EXIT MUSIC

EXIT MUSIC

SCHAATHUN ASBJØRN EXIT

SCHAATHUN ASBJØRN EXIT

Anders Brødsgaard: Prelude-Labyrinth-Exit

Prelude-Labyrinth-Exit by Anders Brødsgaard for Cello solo.

Anders Brødsgaard: Prelude-Labyrinth-Exit (Cello Solo)

Prelude-Labyrinth-Exit by Anders Brødsgaard for Cello solo (1994-2002). Prelude was commissioned by Louise Lerche-Lerchenborg for Lerchenborg Musikdage 1994. Labyrinth-Exit was commissioned by Det Unge Tonekunstnerselskab in 2002. Score revised in 2018.  

Rodolfo Halffter: Laberinto (Labyrinth) Op.34

Four attempts to locate the exit.

Michael Nyman: Exit No Exit (Score/Parts)

Schaathun Exit Pts

Score WH31295 Composed 1979-rev. 1982

Entrance and Exit Music

Ludovico Einaudi: Eden Roc

Songs include:  Fuori dalla notte, Due tramonti, Nefeli, Giorni dispari, Julia, Fuori dal mondo, Un mondo a parte, Password, Exit .

Daniel Powter: Bad Day (SSA)

Topping the Billboard Hot 100 for over five weeks, Daniel Powter's fresh new single was used as the American Idol exit theme. An infectious chorus and reflective lyrics have kept it at the top.

13 Motetten : Nr. 1 Exit edictum (Luk. 2, 1-14)

Bad Day : ShowTrax CD

Topping the Billboard Hot 100 for over five weeks, Daniel Powter's fresh new single was used as the American Idol exit theme. An infectious chorus and reflective lyrics have kept it at the top.Available separately: SATB, SAB, SSAand ShowTrax CD. Performance Time: Approx. 3:40.

W.T. Skye Garcia: Free Fall

This lively waltz has clever lyrics which capture the fun and freedom of sky diving.?When you exit the door, and the sky is your floor, please forget not the ground far below,? starts off an adventuresome theme. Free Fall is written in C position, with repeating melodic patterns that students can learn quickly. Lead your recital audience in a group-sing!

Labyrinth

The term “labyrinth” refers to an intricate and confusing maze of pathways. In similar fashion, William Himes somewhat devious, yet delightful musical representation takes the listener (and performer) on a journey ofincreasing complexityand musical twists and turns before ultimately revealing the familiar path leading to the exit. Composed using a single tempo, Labyrinth offers a unique and effective setting for band. Dur:3:20

Labyrinth

The term “labyrinth” refers to an intricate and confusing maze of pathways. In similar fashion, William Himes' somewhat devious, yet delightful musical representation takes the listener (and performer) on a journey ofincreasing complexity and musical twists and turns before ultimately revealing the familiar path leading to the exit. Composed using a single tempo, Labyrinth offers a unique and effective setting for band. Dur: 3:20

Spiderman - No Way Home : Music from the motion picture soundtrack

This folio features 13 piano solo arrangements from Michael Giacchino's score from one of the biggest movies of 2021. Tracks include: All Spell Breaks Loose • Being a Spider Bites • Damage Control • A Doom with a View • Exit Through the Lobby • Forget Me Knots • Liberty Parlance • Monster Smash • Otto Trouble • Peter Parker Picked a Perilously Precarious Profession • Shield of Pain • Spider Baiting • Spider-Man: No Way Home Main Theme.

Popular Songs For Piano Solo – 14 Stylish Arrangements By Earl Rose

14 stylish arrangements of some of today's biggest hits by Emmy Award-winning pianist/composer Earl Rose. Various devices are employed in these unique, playable arrangements – chord clusters, a classical-sounding Alberti Bass, and jazzy parallel fourths, for example – elevating these pop songs to a higher dimension. Songs include: Empire State of Mind, Exit Music (for a Film), Happy, I Knew You Were Trouble, Just Give Me a Reason, My Valentine, Radioactive, Skyfall, Someone Like You, When I Was Your Man and more.

American Psycho: The Musical (Vocal Selections)

15 Piano/Vocal arrangements from the 2016 Broadway musical, adapted from the controversial 1991 novel of the same name. Original music and lyrics were penned by Duncan Sheik (of Barely Breathing fame) and it also includes the pop hits 'In the Air Tonight' and 'Everybody Wants to Rule the World'. Original songs include: 'At the End of an Island', 'Cards', 'A Girl Before', 'I Am Back', 'If We Get Married', 'Killing Time', 'Killing Time 2.0' , 'Mistletoe Alert', 'Nice Thought', 'Not a Common Man', 'Selling Out (Fischer King Remix)', 'This Is Not an Exit', 'You Are What You Wear'.

John Corigliano: Promenade Overture (Score)

While Promenade Overture can be performed with the orchestra seated throughout, in traditional fashion, it is engineered to allow the players to enter playing, building the orchestra from an almost empty stage. The premise of Promenade Overture took root years ago when the composer was caught off guard by Haydn's delightful Farewell Symphony. This Haydn work is often used to end a concert, because during the last movement the players gradually exit, leaving two violins to finish the symphony on a bare stage. Since overtures usually begin concerts, a reverse of this procedure - the entrance of the orchestra while playing - became both an interesting idea and a compositional challenge.

Jazz Play-Along Volume 171: Radiohead - 10 Great Songs

For use with all B-flat, E-flat, Bass Clef and C instruments, the Jazz Play-Along Series is the ultimate learning tool for all jazz musicians. With musician-friendly lead sheets, melody cues, and other split-track choices on the included CD, these first-of-a-kind packages help you master improvisation while playing some of the greatest tunes of all time. For study: each tune includes a split track with: Melody cue with proper style and inflection • Professional rhythm tracks • Choruses for soloing • Removable bass part • Removable piano part. For performance: each tune also has: An additional full stereo accompaniment track (no melody) • Additional choruses for soloing. Features 10 Radiohead hits: Creep • Everything in Its Right Place • Exit Music (For a Film) • High and Dry • Knives Out • My Iron Lung • Optimistic • Paranoid Android • Pyramid Song • Subterranean Homesick Alien .

Acoustic Fingerstyle Guitar Workshop

Direct from the master of guitar clinics, this 96-page book contains a plethora of topics based on Richard Gilewitz's experience of conducting fingerstyle guitar and sound seminars for nearly a decade in a variety of settings worldwide. Sections are built around the most frequently asked questions from players of all ages and skill level, with topics supported by written explanations, exercises, original music tablature and notation pieces, charts, and photographs. Recommended for players and teachers of both 6 and 12-string guitar, this book provides encouragement and new avenues for growth for all students wishing to improve upon their life-long craft. The companion CD and 83-minute DVD provide a guide to discussion on learning slide, how to select a guitar, capos, metronomes, tuners, strings, composition, hand positions, practice methods, touring and recording tips, standard and open tunings, picking patterns, and more. Original compositions offered in tablature and notation include "Dirt To Dust" with the new "Gypsy Minor" introduction, "Bilingual Fantasy", "Jamaicalina", "Pre Dawn Mourning", "Echoing Gilewitz", "Mrs. Firecracker's Place", and "The Maison Blanche Exit Song" . ?

Poul Ruders: Psalmodies (Full Score)

Full score for this work for Guitar and Small Ensemble. Ruders writes: The word has its origin in ancient Greek: Psalmoidia i.e. ?singing to the harp?, and we find the word again in Psalter, derived from Psallein ?playing the strings with the fingers?. 'Psalmodies' written for and dedicated to David Starobin, has no specific religious content or aim; the collection of eleven pieces forms a concert-suite, displaying a wide range of emotions; from the jubilant to the dismal, the guitar playing the natural leading part ?inside? a chorus of woodwinds and strings. The title and each movement mirrors the variety of moods, from the secular feast of A Fanfare for All to the sacred introversion of A Prayer with Halo. 'Psalmodies' opens with a guitar-solo and closes down with one: the rejoicing Entrance for One and the hushed, melancholy Exit for One, thus exemplifying the emotional compass, which I, in an essay on my first symphony; ?Himmelhoch Jauchsend-zum Tode betrübt? entitle: Of Joy and Grief. Of Worship and Oblivion.

organ plus brass, Volume I

Includes parts for Trumpet I and II in B-flat; Trombones I & II in C; Horn in F; TimpaniRepertoire for Brass Ensemble and Organ.Suitable for amateur Brass ensembles and non-professional organists.Offersvarious Brass parts enabling performances with flexible instrumentation.The alternation of Organ and Brass ensemble is in many parts of the world a standard practice in church services and concerts. It is much rarer,however, to hear the joint performance during entrance and exit processionals as well as chorale preludes. This is due, not least, to the lack of literature for the combination.This new series “Organ Plus Brass”presentsoriginal works, and more importantly, new arrangements which are geared towards amateur wind players. The Organ part is manageable for the non-professional organist and can be played on a small or medium-sizedinstrument.The full score comes with an inserted wind score in C which is also available separately. Wind parts in C and B-flat can also be purchased. The edition enables the performance by Brass Ensembles of varyinginstrumentation.Volume 1 includes the arrangement of “Marche Triomphale” by Théodore Dubois. This composition was originally written for solo Organ and is a part of the popular “Douze pièces nouvelles”, which isavailable under the order number BA 8471.

organ plus brass, Volume I

Includes parts for Trumpet I and II in B-flat; Trombones I & II in C; Horn in F; TimpaniRepertoire for Brass Ensemble and Organ.Suitable for amateur Brass ensembles and non-professional organists.Offersvarious Brass parts enabling performances with flexible instrumentation.The alternation of Organ and Brass ensemble is in many parts of the world a standard practice in church services and concerts. It is much rarer,however, to hear the joint performance during entrance and exit processionals as well as chorale preludes. This is due, not least, to the lack of literature for the combination.This new series “Organ Plus Brass”presentsoriginal works, and more importantly, new arrangements which are geared towards amateur wind players. The Organ part is manageable for the non-professional organist and can be played on a small or medium-sizedinstrument.The full score comes with an inserted wind score in C which is also available separately. Wind parts in C and B-flat can also be purchased. The edition enables the performance by Brass Ensembles of varyinginstrumentation.Volume 1 includes the arrangement of “Marche Triomphale” by Théodore Dubois. This composition was originally written for solo Organ and is a part of the popular “Douze pièces nouvelles”, which isavailable under the order number BA 8471.

organ plus brass, Volume I

Includes parts for Trumpet I and II in B-flat; Trombones I & II in C; Horn in F; TimpaniRepertoire for Brass Ensemble and Organ.Suitable for amateur Brass ensembles and non-professional organists.Offersvarious Brass parts enabling performances with flexible instrumentation.The alternation of Organ and Brass ensemble is in many parts of the world a standard practice in church services and concerts. It is much rarer,however, to hear the joint performance during entrance and exit processionals as well as chorale preludes. This is due, not least, to the lack of literature for the combination.This new series “Organ Plus Brass”presentsoriginal works, and more importantly, new arrangements which are geared towards amateur wind players. The Organ part is manageable for the non-professional organist and can be played on a small or medium-sizedinstrument.The full score comes with an inserted wind score in C which is also available separately. Wind parts in C and B-flat can also be purchased. The edition enables the performance by Brass Ensembles of varyinginstrumentation.Volume 1 includes the arrangement of “Marche Triomphale” by Théodore Dubois. This composition was originally written for solo Organ and is a part of the popular “Douze pièces nouvelles”, which isavailable under the order number BA 8471.