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Adolphe Sax Album Vol.3 : Solos caractéristiques pour saxophone sélectionnés par Nicolas Prost

Adolphe Sax Album Vol.3 : Solos caractéristiques pour saxophone sélectionnés par Nicolas Prost

Typical solo for saxophone selected by Nicolas Prost. The third volume of Adolphe Sax album suggests unrecognized repertoire for saxophone or with saxophone, from his beginning (1845) to the World War II (1940). Then, the saxophonist would have various musical esthetics, inspired by historical and political back-ground. This volume is a amazing musicologic document to all saxophone lovers

SEK 276.00
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Gabriel Faure: Nocturnes And Barcarolles For Solo Piano

Gabriel Faure: Nocturnes And Barcarolles For Solo Piano

The music of Gabriel Fauré (1845-1924) is an important link between the innovations of late Romanticism and the experimentation of the early 20th century. A student of Saint-Saëns, he, in turn, taught Ravel and was a mentor to the young modernists of Les Six. These 12 nocturnes and 12 barcarolles, composed over a span of 40 years, document his move from Romanticism to the frontiers of 20th-century music. Reprinted from authoritative French editions.

SEK 385.00
1

Streichquartett B-Dur op. 130

Streichquartett B-Dur op. 130

Although Beethoven did not live to see the publication of his String Quartets op. 130 and op. 133, he oversaw the production process, making corrections and putting the works into their final form. The String Quartet op. 130 is the longest piece within Beethoven’s extensive chamber music oeuvre. Originally, the Große Fuge was meant to be the final movement of op. 130. Beethoven’s conversation books document the separation of the Große Fuge from op. 130, its replacement by a new finale and its assignment to a new opus number op. 133.

SEK 303.00
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Játékok - Games - Spiele 9 : Tagebucheintragungen, persönliche Botschaften

Játékok - Games - Spiele 9 : Tagebucheintragungen, persönliche Botschaften

The piano series entitled Games, written from 1973 onwards, was conceived originally as a piano method. Its early volumes introduced children to the basic elements in piano-playing and musical thinking, and, more importantly still, taught them to play music without inhibitions. As the years went by, the view of the series lost its didactic character. It came to be seen as a document from Kurtág's workshop, offering a key to his grander symphonic, chamber and vocal works as well. This change is exemplified in the subtitle Diary entries, personal messages added from the fifth volume onwards.

SEK 305.00
1

Mark Ringer: Opera's First Master - The Musical Dramas Of Claudio Monteverdi

Mark Ringer: Opera's First Master - The Musical Dramas Of Claudio Monteverdi

Often hailed as the creator of modern opera, Claudio Monteverdi was the first great opera composer, his genius likened to that of Mozart, Wagner, and Verdi. Clearly and vividly written in nontechnical language. Opera's First Master enable opera lovers to experience Monteverdi's masterpieces in a new way, while providing fresh insights into how Monteverdian opera 'works' as theatre. Opera's First Master is also a compelling document of music history, as author Mark Ringer's traces Monteverdi's development as a composer, places his operatic works within the musical and theatrical framework of his era, and details the complex forces that led to the emergence of opera in late sixteenth-century Florence. Music experts and novices alike will savor this dramatic portrait of the master and his music.

SEK 290.00
1

Richard Houghton: The Beatles - I Was There

Richard Houghton: The Beatles - I Was There

Not just a fantastic book about The Beatles ! This is also a unique document of the Sixties – a great big slice of rock music heritage. It documents The Beatles when they were at their peak: at their world-conquering best. And it does so through the eyes of 500 of their fans, all telling their personal tales of when they saw The Beatles live in concert – both in the UK and the US. Packed with vintage 60s memorabilia and never-before-seen photos of John Lennon, Paul McCartney, George Harrison and Ringo Starr,  I Was There: The Beatles Live  is a lovingly designed time-capsule, a portrait of an era. It is as close to actually being at a Sixties Beatles' gig and meeting, living or working with the band that you will ever get.

SEK 251.00
1

50 Years Of The Gibson Les Paul

50 Years Of The Gibson Les Paul

This exciting book documents the complete decade-by-decade story of one of the world's most important and influential electric guitars. The Gibson Les Paul turned 50 years old in 2002, and since its invention, its sweet, urgentsound has been used by a host of major rock players – from Eric Clapton in Cream to Steve Jones of The Sex Pistols, from Joe Walsh in The Eagles to Slash of Guns N'Roses. Unique color photographs feature a multitude ofluscious Les Paul models and highlight great players in action with their Les Paul guitars. Meticulous listings for the collector document every model produced from 1952 to the present day. 50 Years of the Gibson Les Paulis a beautiful, detailed examination of six decades of great guitars and the fine musicians inspired to play them.

SEK 265.00
1

Ki' Ho' Alu: That's Slack Key Guitar

Ki' Ho' Alu: That's Slack Key Guitar

Susan Friedman presents a captivating documentary that showcases the Slack Key guitar and a cultural style that is unique to Hawaii. This compelling film is a story told not by a narrator, but by the impressive roster of artists and characters telling of the changes within Hawaiian cultural life, and discussing why this particular musical approach has remained so vital and quintessentially Hawaiian.The film is centred around musician Raymond Kane, a man who holds a special place in the domain of the Slack Key guitar. The style itself is named after the tendency to detune the guitar to suit the song, creating a "down home" warmth and feeling.Over four years in the making, this film, with its infectious music, its fascinating main character, and its rich visual qualities, will be an important document of Hawaiian culture to share with contemporary audiences.

SEK 267.00
1

A Musical Journey: The Films Of Pete, Toshi And Dan Seeger

A Musical Journey: The Films Of Pete, Toshi And Dan Seeger

A truly unique and authentic document of the rural and community-based musics of the world, captured as a series of 16mm camera films in the early sixties. International folk-music authority Pete Seeger presents the product of three years of travel and discovery as the Seeger family toured the world, filming whatever good music they could find. They had no game plan, but Pete, Toshi and Dan were able to capture a huge resource of footage that has since rested dormant in the back of their barn.Stefan Grossman has assembled the Seeger family reels, creating a captivating collection of moments that show the rural musical heritage of America in the context of the townships and communities in which it thrives. Included amongst the footage you will find:Big Bill BroonzyThe McPeake FamilySonny TerryJ.C. BurrisJean CarignanPete SteeleOklahoma Fiddle Contest 1957Schuyler MichealsAfrican-American worksongs in a Texas prison...and much much more.

SEK 267.00
1

A Wilderness of Sea

A Wilderness of Sea

Alex Freeman's A Wilderness of Sea (SSSSAAAATTTTBBBB) draws from four of Shakespeare’s most famous works. It emphasizes a common thread among those works that addresses two of the most universal aspects of human existence: water and impermanence. The recording of the work by Helsinki Chamber Choir conducted by Nils Schweckendick is published by the label BIS - follow the link to listen to it. Duration: c. 15' Alex Freeman (b. 1972) grew up in Raleigh, North Carolina. Around the age of 13 he became interested in composing. In 1998 he moved to New York to begin his Doctoral studies at the Juilliard School, studying with Christopher Rouse. The focus of his doctoral document led him to Finland. The recipient of a Fulbright Full Fellowship, he moved to Helsinki in 2001 to research Sibelius's sketches and study composition with Eero Hämeenniemi at the Sibelius Academy. Dr. Freeman is currently composing full-time and lives with his wife and children in Finland.

SEK 272.00
1

Jatekok - Games - Spiele 10 : Tagebucheintragungen, persönliche Botschaften

Jatekok - Games - Spiele 10 : Tagebucheintragungen, persönliche Botschaften

The piano series entitled Games, written from 1973 onwards, was conceived as a piano method. As the years went by, the series lost its didactic character, at it came to be seen as a document from Kurtág's workshop, offering a key to his grander symphonic, chamber and vocal works as well. Tenth volume is divided into two parts: In the first half, earlier, hitherto unpublished pieces line up from Suite, written in 1943, to the 1980s, providing insight into the development of Kurtág's musical language. The second half includes pieces composed between 2002 and 2011. The movements, often aphorismic in their briefness, hide associations with various aspects of European music history. Many of them are hommage or in memoriam pieces, or subjective personal messages to friends, colleagues, and beloved family members - and thereby to all music-loving people. This publication is printed on high quality, durable paper made from renewable raw materials in an environmentally friendly way.

SEK 305.00
1

Missa Sine Nomine

Missa Sine Nomine

Giovanni Pierluigi da Palestrina's 'Missa Sine Nomine' set of parts.In the course of his life, Johann Sebastian Bach assembled an extensive musical library that today can only be reconstructed in fragments. It reflects Bach's curiosity, starting in his youth and continuing into old age, to get to know compositions from different epochs and styles. The two complete Masses and six individual Palestrina metrics testify to Bach's interest in 16th-century compositions. In his Weimar years, Bach first used the works for a theoretical examination of the stile antico, his idiosyncrasies of vocal conduct and modal harmony. In his last years in Leipzig Bach plannedperformances of at least two of the fairs. In this context, he supplemented the works with instrumental parts and a Basso Continuo. The Masses by Giovanni Pierluigi da Palestrina, created by Bach, form an important document on the performance practice of works of the austere style in the eighteenth century.

SEK 428.00
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Alfred Cortot: In Search Of Chopin

Alfred Cortot: In Search Of Chopin

"Altogether, a sensitive and tasteful document." ? Library Journal A series of themed essays rather than a traditional biography, this profile of the Polish composer and virtuoso pianist is the work of a legendary conductor and performer. Alfred Cortot taught at the Paris Conservatory of Music, co-founded the École Normale de Musique de Paris, and produced printed versions of the complete works of Chopin, Schumann, and Debussy. In these revealing chronicles, Cortot focuses on Chopin's compositions as well as his performances and personal relationships. Beginning with an account of the composer's physical characteristics, the book examines Chopin's role as a teacher; his works, as reflected by his correspondence; his identity as a Polish nationalist and his attitude toward France; and his concert performances. It further explores his friendships with Liszt and Delacroix and his romance with George Sand, as well as the composer's chronic illness and the expression of his tormented, sensitive nature in his music. Reprint of the Peter Nevill Limited, London, 1951 edition.

SEK 286.00
1

Per Nørgård: Titanic (gift book+cd)

Per Nørgård: Titanic (gift book+cd)

About the images in the enclosed book (80 pages)The photographs in this book are taken from The Father Browne SJ Photographic Collection. Frank Browne (1880-1960) sailed with the Titanic on the first part of the luxury ship?s maiden voyage from Southampton to Cobh (Queenstown) in Ireland.The trip was a gift from his uncle who had also given Browne a camera which enabled him to document the journey. Brown befriended a well-to-do American family onboard. They invited him to travel on to New York with them but Browne?s uncleopposed and ordered his nephew to land in Cobh. It was a blow for the young traveler but ended up saving both Browne and his unique photographs.The book is also illustrated with Per Nørgård?s scores for Titanic.TitanicMusic by Per NørgårdText by Thorkild BjørnvigChristian Steffensen, recitationEdit, mix and master: Gert Skjød SørensenRecording engineer: Benni BossThe original tape element used in the premiereof Titanic on April 14, 1962 has been digitizedand re-used on this CD.Svend Nielsen, violinJens Wilhelm Pedersen (Fuzzy), clarinetErik Norby, trumpetPer Nørgård, pianoBirgit Nielsen, vocalsTechnician: Harry Damgaard

SEK 370.00
1

The Art Of Playing With Brushes (2CD/DVD)

The Art Of Playing With Brushes (2CD/DVD)

This remarkable three-disc set - two DVDs and a play-along CD - takes a unique look at the art of playing with brushes. Brush masters Billy Hart, Eddie Locke, Joe Morello, Chari Persip, and Ben Riley, join drumming greats, Adam Nussbaum and Steve Smith, as they demonstrate and discuss their distinctive brush styles. All seven artists were filmed playing the same tempos and feels, including 4/4 and 3/4 swing at several different tempos as well as ballads and Latin feels, and each was then interviewed about each performance. By watching these performances back to back, viewers will gain insight into the approaches and techniques of each drummer and will be able to apply these concepts to their own brush playing. The third disc, a 17-track play-along CD, includes ten tracks that each artist played with, plus seven additional tracks, allowing you to practice with the same music. Conceived and co-produced by Nussbaum and Smith, this timeless document is an educational and inspirational resource that will never go out of date and is certainly one that belongs in every drummer's library!

SEK 265.00
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Alessandro Grandi: Vespro della Beata Vergine

Alessandro Grandi: Vespro della Beata Vergine

Alessandro Grandi [ca. 1586 1630] was Claudio Monteverdi’s Vice-Kapellmeister at St. Mark’s in Venice for seven years, before he was elected Kapellmeister at the Basilica Santa Maria Maggiore in Bergamo in 1627. He improved the musical conditions there in a very short time, however already in 1630 he and his entire family succumbed to the plague. The musical height of his tenure as Kapellmeister were the elaborately celebrated Marian feast days, for which the musical forces were doubled. Through their publication Grandi’s works were widely disseminated and document the fact that as a composer he proved to be a lasting influence in shaping the rapid developments and changeswhich took place in music at the beginning of the 17th century. The quality of his psalm settings, especially the later ones, make him, together with Monteverdi and Rovetta, one of the most important composers of his day. His Vespro della Beata Vergine [Vespers for the Blessed Virgin] is comprised of works taken from various printed collections of the master and may be regarded as a model for current practice of the early baroque in Italy. The CD is from a live recording of a concert presented during the Musikfest Stuttgart 2010 by the Gächinger Kantorei Stuttgart together with outstanding soloists, such as Deborah York and Peter Harvey under the direction of Matthew Hall.

SEK 249.00
1

Matthieu Brandt: Jump Blues

Matthieu Brandt: Jump Blues

Cult figure, rock & roll legend and music writer, Cub Koda defined jump blues as "an up-tempo, jazz-tinged style of blues that first came to prominence in the mid- to late '40s. Usually featuring a vocalist in front of a large, horn-driven orchestra or medium sized combo with multiple horns, the style is earmarked by a driving rhythm, intensely shouted vocals, and honking tenor saxophone solos - all of those very elements a precursor to rock & roll. The lyrics are almost always celebratory in nature, full of braggadocio and swagger."Dutch recording artist and top European Guitar educator, Matthieu Brandt, spent a decade interviewing and studying with many of the originators of Jump Blues to document the style and create this essential Jump Blues course for Guitar.This 2-DVD set is presented as a methodology covering theory, comping, accompanist riffs, horn lines arranged for Guitar, and several approaches for soloing drilling down on many approaches for opening up the neck for the scales, arps and riffs that are employed in swing and Jump Blues Guitar.It also ices the cake with 12 tasty solos, followed by in-depth analysis of several jump blues giants such as Brian Setzer, T-Bone Walker, Charlie Christian, Gatemouth Brown and Freddie King, all of whom have their own signature sound. Accompanying vocalists and soloists is a big part of the style and is as challenging and rewarding as soloing. A sizable chunk of these DVDs is dedicated to voicings, pulling off various rhythms and locking up with the rhythm section.

SEK 372.00
1

Gioacchino Antonio Rossini: Adina

Gioacchino Antonio Rossini: Adina

Composed in 1818 on commission from an unknown individual in Lisbon, Adina was left to languish some years until its premiere in 1826, with a single performance in that city remaining virtually the only one on record until the opera's revival in 1963. The present vocal score is based on the critical edition of the orchestral full score prepared by Fabrizio Della Seta and published by the Fondazione Rossini of Pesaro in collaboration with Casa Ricordi. This Edition reconstructs for the first time the structure of the autograph score, which reflects the collective contributions of at least five different hands: having composed only four entirely new numbers and repurposed another three from Sigismondo, Rossini relied upon collaborators and copyists for the remainder of the music. Della Seta's detailed examination of this fundamental document (housed at the Fondazione Rossini) together with an informed assessment of the secondary sources, including a complete manuscript copy (housed at the British Library in London), various manuscript vocal parts with Rossini's autograph interventions (housed in the Royal Conservatory of Brussels), and the first edition of the vocal score published by Ricordi between 1855 and 1859, additionally reveals how the libretto printed in Lisbon for that single historic performance in 1826 differed substantially from the narrative disposition of the autograph score, with ample cuts and modifications (among those the suppression of the Aria Alì and the addition of a Coro). While neither attributable to Rossini himself nor pertaining to his original conceptual design of the opera, this Coro, the music of which survives in the first vocal score, is included as an Appendix to the edition.

SEK 365.00
1

Tzigane : Concert rhapsody for violin and piano

Tzigane : Concert rhapsody for violin and piano

In 1922 Maurice Ravel heard the young Hungarian violin virtuoso and niece of Joseph Joachim, Jelly D’Aranyi, in concert in London. Following the performance, Ravel spent the remainder of the evening requesting D’Aranyi to playnumerous gypsy tunes on her violin, probing her on the technical limits of the instrument. The result of this encounter is Ravel’s virtuoso classic “Tzigane”. Written originally for violin and piano or luthéal (a mechanisminvented in 1919 that attaches to a piano, producing a sound similar to the rich overtones of the Cimbalon), the premiere took place in London in April 1924. The composer had finished the work only days beforehand. Ravellaterorchestrated “Tzigane” and both versions remain a “must” for music-lovers and aspiring violinists today. Jelly D’Aranyi performed both versions regularly throughout her long career. This Urtext edition presents thefirst scholarly-critical edition of Ravel’s masterpiece. It is published both in the orchestral version, complete with full score and performance material, as well as in the composer’s earlier version for violin and piano. Allknown sources, including letters, have been drawn on for the new edition; one of the available sources, consulted for the first time, was a copy of “Tzigane” from the estate of Jelly D’Aranyi, which is today part of a privatecollection. The version for piano and violin contains, besides the Urtext part, a second violin part as a facsimile with performance instructions by Jelly D’Aranyi. D’Aranyi’s alterations and fingering reflect how Ravelmust have heard the work in rehearsals and performance and as such are a document of early 20th century performance practice. The cooperation between Ravel and D’Aranyi is comparable to that of Brahms and Joachim working on theBrahms violin concerto.First scholarly-critical Urtext edition of the work Presented are both versions: for violin and orchestra and for violin and pianoIncludes Jelly D’Aranyi’s fingering

SEK 303.00
1