Die Weisse Dame : Violin

Die Weisse Dame : Viola

Awake, Awake to Love and Work

Laird O Cockpen Unac

The Laird O'Cockpen , arranged by Robert Rhein for SATB choir a cappella. This work features words by Carolina Oliphant [Lady Nairne] (1766-1845). Brief notes are included on the vocabulary and pronunciation of the Lowland Scots dialect that is used in the work.

West Sind 4 Winds No4 - A Cappella

West Wind from 'The Four Winds' for SATB choir a cappella.This work features text by J. Frank Stimson .

Truth Shall Deliver

William Schuman 's Truth Shall Deliver for TBB a cappella. This work incorperates text adapted by Marion Farquhar from Geoffrey Chaucer .

Arthur Honegger: Two Pieces- Fugue And Chorale

This chromatic work for organ, invoking the atmosphere of a French Cathedral, was written while Honegger was still a pupil of Widor.

Remember 6 About Love

Frederick Piket 's Remember from "Six About Love" for SATB choir a cappella. This work features words by Christina Rossetti (1830 – 1894).

Four Canonic Choruses Unaccompanied A Cappella

Four Canonic Choruses by William Schuman for SATB choir unaccompanied. This work features text by Edna St. Vincent Millay . 1. Epitaph 2. Epitaph for Joseph Conrad 3. Night Stuff 4. Come Not

Akond Of Swat - SATB/Bar/Pno SATB With Baritone Solo

Virgil Thomson 's The Akond Of Swat for SATB choir with Baritone solo and Piano accompaniment. This composition is one movement of a larger work entitled 'Cantata on Poems of Edward Lear'. The complete work consists of five movements, which are performed in the following order: 1. The Owl and the Pussycat (Soprano and Baritone soli, Piano) 2. The Jumblies (Soprano solo, SATB chorus, Piano) 3. The Pelican Chorus (Soprano and Baritone soli, SATB chorus, Piano) 4. Half an Alphabet (SATB chorus, Piano) 5. The Akond of Swat (Baritnoe solo, SATB chorus, Piano)

Jumblies W/soprano Solo & Piano Accompaniment

Virgil Thomson 's The Jumblies for SATB choir with Soprano solo and Piano accompaniment. This composition is one movement of a larger work entitled 'Cantata on Poems of Edward Lear'. The complete work consists of five movements, which are performed in the following order: 1. The Owl and the Pussycat (Soprano and Baritone soli, Piano) 2. The Jumblies (Soprano solo, SATB chorus, Piano) 3. The Pelican Chorus (Soprano and Baritone soli, SATB chorus, Piano) 4. Half an Alphabet (SATB chorus, Piano) 5. The Akond of Swat (Baritnoe solo, SATB chorus, Piano)

Half An Alphabet (Canons F Or Chorus)(SATB With Piano )

Virgil Thomson 's Half An Alphabet for SATB choir with Piano accompaniment. This composition is one movement of a larger work entitled 'Cantata on Poems of Edward Lear'. The complete work consists of five movements, which are performed in the following order: 1. The Owl and the Pussycat (Soprano and Baritone soli, Piano) 2. The Jumblies (Soprano solo, SATB chorus, Piano) 3. The Pelican Chorus (Soprano and Baritone soli, SATB chorus, Piano) 4. Half an Alphabet (SATB chorus, Piano) 5. The Akond of Swat (Baritnoe solo, SATB chorus, Piano)

Quodlibet Unac (Double Cannon) SATB A Cappella

Erich Katz 's Quodlibet for SATB choir a cappella. This work incorperates words by William Shakespeare and Miguel de Cervantes . Shakespeare: " This music mads me, let it sound no more !" Cervantes: " Where there is music, there can be no mischief ."

Woman With A Torch

Richard Hervig 's Woman With A Torch for SATB choir with Keyboard accompaniment. This work features text from The Declaration Of Independance (1776) by Thomas Jefferson and The New Colossus (1883) by Emma Lazarus. Woman With A Torch was commissioned by the Iowa Music Educators Association to commemorate the 40th Annual Iowa All-State Music Festival, November 15, 1986.

Astor Piazzolla: Libertango (SATB/Piano)

Libertango (SATB). It has been said that you can see Buenos Aires while listening to Piazzolla?s music. This is one of his talents that sets him apart from other composers. Piazzolla made a revolution with the tango, which created many problems for him in his country (traditionalists did not accept his music as tango). But everybody finally accepted his changes because his music put the Argentine dance, the tango, at the highest level. In creating this work, Piazolla put together two words that he was in love with ? liberty and tango: Libertango.