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Motet No.4 Fürchte dich nicht, ich bin bei dir : Motet for two four-part mixed choirs

Motet No.4 Fürchte dich nicht, ich bin bei dir : Motet for two four-part mixed choirs

Fürchte dich nicht, ich bin bei dir for two four-part mixed choirs A major BWV 228All of Bach’s six authenticated motets were written between 1723 and 1727 for St Thomas’Church, Leipzig, where Bach was appointed as director of music in 1723. During this period, Bach composed most of his cantatas, and it seems likely that for ordinary Sunday services he used existing motets fromthe seventeenth century tradition, reserving his own motet compositions for special occasions.- Urtext of the New Bach Edition.- Performance material and choral score (BA5133) available forsale.-Complete edition of the 6 Motets vocal score with piano reduction (BA5193-90), choral score (BA5193)

SEK 202.00
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Motet No.4 'Fürchte Dich Nicht, Ich Bin Bei Dir' : Motet for two four-part mixed choirs

Motet No.4 'Fürchte Dich Nicht, Ich Bin Bei Dir' : Motet for two four-part mixed choirs

Fürchte dich nicht, ich bin bei dir for two four-part mixed choirs A major BWV 228 All of Bach’s six authenticated motets were written between 1723 and 1727 for St Thomas’Church, Leipzig, where Bach was appointed as director of music in 1723. During this period, Bach composed most of his cantatas, and it seems likely that for ordinary Sunday services he used existing motets fromthe seventeenth century tradition, reserving his own motet compositions for special occasions. - Urtext of the New Bach Edition. - Performance material and choral score (BA5133) available for sale.-Complete edition of the 6 Motets vocal score with piano reduction (BA5193-90), choral score (BA5193)

SEK 116.00
1

Motet No.4 Fürchte dich nicht, ich bin bei dir : Motet for two four-part mixed choirs

Motet No.4 Fürchte dich nicht, ich bin bei dir : Motet for two four-part mixed choirs

Fürchte dich nicht, ich bin bei dir for two four-part mixed choirs A major BWV 228All of Bach’s six authenticated motets were written between 1723 and 1727 for St Thomas’Church, Leipzig, where Bach was appointed as director of music in 1723. During this period, Bach composed most of his cantatas, and it seems likely that for ordinary Sunday services he used existing motets fromthe seventeenth century tradition, reserving his own motet compositions for special occasions.- Urtext of the New Bach Edition.- Performance material and choral score (BA5133) available forsale.-Complete edition of the 6 Motets vocal score with piano reduction (BA5193-90), choral score (BA5193)

SEK 165.00
1

Dave Swarbrick: Lift The Lid And Listen

Dave Swarbrick: Lift The Lid And Listen

The music is comprised of traditional folk tunes, plus one Swarbrick original. Dave Swarbrick originally played with the well-known Ian Campbell Folk Group, and was a member of the famous folk-rock group Fairport Convention at the time of this recording. Dave Swarbrick’s rowdy style and fine, jazz-tinged violin playing are a joy to hear. The style of the music is passionate and earthy. Dave Swarbrick is an outstanding example of the British folk revival of the 70’s, and one of the first to leave England for the European continent, where he wound up settling in Denmark.

SEK 134.00
1