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Clara Vuust: Here's To Love

Horace Parlan: In Copenhagen

Barry Levenson/Jake Sampson: Closer To The Blues

Big Voice Odom: Going To California

Uffe Markussen: Back To Basics

When Granny Sleeps: Birth

Duke Ellington: The Treasury Shows Vol. 18

Anders Mogensen: Taking Off Again

Papa Bue's Viking Jazzband: Hamburg 1970-71 - A Tribute To Finn Otto Hansen

Fessor's Big City Band: Swing Sessions

Duke Ellington: The Treasury Shows - Vol. 24

Duke Ellington: Live At Carnegie Hall Dec. 11, 1943

Duke Ellington: The Treasury Shows Vol. 19

Carsten Dahl Experience

Count Basie and Benny Carter: Legendary Radio Broadcasts (2CD Set)

The Chicago Blues Box

The Chicago Blues Box

The brief and dazzling life of MCM Records was a labour of love that captured many treasurable live performances from the last flowering of the classic Chicago Blues age. A young French woman Marcelle Chailleux Morgantini was married to Jacques Morgantini who changed her life into American jazz and blues.Guitarist Jimmy Dawkins was a good friend and helped them in Chicago to meet and hear the many good blues musicians that played at the different clubs in Chicago. Marcelle returned from her Chicago pilgrimage filled with excitement. Says Jacques Morgantini: It was the year of Marcelle?s 50th birthday and she came into some money from her family. She said to me, ?I do not want an expensive coat or jewels ? I want to go to Chicago to record the blues. She knew that it could only be done if she had her own record label and complete artistic control. Marcelle made three trips to Chicago in 1975,1976 and 1977 and arrived with her Nagra machine, a small mixing desk and a selection of microphones.She recorded live: Magic Slim, Big Mojo Elem,John Littlejohn, Eddie Clearwater,Eddie Taylor, Bobby King,Jimmy Johnson, Luther Johnson Jr.,Willie Kent, James Lyons,Hip Lankchan,Big Vocie Odom,Bluebloos McMahon, Joe Carter and Jimmy Dawkins at ?Ma Bea?s?, ?Golden Slipper?, ?Queen Bea?s?, and ?Big Duke?s?, on Chicago west and south side. Many of the blues musicians had not recorded before and can only been found on the Storyville label that issued all the recordings on CD?s. She was at the right place at the right time.

SEK 629.00
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Ulf Meyer/Martin Wind: Kinnings

Duke Ellington: The Treasury Shows Vol. 7

Don Ewell Denverconcert With Barbara Dane

Duke Ellington: The Treasury Shows Vol. 21

Duke Ellington: The Treasury Shows Vol. 21

In April 1945, to promote the sale of war bonds, the US Treasury Department contacted Duke Ellington to do a series of 55 min public broadcasts. These sessions would give Ellington a wide choice of material to perform including his older work; new instrumentals and pop tunes and his extended works as well. This double CD contains a series of different radio broadcasts from The Million Dollar Theatre in Los Angeles, the El Patio Ballroom in Denver, the Orpheum Theatre in San Diego and the Trianon Ballroom in South Gate, California. The broadcasts are featured complete with radio speaks and encouragements to buy bonds read by The Duke himself + bonus material and extensive liner notes. CD 1 contains a radio broadcast from The Million Dollar Theatre in Los Angeles, July 6m 1946 plus bonus tracks from a CBS Broadcast from Lakeside Park, the El Patio Ballroom in Denver, July 14, 1942. CD 2 features a broadcast from the Orpheum Theatre in San Diedo, July 27, 1946, with the bonus tracks being from a radio broadcast in the Trianon Ballroom, South Gate, California dating back to May 2, 1942. As a teaser for the sound found on this volume, Duke Ellington connoisseur Brian Koller, author of the extensive liner notes, writes: “ It is no wonder why the Cat Anderson composition Teardrops In The Rain was a band staple for two years. The band really swings, and when it’s time for Anderson’s solo, he shows off high note pyrotechnics that few if any other trumpeters could match. Al Sears unleashes a might Tenor Sax solo, then the band is briefly reduced to a rhythm trio featuring Pettiford’s Bass and the Duke on Piano. To close the number, the full orchestra reverses the introductory themes .” Energy like that is found all through the broadcasts!

SEK 210.00
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Duke Ellington: The Treasury Shows Vol. 20

Duke Ellington: The Treasury Shows Vol. 20

In April 1945, to promote the sale of war bonds, the Treasury Department contracted Duke Ellington to do a series of 55 min public broadcasts. This double CD contains a series of recordings from Paramount Theatre and the famous Hurricane Club complete with radio speaks and encouragements to buy bonds + bonus material and extensive liner notes. CD 1 contains a radio broadcast from The Rehearsal Hall at Paramount Theatre, New York, June 1, 1946 plus bonus tracks from The Hurricane Club in New York, September 10, 1943. CD 2 features a broadcast from WEEU Studios, Reading, P.A., June 8, 1946. The last tracks are again from The Hurricane Club but from September 7, 1943. “ Big bands were dying off like the dinosaurs, but Ellington transcended Swing and its era. Television was in its developmental stage and by the 1950s would supersede radio. Duke Ellington would outlive the reign of the medium that he so well mastered”, writes Ken Steiner, author of the extensive liner notes, and concludes: ”The band must have been saving its best for this broadcast, which finds them in top form .” It is also worth noting that 2015 marks the 100th anniversary of the birth of composer and pianist William “Billy” Strayhorn. His contribution to the Ellington organisation can hardly be overstated and is evident on this CD, which also serves as a tribute to his genius. Not just artistically was he influential — Ellington described Strayhorn as “ the eyes in the back of his head ”!

SEK 210.00
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Kenny Washington: Moanin - Live At Montmartre

Stuff Smith: Hot Stuff