Le Willis : Edizione critica a cura di Martin Deasy

Le Willis (1883 84) and its two act reworking Le Villi (1884 85: revised 1889) are Puccini's inaugural works in the operatic genre. Uniquely among Puccini's operas, neither version was ever published in full score, and both present significant textual problems. The manuscript of Le Willis was dismembered and reworked as the basis of Le Villi: and Ricordi's master hire score of Le Villi was destroyed in 1943—and with it an entire tradition of revisions and corrections. Successive editions of the printed vocal score of Le Villi are of very uneven quality. The new two volume Critical Edition is the fruit of an extensive recension of the surviving sources in the light of a collateral transmission in which authority is often shared between sources. As well as the autograph full scores, drafts and sketch materials (notably the composer's continuity draft) have been brought to bear on the numerous text critical problems that arise. Volume I of the Edition makes possible for the first time the performance of the one act opera Le Willis, reconstructed from the two parts of Puccini's manuscript held at the Morgan Library and Museum, New York, and the Archivio Ricordi, Milan. Le Willis emerges as a valuable addition to the limited repertory of one act operas, with a striking vein of symphonism that looks forward to Manon Lescaut. Seen in its true light—as an expression of the Milanese scapigliatura—the opera is revealed as musically and dramaturgically coherent in its own terms and well worthy of modern performance. Volume II contains the score of Le Villi in its final 1889 revision, based on the composer's autograph full score and the 1889 edition of the printed vocal score. Additional material is included in appendices, notably Roberto's original extended 1885 Scena. Besides the Critical Apparatus and Source Descriptions, a comprehensive Historical Introduction sheds light on the compositional history and context, hitherto obscured by hearsay and misunderstanding.

Le Villi : Edizione critica a cura di Martin Deasy

Le Willis (1883 84) and its two act reworking Le Villi (1884 85: revised 1889) are Puccini's inaugural works in the operatic genre. Uniquely among Puccini's operas, neither version was ever published in full score, and both present significant textual problems. The manuscript of Le Willis was dismembered and reworked as the basis of Le Villi: and Ricordi's master hire score of Le Villi was destroyed in 1943—and with it an entire tradition of revisions and corrections. Successive editions of the printed vocal score of Le Villi are of very uneven quality. The new two volume Critical Edition is the fruit of an extensive recension of the surviving sources in the light of a collateral transmission in which authority is often shared between sources. As well as the autograph full scores, drafts and sketch materials (notably the composer's continuity draft) have been brought to bear on the numerous text critical problems that arise. Volume I of the Edition makes possible for the first time the performance of the one act opera Le Willis, reconstructed from the two parts of Puccini's manuscript held at the Morgan Library and Museum, New York, and the Archivio Ricordi, Milan. Le Willis emerges as a valuable addition to the limited repertory of one act operas, with a striking vein of symphonism that looks forward to Manon Lescaut. Seen in its true light—as an expression of the Milanese scapigliatura—the opera is revealed as musically and dramaturgically coherent in its own terms and well worthy of modern performance. Volume II contains the score of Le Villi in its final 1889 revision, based on the composer's autograph full score and the 1889 edition of the printed vocal score. Additional material is included in appendices, notably Roberto's original extended 1885 Scena. Besides the Critical Apparatus and Source Descriptions, a comprehensive Historical Introduction sheds light on the compositional history and context, hitherto obscured by hearsay and misunderstanding.

Le Lion de Belfort : Un hommage au sculpture Frédéric Auguste Bartholdi

Le Lion de Belfort was composed for the official inauguration of the sculpture Le Lion de Belfort: an enormous red sandstone lion that dominates the landscape of the French city of Belfort. This 22 metre long and 11 metre high lion symbolises the heroic French resistance during the Prussian siege of Belfort in 1870-1871. The composer added a narrator and three-part choir to the concert band instrumentation, who utilise texts written specially for the occasion by Jean Ehret.The work’s première took place at the inauguration of Le Lion de Belfort on 28 November 2010, 130 years after sculptor Frédéric Auguste Bartholdi (1834-1904) completed the statue.

The Graces of Love : Le Gratie d'Amore

“The Graces of Love” (Le Gratie d’Amore) is the title of a book published in 1602 by Cesare Negri, the famous dance master of the Milan court in the Renaissance. It contains numerous dance tunes and precise descriptions of courtly dances. It also includes the tune Il bianco fior (The White Flower) on which the first movement of my piece is based. A vigorous dance in three-four, it leads to an acceleration and a sudden shift to an even meter towards the end. The second movement, calm and contemplative in character, features the tune Vaghe bellezze ... (Veiled Beauty …). Widely spaced melodic parts surround two solos during which the tune is varied anddeveloped. Finally, the third movement contains a Saltarello based on a tune by Vincenzo Galilei, the father of the famous astronomer, Galileo Galilei. It brings the work to a close with a hypnotic rhythm which is noble and virtuosic at the same time. “The Graces of Love” (Le Gratie d’Amore) is the title of a book published in 1602 by Cesare Negri, the famous dance master of the Milanese court in the Renaissance. It contains numerous dance tunes and precise descriptions of courtly dances. It also includes the tune 'Il bianco fior' (The White Flower) on which the first movement of Oliver Waespi's piece is based. A vigorous dance in three-four, it leads to an acceleration and a sudden shift to an even meter towards the end. The second movement, calm and contemplative in character, features the tune 'Vaghe bellezze ...' (Veiled Beauty …). Widely spaced melodic parts surround two solos during which the tune is varied anddeveloped. Finally, the third movement contains a Saltarello based on a tune by Vincenzo Galilei, the father of the famous astronomer, Galileo Galilei. It brings the work to a close with a hypnotic rhythm which is noble and virtuosic at the same time.

Le Pescatrici - Dramma Giocoso : Le Pescatrici - Dramma Giocoso

Le Petit Chaperon Rouge

Le Divertissement de Chambord

Le comte Ory - Rossini, Gioachino

Opera in two acts edition of selected works, study score Paperback

Le Cadi dupé - Gluck, Christoph Willibald

Opéra-comique in einem Akt complete edition, score, Urtext edition 2SSolo/2TSolo/2BarSolo/speaker/Orch Indbundet udgave

Le Sacre Stimmate di San Francesco d'Assisi

Georges Migot: Le Rossignol en Amour (Opera)

Chamber Opera (for 3 singers, wind quintet, string quintet, 2 pianos and 8 chorus)

Piano Works - Händel, Georg Friedrich

Suites de Pièces pour le Clavecin. Zweite Sammlung von 1733 Revidierte Neuausgabe von BA 4009 complete edition, Performance score, Anthology, Urtext edition piano Indbundet udgave

Le Navire Aux Voiles Mauves - Une Autre Odyssée

Le nozze d'Ercole e d'Ebe - Gluck, Christoph Willibald

Dramma per musica in zwei Teilen Pillnitz bei Dresden Generalbassaussetzung: Eckhart Kuper complete edition, score, Urtext edition 2SSolo/ASolo/TSolo/2Fl/2Ob (2bassoon)/2Hn/Str/harpisc. Indbundet udgave

Prima la musica e poi le parole - Salieri, Antonio

Divertimento teatrale in one act The enclosed credit-card style USB flash drive contains the sources, the text and music editions as well as the critical reports (Edirom) edition of selected works, score, study score, Datenträger (USB-Karte), Urtexta 2SSolo/2BSolo/2Ob/2clarinet/2bassoon/2Hn/2Trp/2V/Va/Basso/Bc Indbundet udgave

L'Arbre enchanté ou Le Tuteur dupé - Gluck, Christoph Willibald

OpÚra-comique in one act Vienna complete edition, score, Urtext edition 2SSolo/2TSolo/BarSolo/BSolo/Fl/2Ob/2FnglHn/bassoon/2Hn/2V/Va/Vc/double bass/harpisc. Indbundet udgave

Le Diable à quatre, ou La Double Métamorphose - Gluck, Christoph Willibald

Opéra-comique in 3 Akten complete edition, score, Urtext edition 4SSolo/2ASolo/3TSolo/BarSolo/speaker/2Fl ad lib./2Ob/2Hn/Str/harpisc. Indbundet udgave

Le nozze di Figaro K.492 : Facsimile of Mozarts autograph score

The Packard Humanities Institute, Los Altos, Ca, in association with the International Mozarteum Foundation, Salzburg, present a facsimilie edition of the autograph scores of the seven great Mozart operas. Mozart's seven great operas, his brilliant contribution to music theatre and world culture, are unequalled in their depth of human characterisation and musical expression. Now Mozart scholars, libraries and lover'sof Mozart's stage works have the oppertunity to acquire these priceless manuscripts in flawless reproductions. All volumes include essays on the history of the work and introduction by leadingMozartscholars in English and German Consolidation of Mozart manuscripts held in different places Highest level of precision in reproduction and authenticity of colour through use of thelatest technology 'I regard it as a true privilege to be able to read and study Mozart's scores in his manuscript hand... The commanding clarity and the characteristicappearance of Mozart's handwriting are unique'     - Kent Nagano (Conductor)

Ballet Music

This volume is the second of three planned volumes of ballet music composed between 1759 and 1769 in Vienna. They represent only a small portion of Viennese ballet music attributed to Gluck for which musical sources have been preserved. The volumes form a compendium that offers comprehensive editorial coverage of Gluck’s activities as “Compositore von der Music zu denen Balletten” (composer of the music to the ballets). The present volume contains compositions from the years 1759 and 1760 (and, accordingly, the 1759/60 and 1760/61 seasons).The ballets have been passed down only as sets of parts. They were commissioned by Count Joseph Adam Prince of Schwarzenberg andoriginated around the time of the premiere performances from the workshops of Viennese copyists. Today, they are housed in the State Regional Archive Ceský Krumlov (with the exception of the sinfonia for “Le Prix de la Danse”, which has also been handed down as a composition by Ignaz Holzbauer.)The ballet music works consist of a series of mostly short but occasionally lengthier movements that can be repeated or joined into larger musical units. “Les Corsaires” and “Le Prix de la Danse” were both premiered in December 1759 at the Kärntnertortheater in Vienna with choreographies by Charles Bernardi, while Gasparo Angioloni most likely created the choreographies for “Le Berger magicien”, “Les Miquelets espagnols”, and “Le Naufrage” (premiered in 1759 at the Burgtheater), as well as those for “Les Faunes” and “Les Trois Couleurs” (premiered in 1760 at the same venue).The two Bernardi ballets are the only examples for which scenic descriptions have been recorded in the chronicle of theatrical performances by court dancer and ballet master Philipp Gumpenhuber. However, telling titles and works with similar contents help to reconstruct the thematic orientation of the respective ballets.

Where Angels Fly : In loving memory of Jesse Lefebvre (°02/06/2007 - *24/02/2015)

Commissioned by Banda de Musica Municipal de Silleda (ES), Kevin Houben has written this work for the Certamen de Valencia 2018 in Spain. Where Angels Fly is a very technical, powerful and virtuoso work, with a rather fragile and soft introduction in which the main motif – derived from Paul Gilson’s La Prière from Le Retour aux Pays – is developed and also includes Houben’s own musical signature ‘HBE(N)’. Where Angels Fly is a challenging, impressive and virtuosic contest piece.Commissioned by Banda de Musica Municipal de Silleda (ES), Kevin Houben has written this work for the Certamen de Valencia 2018 in Spain. Where Angels Fly is a very technical, powerful and virtuoso work, with a rather fragile and soft introduction in which the main motif – derived from Paul Gilson’s La Prière from Le Retour aux Pays – is developed and also includes Houben’s own musical signature ‘HBE(N)’. Where Angels Fly is a challenging, impressive and virtuosic contest piece.

Edgar : symphonic suite from the opera

Edgar was Giacomo Puccini’s second opera but despite numerous changes and adaptations, it was never able to match the success enjoyed by his first opera Le Villi. Puccini himself was never completely satisfied with the opera either. It was not until the 1970’s, after the first release of a recording of the work, that Edgar gained in popularity and recognition. Johan de Meij has created this fabulous concert band arrangement of this much under-performed work.

Novation LAUNCHKEY-61-MK3 61 keys, 16 pads

Launchkey is our intuitive and fully  MIDI keyboard controller for making tracks in Ableton Live and with your external equipment. The Launchkey experience is designed for players of all types and abilities. With Launchkey, regardless of experience, you can create and play your music like never before. With its various musical creation features, all of which can be used standalone, Launchkey removes barriers to creativity, and expands the musical vocabulary of even the most talented keyboardists. Eight Scale modes guide you into new musical territory, by transposing keys played to notes in the scale selected. Simply choose your root note and your preferred scale, then play. Three Chord modes transform the keys and pads into an interactive surface of musical exploration, where every note played is tonally and harmonically linked. The arpeggiator lets you explore new melodies and find ideas quickly, while the mutate function reconstructs your patterns into exciting new forms. Custom Modes simplify the relationship between controller and software, with more power than ever in your hands. Programmable using the Novation Components browser-based tool, Custom Modes let you design the behaviour of your Launchkey, with control over control assignments, MIDI routing, pad colour and much more. Launchkey 61 [MK3] is equipped with a full-size five-pin MIDI DIN output, enabling simple connection to the universe of MIDI devices — new and old. Coupled with its immense standalone potential, Launchkey is now the centrepiece to your live or studio rig — computer or not. The Launchkey platform has always been about flexibility, and the MK3 revision carries this mantra at its core. Larger, improved velocity-sensitive pads provide greater control over dynamics, and eight fixed rotary knobs bring your software to life at your fingertips. The integration with Ableton Live is truly seamless, with a dedicated button for activating the Capture MIDI function, plus track arm, quantise, click and loop controls, for flying around your Session faster than ever.  Not an Ableton Live user? No problem, Launchkey also has full integration with Logic and Reason, plus out of the box functionality with other DAWs including Studio One, Cubase and Pro Tool , via HUI. Whether starting out or locked in a groove, Launchkey is the controller keyboard to take you further on your musical journey. With a collection of software instruments, including Ableton Live 10 Lite, Serato Sample LE, Spitfire Audio LABS Expressive Strings, XLN Audio Addictive Keys, Klevgrand R0Verb and DAW Cassette, AAS Session Bundle, a two-month Splice Sounds membership and the Novation Sound Collective, Launchkey 61 equips you with an amazing bundle of sounds. - Aftertouch : Yes - Arpeggiator : Yes - Backlit pad : Yes - Category : Master keyboard - Compatibility : PC, Mac - Controller : Pitchbend, Modulation, Octave up/down, 8 encoders - Dimensions (mm) : 258 x 952 x 77 - Display : LCD - Inputs : USB, Sustain pedal - Key format : [Clavier] - Number of faders : 9 - Number of keys : 61 - Number of pads : 16 - Number of potentiometers : 8 - Number of switches : 8 - Outputs : USB, Midi, USB Type B - Power supply : USB - Provided software : Ableton Live Lite, Bundle AAS Session, Spitfire Audio LABS - Expressive Strings, Klevgrand R0verb & DAW Cassette, XLN Audio Addictive Keys - Touch : Semi-weighted - Transposition : Yes - Velocity sensitive : Yes - Velocity sensitivity of the pads : Yes - Weight (kg) : 3,40 kg

Novation Launchkey 49 MK3 - 49 keys, 16 pads

Launchkey is our intuitive and fully integrated MIDI keyboard controller for making tracks in Ableton Live and with your external equipment. The Launchkey experience is designed for players of all types and abilities. With Launchkey, regardless of experience, you can create and play your music like never before. With its various musical creation features, all of which can be used standalone, Launchkey removes barriers to creativity, and expands the musical vocabulary of even the most talented keyboardists. Eight Scale modes guide you into new musical territory, by transposing keys played to notes in the scale selected. Simply choose your root note and your preferred scale, then play. Three Chord modes transform the keys and pads into an interactive surface of musical exploration, where every note played is tonally and harmonically linked. The arpeggiator lets you explore new melodies and find ideas quickly, while the mutate function reconstructs your patterns into exciting new forms. Custom Modes simplify the relationship between controller and software, with more power than ever in your hands. Programmable using the Novation Components browser-based tool, Custom Modes let you design the behaviour of your Launchkey, with control over control assignments, MIDI routing, pad colour and much more. Launchkey 49 [MK3] is equipped with a full-size five-pin MIDI DIN output, enabling simple connection to the universe of MIDI devices — new and old. Coupled with its immense standalone potential, Launchkey is now the centrepiece to your live or studio rig — computer or not. The Launchkey platform has always been about flexibility, and the MK3 revision carries this mantra at its core. Larger, improved velocity-sensitive pads provide greater control over dynamics, and eight fixed rotary knobs bring your software to life at your fingertips. The integration with Ableton Live is truly seamless, with a dedicated button for activating the Capture MIDI function, plus track arm, quantise, click and loop controls, for flying around your Session faster than ever.  Not an Ableton Live user? No problem, Launchkey also has full integration with Logic and Reason,  plus out of the box functionality with other DAWs including Studio One, Cubase and Pro Tools,  via HUI. Whether starting out or locked in a groove, Launchkey is the controller keyboard to take you further on your musical journey. With a collection of software instruments, including Ableton Live 10 Lite, Serato Sample LE, Spitfire Audio LABS Expressive Strings, XLN Audio Addictive Keys, Klevgrand R0Verb and DAW Cassette, AAS Session Bundle, a two-month Splice Sounds membership and the Novation Sound Collective, Launchkey 49 equips you with an amazing bundle of sounds. - Aftertouch : Yes - Backlit pad : Yes - Category : Master keyboard - Compatibility : PC, Mac - Controller : Pitchbend, Modulation, Octave up/down, 8 encoders - Dimensions (mm) : 258 x 789 x 77 - Display : LCD - Inputs : USB, Sustain pedal - Key format : [Clavier] - Number of faders : 9 - Number of keys : 49 - Number of pads : 16 - Number of potentiometers : 8 - Number of switches : 8 - Outputs : USB, Midi, USB Type B - Power supply : USB - Provided software : Ableton Live Lite, Bundle AAS Session, Spitfire Audio LABS - Expressive Strings, Klevgrand R0verb & DAW Cassette, XLN Audio Addictive Keys - Touch : Semi-weighted - Transposition : Yes - Velocity sensitive : Yes - Velocity sensitivity of the pads : Yes - Weight (kg) : 3,03 kg

Novation LAUNCHKEY-37-MK3 37 keys, 16 pads

Launchkey is our intuitive and fully integrated  MIDI keyboard controller for making tracks in Ableton Live and with your external equipment. The Launchkey experience is designed for players of all types and abilities. With Launchkey, regardless of experience, you can create and play your music like never before. With its various musical creation features, all of which can be used standalone, Launchkey removes barriers to creativity, and expands the musical vocabulary of even the most talented keyboardists. Eight Scale modes guide you into new musical territory, by transposing keys played to notes in the scale selected. Simply choose your root note and your preferred scale, then play. Three Chord modes transform the keys and pads into an interactive surface of musical exploration, where every note played is tonally and harmonically linked. The arpeggiator lets you explore new melodies and find ideas quickly, while the mutate function reconstructs your patterns into exciting new forms. Custom Modes simplify the relationship between controller and software, with more power than ever in your hands. Programmable using the Novation Components browser-based tool, Custom Modes let you design the behaviour of your Launchkey, with control over control assignments, MIDI routing, pad colour and much more. Launchkey 37 [MK3] is equipped with a full-size five-pin MIDI DIN output, enabling simple connection to the universe of MIDI devices — new and old. Coupled with its immense standalone potential, Launchkey is now the centrepiece to your live or studio rig — computer or not. The Launchkey platform has always been about flexibility, and the MK3 revision carries this mantra at its core. Larger, improved velocity-sensitive pads provide greater control over dynamics, and eight fixed rotary knobs bring your software to life at your fingertips. The integration with Ableton Live is truly seamless, with a dedicated button for activating the Capture MIDI function, plus track arm, quantise, click and loop controls, for flying around your Session faster than ever.  Not an Ableton Live user? No problem, Launchkey also has full integration with Logic and Reason, plus out of the box functionality with other DAWs including Studio One, Cubase and Pro Tools, via HUI. Whether starting out or locked in a groove, Launchkey is the controller keyboard to take you further on your musical journey. With a collection of software instruments, including Ableton Live 10 Lite, Serato Sample LE, Spitfire Audio LABS Expressive Strings, XLN Audio Addictive Keys, Klevgrand R0Verb and DAW Cassette, AAS Session Bundle, a two-month Splice Sounds membership and the Novation Sound Collective, Launchkey 37 equips you with an amazing bundle of sounds. - Aftertouch : Yes - Arpeggiator : Yes - Backlit pad : Yes - Category : Master keyboard - Compatibility : PC, Mac - Controller : Pitchbend, Modulation, Octave up/down, 8 encoders - Dimensions (mm) : 258 x 555 x 77 - Display : LCD - Inputs : USB, Sustain pedal - Key format : [Clavier] - Number of keys : 37 - Number of pads : 16 - Number of potentiometers : 8 - Outputs : USB, Midi, USB Type B - Power supply : USB - Provided software : Ableton Live Lite, Bundle AAS Session, Spitfire Audio LABS - Expressive Strings, Klevgrand R0verb & DAW Cassette, XLN Audio Addictive Keys - Touch : Semi-weighted - Transposition : Yes - Velocity sensitive : Yes - Velocity sensitivity of the pads : Yes - Weight (kg) : 2,18 kg

KORG L1 Liano Digital Piano

Elsker du musik og klaver endnu mere? Start dit nye musikalske liv med KORG Liano! Kompakt digitalklaver Musik, udtryk, underholdning, opfyldelse – et klaver kan gøre hver dag bedre. Men et akustisk koster mange penge, fylder en del, det er tungt, det skal stemmes, det kan være for højlydt til nogle hjem, så hvordan løser vi det? KORG er stolte af at præsentere et slankt letvægtsklaver, der løser alle disse udfordringer, mens det leverer en fantastisk følelse og enestående klaverlyd. Slankt og stilrent design - kun 7 cm! Liano er kun 130 cm dyb og kun 7 cm tyk - inklusive højttalere! Men her er stadig 88-tangenter i fuld størrelse. Du nyder godt af et slankt, let design, mens du bevarer klaverets vigtige funktionalitet og ydeevne. 8 forskellige lyde Lianos vigtigste funktioner er lette at forstå; Drej drejeknappen på frontpanelet og skift hurtigt mellem en af ​​otte lyde, som akustisk klaver, elektrisk klaver, orgel, strygere m.fl. - så enkelt er det. Stjernen blandt lydene er et berømt italiensk flygel med en smuk klang, som bruges til koncerter verden over. Liano har også to effekter - rumklang og chorus, der tilføjer fylde til lyden. Højttalere med basrefleks Højttalerne er placeret på frontpanelet for at sende lyden direkte til dig. Basrefleks-højttalerne har specialdesignede porte, der giver en dynamisk bas, som ellers ville være svær at reproducere. Og så du kan øve dig uden at forstyrre resten af familien, er der også et praktisk hovedtelefonstik. Batterierne rækker til ca 8 timers kontinuerligt brug Liano vejer kun godt 6 kg! Selv med sine 88 tangenter og fulde højttalersystem vejer dette klaver kun 6,2 kg (+ ca. 200 g, når der er installeret seks AA-batterier), så Liano er nem at flytte rundt på og opbevare efter behov. Batteridrift betyder, at den kan bruges hvor som helst og når som helst - indendørs og udendørs! Hvad med at invitere vennerne til koncert på stranden? Lette tangenter Liano er udrustet med en specialdesignet KORG light touch LS keybed, der selvfølgelig først og fremmest er anvendt for at gøre instrumentet let. Men det gør også bogstavelig talt tangenterne lettere at trykke ned, hvilket kan være rigtig godt for begyndere, især små fingre. Det er klart, at vil man dygtiggøre sig på den lange bane, så er et instrument som f.eks. KORG D-1 med fuldvægtede tangenter at foretrække. USB-port og software USB-porten tillader dig at koble Liano sammen med en computer, så det fungerer som MIDI-keyboard, der kan indspille din musik via musik-software, styre en app med flere klaverlyde, eller på anden måde udvider Lianos funktionalitet. Liano leveres med en bunke software, der hjælper dig med at dygtiggøre dig. Disse apps inkluderer et "Skoove"-abonnement med flere niveauer af klaverundervisning; "KORG Module" og "KORG Gadget 2 Le" til DAW-baseret musikproduktion; og en 50% rabatkupon til "TuneCore" - en app, der hjælper dig med at sælge din musik! Nodestativ og sustain-pedal Liano leveres desuden med en sustain-pedal, der holder tonen indstil du slipper den og et nodestativ, så du kan begynde at lære spille med det samme. Alt i alt leverer Liano en komplet, let og transportabel klaveroplevelse til såvel begyndere som øvede. Specifikationer 88 (A0-C8) tangenter (anslagsfølsomt LS-klaviatur) 3 anslalgsinstillinger Transponering og stemning (Master Tune) Lydkilde: Stereo PCM 120 steamers polyfoni 8 lyde Rumklang og Chorus effekter 8 demosange Metronom med justerbart tempo, takt-art og lydstyrke Sustainpedalindgang Stereo Line/hovedtelefonudgang Knapper: Tænd/dluk, Volume, Reverb, Metronome, Sounds 2 stk. 8 cm højttalere 2 x 8W forstærker Strøm via AC-adapter (medfølger) eller 6 stk AA-batterier (tilkøb) Batterilevetid: Op til 8 timer kontinuerligt Vægt: 6 kg (uden batterier) Dimensioner (B x D x H): 1.282 x 290 x 73 mm (ekskl. nodestativ) Tilbehør (følger med): AC-adapter, nodestativ, PS-3 sustainpedal