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Rocket Gifts: Lid Riser "Saxy" - Red

Rocket Gifts: Lid Riser "Saxy" - Red

The heat is on. Things are getting steamy and good vibes are in the air. But don’t let the pressure get to you. Keep a lid on it, it’s Saxy time. Saxy the Lid Riser is designed to rise the lid just the bare minimum to avoid contents boiling over, while mantaining the best caloric efficiency. It’s silicone body does not fear high temperatures, and keeps cool to the touch even when exposed to direct heat sources, making it easy both to place and remove. Heat resistant silicone Fits wide range of pots and pans Available in three colors

SEK 101.00
1

Ich Bin Ein Recheter Weinstock SWV 389

Ich Bin Ein Recheter Weinstock SWV 389

Published in 1648, Heinrich Schütz’s “Geistliche Chor-Music” is still regarded as one of his seminal works. A two-volume performance edition based on Werner Breig’s revised new text is available (BA5901/BA 5902).Now selected motets are being issued in separate volumes. They offer a modern notation and layout, retain the original keys and include an integrated figured bass realisation.In keeping withcontemporary performance practice, the ‘choral’ parts can be performed by instruments as well as voices. Instrumental parts with underlaid words may be purchased separately for performances with instruments(seeperformance material for BA 5901 and BA 5902).- Ich bin ein rechter Weinstock SWV 389 No.21 from Geistliche Chor-Music- Cantus, Sextus, Countertenor, Tenor, Quintus, Bassus, Basso continuo ad lib.

SEK 99.00
1

Motet No.4 Fürchte dich nicht, ich bin bei dir : Motet for two four-part mixed choirs

Motet No.4 Fürchte dich nicht, ich bin bei dir : Motet for two four-part mixed choirs

Fürchte dich nicht, ich bin bei dir for two four-part mixed choirs A major BWV 228All of Bach’s six authenticated motets were written between 1723 and 1727 for St Thomas’Church, Leipzig, where Bach was appointed as director of music in 1723. During this period, Bach composed most of his cantatas, and it seems likely that for ordinary Sunday services he used existing motets fromthe seventeenth century tradition, reserving his own motet compositions for special occasions.- Urtext of the New Bach Edition.- Performance material and choral score (BA5133) available forsale.-Complete edition of the 6 Motets vocal score with piano reduction (BA5193-90), choral score (BA5193)

SEK 96.00
1

Motet No.4 Fürchte dich nicht, ich bin bei dir : Motet for two four-part mixed choirs

Motet No.4 Fürchte dich nicht, ich bin bei dir : Motet for two four-part mixed choirs

Fürchte dich nicht, ich bin bei dir for two four-part mixed choirs A major BWV 228All of Bach’s six authenticated motets were written between 1723 and 1727 for St Thomas’Church, Leipzig, where Bach was appointed as director of music in 1723. During this period, Bach composed most of his cantatas, and it seems likely that for ordinary Sunday services he used existing motets fromthe seventeenth century tradition, reserving his own motet compositions for special occasions.- Urtext of the New Bach Edition.- Performance material and choral score (BA5133) available forsale.-Complete edition of the 6 Motets vocal score with piano reduction (BA5193-90), choral score (BA5193)

SEK 96.00
1

Motet No.4 Fürchte dich nicht, ich bin bei dir : Motet for two four-part mixed choirs

Motet No.4 Fürchte dich nicht, ich bin bei dir : Motet for two four-part mixed choirs

Fürchte dich nicht, ich bin bei dir for two four-part mixed choirs A major BWV 228All of Bach’s six authenticated motets were written between 1723 and 1727 for St Thomas’Church, Leipzig, where Bach was appointed as director of music in 1723. During this period, Bach composed most of his cantatas, and it seems likely that for ordinary Sunday services he used existing motets fromthe seventeenth century tradition, reserving his own motet compositions for special occasions.- Urtext of the New Bach Edition.- Performance material and choral score (BA5133) available forsale.-Complete edition of the 6 Motets vocal score with piano reduction (BA5193-90), choral score (BA5193)

SEK 96.00
1

Motet No.4 Fürchte dich nicht, ich bin bei dir : Motet for two four-part mixed choirs

Motet No.4 Fürchte dich nicht, ich bin bei dir : Motet for two four-part mixed choirs

Fürchte dich nicht, ich bin bei dir for two four-part mixed choirs A major BWV 228All of Bach’s six authenticated motets were written between 1723 and 1727 for St Thomas’Church, Leipzig, where Bach was appointed as director of music in 1723. During this period, Bach composed most of his cantatas, and it seems likely that for ordinary Sunday services he used existing motets fromthe seventeenth century tradition, reserving his own motet compositions for special occasions.- Urtext of the New Bach Edition.- Performance material and choral score (BA5133) available forsale.-Complete edition of the 6 Motets vocal score with piano reduction (BA5193-90), choral score (BA5193)

SEK 96.00
1

Motet No.4 Fürchte dich nicht, ich bin bei dir : Motet for two four-part mixed choirs

Motet No.4 Fürchte dich nicht, ich bin bei dir : Motet for two four-part mixed choirs

Fürchte dich nicht, ich bin bei dir for two four-part mixed choirs A major BWV 228All of Bach’s six authenticated motets were written between 1723 and 1727 for St Thomas’Church, Leipzig, where Bach was appointed as director of music in 1723. During this period, Bach composed most of his cantatas, and it seems likely that for ordinary Sunday services he used existing motets fromthe seventeenth century tradition, reserving his own motet compositions for special occasions.- Urtext of the New Bach Edition.- Performance material and choral score (BA5133) available forsale.-Complete edition of the 6 Motets vocal score with piano reduction (BA5193-90), choral score (BA5193)

SEK 90.00
1

Go With Joy

Go With Joy

Here is a simple, warm benediction that points God's people in the right direction as they leave worship to face the week. It reminds them that because God is with them, they can go with joy, with His presence filling their days. Easy, melodic SATB with lovely harmonic interest. Here is a simple, warm benediction that points God's people in the right direction as they leave worship to face the week. It reminds them that because God is with them, they can go with joy, with His presence filling their days. Easy, melodic SATB with lovely harmonic interest.

SEK 80.00
1