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Blackstar St. James 212VOC Cabinet - Sort

Blackstar St. James 212VOC Cabinet - Fawn

Blackstar HTV-412 A MK III Cabinet

JS1000 Electric Guitar from Jet Guitars - Blue (Quilted Top) : Roasted Maple Fretboard

JS800 Electric Guitar from Jet Guitars - Black (Relic) : Roasted Maple Fretboard

JS450 Electric Guitar - Trans Brown (Spalted Top) : Rosewood Fretboard

KORG G1B-Air-BK Digital Piano, Black

KORG G1B-Air-BK Digital Piano, Black

The G1B, a new standard for the digital piano. The breathtakingly detailed sound and dynamic feel of the G1 provides the pianist with every possible shade of musical expression. Based on decades of ground breaking piano sound technology from KORG, makers of the award-winning KRONOS, and a precisely engineered keyboard that responds perfectly from gentle pianissimo to powerful fortissimo, KORG have created a unique digital piano. The technology of the G1 is so advanced you can even see it; the beautifully crafted slim-line cabinet of the G1 is a result of KORG’s unique history of musical instrument design and audio technology. Finally, there is no compromise between superb sound and impeccable design. Creating an immersive sound experience from a digital piano as compact and stylish as the G1 is a truly remarkable achievement. When you see it, touch it, and hear it, the KORG G1 will change your perception of digital pianos forever. The sound of three of the world’s finest concert grand pianos Multiple-layer samples for ultimate realism Digital recreation of grand piano string and damper resonance for ultimate realism RH3 keyboard accurately simulates acoustic piano touch and response Newly developed amplification and speaker system Contemporary design cabinet available in 3 color options Bluetooth audio playback (G1 Air only) Specifications Color Variations: Black (G1-BK), White (G1-WH), White Ash (G1-WA), Brown (wood finish) (G1-BR) Keyboard: 88 key (A0–C8), RH3 (Real Weighted Hammer Action 3) Keyboard Touch Selection: Five types Pitch: Transpose, Master tuning Temperament: Nine types Sound Generation: Stereo PCM Maximum Polyphony: 120 voices (max) Sounds: 29 sounds + 3 bass sounds Effects: Brilliance, Reverb and Chorus (3 levels each) Recorder: 2 track*, Maximum 45,000 notes (400k bytes) *: It is not possible to change the sound per track. Demo Songs: 50 (Sound Demos: 10, Piano Songs: 40) Metronome: Tempo, beat, sounds, level Pedals: Damper*, Soft*, Sostenuto    *: Half-pedaling supported Connections: LINE OUT, MIDI (IN, OUT), USB, Headphones x 2, Pedal, Speakers, DC 24V Controls: Power, VOLUME, G.PIANO, A.PIANO, J.PIANO, OTHERS, FAVORITE, SPLIT, FUNCTION, SELECT (p, q), TEMPO (+, -), METRONOME, PLAY/PAUSE, STOP, REC, PART1, PART2 Wireless Method (G1 Air only): Bluetooth (A2DP Sink) Speakers: 12 cm (4.72") x 2, 5 cm (1.97") x 2 Output Power: (20 W + 20 W) x 2 Power Supply: DC 24 V Power Consumption: 28 W Dimensions (W x D x H): 1,346 mm x 384 mm x 822 mm/52.99" x 15.12" x 32.36" 1,346 mm x 384 mm x 985 mm/ 52.99" x 15.12" x 38.78" (with key cover opened) Weight: 42 kg/92.59 lbs. (including stand) Included Items: AC adapter, dedicated stand

SEK 16692.00
1

Parsifal : Autograph: National Archive of the Richard Wagner Foundation Bayreuth

Deep Field : Adapted for Wind Ensemble, Choir, and Smartphone App

Symphony No. 9 in D minor Op. 125 Facsimile Score

Symphony No. 9 in D minor Op. 125 Facsimile Score

With his ninth symphony, Beethoven ventured into new musical dimensions. In the final movement, soloists and choir join forces with the orchestra and Schiller’s “Ode to Joy” becomes a global aspiration, a declaration: “Alle Menschen werden Brüder ! / All mankind becomes brothers.”In his commentary the great Beethoven scholar Lewis Lockwood describes the plea which Beethoven wanted to deliver at that time with this work and how views of this have changed over the centuries. Jonathan Del Mar, a renowned editor of Beethoven’s works, comments on noteworthy passages in the autograph manuscript and allows the reader to share in the composer’s working process.,br>Already thelarge-format paper which Beethoven used for some passages makes the large forces clear. Cuts, sometimes reversed later, show how he wrestled with the final version of the musical text and refined it right down to the last detail.The history of the autograph manuscript reflects an episode in German history: after storage in various places because of the war, the major parts were returned to Berlin but were initially divided by the Berlin Wall and only reunited in 1990. Martina Rebmann who is the Director of the Music Department at the Staatsbibliothek zu Berlin traces this story.In 1972 the main theme of the last movement was chosen by the Council of Europe as the European anthem and in 1985 it was adopted by the European Community as its official anthem. In 2001 the manuscript was listed in UNESCO’s Memory of the World Register. For the first time the facsimile presents all the parts of the manuscript including pages preserved in Bonn and Paris as well as the trombone and contrabassoon parts.The first edition (2010) was awarded with the German Music Edition Prize “Best Edition” 2011. With his ninth symphony, Beethoven ventured into new musical dimensions. In the final movement, soloists and choir join forces with the orchestra and Schiller’s “Ode to Joy” becomes a global aspiration, a declaration: “Alle Menschen werden Brüder ! / All mankind becomes brothers.”In his commentary the great Beethoven scholar Lewis Lockwood describes the plea which Beethoven wanted to deliver at that time with this work and how views of this have changed over the centuries. Jonathan Del Mar, a renowned editor of Beethoven’s works, comments on noteworthy passages in the autograph manuscript and allows the reader to share in the composer’s working process.,br>Already thelarge-format paper which Beethoven used for some passages makes the large forces clear. Cuts, sometimes reversed later, show how he wrestled with the final version of the musical text and refined it right down to the last detail.The history of the autograph manuscript reflects an episode in German history: after storage in various places because of the war, the major parts were returned to Berlin but were initially divided by the Berlin Wall and only reunited in 1990. Martina Rebmann who is the Director of the Music Department at the Staatsbibliothek zu Berlin traces this story.In 1972 the main theme of the last movement was chosen by the Council of Europe as the European anthem and in 1985 it was adopted by the European Community as its official anthem. In 2001 the manuscript was listed in UNESCO’s Memory of the World Register. For the first time the facsimile presents all the parts of the manuscript including pages preserved in Bonn and Paris as well as the trombone and contrabassoon parts.The first edition (2010) was awarded with the German Music Edition Prize “Best Edition” 2011.

SEK 10167.00
1

AVID HD OMNI : Hardware

AVID HD OMNI : Hardware

Capture pristine, high-resolution audio through premium mic preamps and monitor your sessions in up to 7.1 surround with the all-in-one Avid HD OMNI interface. Designed to completely integrate with Pro Tools HD, HD OMNI is an ideal choice for individual musicians, composers, post-production studios, and anyone else who demands top sound quality and the convenience of an all-in-one interface. Experience best-in-class A/D and D/A conversion, mic preamps, the lowest possible latency, and a full monitoring section—all in one compact interface. HD Omni Features Pristine audio clarity and ultra low latency through state-of-the-art A/D and D/A conversionHigh-quality, low-noise analogue I/O: - 2 premium, digitally-controlled mic/DI preamps - 4 line inputs - 8 line outputs, with true analogue gain Versatile digital I/O, with sample rate conversion on all inputs: - 8 channels of ADAT I/O (supports S/MUX II and IV) - 2x8 channels of AES/EBU I/O - 2 channels of S/PDIF I/OSupports 4x8 analogue audio streams, or 8x8 including digitalRoute audio independently from Pro Tools with the 14-input persistent monitor mixerCompletely integrates with Pro Tools HD for full routing, mixing, and monitoring controlTrack hotter signals and smooth out sounds with Curv, a new built-in soft-knee limiterHear your mixes in however many channels you need, from stereo to 7.1 surroundImprove communication while tracking with dedicated cue pathKeep things in sync with dedicated Word Clock and Loop Sync I/OCompact 1U rack-mountable chassisConnects to Pro Tools HD through a DigiLink Mini connection (cable and adaptor included) Track, Mix, and Monitor in One No need to route signals through multiple interfaces—with HD OMNI, you can do everything in one single-space rack, so you save money and space. As the hub of any music studio, you can use HD OMNI to record high-quality instrument and vocal performances, while providing dedicated cue mixes for artists, and monitor the performance through a discrete mix. For post production, not only do you have overdub and Foley recording capabilities at your disposal, you can use HD OMNI to monitor mixes with up to 7.1 channels—and fold down mixes from 7.1 to almost any channel configuration subset. Hear What You've Been Missing Raising the bar on audio performance, HD OMNI features premium A/D and D/A converters, so you can achieve higher audio fidelity, extensive dynamic range, super-low jitter, and the absolute lowest possible latency in your sessions. You also get built-in sample rate conversion and a soft clip feature for worry-free performance. And using Curv, a new built-in soft-knee limiter that catches even the fastest transients, you can track hotter signals and be assured that any unexpected peaks in your input won't put you in the red. Full Monitoring Flexibility Whether you want to listen in stereo or surround, monitor sound personally or set up a personal mix for someone else, or hear your work in headphones or on the big speakers, you can do it all with HD OMNI. Mix and monitor up to 7.1 surround (with fold down to stereo). Hear how your mix sounds on different speakers using the Main and ALT speaker selections. Set up an integrated cue mix for artists to monitor. Or isolate yourself with your own headphone mix. And if you don't feel like launching Pro Tools—or even turning on your computer—HD OMNI features a built-in, customizable, 14-input persistent monitor mixer, so you can continue to monitor external sources, such as keyboards, drum machines, and digital music players, independently from your recording setup. Work with Pro Tools and More HD OMNI and all other Pro Tools HD Series interfaces completely integrate with Pro Tools HD, so you get maximum performance, dependability, and control of your inputs, outputs, routing, and monitoring right from your Pro Tools software interface. You'll also get higher production quality and greater workflow flexibility than with previous Pro Tools interfaces. And if you want to use your interface and Pro Tools HD hardware with other DAW software, you can do that too, as all Pro Tools HD systems support Core Audio and ASIO drivers.

SEK 28799.00
1