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The Guitar of Robert Johnson

Tom Feldmann: Delta Blues Guitar From Dockery Plantation

East Coast Fingerstyle Blues Guitar

East Coast Fingerstyle Blues Guitar

The East Coast, from Florida up to Virginia, gave birth to a vibrant fingerstyle blues tradition, documented on recordings from the mid-1920s up into the 1970s and 1980s. In East Coast Fingerstyle Blues Guitar, author John Miller has selected some of the most interesting and exciting recorded performances from that period to present to you, with transcriptions of the performances in TAB and standard notation, lyrics to the songs provided, playing tips that will help you get the songs up and running as soon as possible, and links to the original recorded performances, so that your own playing can be informed by the playing of the masters. A particular focus of the book is therepertoire of three of the strongest practitioners of East Coast Blues—Buddy Moss, Blind Willie McTell and Blind Boy Fuller. You'll also find two songs each by Luke Jordan and William Moore, a Blind Blake tune and a host of songs from artists who qualify for the designation talent deserving of wider recognition: Peg Leg Howell, Carl Martin, Floyd Council, Virgil Childers, Sonny Jones, Gabriel Brown, Ralph Willis, Willie Trice and Henry Johnson, many of whose songs are being made available for the first time. If you're looking for fingerstyle guitar pieces with a great range of feeling, musical variety and depth of expression, you need look no further than East Coast Fingertyle Blues Guitar. It will give you the information and background you need for a total immersion in this exciting music. Includes access to online audio. The East Coast, from Florida up to Virginia, gave birth to a vibrant fingerstyle blues tradition, documented on recordings from the mid-1920s up into the 1970s and 1980s. In East Coast Fingerstyle Blues Guitar, author John Miller has selected some of the most interesting and exciting recorded performances from that period to present to you, with transcriptions of the performances in TAB and standard notation, lyrics to the songs provided, playing tips that will help you get the songs up and running as soon as possible, and links to the original recorded performances, so that your own playing can be informed by the playing of the masters.A particular focus of the book is the repertoire of three of the strongest practitioners of East Coast Blues—Buddy Moss, Blind Willie McTell and Blind Boy Fuller. You’ll also find two songs each by Luke Jordan and William Moore, a Blind Blake tune and a host of songs from artists who qualify for the designation talent deserving of wider recognition: Peg Leg Howell, Carl Martin, Floyd Council, Virgil Childers, Sonny Jones, Gabriel Brown, Ralph Willis, Willie Trice and Henry Johnson, many of whose songs are being made available for the first time.If you’re looking for fingerstyle guitar pieces with a great range of feeling, musical variety and depth of expression, you need look no further than East Coast Fingertyle Blues Guitar. It will give you the information and background you need for a total immersion in this exciting music. Includes access to online audio.

SEK 314.00
1

Stefan Grossman: Fingerpicking Blues Guitar Arrangements In Vestapol Tuning

Stefan Grossman: Fingerpicking Blues Guitar Arrangements In Vestapol Tuning

The Open D Tuning (D A D F# A D), also referred to as the Vestapol tuning, is a powerful and evocative tuning that was widely used by guitarists in the 1920s to play country blues, ballads, rags and folk tunes. In this lesson I focus on arranging five of my favorite blues melodies in Vestapol plus an original instrumental.The religious tune When I Lay My Burden Down was in the repertoire of both Black and White traditional guitarists. I have arranged it in an Elizabeth Cotten/Mississippi John Hurt style. The beautiful blues Goin' To Germany was recorded by the Cannon's Jug Stompers in the 1920s. I have always wanted to find the right setting for this melodic country blues and the Vestapol tuning gave me the feel and textures that I was looking for. Sam McGee played guitar behind Uncle Dave Macon when he recorded, I've Got The Morning Blues in Vestapol. This is a fun tune to play and leads nicely in to Hesitation Blues, a song recorded by many artists. My arrangement tries to combine a sliding jug sound with some funky blues licks. Peg Leg Howell's Skin Game Blues is a rare example of an early blues song with three distinct sections. Peg Leg played this with a bottleneck but for our arrangement we will rely on our fingers to make the notes sing out.We finish the lesson with Innocence Abroard. An original instrumental that ties together the right and left hand techniques we have studied.A detailed tab/music booklet is included as a PDF file on the DVD. Each tune is taught phrase by phrase and played slowly on a split-screen. Bonus audio tracks of the original 1920s recordings are included. These are the records I first heard that influenced me to rearrange the melodies to the Vestapol tuning. Stefan Grossman

SEK 301.00
1

Fred Sokolow: Jazz Standards For Beginners