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The Wall : Germanicus Maximus - The Limes

Blackstar HTV-212 MK III Cabinet

Hercules ls700b ljusstativ

At Kitty O'Shea's : Irish Folk Song Suite for Wind Orchestra

JS300 Electric Guitar from Jet Guitars - Sunburst (Left Handed) : Roasted Maple Fretboard

JS300 Electric Guitar from Jet Guitars - Black : Roasted Maple Fretboard

JS300 Electric Guitar from Jet Guitars - White : Roasted Maple Fretboard

Spartacus

JS300 Electric Guitar from Jet Guitars - Green: Roasted Maple Fretboard

JS400 Electric Guitar from Jet Guitars - White : Roasted Maple Fretboard

JS400 Electric Guitar from Jet Guitars - Sunburst : Roasted Maple Fretboard

JS400 Electric Guitar from Jet Guitars - Pink : Rosewood Fretboard

Early Hungarian Dances

JS300 Electric Guitar from Jet Guitars - Green (Left Handed) : Roasted Maple Fretboard

Nux AC-60 acoustic Amp

Nux AC-60 acoustic Amp

Natural sound for acoustic guitar and vocal The Stageman II AC-60 has 2 channels and both are optimized for acoustic guitar and microphone inputs respectively. The dual-input channels, on the NUX Stageman II AC-60 acoustic guitar amplifier, provide you with even more options for gigs or studio recording. Equipped with NUX's latest DSP technology, the Stageman II AC-60 delivers pure, rich acoustic sound with projection far beyond its size. The Stageman II AC-60 has flexible outputs for both stage and recording applications, and is designed for your interface needs. XLR DI output and Line output jack can be used as an analog audio-out for recording or sending to a monitor. To accentuate your customized sound, Send/Return FX Loop inputs interface with any of your essential effects gear. High-sensitivity speaker system for playing on stage It's never easy to find the ideal speakers for instrument amplifiers, especially for the acoustic instruments. After hundreds of times of trying speakers from different suppliers, we eventually decided to customize our own speakers to capture the exact sound we wanted. We triumphed by combining two refined speakers ( one: 1 inch tweeter and one: 6.5 inch woofer ) into Stageman's cabinet. Equipped with this creative 2-way high-sensitivity speaker system, the Stageman II delivers incredible sound dynamics. To top it off, our cabinet design features a beveled-angle carefully calculated to provide optimal live sound monitoring. Impulse Response(IR) Function Creates legendary guitar sounds The Stageman II AC-60 is loaded with 8 impulse response files. Each impulse response file is optimized for the guitar type and the pickup type. The IR file names are included in the guitar profile, optimized guitar type, and the pickup type. Connect the Stageman II AC-60 with your mobile phone(app) to activate/deactivate the IR function. Stageman II AC-60 Mobile App 12 effects, 8 IRs, and 6 signal block routings We also developed a mobile App for you to control the Stageman II AC-60 amplifier with your smart phone. You can switch the amp's channels and choose to your favorite signal block routing for the instrument input. There are 12 effects including Chorus, Delay, Tape Echo, Modulation, Reverb, etc. There are 8 IRs truly simulating many legendary guitar sounds. You can control everything, choose any effect you want and adjust the parameters, and there are more functions including some application exclusive features. The Stageman II AC-60 provides the musical sound that will keep you playing for countless of hours. Also, you can connect your mobile phone with Stageman II AC-60 via the Bluetooth, and play along with your favorite music.       Specifications 60 watts rich warm sound acoustic amp with 6.5” premium speaker and 1” tweeter   2 independent channels with routing adjustable post-effects   Acoustic Impulse Response   Drum & Loop (60s phrase loop)   Bluetooth Audio Stream   Free APP controller   USB firmware update   Dimensions: 310(L)mm * 280(W)mm * 328(H)mm   Weight: 9.2 kg   What's in the Box: NMP-2 Dual Lite FootSwitch, TRS Cable (for NMP-2), Power Adaptor, User Manual    

SEK 3823.00
1

JS400 Electric Guitar from Jet Guitars - Green : Roasted Maple Fretboard

1834 : Machera Impressions

1834 : Machera Impressions

The twofold title of this concert work is directly connected with the band who commissioned it. The ‘Harmonie Municipale Grevenmacher’ from the town of the same name, by the river Moselle in the Grand Duchy of Luxembourg was founded in the year1834. The name Machera is derived from the word machara, which in turn originated from maceries (old wall). Later, Machera evolved into Machern, Grafenmachern, and finally Grevenmacher.In 2009, this music society the third oldest still in existence in the country celebrated its 175th anniversary. And after all these years the society still flourishes! The dynamic committee, led by Georges May, fully supports and inspires themusical leader of the band, Claude Weiland, as well as his 60-strong ensemble. This well-functioning team took the initiative to ask Jan Van der Roost to write an anniversary composition, inspired, on the one hand, by the rural character ofGrevenmacher and its surroundings (where the famous Moselle wine growing dominates the countryside), and on the other hand, by the dynamics, creativity and joie de vivre the band exudes. All of this resulted in a twofold work with alternating peaceand excitement, virtuous and melodic features, orchestral splendour and soberly orchestrated passages. The première, on 10 January 2010, was conducted by the composer himself at a successful gala concert which brought a fine year full of musicalfestivities to a close. The ‘Harmonie Municipale Grevenmacher’ faces the future with confidence, and will now prepare for its next milestone: the 200th anniversary!

SEK 2119.00
1

Ostinati

Ostinati

It may be surprising to see a fanfare piece commissioned by a Japanese ensemble, since fanfare orchestras are typically found in Belgium, Holland and Luxembourg, and also France and Switzerland. Senzoku Gakuen is one of the largest and mostprestigious music universities in Japan, and home to a wide variety of ensembles and orchestras. Since 2006 they have had a fanfare orchestra, which was started by Sotaru Fukaishi, a euphonium teacher who felt further performance opportunity wasneeded for saxhorn instruments. Fukaishi had loved the sound of fanfare orchestras ever since visiting the World Music Contest in Kerkrade (Holland) several years earlier. Jan Van der Roost was involved with this new initiative from the beginning,and they were also joined by Manu Mellaerts for certain projects. The Dean of the music department, Professor Kazuo Tomioka, fully supports the ensemble and commissioned Ostinati. The première took place on June 11th at Maeda Hall inMizonokuchi (Kawasaki) where Senzoku Gakuen is based. The piece opens with an impressive timpani solo, followed by brass and saxophone. The rhythmical pulse remains constant and the music is fiery and assertive in character. A pentatonic melodygradually emerges and the music loses its vehemency and softens. The initial percussion ostinati subsequently recurs and the first section of the piece concludes in a similar mood to the opening. The second movement is sweet and melodic, opening witha long passage for the saxophone family in a minor key. The same theme then appears in the major and is developed upon; the music builds to a majestic orchestral forte, reminiscent of a pipe organ in its sonority. The theme returns in the originalminor key with a change in instrumentation leading the movement to a quiet and peaceful end on a soft E minor chord. The finale starts with percussion: a four-bar pattern is repeated several times over which the movement’s melodic themes areintroduced. These melodic elements are varied and used in different versions and the ostinato idea, which characterizes the entire piece, is highlighted. The theme travels through the orchestra, appearing on various instruments and in variousregisters. It captures the listener’s attention and displays the full range of sound and colour within the fanfare orchestra.

SEK 4746.00
1

Nux MG-30 guitar-multieffekt-pedalboard

Nux MG-30 guitar-multieffekt-pedalboard

The MG-30 is the professional solution for the guitarist who wants a fantastic sound combined with loop function, drum machine and tuner. The MG-30 is equipped with a wide range of integrated effects, which include overdrive/distortion, amp simulation, I.R cabinet simulation, modulation, delays & reverbs. All together with a number of options within each effect category. The sound processing is based on the NUX TSAC algorithm, which enables the MG-30 to create ultra-realistic analog circuit simulation of some of the most used and popular effects that you can buy today. Effects and amp simulations are controlled by 2 powerful NXP RT 32-bit processors, which drive the MG-30's impressive 1024 sample IR sound resolution with an ultra-low latency of 2 ms, and a dynamic range of a whopping 110 dB. The NUX MG-30 gives you 30 amp simulations that you can choose from and customize. Among the 30 amplifier simulations, we find 25 of the most used and sought-after guitar amplifiers throughout the ages, i.a. various Marshall, Fender and Vox amps as well as Roland, Hiwatt, Soldano, Mesa Boogie and Friedman simulations. In addition, the MG-30 contains two acoustic amp simulations and three bass amp simulations. You customize the sound with eight different speaker cabinets, eight microphones and 3 different microphone positions. The effects are divided into 8 blocks, where you can choose between 5 different wah effects, 3 compressors, noise reduction, 12 distortion/overdrive, 4 equalizers, 13 modulation effects, 7 delay effects and 5 different reverbs. Added to that is the MG-30's extensive Looper function. 4 the cable method You can achieve a significant improvement in your guitar sound if you take care to separate delay/reverb and modulation effects from overdrive, distortion and compressor effects. Delay, reverb, chorus, flanger and other similar effects simply sound better if the effect signal is passed through the amplifier's effect loops, while distortion, compressor and boost effects sound better if they are placed first in the signal chain - before the signal enters the amplifier. By using the 4 cable method, the MG-30 makes it possible to place the distortion effects first in the signal chain, while the delay/reverb and modulation effects have their own output and input, so they can be integrated into your amp's effects loop where they belong. In this way, you get the opportunity to create the same type of signal routing that you would use in larger rack and studio effects setups. Multi-effects board with 30 amp simulations, looper Simulation of well-known effects, preamps and cabinets 51 effects, up to 8 simultaneously Guitar World's best new product 2021 Large 4" LCD screen gives you total control on stage The MG-30 also has a tuner, expression pedal, color display, tap function, etc Delivered incl. 9V power supply and NMP2 Dual Footswitch NUX Quick Tone editor for MAC/PC

SEK 3823.00
1

IRig: iLoud: Micro Monitor Speakers - svart

IRig: iLoud: Micro Monitor Speakers - svart

Package includes 2 x iLoud Micro Monitor speakers Power supply unit Power supply cable 4-pin speakers connection cable (1.5m/59.1") TRS 1/8" stereo to 2 x RCA cable (1.5m/59.1")   High-end sound without the high-end price Linear frequency response. Zero coloration. Transparency. Headroom. To hear the truth, you need reference speakers that offer up. And if you work in a home or small studio you have even greater challenges, from the lack of space on your desk to the “less than ideal” position of your audio workstation, typically placed against a wall. Now, with iLoud Micro Monitor, you can hear the truth in your music anytime and everywhere. The smallest active studio reference monitoring system in the world, iLoud Micro Monitor provides you with ultra-accurate true linear frequency response with no coloration, and does so in every listening environment, especially in home and project studios. Sound too good to be true? Read on… iLoud Micro Monitor is two extremely portable, high-performance bi-amped speakers that delivers a combined 50W RMS of power for solid bass, plenty of headroom and a stunningly defined stereo image. Whether you’re recording, editing, mixing or mastering audio, editing video, sound designing or gaming, iLoud Micro Monitor ensures your production will translate well to the huge variety of consumer devices — headphones, home stereo systems, gaming consoles, car audio systems, TVs, and other listening systems.   High power, smallest footprint When the original iLoud speaker was released, it set a new standard for portable power and sonic accuracy in an ultra-small, portable form factor. iLoud Micro Monitor is a natural evolution of that design concept, and just like popular predecessor, offer a completely new and unmatched sonic experience. iLoud Micro Monitors are specifically designed for small makeshift working spaces — bedroom studios, small project studios, on the tour bus or in a hotel room, and they are perfect as an additional reference monitor system for super nearfield listening. Each tweeter and woofer is powered by ultra-efficient class D power amplifiers that push a total of 50W RMS with amazing low-end response down to 55Hz (-3dB) — the best bass response in its category. Each monitor sports a 3/4” silk dome tweeter, a 3” high-rigidity custom composite material woofer and a large-flaring front-firing bass reflex port. Thanks to these features, it’s able to deliver smooth and extended high frequencies, an exceptionally open, focused midrange and a solid, controlled low end. Simply put, iLoud Micro Monitor's sound is so good that it’s nearly inconceivable for a speaker system of this size and at this price point. iLoud Micro Monitor sounds amazing and real. But why? Well, a part of that is due to its internal 56-bit digital signal processor (DSP). This DSP is responsible for things like taking care of the frequency and phase response of the monitors as well as also controlling the dynamic range so that the drivers are always under control and operating efficiently. It also acts as a digital crossover that allows for invisibly smooth transitions between the drivers themselves.   Ideal for small studios Most home studios offer less than ideal space when working on audio and often resemble just a desk with a computer and speakers beside it placed against a wall. Most speakers are not designed for these small environments and sound boomy and undefined, but iLoud Micro Monitors have been designed to be the best possible reference monitor in these challenging “small room” situations. iLoud Micro Monitor’s small footprint saves space on your desktop and ensures closer placement to your ears thus minimizing room reflections. Plus, its internal DSP offers various EQ settings for optimizing bass and treble response as well as position compensation — this lets you switch between a “free field” and “desktop” setup effortlessly. You can also position iLoud Micro Monitor at two angles of inclination thanks to the integrated isolation base that guarantees further mechanical de-coupling and purer sound. With these features you can optimize your listening experience to suit the characteristics of the room you’re working in, therefore always ensuring that you’re working in the audio the sweet spot.   Free-field positioning iLoud Micro Monitors also feature an integrated mic stand thread (UNC 3/8”-16) so you can easily place them on any regular pair of mic stands giving you the best possible monitoring conditions in the smallest places without adding expensive accessories.   Hi-end features without the high-end price When it comes to small monitors, you’re traditionally limited to two choices — cheap, “budget” monitors that can be better described as a couple of “wooden” boxes with “some kind of” speakers usually costing in the $100-$200 (per pair) range, or high ...

SEK 3750.00
1

iLoud: Micro Monitor Speakers - white

iLoud: Micro Monitor Speakers - white

Package includes 2 x iLoud Micro Monitor speakers Power supply unit Power supply cable 4-pin speakers connection cable (1.5m/59.1") TRS 1/8" stereo to 2 x RCA cable (1.5m/59.1")   High-end sound without the high-end price Linear frequency response. Zero coloration. Transparency. Headroom. To hear the truth, you need reference speakers that offer up. And if you work in a home or small studio you have even greater challenges, from the lack of space on your desk to the “less than ideal” position of your audio workstation, typically placed against a wall. Now, with iLoud Micro Monitor, you can hear the truth in your music anytime and everywhere. The smallest active studio reference monitoring system in the world, iLoud Micro Monitor provides you with ultra-accurate true linear frequency response with no coloration, and does so in every listening environment, especially in home and project studios. Sound too good to be true? Read on… iLoud Micro Monitor is two extremely portable, high-performance bi-amped speakers that delivers a combined 50W RMS of power for solid bass, plenty of headroom and a stunningly defined stereo image. Whether you’re recording, editing, mixing or mastering audio, editing video, sound designing or gaming, iLoud Micro Monitor ensures your production will translate well to the huge variety of consumer devices — headphones, home stereo systems, gaming consoles, car audio systems, TVs, and other listening systems.   High power, smallest footprint When the original iLoud speaker was released, it set a new standard for portable power and sonic accuracy in an ultra-small, portable form factor. iLoud Micro Monitor is a natural evolution of that design concept, and just like popular predecessor, offer a completely new and unmatched sonic experience. iLoud Micro Monitors are specifically designed for small makeshift working spaces — bedroom studios, small project studios, on the tour bus or in a hotel room, and they are perfect as an additional reference monitor system for super nearfield listening. Each tweeter and woofer is powered by ultra-efficient class D power amplifiers that push a total of 50W RMS with amazing low-end response down to 55Hz (-3dB) — the best bass response in its category. Each monitor sports a 3/4” silk dome tweeter, a 3” high-rigidity custom composite material woofer and a large-flaring front-firing bass reflex port. Thanks to these features, it’s able to deliver smooth and extended high frequencies, an exceptionally open, focused midrange and a solid, controlled low end. Simply put, iLoud Micro Monitor's sound is so good that it’s nearly inconceivable for a speaker system of this size and at this price point. iLoud Micro Monitor sounds amazing and real. But why? Well, a part of that is due to its internal 56-bit digital signal processor (DSP). This DSP is responsible for things like taking care of the frequency and phase response of the monitors as well as also controlling the dynamic range so that the drivers are always under control and operating efficiently. It also acts as a digital crossover that allows for invisibly smooth transitions between the drivers themselves.   Ideal for small studios Most home studios offer less than ideal space when working on audio and often resemble just a desk with a computer and speakers beside it placed against a wall. Most speakers are not designed for these small environments and sound boomy and undefined, but iLoud Micro Monitors have been designed to be the best possible reference monitor in these challenging “small room” situations. iLoud Micro Monitor’s small footprint saves space on your desktop and ensures closer placement to your ears thus minimizing room reflections. Plus, its internal DSP offers various EQ settings for optimizing bass and treble response as well as position compensation — this lets you switch between a “free field” and “desktop” setup effortlessly. You can also position iLoud Micro Monitor at two angles of inclination thanks to the integrated isolation base that guarantees further mechanical de-coupling and purer sound. With these features you can optimize your listening experience to suit the characteristics of the room you’re working in, therefore always ensuring that you’re working in the audio the sweet spot.   Free-field positioning iLoud Micro Monitors also feature an integrated mic stand thread (UNC 3/8”-16) so you can easily place them on any regular pair of mic stands giving you the best possible monitoring conditions in the smallest places without adding expensive accessories.   Hi-end features without the high-end price When it comes to small monitors, you’re traditionally limited to two choices — cheap, “budget” monitors that can be better described as a couple of “wooden” boxes with “some kind of” speakers usually costing in the $100-$200 (per pair) range, or high ...

SEK 3750.00
1