represents the actual colour of natural objects, such as human skin tone, foliage and blue sky, and reflects light just like its real-world counterpart. Since these colours exemplify the colour of their counterparts in the natural world and reflect light the same way in all parts of the visible spectrum, the squares will match the colours of representative samples of natural objects under any illumination, and with any colour reproduction process. Each solid patch is formulated individually to produce a pure, flat, rich colour. ColorChecker targets have been used by Colour perfectionists for the past decade to create custom DNG profiles for Adobe Lightroom® and Photoshop® workflows. You can also build custom ICC camera profiles for use in Capture One® (or other ICC compatible software) when you combine ColorChecker targets with Calibrite ColorChecker Camera Calibration software. You’ll get accurate colour at capture based on specific lighting, camera and lens combination during any given shoot, saving valuable time in edit. Taking advantage of a ColorChecker target is easy. Simply include the ColorChecker in your photo or video capture and then later, while editing use it to compare, measure and analyse differences in colour reproduction in any colour rendition system. The ColorChecker can help you make global corrections based on accurate information. If you shoot a large number of images that all require the same colour correction, you know that editing a few key photos and applying your changes can sometimes change colours you didn’t intend to be changed. A shot of the ColorChecker captured under the same lighting as your images will provide a point of reference, so you can see exactly how changes will affect the rest of your colours before you apply them. This objective standard will help you avoid costly mistakes and trial-and-error colour adjustments while editing your images or colour grading. 3rd Party Software Support: Adobe Photoshop and Adobe Lightroom via a free plugin Color Finale Black Magic DaVinci Resolve for colour grading in a video editing workflow Hasselblad Phocus for ICC camera profiling 3DLUT Creator DxO Photolab 4

Calibrite ColorChecker Classic XL w/SL

ColorChecker Classic XL: This is a larger version of the ColorChecker Classic for those shots taken at a greater distance like at an outdoor event, on a larger set or for drone photography. Measuring an impressive 530 x 370mm, the Classic XL is the second largest photographic target, with only the ColorChecker Classic Mega overshadowing its size. The XL target is an ideal tool for the following photographic scenarios and more: Wide shots: landscape, long distance portraits, travel Distance photography: interviews, presentations, large sets Aerial photography: drone photography ColorChecker targets are ideal for creating custom camera profiles (DNG and ICC), correcting neutral balance and exposure, and provides a standard for colour corrections. The targets provide a non-subjective standard of comparison to help determine the true colour balance of any colour rendition system. It provides the needed standard for comparing, measuring and analysing differences in colour reproduction in various processes—avoiding costly mistakes. ColorChecker XL Sleeve: This black portable sleeve for the ColorChecker XL provides durability and protection for your chart when stored or out on a shoot. The sleeve features a tricot interior and can easily be transported in a hard shell carry case with your other video equipment. Features include: • Durable black polyester exterior and soft tricot interior • Designed to fit into a hard shell travel case • The size of the case is 559 x 387mm The ColorChecker target is an array of 24 scientifically formulated colours that has been the leading industry colour reference target for more than 40 years. It is designed to deliver true-to-life colour reproduction so that photographers and filmmakers can predict and control how colour will look under any illumination. Each of the 24 colours found on a ColorChecker target represents the actual colour of natural objects, such as human skin tone, foliage and blue sky, and reflects light just like its real-world counterpart. Since these colours exemplify the colour of their counterparts in the natural world and reflect light the same way in all parts of the visible spectrum, the squares will match the colours of representative samples of natural objects under any illumination, and with any colour reproduction process. Each solid patch is formulated individually to produce a pure, flat, rich colour. ColorChecker targets have been used by Colour perfectionists for the past decade to create custom DNG profiles for Adobe Lightroom® and Photoshop® workflows. You can also build custom ICC camera profiles for use in Capture One® (or other ICC compatible software) when you combine ColorChecker targets with Calibrite ColorChecker Camera Calibration software. You’ll get accurate colour at capture based on specific lighting, camera and lens combination during any given shoot, saving valuable time in edit. Taking advantage of a ColorChecker target is easy. Simply include the ColorChecker in your photo or video capture and then later, while editing use it to compare, measure and analyse differences in colour reproduction in any colour rendition system. The ColorChecker can help you make global corrections based on accurate information. If you shoot a large number of images that all require the same colour correction, you know that editing a few key photos and applying your changes can sometimes change colours you didn’t intend to be changed. A shot of the ColorChecker captured under the same lighting as your images will provide a point of reference, so you can see exactly how changes will affect the rest of your colours before you apply them. This objective standard will help you avoid costly mistakes and trial-and-error colour adjustments while editing your images or colour grading. 3rd Party Software Support: Adobe Photoshop and Adobe Lightroom via a free plugin Color Finale Black Magic DaVinci Resolve for colour grading in a video editing workflow Hasselblad Phocus for ICC camera profiling 3DLUT Creator DxO Photolab 4

Calibrite Display Pro HL

Du bryr dig om dina bilder, dina designer, ditt innehåll. Det är din kreativa vision och vi vet att du vill ha fullt förtroende när du delar den med kunder och kunder; Du vill vara säker på att de filer du redigerar är de bästa. Den helt nya HL-sensorn i Calibrite Display Pro HL möjliggör mer exakt kalibrering och färgprofilering av LCD-, mini-LED- och OLED-skärmar, inklusive Apple XDR-paneler, och ger därmed mer kontroll över dina bilder. Calibrite Display Pro HL drivs av ny X-Rite-teknologi och stöds av årtionden av forskning inom skärm- och färgvetenskap. Genom att använda en nyutvecklad HL-mätsensor ger Display Pro HL överlägsen färgnoggrannhet och möjliggör ett större ljusområde som är kompatibelt med befintliga och nya skärmteknologier. Och när den används tillsammans med Calibrite PROFILER-programvaran kan du få tillgång till helt anpassningsbara funktioner som White Point, Luminans, Kontrastförhållande och Gamma, för att dra full nytta av den nya HL-sensorn. Den kraftfulla kombinationen av hårdvara och programvara i Calibrite Pro HL är utformad för fotografer, designers och innehållsskapare och ger dina färger liv som aldrig förr. Funktioner • Avancerad HL-sensor (hög luminans) för större färgnoggrannhet med användning av befintliga och nya displaytekniker med högre ljusmätningar. • Stöds av Calibrite PROFILER-programvara för kalibrering och profilering av alla moderna bärbara datorer, stationära skärmar och projektorstekniker, inklusive mini-LED och OLED. • Stöd för broadcast-videostandarder: NTSC, PAL SECAM och ITU-R Rec.709. • Grundläggande och avancerade lägen för användarvänlighet och ultimat anpassning. • Oändlig kontroll: White Point, Luminans, Kontrastförhållande, Gamma och mer. • Större patchset och anpassade patches från dina uppladdade bilder. • Snabb kontroll, validering och enhetlighetskontroll. • Skapande och delning av anpassade inställningar för konsistens inom arbetsgruppen. • Profilering av flera skärmar anslutna till samma dator. • Flare Correct: mätning och kompensation av skärmytans bländning. • Integrerat 1/4" gänga för montering på stativ eller belysningsstativ vid profilering av projektorer eller stora skärmar. • Upnå 30% snabbare kalibrering med Calibrite PROFILER-programvara jämfört med tidigare programvara (i1Profiler och ccProfiler). • Kompatibel med scannerprofiliseringsmodulen - kommer snart till Calibrite PROFILER. Skärmkalibrering Vår avancerade HL-sensor kombinerat med Calibrite PROFILER-programvaran gör att du enkelt kan kalibrera hela gammaområdet på mini-LED-, OLED- och Apple XDR-paneler. Och självklart inkluderar vi vit LED, plasma, RGB LED, PFS Phosphor och Wide Gamut-skärmar. Vår funktion för mätning av omgivande ljus bestämmer automatiskt den optimala skärluminansen för att jämföra utskrifter med din skärm baserat på en mätning av ljusförhållandena där utskrifterna visas. Du kan välja mellan tre olika patchstorlekar: small, medium och large; Lägg till patches från specifika bilder för ännu mer noggrannhet. Dessutom ger våra före- och efterbilder omedelbar återkoppling på resultaten! Projektorprofileringskalibrering Nu kan dina projicerade presentationer visa ditt arbete i bästa möjliga ljus och färg. Tack vare vår projektorprofilering kan du enkelt skapa en anpassad profil för en projektor eller stor panelvisning direkt från din bärbara dator på bara några minuter. Profileringsprocessen tar hänsyn till alla rumsspecifikationer, inklusive projicerade färger, skärmfärg och omgivande rumbelysning, vilket garanterar att din presentation ser ut precis som du tänkt dig. Med denna teknik kan du tryggt visa upp ditt arbete och veta att människor kommer att se det precis som du vill.