Kleine Geistliche Konzerte II 1639 : Small Sacred Concertos II

The "Kleine geistliche Konzerte" (Small Sacred Concertos), published in two parts in 1636 and1639, are among the best-known and well-loved compositions of Heinrich Schütz. Both parts constitute a collection of vocal pieces in abroad range of styles written for only a few voices with basso continuo. Most of the texts are in German, but some are also in Latin. The first volume presents a broad spectrum of vocal scoring, musical forms and texts: there aresolo concertos in the Italian style, traditional four-part motets, well-known Psalm texts set to music, hymns as well as mystically contemplative meditative literature. The concertos' monodic qualities and high level of virtuosity- especially in the compositions with German text - made Schütz a household name shortly after the "Kleine geistliche Konzerte" were published in print. As the works required no large ensembles, they could be performed fordifferent occasions and in various locations: particularly during the Thirty Years' War they could be heard at court, in cities or in villages but also in schools or at home.Unlike the 1963 edition of the "Kleine geistlicheKonzerte" (BA 3664, BA 3665, BA 3666) as part of the New Schütz Edition, this new volume presents the works for the first time in their original form and order. A historic-critical evaluation of all relevant sources yields newinformation regarding the composer's intentions, the printing process and the works' reception. Furthermore, the edition includes a reconstruction of an earlier version that has not been published until now. This edition is gearedtowards musicologists, as well as professional musicians and amateurs with a keen interest in early music.

Small Pieces Composed in Homage to the Saxon Court : Together with Other Occasional Works for Birthdays or Funerals

iLoud: Micro Monitor Speakers - white

Package includes 2 x iLoud Micro Monitor speakers Power supply unit Power supply cable 4-pin speakers connection cable (1.5m/59.1") TRS 1/8" stereo to 2 x RCA cable (1.5m/59.1")   High-end sound without the high-end price Linear frequency response. Zero coloration. Transparency. Headroom. To hear the truth, you need reference speakers that offer up. And if you work in a home or small studio you have even greater challenges, from the lack of space on your desk to the “less than ideal” position of your audio workstation, typically placed against a wall. Now, with iLoud Micro Monitor, you can hear the truth in your music anytime and everywhere. The smallest active studio reference monitoring system in the world, iLoud Micro Monitor provides you with ultra-accurate true linear frequency response with no coloration, and does so in every listening environment, especially in home and project studios. Sound too good to be true? Read on… iLoud Micro Monitor is two extremely portable, high-performance bi-amped speakers that delivers a combined 50W RMS of power for solid bass, plenty of headroom and a stunningly defined stereo image. Whether you’re recording, editing, mixing or mastering audio, editing video, sound designing or gaming, iLoud Micro Monitor ensures your production will translate well to the huge variety of consumer devices — headphones, home stereo systems, gaming consoles, car audio systems, TVs, and other listening systems.   High power, smallest footprint When the original iLoud speaker was released, it set a new standard for portable power and sonic accuracy in an ultra-small, portable form factor. iLoud Micro Monitor is a natural evolution of that design concept, and just like popular predecessor, offer a completely new and unmatched sonic experience. iLoud Micro Monitors are specifically designed for small makeshift working spaces — bedroom studios, small project studios, on the tour bus or in a hotel room, and they are perfect as an additional reference monitor system for super nearfield listening. Each tweeter and woofer is powered by ultra-efficient class D power amplifiers that push a total of 50W RMS with amazing low-end response down to 55Hz (-3dB) — the best bass response in its category. Each monitor sports a 3/4” silk dome tweeter, a 3” high-rigidity custom composite material woofer and a large-flaring front-firing bass reflex port. Thanks to these features, it’s able to deliver smooth and extended high frequencies, an exceptionally open, focused midrange and a solid, controlled low end. Simply put, iLoud Micro Monitor's sound is so good that it’s nearly inconceivable for a speaker system of this size and at this price point. iLoud Micro Monitor sounds amazing and real. But why? Well, a part of that is due to its internal 56-bit digital signal processor (DSP). This DSP is responsible for things like taking care of the frequency and phase response of the monitors as well as also controlling the dynamic range so that the drivers are always under control and operating efficiently. It also acts as a digital crossover that allows for invisibly smooth transitions between the drivers themselves.   Ideal for small studios Most home studios offer less than ideal space when working on audio and often resemble just a desk with a computer and speakers beside it placed against a wall. Most speakers are not designed for these small environments and sound boomy and undefined, but iLoud Micro Monitors have been designed to be the best possible reference monitor in these challenging “small room” situations. iLoud Micro Monitor’s small footprint saves space on your desktop and ensures closer placement to your ears thus minimizing room reflections. Plus, its internal DSP offers various EQ settings for optimizing bass and treble response as well as position compensation — this lets you switch between a “free field” and “desktop” setup effortlessly. You can also position iLoud Micro Monitor at two angles of inclination thanks to the integrated isolation base that guarantees further mechanical de-coupling and purer sound. With these features you can optimize your listening experience to suit the characteristics of the room you’re working in, therefore always ensuring that you’re working in the audio the sweet spot.   Free-field positioning iLoud Micro Monitors also feature an integrated mic stand thread (UNC 3/8”-16) so you can easily place them on any regular pair of mic stands giving you the best possible monitoring conditions in the smallest places without adding expensive accessories.   Hi-end features without the high-end price When it comes to small monitors, you’re traditionally limited to two choices — cheap, “budget” monitors that can be better described as a couple of “wooden” boxes with “some kind of” speakers usually costing in the $100-$200 (per pair) range, or high ...

IRig: iLoud: Micro Monitor Speakers - svart

Package includes 2 x iLoud Micro Monitor speakers Power supply unit Power supply cable 4-pin speakers connection cable (1.5m/59.1") TRS 1/8" stereo to 2 x RCA cable (1.5m/59.1")   High-end sound without the high-end price Linear frequency response. Zero coloration. Transparency. Headroom. To hear the truth, you need reference speakers that offer up. And if you work in a home or small studio you have even greater challenges, from the lack of space on your desk to the “less than ideal” position of your audio workstation, typically placed against a wall. Now, with iLoud Micro Monitor, you can hear the truth in your music anytime and everywhere. The smallest active studio reference monitoring system in the world, iLoud Micro Monitor provides you with ultra-accurate true linear frequency response with no coloration, and does so in every listening environment, especially in home and project studios. Sound too good to be true? Read on… iLoud Micro Monitor is two extremely portable, high-performance bi-amped speakers that delivers a combined 50W RMS of power for solid bass, plenty of headroom and a stunningly defined stereo image. Whether you’re recording, editing, mixing or mastering audio, editing video, sound designing or gaming, iLoud Micro Monitor ensures your production will translate well to the huge variety of consumer devices — headphones, home stereo systems, gaming consoles, car audio systems, TVs, and other listening systems.   High power, smallest footprint When the original iLoud speaker was released, it set a new standard for portable power and sonic accuracy in an ultra-small, portable form factor. iLoud Micro Monitor is a natural evolution of that design concept, and just like popular predecessor, offer a completely new and unmatched sonic experience. iLoud Micro Monitors are specifically designed for small makeshift working spaces — bedroom studios, small project studios, on the tour bus or in a hotel room, and they are perfect as an additional reference monitor system for super nearfield listening. Each tweeter and woofer is powered by ultra-efficient class D power amplifiers that push a total of 50W RMS with amazing low-end response down to 55Hz (-3dB) — the best bass response in its category. Each monitor sports a 3/4” silk dome tweeter, a 3” high-rigidity custom composite material woofer and a large-flaring front-firing bass reflex port. Thanks to these features, it’s able to deliver smooth and extended high frequencies, an exceptionally open, focused midrange and a solid, controlled low end. Simply put, iLoud Micro Monitor's sound is so good that it’s nearly inconceivable for a speaker system of this size and at this price point. iLoud Micro Monitor sounds amazing and real. But why? Well, a part of that is due to its internal 56-bit digital signal processor (DSP). This DSP is responsible for things like taking care of the frequency and phase response of the monitors as well as also controlling the dynamic range so that the drivers are always under control and operating efficiently. It also acts as a digital crossover that allows for invisibly smooth transitions between the drivers themselves.   Ideal for small studios Most home studios offer less than ideal space when working on audio and often resemble just a desk with a computer and speakers beside it placed against a wall. Most speakers are not designed for these small environments and sound boomy and undefined, but iLoud Micro Monitors have been designed to be the best possible reference monitor in these challenging “small room” situations. iLoud Micro Monitor’s small footprint saves space on your desktop and ensures closer placement to your ears thus minimizing room reflections. Plus, its internal DSP offers various EQ settings for optimizing bass and treble response as well as position compensation — this lets you switch between a “free field” and “desktop” setup effortlessly. You can also position iLoud Micro Monitor at two angles of inclination thanks to the integrated isolation base that guarantees further mechanical de-coupling and purer sound. With these features you can optimize your listening experience to suit the characteristics of the room you’re working in, therefore always ensuring that you’re working in the audio the sweet spot.   Free-field positioning iLoud Micro Monitors also feature an integrated mic stand thread (UNC 3/8”-16) so you can easily place them on any regular pair of mic stands giving you the best possible monitoring conditions in the smallest places without adding expensive accessories.   Hi-end features without the high-end price When it comes to small monitors, you’re traditionally limited to two choices — cheap, “budget” monitors that can be better described as a couple of “wooden” boxes with “some kind of” speakers usually costing in the $100-$200 (per pair) range, or high ...

Austrian Overture : Die Österreichische

Austria is an industrious country. During the last century—which was characterized by extreme changes—the hard-working and ambitious people achieved a great deal, enduring two world wars and numerous political skirmishes. Despite all the problems involved in a change from a dual monarchy to a small state, Austria has found its independence. With his Austrian Overture, Thomas Doss looks toward the future. The first part of the composition provides an optimistic outlook; along with the happiness and energy, some musical humor is also present: while the horns powerfully express joy, small yodeling melodies sound throughout. As the rhythm continues insearch of new ways to go, catchy tunes compete to be heard. However, in addition to the energetic, diligent Austria, there’s also the quiet landscape where one can enjoy repose and beauty. These aspects - as well as the freedom of spirit and cultural life -are conveyed in the second part of the work through the surprising linking of chords, romantic phrasing, and tender melodies. But life never stands still: creativity, ambition, and work are the driving forces of our existence. Embracing this thought, a reprise of the first part provides a compelling ending.

Messe de Requiem : Op. 48

The “Messe de Requiem” is probably the internationally best-known and most frequently performed work by Gabriel Fauré. The composer’s first version was limited to just five movements and small-scaleforces with low Strings, Harp and Organ. The work was then expanded several times culminating in the version for large orchestra of 1900. This orchestral version forms the basis of this edition.Despite its comparativelylong period of gestation, the Requiem forms a stylistic unity. Unlike other requiem settings, the composer foregoes any theatrical gestures in this work. A restrained dynamic range together with gracefulmelodicwriting for both soloists and Choir give the work a gentle and optimistic character.The Vocal score is based on the volume of the “ Complete Works of Gabriel Fauré ” (BA 9461) published in 2010. It isimportant to note that this vocal score is also compatible with the first small-scale version as well as the second chamber orchestra version.High-quality Urtext edition based on the “ Complete works of Gabriel Fauré”First systematic evaluation of all sourcesBased on the large orchestral version of 1900Informative Foreword (Ger/Eng)Vocal score suitable for all versions of theRequiem

Prevision (CD incl.) : Rhapsody for Concert Band

The work Prevision has been composed in a free fantasy form. Deep in thought the composer sketches his prevision - the development of his small grandson growing up to be an adult. After a brilliant introduction, a slow march follows, whichsymbolises the first steps toward adulthood. Aspects such as love and a sense of security, that are indispensable for a positive development, are presented in a calm middle section, after which an energetic closing part refers to the rebelliousnessof an adolescent. The grand finale of Prevision expresses the grandfather’s and composer’s positive picture of the future.

Les Voyages de Gulliver : Gulliver's Travels

Maxime Aulio composed Les Voyages de Gulliver (Gulliver’s Travels) for the concert band of the Conservatoire National de Région in Toulouse (France) conducted by Jean-Guy Olive. The first performance took place in Toulouse (Auditorium Saint-Pierre des Cuisines) on April 25, 2001. The Anglo-Irish author Jonathan Swift (1667-1745) took about six years to complete his epic tale of adventure. The creative storyline, clear writing and subtlety of Gulliver’s Travels have been engaging readers for generations. This literary travel between reason and foolishness was Maxime Aulio’s inspiration for this piece. Each of the four movements of this suite is a review of Gulliver’sadventures, resembling the effect of a kaleidoscope, which juxtaposes small fragments of colour in a linear pattern.

Ungaresca

Hungarian-style dance music which flourished in the 16th and 17th centuries - generally referred to as ungaresca - represents a valuable part of European musical tradition. István Gy rffy's work (2007-2010) is a late successor of this tradition. It was written with the intention of embodying the eastern-central European tradition in order to present an alternative to the current fashions of music for wind instruments. The composer's approach to this style utilizes traditional forms of music. Both the first and third movements effectively optimize a concert band's tonal possibilities by using solos and small chamber groups in a varied manner. The slow and melodic second movementtransfers a characteristic playing technique of Hungarian instrumental folk music to the concert band.

My Ladye Nevells Booke : Facsimile British Library MS Mus. 1591

One of the finest music manuscripts – for scholarly and practical useMy Ladye Nevells Booke is one of the finest musical manuscripts of the late 16th century. With its 42 compositions, itcomprises about a third of the keyboard music by William Byrd – including some of his most popular compositions such as the variations on “Sellinger’s Round” and “All in a Garden Green”.Byrd himself selected the pieces for this anthology and directed the work of copyist John Baldwin. The meticulous, small corrections, found on almost every page, were most probably written by Byrd himself. Thegrandcoat-of-arms at the beginning refers to Sir Henry Neville of Billingbear (Berkshire) and as such identifies his wife Elizabeth as the dedicatee.The manuscript did not become public property until 2006 when it waspurchased for the British Library. Now it is published in book form for the first time and gives the musician an impression of the richly decorated preserved original volume.In his commentary, Byrd specialist OliverNeighbour describes the genesis and history of the work. He also provides information on Byrd’s concept, the chosen repertoire and gives technical details on the notation.

Ballet Music

This volume is the second of three planned volumes of ballet music composed between 1759 and 1769 in Vienna. They represent only a small portion of Viennese ballet music attributed to Gluck for which musical sources have been preserved. The volumes form a compendium that offers comprehensive editorial coverage of Gluck’s activities as “Compositore von der Music zu denen Balletten” (composer of the music to the ballets). The present volume contains compositions from the years 1759 and 1760 (and, accordingly, the 1759/60 and 1760/61 seasons).The ballets have been passed down only as sets of parts. They were commissioned by Count Joseph Adam Prince of Schwarzenberg andoriginated around the time of the premiere performances from the workshops of Viennese copyists. Today, they are housed in the State Regional Archive Ceský Krumlov (with the exception of the sinfonia for “Le Prix de la Danse”, which has also been handed down as a composition by Ignaz Holzbauer.)The ballet music works consist of a series of mostly short but occasionally lengthier movements that can be repeated or joined into larger musical units. “Les Corsaires” and “Le Prix de la Danse” were both premiered in December 1759 at the Kärntnertortheater in Vienna with choreographies by Charles Bernardi, while Gasparo Angioloni most likely created the choreographies for “Le Berger magicien”, “Les Miquelets espagnols”, and “Le Naufrage” (premiered in 1759 at the Burgtheater), as well as those for “Les Faunes” and “Les Trois Couleurs” (premiered in 1760 at the same venue).The two Bernardi ballets are the only examples for which scenic descriptions have been recorded in the chronicle of theatrical performances by court dancer and ballet master Philipp Gumpenhuber. However, telling titles and works with similar contents help to reconstruct the thematic orientation of the respective ballets.

Cantica de Sancto Benedicto : Saint Benedict Cantata

Cantica de Sancto Benedicto is a three-movement work for mixed choir, soprano solo, concert band and organ ad libitum - on Latin lyrics that relate to the life of Saint Benedict. It was commissioned by the city of Norcia in Italy, whereBenedict was born. The holy Benedict (480-547) is considered the founder of monastic life within the Roman Catholic Church. His enormous influence is especially owing to his monastic rule, the Regula Benedicti.Jacob de Haan has named the movements ofCantica de Sancto Benedicto after the Holy Trinity: the Father (Gloria Patri), the Son (Gloria Filio) and the Holy Spirit (Gloria Spiritui Sancto). The lyrics of thehymn Gemma Caelestis, (which, like the othertexts, were originally used in Gregorian chant) are voiced by the choir. To this purpose, Jacob de Haan composed new, choral-like, homophone music. The sequence Laeta Quies is rendered by the soprano; the verses (divided over the threemovements) are alternated with those of Gemma Caelestis. The work closes with an impressive grand finale, in which texts are used from the proprium of the mass in honor of the saint’s day of the holy Benedict (11 July). Notes to the conductor:For this cantata, there are various possibilities for the performance. The first involves a performance in which the choir and soprano parts are only accompanied by organ. Such a performance has several advantages: since the band never soundstogether with the choir and the soprano, no balance problems occur, and even a performance with a large concert band and a small cantata choir is conceivable. A special layout is also possible - with which you can set up a three-dimensionalperformance in a church. For example, the choir can sing in the chancel, accompanied by the choir organ; the soprano can stand on the gallery, accompanied by the main organ; and the band can be seated in another part of the church. The choir couldalso sing from a gallery. With layouts like this, working with two conductors is advisable. Choral parts available separately.

Sibelius- Ultimate Perpetual Education: ESD+ 12 månaders supportplan digital download

Note: This product is delivered electronically. There is no box. Perpetual licence version. This is a one-time purchase that grants you access to the software licence forever. It also includes 12 months of AVID’s Support and Updates plan. This means that for a full year after activating your software, you’ll have access to support directly from AVID, and will be able to upgrade to the latest versions via download as soon as they are released. After the initial 12 months you can renew the Support and Updates plan, and there is also an option to re-start a plan after it has expired. This is an Education version and enables teachersand students in full-time education to purchase the software at a discounted price. This must be verified via the Identit-e system before the software can be used. Details on Eligibility can be found here. www.avid.com/en/academic-eligibility ABOUT SIBELIUS ULTIMATE From concert halls and scoring stages, to sheet music stores and classrooms, more composers, arrangers, publishers, and educators use Sibelius®—the world’s best selling notation software—than any other. And now with new Sibelius Cloud Sharing, plus many recently added features and advancements, Sibelius makes the entire music writing, collaboration, and delivery experience even easier than ever. Whether you’re composing for a live performance, media entertainment, or in the classroom, nothing empowers you to write music like Sibelius. COMPOSE AND ARRANGE SCORES WITH EASE Sibelius Ultimate (formerly Sibelius) offers an extensive set of notation and layout tools for professional composition and scoring. Whether you’re well versed in writing music notation or prefer to use a keyboard, guitar, or your voice to enter notes, creating music has never been easier. Save tons of time with unique tools such as Magnetic Layout and Dynamic Parts. Get access to over 150 plug-ins that help you edit, arrange, and clean up layouts. You can even store ideas and small snippets of music in the Ideas library for later reuse. SHARE SCORES IN THE CLOUD Sibelius Cloud

Maia Flight Baritone Solid Top Electro Acoustic Ukulele

Now for something completely different from Flight: a steel string baritone ukulele…the Maia!  As a member of our Princess Series, the Maia features a solid mango top and laminate rosewood back and sides.  It also includes a gloss black headstock, scalloped cutaway, and binding.   You will love both the appearance and sound of the combination of mango and rosewood, and players will love the satin neck.  While the Maia could be thought of as a small tenor guitar, it is designed for standard baritone tuning (DGBE), which is known as Chicago Tuning for a Tenor Guitar.  With its steel strings and acoustic body, the Maia offers a sound that is different from any other ukulele in Flight’s catalog: the sound is bright and dynamic.  While the Maia is naturally a loud ukulele, it also includes an active Double C1U pickup if it needs to be amplified or recorder.  Are you ready to try a new experience in the world of ukulele?  If so, the Maia is for you! A classic gets a makeover Rosewood paired with solid mango We paired a solid mango top with laminate rosewood back and sides for a sound that is both deep, sweet and rich in the mid and lows and that provides clarity and projection on the high end. Let’s Play Rosewood fretboard and bridge Like many of our Princess Series ukuleles, the Maia Baritone features a chocolatey Rosewood fingerboard and bridge. Historically a very popular hardwood for fretted instruments, rosewood can add warmth to the sound of an instrument while lessening harsh higher frequencies Rich and resonant tone Custom set of steel strings A unique offering in Flight’s catalog, the steel strings of the Maia create a different tonal experience with excellent projection and sustain.  The Maia is ideal for players seeking a brighter, more dynamic sound. Pitch perfect Bone compensated saddle and pin bridge The Maia features a real bone nut and a compensated saddle. Compensated saddles help to properly set the intonation of each string.  The pin bridge allows for quick and easy string changes. Turning heads Bold and striking headstock design The Maia features a gloss black headstock with the Flight logo, which matches the gloss black scallop and binding of the instrument.  The resulting look is both bold and classy. Tasteful Appointments Pearloid rosette and unique position markers The pearloid rosette offsets the natural colors of the mahogany top, offering a classic touch to the instrument.  The unique triangle fretboard markers make this baritone stand out from the pack. Side position markers are included for ease of reference for the player. Real temptation Stylish cutaway We adopted a gloss black scalloped cutaway for the Maia, a favorite feature of our Spirit, Mustang and Victoria models. This intelligent design allows for playing higher up the fretboard without the compromise on volume and tone which is caused by many full cutaways. The scalloped cutway also showcases the absolute craftsmanship and mastery of our luthiers. Small yet mighty Double C1U active pickup The controls for the active pickup are mounted underneath the sound hole, meaning that a cavity does not have to be created on the side of the ukulele for the pickup.  The Double C1U is easy to use, and sounds great! Ukuleles with the new active pickups include an “A” (for “Active”) as a part of their model number.⁠  For tips on how to use the Double C1 pickup, visit the FAQ section on our website! Only the best gig bag Royal burgundy All of our Princess Series ukuleles come with a luxury red gig bag with a purple infusion. This color has traditionally been associated with royalty, a fitting final touch of luxury with this instrument.  The bag features great features and 15mm padding which will protect your ukulele and make it comfortable to transport. Body Body Shape: Baritone (19 Frets) Top: Solid Mango Back & Side: Laminate Rosewood Bridge: Solid Rosewood Neck Neck: African Mahogany Fretboard: Rosewood Nut & Saddle: Bone Nut Width: 38mm Strings: Custom Steel Strings Other Position Markers: 5th, 7th, 10th, 12th and 15th fret. Premium Features: solid mango top, laminate rosewood back and sides, solid steel strings, gloss black headstock,  gloss black binding, pearloid rosette, Pinwell machine heads, rosewood fingerboard, pin bridge, and C1U double pickup. Deluxe 15mm padded gig bag, instructional booklet and sticker pack included!

Sibelius- Ultimate Perpetual - Crossgrade : digital download ESD

Note: This product is delivered electronically. There is no box. Upgrade version of the Perpetual licence. Switch to Sibelius Ultimate from your existing notation software including Finale, Encore, Mosaic or Notion. Note that proof of qualification is required. This is a one-time purchase that grants you access to the software licence forever. It also includes 12 months of AVID’s Support and Updates plan. This means that for a full year after activating your software, you’ll have access to support directly from AVID, and will be able to upgrade to the latest versions via download as soon as they are released. After the initial12 months you can renew the Support and Updates plan, and there is also an option to re-start a plan after it has expired. ABOUT SIBELIUS ULTIMATE From concert halls and scoring stages, to sheet music stores and classrooms, more composers, arrangers, publishers, and educators use Sibelius®—the world’s best selling notation software—than any other. And now with new Sibelius Cloud Sharing, plus many recently added features and advancements, Sibelius makes the entire music writing, collaboration, and delivery experience even easier than ever. Whether you’re composing for a live performance, media entertainment, or in the classroom, nothing empowers you to write music like Sibelius. COMPOSE AND ARRANGE SCORES WITH EASE Sibelius Ultimate (formerly Sibelius) offers an extensive set of notation and layout tools for professional composition and scoring. Whether you’re well versed in writing music notation or prefer to use a keyboard, guitar, or your voice to enter notes, creating music has never been easier. Save tons of time with unique tools such as Magnetic Layout and Dynamic Parts. Get access to over 150 plug-ins that help you edit, arrange, and clean up layouts. You can even store ideas and small snippets of music in the Ideas library for later reuse. SHARE SCORES IN THE CLOUD Sibelius Cloud Sharing opens up a whole new way of working. This groundbreaking technology enables you to share scores from Sibelius Ultimate to your own personal cloud space (included free), or embed scores in a

Sibelius- Ultimate 1-Year Subscription : ESD

Note: This product is delivered electronically. There is no box. 1-Year Subscription licence version. This licence grants full access to all features for 1-Year. It can then be renewed. A great option for short-term use at a low cost. It also includes 12 months of AVID’s Support and Updates plan. This means that for a full year after activating your software, you’ll have access to support directly from AVID, and will be able to upgrade to the latest versions via download as soon as they are released. ABOUT SIBELIUS ULTIMATE From concert halls and scoring stages, to sheet music stores and classrooms, more composers, arrangers,publishers, and educators use Sibelius®—the world’s best selling notation software—than any other. And now with new Sibelius Cloud Sharing, plus many recently added features and advancements, Sibelius makes the entire music writing, collaboration, and delivery experience even easier than ever. Whether you’re composing for a live performance, media entertainment, or in the classroom, nothing empowers you to write music like Sibelius. COMPOSE AND ARRANGE SCORES WITH EASE Sibelius Ultimate (formerly Sibelius) offers an extensive set of notation and layout tools for professional composition and scoring. Whether you’re well versed in writing music notation or prefer to use a keyboard, guitar, or your voice to enter notes, creating music has never been easier. Save tons of time with unique tools such as Magnetic Layout and Dynamic Parts. Get access to over 150 plug-ins that help you edit, arrange, and clean up layouts. You can even store ideas and small snippets of music in the Ideas library for later reuse. SHARE SCORES IN THE CLOUD Sibelius Cloud Sharing opens up a whole new way of working. This groundbreaking technology enables you to share scores from Sibelius Ultimate to your own personal cloud space (included free), or embed scores in a webpage, and invite anyone to flip through pages and play your compositions using any computer, laptop, or mobile device. It’s ideal for previewing and reviewing musical works in the studio, in the classroom, or on a sound stage. HEAR YOUR MUSIC THE WAY YOU

Per Nørgård: Symphony No. 6 (Score)

Per NørgårdSYMPHONY NO. 6AT THE END OF THE DAYfor orchestra, 1997-99Preface / Programme Note?? with the Lord a day is like a thousand years, and a thousand years is like a day?(New Testament, 2 Peter 3:8)My SYMPHONY NO. 6 was commissioned by the Danish National Radio Symphony Orchestra, the Göteborg Symphony Orchestra and the Oslo Philharmonic Orchestra, to be premiered at the millenium 2000.The subtitle AT THE END OF THE DAY can be understood literally or it can mean ?when all is added up?. However, in my opinion, nothing ever quite adds up, there is always ?something? missing, any ending will be provisional ...This symphony appears to end only a few minutes into the first movement, the first passage, as the music fades away to almost-silence, after a start of flying colours. But then there is still ?something?, a small motive (first heard in the initial sound-waves) which reappears, hesitant, but persistent, and this embryo is what leads on the musical progression. An agitated section of many instrumental voices comes next, until all the voices become obsessed with the same phrase, a see-saw motive based on thirds. This section evolves into almost martial ferocity, when broken off by a tutti descent into an extreme bass-world (a bass-world which actually permeates the whole symphony, emplyoing instruments that I have never used before: double-bass tuba, double-bass trombone, double-bass clarinet, and bass flute).The second movement, the second passage, apparently takes off where the first passage ended, but now the events are more ambiguous, and the same music may be perceived as fast-moving one moment and slow-moving the next. This section is a kind of passacaglia, the characteristic baroque bass-variation.Without a break follows the third and last passage, in a contrasting high register. The music is rhythmically knotty as well as freely flowing. As in the beginning of the symphony, a never-ending descent or fall breaks off the events, and at the very end a delta of new beginnings, of ?other worlds?, is revealed ....The symphony is dedicated to Helle, my wife.Per Nørgård

Goldberg 2012

The first time I heard Bach's Goldberg Variations was in the movie Silence of the lambs, in the early 1990s. I noticed the beautiful background music in one of the scenes, but at that time I didn't know what it was. A few years later, when I was studiying at the Grieg Academy, I got to know the entire piece. For me, this is a piece of music which I can listen to countless times. I think it sounds as fresh today as it did more than 15 years ago and it never ceases to inspire me. Both Bach's composition and Glenn Gould's famous 1955 recording (which was the first one I heard) still makes a great impression on me. Before Gould recorded it at age 22, it wasn't a highly ranked piece amongst pianists and Bach was by many viewed as a bit old-fashioned. The young Canadian turned all this around. He managed to portray Bach in a reformed way, producing fine nuances in phrasing and making the many layers in Bach's music more transparent than anyone before him. Thus he plunged both himself and Bach (back) onto the international music scene. When The Norwegian Band Federation (NMF) asked me to write the test piece for NM in 2012, it was only natural for me to use the Goldberg Variations as a starting point and inspiration for my work. Since I was a teenager at NMF's summer courses in the mid eighties I've always listened to many different styles of music. Growing up in Sunnmøre with the Brazz Brothers as teachers and mentors, jazz-, pop/rock- and folk music were early on a natural part of my musical background. I also have my classical education from the Grieg Academy on trumpet. As the title of my piece implies, I've wanted to bring Bach to the present and put his music into various modern musical landscapes. I think you can bring about a special kind of energy when music from different genres are mixed and I've tried to do this by mixing Bach with artists and musical styles from the present. In Goldberg 2012, the music is often constructed by several layers, which in a way are living parallel musical lives. They are seemingly moving or floating freely, almost unaware of each other, but bound together by the same basic pulse. The rythms, however, are often notated on a different rythmic subdivision level than the usual 8th- or 16th note levels. By doing this, I hope to achieve transparent sounds that rythmically are perceived as more free and detached from each other. In large sections of the piece, pop/jazz is fusioned with elements from Bach. I guess you could have this little scene as a synopsis for the piece: picture a group of musicians meeting: some are classical performers, some are jazz. They start to improvise together, each in their own voice or musical dialect and I'm sort of in the middle, trying to write down what they are playing. This is what I feel much of Goldberg 2012 is about. The foundation of the piece, in addition to Bach and references from pop/jazz music, lies also in my own material. This material, basically two chords, is heard in it's purest form in the 1st movement. I use these chords to create scales, new chords and different motifs which contribute to blend together the different moods of the piece. It has not been my intention to copy Bach's form (theme and 30 variations), but rather to use the bits and pieces that I like the most as an inspiration for my own variations. The 1st movement, Aria 2, is for my 3rd son, Olav, who was born on the 21st of April 2011, and the 5th movement, From long ago, is dedicated to the memory of my father, Svein J. Giske, who passed away on the 6th of June 2011. -Svein H. Giske, January 2012-

Missa Brevis

Missa Brevis, written for choir and wind band, was commissioned by the Conseil Départemental pour la Musique et la Culture de Haute-Alsace (Dir.: Philippe Pfisterer) in Guebwiller (France), in celebration of the millennium of Pope Leon IX’sbirth in Éguisheim (France). The composer conducted the first performance on June 23, 2002. It was performed live for the French television channel France 2. The mass movements Kyrie, Gloria, Credo, Sanctus, Benedictus, and Agnus Deiare very suitable for the Catholic as well as the Protestant liturgy. For this mass, various ways for performing in diverse variable strengths are possible. An instrumental performance is possible if the brass represents the choir parts. In thisoption, it is desirable for the brass to be positioned separately from the rest of the band (on a gallery, for example), so that the idea of two choirs is approached. In a performance with a large choir, the brass can work very well as a support. Inthat case, the dynamics of the brass should be adapted somewhat, since these are actually intended for an instrumental performance. You can also leave out the brass entirely for the benefit of the choir. For the accompaniment of smaller choirs, youcan opt for a small ensemble from the band. This can also be a quartet, put together as desired. For the performance of this mass, the obvious choice is one of the above options. However, as an alternative, a performance with a combination of theseoptions (vocally/instrumentally) is also possible not just from an artistic point of view (variation), but also from a practical starting point for example in the case that the choir has rehearsed only two movements. With a full strength, theconductor can vary the instrumentation to his or her liking. Then the brass can also play a role in the accompaniment (instead of supporting the choir). The following combinations are possible:1. clarinet choir (from Eb Clarinet to BassClarinet)2. clarinet choir + saxophones3. brass (flugelhorns, horns, euphoniums, bass section)4. brass (2 trumpets / 2 trombones)5. double reeds (optional + flute, optional + string bass)6. tutti7. all winds8. allbrassIn a performance by brass band and choir, it is usually advisable to leave out option 1 (choir + brass + band). The choir sings self-reliantly, accompanied by a full brass band. In an instrumental performance, you can consider a combinedquartet (two cornets and two trombones) + brass band.Choral parts available separately.

IK MULTIMEDIA iRIG KEYS I/O 49 MIDI CONTROLER AND INTERFACE

A total music production system in a controller The iRig® Keys I/O series evolves the concept of traditional controllers as the only one available on the market that integrates 25 or 49 full sized keys together with a fully-fledged professional audio interface featuring 24-bit audio up to 96kHz sampling rate, balanced stereo and headphone outputs, plus a combo input jack for line, instrument or mic input (with Phantom power.)   Together with an audio interface, iRig Keys I/O also packs all the controls you would expect from a premium controller including velocity sensitive multicolored pads and programmable touch-sensitive sliders, buttons and knobs for unique expressiveness and fast workflow. Both iRig Keys I/O 25 and 49 are also the smallest full sized keys on the market making them the best solution for working in small spaces and ideal when it comes to having a controller for traveling musicians, in addition to the consideration that they are the only truly mobile devices that can also work on AA batteries.   Being certified Apple MFi keyboard controllers (“Made for iPod, iPhone, iPad,”) iRig Keys I/O are guaranteed to work out of the box with all iOS devices including the latest generation of iPhone 7, that does not have an audio output, thanks to the on-board audio interface. The included Lighting cable allows for straight plug-and-play with Apple iOS devices, the USB cable connects Mac and PC computers. Plus with over $/€550 (25) and $/€750 (49) worth of IK full software and apps they include an unmatched selection of everything that is needed to make complete, finished productions out of the box like the full SampleTank 3 sound and groove workstation, Miroslav Philharmonik 2 CE orchestral workstation, Syntronik Pro-V vintage synthesizer, T-RackS 4 Deluxe mix and mastering suite, Ableton® Live 10 Lite™ and more, as the ultimate music production station.   The only controller with an audio interface Having a professional 24-bit / 96kHz capable complete audio interface built-in with iRig Keys I/O presents many advantages versus regular controllers for today’s musicians. The system becomes self-contained taking up minimal space in any situation whether on a small studio desk or when playing live and traveling. The set-up is also kept to a minimum and is as fast and easy as just plug and play. The work environment becomes clean and tidy, without a bunch of extra cables. In a recording studio, everything can be connected directly to the keyboard ensuring the best possible quality with a Class A preamp for dynamic and condenser mics (including those requiring 48V Phantom power, which works under battery power as well,) to line instruments and even Hi-Z guitars and basses. The built-in headphone output allows for convenient silent playing when studying or practicing. Plus, when used in live performances the balanced stereo output allows for long cable runs directly from the keyboard to the PA or mixer which is useful for performing keyboard players or DJs. All of this makes iRig Keys I/O controllers the ideal creative center of your studio or live performances, in any situation, providing a convenient solution even more affordable than having to buy a controller and an audio interface separately, that is simply unrivaled in today’s market.   Take control with touch controls Despite their ultra-compact dimension, iRIg Keys I/O include all the tactile controls you would expect from a fully-fledged controller and more. Starting with a fast synth-action key bed that improves on all preceding IK keyboards and it’s a joy to play. Both the models feature one volume/ data push knob, 4 touch sensitive knobs on 2 banks (acting as 8 total controls) and 8 multicolored, velocity sensitive pads. Plus, there are 2 fully programmable touch control strips acting by default as Pitch and Mod controls allowing for dramatic performances in any genre and double as fully programmable sliders. A complete touch sensitive transport and button control section rounds out the controls available. All knobs, sliders and buttons are touch-sensitive using capacitive technology for ultra-fast action and immediate feedback, displaying the related parameter value just with a simple touch.   Perfect for mobile, great with computer iRig Keys I/O work universally with all types of devices whether mobile, laptop or regular desktop computer. They are ideal for iPhone and iPad thanks to the included Lighting cable connections and certified MFi compatibility. Additionally, they offer more iOS friendly features that can’t be found with any other controller like the included mobile device stand and the possibility to keep the device charged during long playing session using an optional power supply adapter, and of course the included audio interface that makes them perfect when used with the latest generation iPhone 7 that lacks a mini jack audio output. The fact that ...

Amazonia

This major concert work cosists o five movements.1st movement: La Laguna del ShimbeSituated high up in the Andes mountains in Northern Peru are the Huaringas, a group of lagoons in isolated and mysterious surroundings. The water has healing powersand for centuries traditional healers have settled there in small villages. From far the sick come to the Huaringas to be treated in nightly rituals, in which the hallucinating juice of the San Pedro cactus gives the prophet a look inside hispatient. The biggest lagoon is the “Laguna del Shimbe”, one of the countless wells of the immense Amazon stream.2nd movement: Los AguarunasFurther downstream in Northern Peru we come across the rain tribe of Los Aguarunas. It’s a proud, beautiful andindependent race, which has never succumbed to domination, not even from the Incas. They live from everything the forest has to offer: fish, fruit, plants, ... . They also grow some crops and live as semi-nomads. They take their fate into their ownhands and after having made contact with modern civilisation, they have integrated new elements into their lives without betraying their own ways.3rd movement: MekaronMekaron is an Indian word meaning “picture”, “soul”, “essence”. The Indians are theorigina inhabitants of the Amazon region. They either live in one place as a group or move around a large region. They all have their own political system, their own language and an intense social life. At the same time they are master of music andmedicine. “Everywhere the white man goes, he leaves a wilderness behind him”, wrote the North American Indian leader Seatl in 1885. As a result of these contacts with the whites, the disruption of most Indian societies began. (In this century alone,80 tribes have vanished completely).4th movement: KêêtuajêThis is the name of the initiating ceremony of the Krahô tribe in the Brazilian state of Goias, in which young boys and girls enter adult life. They are cleansed with water, painted with redpaint and covered with feathers, after which the ritual dance holds the entire tribe spell-bound.5th movement: Paulino FaiakanIn 1988 the Indian chiefs Faiakan and Raoni Kaiapo came to Europe to protest against the building of the Altamira dam inBrazil. As a result of the dam the Indians would be driven from their traditional land and enormous artificial would be created. The project was supported financially by, amongst others, the European Community. In February 1989 the Indian tribesaround Altamira held a protest march for the first time in their history together. Amongst other things they paid tribute tot Chico Mendez, who, murdered in 1988, was the leader of the rubber syndicate and a fierce opponent of the destruction of theBrazilian rain forest. Brazilian and world opinion was awakened. The building of the dam was -albeit temporarily - stopped.

Amazonia

This major concert work cosists o five movements.1st movement: La Laguna del ShimbeSituated high up in the Andes mountains in Northern Peru are the Huaringas, a group of lagoons in isolated and mysterious surroundings. The water has healing powersand for centuries traditional healers have settled there in small villages. From far the sick come to the Huaringas to be treated in nightly rituals, in which the hallucinating juice of the San Pedro cactus gives the prophet a look inside hispatient. The biggest lagoon is the “Laguna del Shimbe”, one of the countless wells of the immense Amazon stream.2nd movement: Los AguarunasFurther downstream in Northern Peru we come across the rain tribe of Los Aguarunas. It’s a proud, beautiful andindependent race, which has never succumbed to domination, not even from the Incas. They live from everything the forest has to offer: fish, fruit, plants, ... . They also grow some crops and live as semi-nomads. They take their fate into their ownhands and after having made contact with modern civilisation, they have integrated new elements into their lives without betraying their own ways.3rd movement: MekaronMekaron is an Indian word meaning “picture”, “soul”, “essence”. The Indians are theorigina inhabitants of the Amazon region. They either live in one place as a group or move around a large region. They all have their own political system, their own language and an intense social life. At the same time they are master of music andmedicine. “Everywhere the white man goes, he leaves a wilderness behind him”, wrote the North American Indian leader Seatl in 1885. As a result of these contacts with the whites, the disruption of most Indian societies began. (In this century alone,80 tribes have vanished completely).4th movement: KêêtuajêThis is the name of the initiating ceremony of the Krahô tribe in the Brazilian state of Goias, in which young boys and girls enter adult life. They are cleansed with water, painted with redpaint and covered with feathers, after which the ritual dance holds the entire tribe spell-bound.5th movement: Paulino FaiakanIn 1988 the Indian chiefs Faiakan and Raoni Kaiapo came to Europe to protest against the building of the Altamira dam inBrazil. As a result of the dam the Indians would be driven from their traditional land and enormous artificial would be created. The project was supported financially by, amongst others, the European Community. In February 1989 the Indian tribesaround Altamira held a protest march for the first time in their history together. Amongst other things they paid tribute tot Chico Mendez, who, murdered in 1988, was the leader of the rubber syndicate and a fierce opponent of the destruction of theBrazilian rain forest. Brazilian and world opinion was awakened. The building of the dam was -albeit temporarily - stopped.

Flight Aurora Solid Top Baritone Electro Ukulele - Nat

You asked, and we listened! By popular demand, we proudly present the Aurora baritone ukulele, the first baritone in our Princess series, and it is definitely deserving of the title. This ukulele is majestic! It features a rosewood back and sides for a deep, rich, resonant tone with a solid spruce top that also provides clarity and projection, combined with a C1U Active pickup which makes it a great ukulele for amateur and professional performers alike. Remember that our baritone ukuleles are strung with DGBE tuning, which is the same as the bottom four strings of a guitar. Having said that, all your usual ukulele chord shapes will work, just for different names of notes and chords.A classic gets a makeoverRosewood paired with solid spruceWe paired rosewood back and sides with a solid Spruce top for a sound that is both deep, warm and rich in the mid and lows as well as providing a clarity and projection in the high end. This is a very common combination of guitar tonewoods that works wonderfully for the baritone ukulele. Let’s PlayRosewood fretboard and bridgeLike many of our Princess and Royal Series ukes, the Aurora baritone model features a gorgeous chocolatey Rosewood fingerboard and bridge. Historically a very popular hardwood for fretted instruments, rosewood can add warmth to the sound of an instrument while lessening harsh higher frequencies. Infinite sustainString-through bridgeThe string-through bridge is used on many of our Royal series ukuleles and is one of the latest ukulele trends. It makes the top resonate better, as the strings are attached directly through the soundboard, and not to the bridge. Changing the strings might seem a bit confusing at first, but actually it is easier – check our YouTube channel for a tutorial on how to change the strings if you are unsure how to do so. Pitch perfectBone compensated saddle and pin bridgeThe Aurora features a real bone nut and a compensated saddle. Compensated saddles help to properly set the intonation of each string.  Depth and ClarityD’Addario baritone strings as standardEspecially designed for the baritone with a combination of nickel wound D and G strings and fluorocarbon ‘Titaniums’ for the B and E strings, these strings deliver a contemporary sound and bright tone. Tasteful AppointmentsAbalone Rosette and unique position markersThe abalone rosette offers a classic touch and the unique maple fretboard markers make this baritone stand out from the pack. Side position markers also add to ease of reference. Real temptationStylish cutawayWe decided to use a scalloped cutaway for this model, as it has been a favorite feature of our Spirit, Mustang and Victoria model. This intelligent design allows for playing up the frets but without the compromise on volume and tone that many full cutaways inflict. It also showcases the absolute craftsmanship and mastery of our luthier. Small yet mightyDouble C1U active pickupThe controls for the active pickup are mounted underneath the sound hole, meaning that a cavity does not have to be created on the side of the ukulele for the pickup.  The Double C1U is easy to use, and sounds great! Ukuleles with the new active pickups include an “A” (for “Active”) as a part of their model number.⁠ SpecificationsEvery tiny detail matters.BodyBody Shape: Baritone (19 Frets)Top: Solid SpruceBack & Side: RosewoodBridge: RosewoodNeckNeck: African MahoganyFretboard: RosewoodNut & Saddle: BoneNut Width: 38mmStrings: D’addarioOtherPosition Markers: 5th, 7th, 10th, 12th and 15th fret.Premium Features: Solid spruce top, rosewood body, D’addario strings, black binding, white pearoid rosette, pine well machine heads, rosewood fingerboard, C1U double pickup.Deluxe 15mm padded gig bag, instructional booklet and sticker pack included! 

Flight Nighthawk Tenor Electro Ukulele - Black Stain : All Solid

At Flight, we love to innovate with new and unusual ukulele designs that you won’t find anywhere else. With the Nighthawk models, we wanted to create a ukulele with some of the most popular features of the Spirit and the Mustang but with a twist! The result is a sophisticated looking uke with eye-catching appointments like blue pearloid cutaway and binding, square off-set fretboard markers, and a dark and moody ‘moonburst’ finish! The Nighthawk is like the sports car of the Royal series – precise, agile and not for the faint of heart!A classic gets a makeoverSolid African Mahogany paired with solid spruceWe paired a solid African Mahogany body with a solid Spruce top for a sound that is both traditional and modern. Mahogany is a warm and resonant sounding tonewood with a long heritage in the making of ukuleles. The mahogany body combined with a solid spruce top adds brightness and projection, providing a ukulele that is balanced, responsive, and chimes like a bell! Beautiful rosewoodRosewood fretboard and bridgeLike many of our Royal Series from 2020 onwards, the Nighthawk model features a gorgeous chocolatey Rosewood fingerboard and bridge. Historically a very popular hardwood for fretted instruments, rosewood can add warmth to the sound of an instrument while lessening harsh higher frequencies. Pitch perfectBone compensated saddle and pin bridgeThe Nighthawk features a rosewood bridge, as well as a real bone nut and a compensated saddle. Compensated saddles help to properly set the intonation of each string.  The Nighthawk includes a pin bridge system, which helps keep the strings properly aligned on the ukulele, as well as to create a break angle over the saddle that transfers vibrations efficiently to the spruce soundboard of the ukulele. Worth Brown strings as standardWorth Brown strings as standardWorth Browns were an obvious choice for this ukulele as they perfectly match the tone of the instrument: offering both a precise clarity with a warmth that is as balanced as the uke itself. Sophistication and styleUnique Moonburst StainSpruce, although a great sounding tonewood, can sometimes look quite plain so we decided to ‘spruce’ up the appearance of this ukulele with a dark burst. Imagine a sunburst in black and white and you have our ‘moonburst’ – the cooler, hipper cousin! Flashy AppointmentsBlue pearloid cutaway and binding, pearloid Rosette, square position markersThe gorgeous pearloid rosette and flashy blue cutaway and binding add bling to this ukulele – even the Flight logo is pearloid blue! The square, off-set fret markers are eye-catching and modern looking. Far from being a retiring wallflower, this ukulele wants to be noticed! Real temptationStylish cutawayThe scalloped cutaway that has been so popular with the Spirit, Mustang and Victoria models was something we wanted to include on this model. This intelligent design allows for playing up the frets but without the compromise on volume and tone that many full cutaways inflict. It also showcases the absolute craftsmanship and mastery of our luthiers. Small yet mightyDouble C1U active pickupThe controls for the active pickup are mounted underneath the sound hole, meaning that a cavity does not have to be created on the side of the ukulele for the pickup.  Most importantly, they sound great! Ukuleles with the new active pickups include an “A” (for “Active”) as a part of their model number.⁠ The famous Flight headstockBold and strikingOur now famous signature headstock is bold and striking, infusing innovation into all the benefits of a slotted headstock. Its round, airy shape not only looks amazing, it also makes the headstock lighter than most. You will certainly be turning heads and tuners with this headstock. SpecificationsEvery tiny detail matters.BodyBody Shape: TenorTop: Solid SpruceBack & Side: Solid MahoganyBridge: RosewoodStrings: Worth BrownNeckNeck: African MahoganyFretboard: RosewoodNut & Saddle: BoneNut Width: 38mmPickupPickup: Active Double C1UOtherPosition Markers: 5th, 7th, 10th, 12th and 15th frets.Premium Features: solid spruce top, solid mahogany body, offset square position markers, active C1U double pickup, Worth Brown strings, scalloped cutaway, rosewood fretboard, unique headstock, blue binding, white pearoid rosette.Deluxe 20mm padded gig bag included.

Flight Nighthawk Concert Electro Ukulele - Black Stain : All Solid

At Flight, we love to innovate with new and unusual ukulele designs that you won’t find anywhere else. With the Nighthawk models, we wanted to create a ukulele with some of the most popular features of the Spirit and the Mustang but with a twist! The result is a sophisticated looking uke with eye-catching appointments like blue pearloid cutaway and binding, square off-set fretboard markers, and a dark and moody ‘moonburst’ finish! The Nighthawk is like the sports car of the Royal series – precise, agile and not for the faint of heart!A classic gets a makeoverSolid African Mahogany paired with solid spruceWe paired a solid African Mahogany body with a solid Spruce top for a sound that is both traditional and modern. Mahogany is a warm and resonant sounding tonewood with a long heritage in the making of ukuleles. The mahogany body combined with a solid spruce top adds brightness and projection, providing a ukulele that is balanced, responsive, and chimes like a bell! Beautiful rosewoodRosewood fretboard and bridgeLike many of our Royal Series from 2020 onwards, the Nighthawk model features a gorgeous chocolatey Rosewood fingerboard and bridge. Historically a very popular hardwood for fretted instruments, rosewood can add warmth to the sound of an instrument while lessening harsh higher frequencies. Pitch perfectBone compensated saddle and pin bridgeThe Nighthawk features a rosewood bridge, as well as a real bone nut and a compensated saddle. Compensated saddles help to properly set the intonation of each string.  The Nighthawk includes a pin bridge system, which helps keep the strings properly aligned on the ukulele, as well as to create a break angle over the saddle that transfers vibrations efficiently to the spruce soundboard of the ukulele. Worth Brown strings as standardWorth Brown strings as standardWorth Browns were an obvious choice for this ukulele as they perfectly match the tone of the instrument: offering both a precise clarity with a warmth that is as balanced as the uke itself. Sophistication and styleUnique Moonburst StainSpruce, although a great sounding tonewood, can sometimes look quite plain so we decided to ‘spruce’ up the appearance of this ukulele with a dark burst. Imagine a sunburst in black and white and you have our ‘moonburst’ – the cooler, hipper cousin! Flashy AppointmentsBlue pearloid cutaway and binding, pearloid Rosette, square position markersThe gorgeous pearloid rosette and flashy blue cutaway and binding add bling to this ukulele – even the Flight logo is pearloid blue! The square, off-set fret markers are eye-catching and modern looking. Far from being a retiring wallflower, this ukulele wants to be noticed! Real temptationStylish cutawayThe scalloped cutaway that has been so popular with the Spirit, Mustang and Victoria models was something we wanted to include on this model. This intelligent design allows for playing up the frets but without the compromise on volume and tone that many full cutaways inflict. It also showcases the absolute craftsmanship and mastery of our luthiers. Small yet mightyDouble C1U active pickupThe controls for the active pickup are mounted underneath the sound hole, meaning that a cavity does not have to be created on the side of the ukulele for the pickup.  Most importantly, they sound great! Ukuleles with the new active pickups include an “A” (for “Active”) as a part of their model number.⁠ The famous Flight headstockBold and strikingOur now famous signature headstock is bold and striking, infusing innovation into all the benefits of a slotted headstock. Its round, airy shape not only looks amazing, it also makes the headstock lighter than most. You will certainly be turning heads and tuners with this headstock. SpecificationsEvery tiny detail matters.BodyBody Shape: ConcertTop: Solid SpruceBack & Side: Solid MahoganyBridge: RosewoodStrings: Worth BrownNeckNeck: African MahoganyFretboard: RosewoodNut & Saddle: BoneNut Width: 36mmPickupPickup: Active Double C1UOtherPosition Markers: 5th, 7th, 10th, 12th and 15th frets.Premium Features: solid spruce top, solid mahogany body, offset square position markers, active C1U double pickup, Worth Brown strings, scalloped cutaway, rosewood fretboard, unique headstock, blue binding, white pearoid rosette.Deluxe 20mm padded gig bag included.