8 Small Studies GeWV 110

Zirkus : Polka schnell Op. 110

Zirkus : Polka schnell Op. 110

Hercules bs200b+ notställ

Nodeplade: 48 x 34,5 cm. Orkesternodestativ med ben som kan stables. Sort. Nodeplade: 48 x 34,5 cm Højde: 69-110 cm Vægt 3,4 kg Orkesternodestativ med ben som kan stables. Sort

Piano Trios

Three selected Piano Trios for Violin, Cello and Piano, composed by Robert Schumann. Contains: Piano Trio in F Op.80, Piano Trio in D minor Op.63 and Piano Trio in G minor Op.110.

Strauss, J Ii Electro-magnetische Polka Op.110 Fs/Pts

Kantaten zum 1. Weihnachtstag : Kantaten BWV 63, 91, 110, 191, 197a

Hercules gs415b-plus gitarrställ

HERCULES Triple Guitar Stand GS432B PLUS passer til en række forskellige instrumenter og kommer med det opgraderede foldbare Auto Grip System (AGS) åg, Instant Height Adjustment Clutch, Specially Formulated Foam (SFF) gummikontakter og de justerbare ryglæn. Upgraded Auto Grip System yoke Komfort greb Specielt formuleret skum Højde: 960 mm til 1.150 mm Vægt: 2 kg Basisradius: 320 mm Bæreevne: 15 kg Foldet Størrelse: 685 mm x 110 mm x 100 mm

Hercules gs405b shoksafe stativ

Med ett stötdämpande system. Både oket och vaggan är flexibla och säkra för att helt skydda instrumentet. Den stötdämpande SHOKESAFE-tiltstolpen och det säkra retentionssystemet på det övre oket skyddar mot oavsiktliga stötar och kollisioner. Det nedfällbara oket låses på plats för att säkert säkra instrumentet i stativet. Speciellt formulerat gummiskum skyddar instrumentet helt vid alla kontaktpunkter. Höjd: 735 mm Vikt: 1,9 kg Basradie: 270 mm Lastkapacitet: 15 kg Vikt storlek: 675 mm x 155 mm x 110 mm Oklängd: 150 mm

K&M piano LED-lampa - svart, modell 12296

Professionell orkesterlampa med batterier och strömförsörjning. Nio extra ljusa och energieffektiva lysdioder ger konsekvent och levande belysning. Den flexibla svanhalsen är helt justerbar. Ljuset har en strömbrytare med två ljusstyrkanivåer. Ljuskonen är begränsad till notbladet genom en bländskydd. En extra stark klämma ger ett säkert grepp på notställ. Det kompletta setet består av 3 AA 1,5V-batterier, en strömförsörjning med en 3 m sladd, samt en tålig väska. Spännvidd: upp till 20 mm Anslutning: elkabel 3 m EAN: 4016842104185 Elektriska anslutningsdata: 110 V - 240 V AC 50Hz - 60Hz Lampskärmens längd: 210 mm Lätt positionering av: svanhals Belysningsapparat: 9 lysdioder Material: plast Strömförsörjning: batteridrift 3 x Mignon (AA) 1,5 V eller nätström med kraftenhet Specialfunktioner: växla mellan 2 nivåer av ljusstyrka; batterier, nätadapter och väska medföljer Typ: svart Vikt: 0,58 kg

Tolomeo, Re Di Egitto HWV 25

Tolomeo was Handel’s last opera for the Royal Academy of Music in London. Composed between March and 19 April 1728, it was premiered on 30 April. Handel revived the opera several timesfurther: in 1730 in an extensive revision, with seven performances, and in 1733 with four performances.The historical background is the dispute between Cleopatra III and her younger son Ptolemaio X Alexander I ( Tolomeo ).In 110 BC Cleopatra drove Tolomeo out of Egypt. She died, irreconciled to him, in 101 BC.The new vocal score is based on the “Halle Handel Edition”. The main part contains the version from the premiere. Theextensiveappendix also enables later versions to be performed.Based on the Urtext of the Halle Handel Edition.Thoroughly revised, practical performing vocal score.Italian text, with German singingtranslation.Detailed foreword in two languages (German/English).Also available: full score, and performance material to hire.

Flamenco Improvisation Volume 3

The definitive, comprehensive explanation of both the harmonic and melodic aspects of flamenco! Flamenco Improvisation - Modal Improvisation and Melodic Construction in the Flamenco Environment by famed guitarist Enrique Vargas . This volume deals with new scales in the flamenco modal language. Some of these scales, such as the diminished, wholetone, overtone or hexatonic symmetrical, come from modern classical or jazz. Others come from ethnic modalities which are external to flamenco. The harmonic implications of these scales is analysed and their application in the flamenco environment is explained and illustrated by numerous melodic examples, both original and by renowned flamenco artists. The concept of modal substitutions is introduced and modal polytonality is explained and the notion of replicating dominant scales by minor thirds and tritones is introduced and various ways to resolve a tritone are explained. Appendix I contains a collection of 110 licks in modern penta-, hexa-, hepta- and octatonic scales. Each lick is harmonized and comes with detailed guitar fingerings. Appendix II is a complete thesaurus of vertical and horizontal guitar fingerings for every modern penta-, hexa-, hepta- and octatonic scales in flamenco, in every flamenco tonality. Each lick is recorded with harmonic accompaniment and bass.

Singer's Musical Theatre Anthology - Volume 5 : Baritone/Bass Book with Online Audio

The world's most trusted source for authentic editions of theatre music for singers has expanded with yet another volume. Many of the songs are found in no other collections. The 40 songs in each volume are in the original keys, excerpted from vocal scores and piano/conductor rehearsal scores. Includes both recent shows and a deeper look into classic musicals. Each book also includes a unique access code to professionally-recorded piano accompaniments online that you can download or stream for practice or performance. Includes: ALL AMERICAN: Once Upon a Time - ANNIE: Something Was Missing - ANYONE CAN WHISTLE: With So Little to Be Sure Of - AVENUE Q: Purpose - I Wish I Could GoBack to College - BARNUM: There's a Sucker Born Ev'ry Minute - The Colors of My Life - CHICAGO: Razzle Dazzle - CITY OF ANGELS: Funny - CURTAINS: Coffee Shop Nights - I Miss the Music - DIRTY ROTTEN SCOUNDRELS: Love Sneaks In - DREAMGIRLS: When I First Saw You - FIDDLER ON THE ROOF: If I Were a Rich Man - 42ND STREET: Lullaby of Broadway - A FUNNY THING HAPPENED ON THE WAY TO THE FORUM: Your Eyes Are Blue - GREY GARDENS: Marry Well - HOW TO SUCCEED IN BUSINESS WITHOUT REALLY TRYING: A Secretary Is Not a Toy - LITTLE ME: Real Live Girl - LES MIS RABLES: Drink with Me (To Days Gone By) - Javert's Suicide - ON THE TWENTIETH CENTURY: I Rise Again - 110 IN THE SHADE: Gonna Be Another Hot Day - THE PRODUCERS: The King of Broadway - I Wanna Be a Producer - RENT: Santa Fe - THE ROAR OF THE GREASEPAINT - THE SMELL OF THE CROWD: Look at That Face - SEESAW: It's Not Where You Start - SHE LOVES ME: Try Me - Grand Knowing You - MONTY PYTHON'S SPAMALOT: Robin's Song - You Won't Succeed on Broadway - SPRING AWAKENING: All That's Known - TARZAN: No Other Way - TICK, TICK ... BOOM!: Real Life - THE UNSINKABLE MOLLY BROWN: Colorado, My Home - WEST SIDE STORY: Jet Song - Cool.

Hugh Wood: String Quartet No.4 Op.34 (Score And Parts)

Commissioned by the BBC and premiered by the Chilingirian String Quartet.Quoting Wood: In my Second and Third Quartets I attempted sectional, agglutinative forms: in my Fourth I return to the conventional four movement form of my First Quartet of 1962. Both works build up (as in the 19th century symphony) to the Finale, thus making it the most substantial movement, which provides a climax to the work. The First Movement has, in both works, only the status of an Introduction.But there the consciously willed resemblances end. This Introduction follows the Second Quartet to a certain extent, in that it provides a sort of ?cauldron?, from which elements to be used later can all be plucked. Its opening will reappear at various points throughout the work, most completely at a climatic point of the Finale (bar 110). Subsequent material will be more fully worked out in the second movement, a large Scherzo. The Introduction concludes with an unusually placed violin cadenza (itself a rare feature in a string quartet, the idea lifted from Elliott Carter?s First Quartet) of which the opening is to reappear halfway through the Finale.The Scherzo (which follows attacca) does not have at its centre a discretely characterized Trio: a figure in double-stops like a distant fanfare supplies the necessary contrast of a second idea. The Slow Movement has a secondary idea first heard on the cello and marked appassionato: an agitato middle section recalls the opening of the work, but in a formulation which will be found closely to anticipate its reappearance in the Finale.The Finale is planned on a broad scale. Only after a fully worked exposition of both primary and secondary material does the opening of the whole work return, now in a greatly extended form. Then, at bar 140, the tune of the violin cadenza is first harmonized in fanfare style on the upper instruments, then presented as a chorale on the lower ones, with a rushing semiquaver accompaniment above. This climatic activity mounts to the very end.The work is dedicated to the Chilingirian Quartet, old friends over many years.Score available separately: SOS04044

iRig Mic Cast 2 Voice recording microphone

Create stunning podcasts and voice recordings quickly and easily iRig MIC Cast is the ultra-compact, portable voice recording microphone designed specifically for recording podcasts, interviews, lectures, voice memos, speeches and more. iRig MIC Cast provides a pocket-sized voice recording solution with crystal-clear audio quality. It features a tight unidirectional pickup pattern that minimizes background noise, making it ideal for single-source audio recording. This makes iRig MIC Cast also great for business applications like recording meetings and enhancing the audio and voice quality of conference calls. iRig MIC Cast is proof that great things come in small packages. In addition to an incredibly flat frequency response with zero tonal coloration, the iRig MIC Cast…   Features Features a stereo mini-jack headphone output enabling real-time monitoring of what is being recorded using headphones or speakers. Offers a mini-switch that provides two different sensitivity settings to record close-up or distant sources. Includes an adjustable desktop stand for convenient iPhone/iPod touch positioning during recording. Has a bumper-friendly mini-jack connector that fits the majority of iPhone/iPod touch cases. Has an ultra-compact profile that can be carried anywhere with ease. Like other IK Multimedia microphones, it includes 2 free apps: iRig Recorder, an easy-to-use voice recording/editing app, and VocaLive, a multi-effects processing app for singers. Works with all regular phone calls and any Voice-Over-IP app. Is compatible with iPhone/iPod touch/iPad.   How it works Ultra Compact Design The iRig Mic Cast is literally about the size of a large coin. It can easily fit in your pocket, briefcase or computer bag for easy transport. Plus, its compact size means you can use it anywhere – from the classroom to the boardroom.   Dual Gain Setting One of the most frustrating things about portable mics is the inability to get good clear recordings from sound sources that are not close to you. iRig Mic Cast solves this problem with a dual gain switch that allows you to capture up-close audio as well as audio from sources not so close.   Comes with a Tabletop Stand Now you can set up your iPhone or iPod Touch and record hands-free thanks to the included tabletop stand. Simply place the stand wherever you need it, put your iOS device in and hit record.   No Additional Additions Needed Set up is easy: Plug the iRig Mic Cast into the headphone out “TRRS” jack. You’re now ready to record. Plus, iRig Mic Cast comes with two apps for recording and sound processing: iRig Recorder – a simple, no frills high quality recorder, and VocaLive – our professional vocal processing, effects and recording app. With iRig Mic Cast, making outstanding quality recordings is literally as easy as opening an app on your iOS device.   Works with All of Your iOS Devices iRig Mic Cast is compatible with all iOS Devices with a headphone/audio in TRRS jack, like iPhones, iPod touch and iPads. And, you can use the iRig Mic Cast as a hands-free calling microphone for conference calls and speaker phone applications. Plus you can rotate the iRig Mic Cast to get the best capture angle, increasing the quality and fidelity of your recordings.   Works With Your Android Devices Now you can plug the iRig MIC Cast into your Android device and capture stunning high quality audio. Use the iRig MIC Cast and your favorite Android audio apps to capture podcasts, lectures, speeches, interviews, concerts and spurts of creative brilliance. iRig MIC Cast is fully compatible with most devices and apps that support and process audio — apps like Skype, Tune Me, the Booth Rap Studio, Voice Pro just to name a few. No additional software is required, simply plug iRig MIC Cast into your 1/8” (3.5mm) headphone/input jack and launch your favorite app. Also, iRig MIC Cast comes with iRig Recorder FREE for Android, an extremely easy to use intuitive audio capture and processing app that will quickly become your “go-to” app for quick audio recording. Microphone Type: Condenser Polar patern: Cardioid Frequency Response: 100 Hz - 15 kHz, -3dB Specification: Maximum Sound Pressure: 110 dB, Windscreen: built-in Features: Package includes; iRig Mic Cast ultra-compact audio capture microphone, Portable table-top stand for iPhone/iPod touch Width: 47mm Height: 10mm/ Depth: 30mm Weight: 15g