Ink-Wash On Paper : Large Ensemble (7+ players)

Ink-wash on paper (2020) is a work for large orchestra by Britta Byström

Edward Elgar: Spanish Lady - Complete Edition (Paper)

The full score of Elgar's sketches for this two-act opera in a paper-bound edition. Complete with editorial introduction, appendices and libretto. A score for the specialist.

Edward Elgar: Enigma Variations Complete Edition (Full Score - Paper)

A paper-bound full score of Elgar's arguably most famous work, Op.36. This volume contains an informative introduction and an appendix with Elgar's original ending. A scholarly edition for conductors and students alike.

Elgar: Falstaff/Polonia Vol 33 Complete Edition Score (Paper)

A paper-bound full score of two of Elgar's slightly less well-known symphonic works, recommended for study. This affordable volume brings you the authority of the scholarly Elgar Complete Edition in a clear, large-format score.

Edward Elgar: Caractacus Complete Edition (Paper)

Cantata for Soprano, Tenor, Baritone, Bass soloists, SATB chorus and orchestra.Caractacus was the last and most ambitious of Elgar's dramatic cantatas, written to fulfill a commission negotiated by Henry Embleton for the Leeds Festival Committee which received its premiere performance on October 5th 1898. Full Score, in paper-bound format with an informative introduction and some facsimile pages from the autograph score.

Taormina Block: Container

Papyrus : Bearer of Wisdom

The history of paper ranges over more than five thousand years: likely starting around 3500 BC in old Egypt with the use of papyrus. The oldest findings of written paper date from 2700 BC. In China, the first production of papertook place in the year 105 AD. The Arabs acquired their knowledge of the art of making paper around 750 AD, thanks to Chinese prisoners of war. Around the same time, the Celtic Ogham script was created in Ireland and carved intostones or trees. In Europe, the first paper mill was not put into operation until the 12th century! No matter how different the production methods and its historical use, paper was always a way to pass on wisdom, art andknowledge. Even today, in the age of digitalisation, paper still has a somewhat ‘sacred’ image. With Papyrus, Thomas Doss has written a wonderful composition in which the history of paper is reflected, and listeners canvery much hear the various periods of this history represented throughout the piece.

Edward Elgar: The Music Makers Complete Edition (Paper)

The Music Makers (1912), and The Spirit Of England (1915-1917) were Elgar's last major choral works. In both he set verses by men adjudged considerable poets in their day. The Elgar Complete Edition brings together for the first time all of the composer's surviving music from printed and manuscript sources.

Edward Elgar: Music For Organ Complete Edition

An affordable paper-bound edition of Elgar's complete chamber music. Presented as a clear, type set full score with an editorial introduction for both musicians and scholars alike.

Edward Elgar: Chamber Music Complete Edition

An affordable paper-bound edition of Elgar's complete chamber music. Presented as a clear, type set full score with an editorial introduction for both musicians and scholars alike. Highly recommended.

A Tribute to Harold Arlen

Truly an American treasure, composer Harold Arlen will be the subject of a centennial celebration in 2005. This magnificent medley for symphonic band features some of his all-time favorite tunes. Includes: Come Rain or Come Shine,Get Happy, It's Only a Paper Moon, Stormy Weather and That Old Black Magic.

Harold en Italie (Berlioz) and Other Works : Suppl. 9

but their true significance consists in the new scholarly discoveries made by the editors. Similarly to the other NLE volumes, both the cloth-bound (Z. 14504a) version and the one bound in hard-paper (Z. 14504) contain in three languages the series preface, the preface to this volume, and the captions below the facsimiles, but the critical notes in English are to be found only in the linen-bound edition.Territorial restrictions may apply. Please ask before ordering.

Concerto

The Barenreiter Facsimile seal is used exclusively for facsimile publications that meet the highest technical and scholarly demands. The distinguishing features include A facsimilein high resolution full-colour printing, reflecting the original Specially selected paper Decorative binding in keeping with the historic theme Individually trimmedpages, as far as the edition allows A commentary by internationally renowned scholarsFacsimile of the autograph in the Royal College of Music, LondonWith an introduction by Jonathan Del Maranda preface by Stephen Isserlis (English/German)

Suite : for Concert Band

István Bogár's series of movements intended for youngsters is colourfully instrumented, evocative music, rich in melodic invention: in character it is most closely akin to Tchaikovsky's Nutcracker ballet music. In the opening movement (Little march), little boys wearing paper shakos on their heads and carrying wooden swords play at soldiers. The following movement, Humming, is the only movement in the suite that is calm and in odd-numbered rhythm: in it the children gather flowers in their little baskets, and meanwhile hum pleasant tunes. The third movement is a funny game, with its tempo sometimes speeding up, sometimes slowing down, but by the end really going wild.The titleof the finale is Game of tag. The tiny formal sections and interludes in this lively, cheerful music are linked together by a recurring rondo theme, and the chase ends with a brief coda.

Symphonies de Beethoven 5-7, Marche funèbre (3,II) : Suppl. 11 - First versions

Volume11 of in the series of Supplements represents an important step towards completion of the series for solo piano included in the NLE, as a complete critical edition. By publishing all the early versions it makes the piano versions of these symphonies by Beethoven available for study by performers and those engaged in music research.Similarly to the other NLE volumes already published, this volume comes cloth-bound (Z. 14506a) or hard-paper-bound (Z. 14506), the former as part of the Complete Edition, the latter as part of the series containing solo piano works. The preface to the series, the prefaces to the works contained in this volume (in German, English and Hungarian)and the facsimiles with which it is illustrated are to be found in both versions, the critical notes in English are included only in the cloth-bound version.Territorial restrictions may apply. Please ask before ordering.

Ludwig Van Beethoven: Complete Violin Sonatas (Music Minus One)

Here at long last is something that every violinist will treasure: the mammoth, complete set of all ten Beethoven sonatas for violin and piano. Spanning a large range of time and stylistic change in their composer's life, these range from the early Haydnesque works to the magnificent 'Spring' and 'Kreutzer' sonatas. MMO went to Beethoven's home city and inspirational capital of music, Vienna, to record these ten works, all presented in glowing new digital recordings! Mr. Hossen and Ms. Kang present these works in authentic Viennese style to bring you as close to Ludwig van Beethoven's world as possible.This package includes a beautiful new and authoritative engraving of the solo part for each sonata, on no-glare, acid-free ivory paper, edited with fingerings by Mr. Hossen; and 11 CDs containing complete reference recordings with virtuosos Mario Hossen and Sung-Suk Kang; Mr. Hossen then steps aside and you take center-stage with the much-lauded Sung-Suk Kang as your accompanist.Also includes a separate slow-tempo practice version of the accompaniment for your practicing convenience!

Antonín Dvorák: Piano Concerto g minor op. 33

Written in one fell swoop and polished for ages: thus arose one of the most significant works of Czech piano music. Dvorák’s G-minor Piano Concerto was composed in barely two months in 1876 only to be refined for more than seven years before it finally appeared in print. As a result, Dvorák’s handwritten score abounds in changes and corrections. The 141-page autograph bears impressive witness to the work’s extraordinarily difficult gestation. Besides the original text, it contains annotations in lead, red and blue pencil as well as red ink, not to mention many passages hidden beneath pasted slips of paper. Until 1990 the score was owned by Dvorák’s heirs. At the instigation of thepianist András Schiff and with his generous financial support we can now present the first complete facsimile edition of this exhilarating document in a high-quality reproduction that uncannily resembles the original to the last jot. Readers are invited to track down and follow the stages in the work’s genesis. An ideal gift for the “Dvorák Centenary Year” in 2004 … and of course there after as well.

To my Country

The Hymn To My Country is the trio part of the second movement, entitled 'In the Country', from the third Symphony To My Country (1886 - 1890) by the Dutch composer Bernard Zweers (1854 - 1924). This symphony was written at a time when a lot of composers were largely inspired by patriotic feelings. The compositions of Zweers have apparently been influenced by his contemporaries such as Antonin Dvoràk, Jean Sibelius (Finlandia), Bedrich Smetana (who also wrote a work entitled 'My Country' (Ma Vlast) - a cycle of symphonic poems including the famous Moldau) and Edvard Grieg. Although his father, a music dealer and amateur musician, at first described his son's musical activities as'a waste of paper and time', Zweers did not abandon his vocation. When the 27-year-old Bernard Zweers conducted his first symphony in 1881, his father was so impressed that he allowed his son to devote himself completely to music. Thre arrangement of this chorale was written on the occasion of the 50th anniversary of the Liberation of the Netherlands on May 5th, 1995, and is dedicated 'To My Country'.