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Pierre Max Dubois: Cortège (Trombone & Piano)

Pierre Max Dubois: Cortège (Trombone & Piano)

French composer, Pierre Max Dubois (1930-1995) significantly contributed to the wind repertoire. Procession for Trombone and Piano was published in 1959 and remains prominent in the advanced trombonist's repertoire. Dubois' music is characteristically light-hearted with unusual harmonic and melodic textures. Procession for Trombone and Piano reflects Dubois' compositional characteristics as well as elements of grandeur, reflecting the title. A typical performance lasts about four minutes and fifteen seconds. Procession is essential to the advanced trombonist's repertoire. Dubois' work makes for an exciting and enjoyable performance for players and audiences alike.

SEK 206.00
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Max Reger: Tarantella And Album Leaf

Max Reger: Tarantella And Album Leaf

It is little known that alongside his three great sonatas for Clarinet and Piano, Reger also wrote two charming miniatures for the same instrumentation. At the same time, it was the composer’s express desire to reach a wider public with smaller works such as these that were to be published in music journals. This Henle single edition (taken from the volume of all of Reger ’s sonatas and pieces HN 909, also edited by Michael Kube ) meets this wish today: its effervescent Tarantella and the Albumblatt that is full of nuances provide clarinettists and pianists with an easy introduction to Max Reger ’s magical world of sound.

SEK 133.00
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Max Reger: 10 Little Pieces op. 44

Max Reger: 10 Little Pieces op. 44

In his numerous collections of small character pieces, the imaginative Max Reger gradually developed a style of his own, in the shadow of the Romantic epigones. His music is characterised by modulating harmonies with a simultaneous recourse to classical formal tropes. So it is very worthwhile to take a closer look at the “Ten Small Concert Pieces” op. 44 from 1899, which display astonishing harmonic boldness. Ten short concert pieces of moderate difficulty, with titles such as “Album Leaf”, “Burletta”, “Once upon a time”, or simply “Capriccio” form a series and introduce the pianist to Reger’s piano oeuvre. The composer’s original fingerings make this carefully editedUrtext edition especially interesting.

SEK 202.00
1

Max Reger: Drei Suiten Viola Solo Op. 131d

Max Reger: Drei Suiten Viola Solo Op. 131d

Max Reger’s reception of Bach was not limited to the organ and orchestra. Like Bach, Reger wanted to compose sonatas and suites for a solo string instrument that were not merely études, but rather presented a compositional compendium. Among them are his three Suites for viola solo op. 131d. Reger published these in the last year of his life, 1914/15, together with Six Preludes and Fugues for violin solo, Three Duos in Ancient Style for two violins and Three Suites for violoncello solo, grouping all these works under the opus number 131. The present Urtext edition of the Suites for viola solo op. 131d is based on the first edition of 1916, which was prepared using the nowlost manuscript. The editor discusses all the divergences between this edition and the first edition in his preface and Critical Report.

SEK 202.00
1