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Dix Bruce: Basic Swing Guitar

Dix Bruce: Basic Swing Guitar

Dix Bruce gives you a detailed introduction to this highly energetic but surprisingly accessible approach to the fingerstyle guitar. This combination of moveable chords, 'swing' feel and fingerstyle techniques has been the starting point for generations of Jazz guitarists. You'll learn eight carefuilly kchosen songs that every swing player should know, including standards by Gershwin. The lessons begin with simple two and three chord songs, building through to more complex Jazz chord forms in a manner that is both logical and easy to absorb. By the end of the DVD you will have the skills and confidence to begin playing with any swing band!

SEK 301.00
1

Dix Bruce: Basic Country Flatpicking Guitar

Dix Bruce: Basic Country Flatpicking Guitar

Flatpick guitar is the name given to the style of playing simple melodies on the upper strings whilst strumming an accompaniment on the lower strings, and Dix Bruce's DVD will show you how.Developed by Mother Maybelle Carter, this self-accomopaniment method is the foundation upon which all traditional folk, bluegrass and country techniques have been built. Bruce uses nine great country classics and bluegrass standards to give you the chance to master this special skill. He demonstrates the bass note/strum technique and shows how melodies can easily be integrated into known chord patterns. There are also sections that will help you transpose tunes into almost any other key desired - a very important and useful skill, especially in group-playing situations.

SEK 301.00
1

Rolly Brown: A Nuts & Bolts Approach To Melody

Rolly Brown: A Nuts & Bolts Approach To Melody

This lesson is designed to start you on the road to playing improvisationally over all manner of chord progressions. It will teach you how, with just a couple basic scales, you can understand how all of the twelve tones fit into a framework for soloing, and, then, how you can develop great soloing chops without even thinking about scales.Material covered includes:Major and Blues scales; the basic building blocks. Understanding how each note sounds within a key signature by training your ear. ?Altered? and ?Hybrid Blues? Scales, for more advanced ear training. Pentatonic major scales for country/rock guitar. How to approach solo fingerstyle Blues improvisation. Rolly's 3 step process for non-scale soloing, based on chord shapes and arpeggios. Chord melody playing. Physical mechanisms for expressive soloing. Making your music sound human

SEK 301.00
1

Introduction To Thumbstyle Guitar

Introduction To Thumbstyle Guitar

'Thumbstyle Guitar' is a term that describes the guitar playing style that grew up around 1920 in western Kentucky. It is identified with the music of its most well known creators, Mose Rager, Kennedy Jones and Merle Travis. In this lesson. Pat Kirtley teaches the basics of this style, and shows you how to play five repertoire-building tunes which will illustrate various aspects of the style. The tunes range from the basic and essential 'I Am A Pilgrim' to a contemporary thumbstyle arrangement of the 1970 country hit 'Ready For The Times To Get Better'. A detailed 44 page tab/music booklet is included.

SEK 301.00
1

John Fahey: Guitar Artistry

John Fahey: Guitar Artistry

One of acoustic music?s true innovators and eccentrics, John Fahey was a crucial figure in expanding the boundaries of the acoustic guitar over the last few decades. His music was so eclectic that it?s arguable whether he should be defined as a ?folk? artist. In a career that saw him issue several dozen albums, he drew from blues, Native American music, Indian ragas, experimental dissonance, and pop. His good friend Dr. Demento has noted that Fahey ?was the first to demonstrate that the fingerpicking techniques of traditional country and blues steel-string guitar could be used to express a world of non-traditional musical ideas -- harmonies and melodies you?d associate with Bartok, Charles Ives, or maybe the music of India.? The more meditative aspects of his work foreshadowed new age music, yet Fahey played with a fierce imagination and versatility that outshone any of the guitarists in that category. His idiosyncrasy may have limited him to a cult following, but it also ensured that his work continues to sound fresh.Fahey was a colorful figure from the time he became an accomplished guitarist in his teens. Already a collector of rare early blues and country music, he made his first album in 1959, ascribing part of it to the pseudonymous ?Blind Joe Death.? In college, he wrote a thesis on Charley Patton (an exotic subject at the time). Yet Fahey did not perform publicly for money until the mid-1960s, after his third album. Fahey?s early albums for Takoma in the mid-1960s laid out much of the territory he would explore. His instrumentals, filtering numerous genres of music into his own style, evoked haunting and open spaces. At times they could be soothing and plaintive; at other times they were disquieting, even dissonant.

SEK 267.00
1

Buster B. Jones: Fingerstyle Guitar From The Ground Up Volume 1

Buster B. Jones: Fingerstyle Guitar From The Ground Up Volume 1

So you?re interested in learning how to play fingerstyle guitar! In this lesson Buster B. Jones will take you from the very basics and start you on the road to fingerpicking. Buster?s no-nonsense approach and clear instruction will have you picking melodies in no time. You?ll find phrase by phrase instruction for all the exercises and songs. Split-screen techniques are featured so that you can study and clearly see what each hand is playing. You?ll learn:How to tune your guitar Left and right hand playing positions Basic chordsChord movementsRight hand patterns and techniquesHow to play Nine Pound Hammer, Freight Train, Camptown Races and Bury Me Beneath The Weeping Willow Tree A free booklet of the music in notation and tab is included.

SEK 301.00
1

Movable Shapes in Fingerpicking Guitar : Level 2/3

Movable Shapes in Fingerpicking Guitar : Level 2/3

This lesson is intended for players who are seeking a greater understanding of how to get beyond basic open chords, or first position, use the full fretboard. We will do so by understanding the concept of a movable shape. The tunes selected will slowly introduce you to a variety shapes commonly used by the old-time masters to unlock the neck. In addition to learning these examples, I’ll talk about the logic that makes movable shapes work, empowering you to create your own uses for them. You will learn tunes that have become standards in the fingerstyle repertoire by Sam McGee, Big Bill Broonzy and Maybelle Carter. As well, I teach two arrangements I have put together of an old-time fiddle tune and a Jelly Roll Morton piano blues.

SEK 292.00
1

Rolly Brown: A Nuts & Bolts Approach To Chords

Rolly Brown: A Nuts & Bolts Approach To Chords

This lesson is designed to set you on the road to playing chordal swing and jazz guitar with the freedom of an accomplished improvisor. It can help you hold a large repertoire of chords in your head, without recourse to ?chord dictionaries? or other written material, and to then learn how these chords go together into sequences commonly found in swing and jazz standards and other music of the past century and beyond. Material covered includes:The simple ?240 chord? exercise: 3 minutes a day to develop a great chord repertoire. The five stringsets for 4 note chord voicings. The 3 basic chord families; how they work with each other, and how the art of ?chord substitution? provides an infinite amount of variability. The 3 most common systems of chord progression and their variations. How to start applying this material to actual tunes.

SEK 301.00
1

From The Woodshed To The Stage - Volume One

From The Woodshed To The Stage - Volume One

?Buster B. Jones is an acoustic player, a fingerpicker, a country flavored soloist - and he?s one of the finest players we?ve heard in years... His technique is only a means to an end. His true gifts are his melodic sense, innate musicianship, unfailing human, and brilliant improvisational powers. He can drive a tune with fluid rhythmic force or stroke it with sensuous, loving touch... He?s a monster player with chops galore, great ideas and an encyclopedic reservoir of guitaristic influences.? ? Guitar Player Magazine Buster B. Jones is a master of hot fingerpicking guitar solos. He has combined his love for the styles and techniques of Chet Atkins, Jerry Reed and Merle Travis to create an original and exciting approach for fingerstyle guitar. In this series of lessons, Buster presents and teaches guitar solos that he plays in the woodshed as well as on stage. Each instrumental has evolved from its basic form to a complex arrangement featuring melodic variations, chromatic rolls, rhythmic licks and lyrical runs. These instrumentals will challenge the talents of any intermediate to advanced student.

SEK 301.00
1

From The Woodshed To The Stage - Volume Two

From The Woodshed To The Stage - Volume Two

?Buster B. Jones is an acoustic player, a fingerpicker, a country flavored soloist - and he?s one of the finest players we?ve heard in years... His technique is only a means to an end. His true gifts are his melodic sense, innate musicianship, unfailing human, and brilliant improvisational powers. He can drive a tune with fluid rhythmic force or stroke it with sensuous, loving touch... He?s a monster player with chops galore, great ideas and an encyclopedic reservoir of guitaristic influences.? ? Guitar Player Magazine Buster B. Jones is a master of hot fingerpicking guitar solos. He has combined his love for the styles and techniques of Chet Atkins, Jerry Reed and Merle Travis to create an original and exciting approach for fingerstyle guitar. In this series of lessons, Buster presents and teaches guitar solos that he plays in the woodshed as well as on stage. Each instrumental has evolved from its basic form to a complex arrangement featuring melodic variations, chromatic rolls, rhythmic licks and lyrical runs. These instrumentals will challenge the talents of any intermediate to advanced student.

SEK 301.00
1

Fred Sokolow: The Music Of Johnny Cash For Fingerpicking Guitar (DVD)

Fred Sokolow: The Music Of Johnny Cash For Fingerpicking Guitar (DVD)

Johnny Cash left us a wonderful country songbook, and in this one-hour and twenty minute lesson Fred shows you how to play and sing eight of Cash?s most popular gems. You?ll learn to back yourself up singing, using basic fingerpicking patterns and first position chords, with lots of bass runs thrown in. You?ll also learn to fingerpick a solo for each tune. Fred grew up with Johnny Cash?s music, and his natural, easy arrangements suit the material and are easy to learn. After playing and singing each song, Fred goes over any tricky techniques or runs, then he plays the tune on a split screen so you can watch what each hand is doing. The booklet that accompanies this DVD has all the split-screen versions written out in tablature and standard music notation (with lyrics, too), so you can read the exact same arrangements Fred plays. If you put the DVD in your computer, you can access a PDF file and print it all out in a larger size. Whether you?re a beginner or intermediate player, this DVD lesson is a great way to get into Johnny Cash?s songs - and carry on his legacy!

SEK 301.00
1

East Coast Fingerstyle Blues Guitar

East Coast Fingerstyle Blues Guitar

The East Coast, from Florida up to Virginia, gave birth to a vibrant fingerstyle blues tradition, documented on recordings from the mid-1920s up into the 1970s and 1980s. In East Coast Fingerstyle Blues Guitar, author John Miller has selected some of the most interesting and exciting recorded performances from that period to present to you, with transcriptions of the performances in TAB and standard notation, lyrics to the songs provided, playing tips that will help you get the songs up and running as soon as possible, and links to the original recorded performances, so that your own playing can be informed by the playing of the masters. A particular focus of the book is therepertoire of three of the strongest practitioners of East Coast Blues—Buddy Moss, Blind Willie McTell and Blind Boy Fuller. You'll also find two songs each by Luke Jordan and William Moore, a Blind Blake tune and a host of songs from artists who qualify for the designation talent deserving of wider recognition: Peg Leg Howell, Carl Martin, Floyd Council, Virgil Childers, Sonny Jones, Gabriel Brown, Ralph Willis, Willie Trice and Henry Johnson, many of whose songs are being made available for the first time. If you're looking for fingerstyle guitar pieces with a great range of feeling, musical variety and depth of expression, you need look no further than East Coast Fingertyle Blues Guitar. It will give you the information and background you need for a total immersion in this exciting music. Includes access to online audio. The East Coast, from Florida up to Virginia, gave birth to a vibrant fingerstyle blues tradition, documented on recordings from the mid-1920s up into the 1970s and 1980s. In East Coast Fingerstyle Blues Guitar, author John Miller has selected some of the most interesting and exciting recorded performances from that period to present to you, with transcriptions of the performances in TAB and standard notation, lyrics to the songs provided, playing tips that will help you get the songs up and running as soon as possible, and links to the original recorded performances, so that your own playing can be informed by the playing of the masters.A particular focus of the book is the repertoire of three of the strongest practitioners of East Coast Blues—Buddy Moss, Blind Willie McTell and Blind Boy Fuller. You’ll also find two songs each by Luke Jordan and William Moore, a Blind Blake tune and a host of songs from artists who qualify for the designation talent deserving of wider recognition: Peg Leg Howell, Carl Martin, Floyd Council, Virgil Childers, Sonny Jones, Gabriel Brown, Ralph Willis, Willie Trice and Henry Johnson, many of whose songs are being made available for the first time.If you’re looking for fingerstyle guitar pieces with a great range of feeling, musical variety and depth of expression, you need look no further than East Coast Fingertyle Blues Guitar. It will give you the information and background you need for a total immersion in this exciting music. Includes access to online audio.

SEK 314.00
1

John Miller: Hillbilly Blues Guitar

John Miller: Hillbilly Blues Guitar

As the Country Blues began to be recorded, in the mid-1920s, it soon became apparent that the music was being played and appreciated not only by African-American musicians and audiences, but by white musicians and audiences as well. Many of these white musicians played with and learned from black musicians, for even in the Jim Crow Era there was always a good deal of musical interaction and exchange. So it is that the term "Hillbilly Blues" can be used to describe the music made by white musicians of that era in the Country Blues style. Included on this DVD are songs from Clarence Greene, known mostly as a fiddler, but an ace guitarist, Dick Justice, who in his one day in the recording studio waxed ten masterful performances, Frank Hutchison who excelled at lap slide, harmonica on a rack and conventional blues picking, Sam McGee, a banjo and guitar master who went on to star on the Grand Ole Opry, Hobart Smith, a musical powerhouse, Maybelle Carter, a rocksteady and beautifully lyrical player who may have been the most influential of the bunch and Emry Arthur, a soulful singer and player who recorded one of the earliest versions of Man Of Constant Sorrow.The songs selected for inclusion on the DVD have been chosen to introduce you to a variety of different keys and playing positions, as well as a host of different right hand techniques.A PDF included on the DVD offers not only detailed transcriptions of the songs, but the songs' lyrics, too. All of the original performances by the musicians are included on the DVD as bonus tracks, both as references and for your listening enjoyment.

SEK 301.00
1