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Gabriel Faure: Sonata No.1 for Violin and Piano in A Major

Gabriel Faure: Sonata No.1 for Violin and Piano in A Major

Fauré composed his Violin sonata in 1875/76 and in so doing opened up a new tradition for this genre in French music. In a review, Saint-Saëns expressed his enthusiasm for this work by his friend and pupil: "In this sonata you can find everything to tempt a gourmet: new forms, excellent modulations, unusual tone colours, and the use of unexpected rhythms. And a magic floats above everything, encompassing the whole work, causing the crowd of usual listeners to accept the unimagined audacity as something quite normal. With this work Monsieur Fauré takes his place amongst the masters."

SEK 340.00
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Albert Roussel: Joueurs De Flûte Op.27

Albert Roussel: Joueurs De Flûte Op.27

The stimulus for this work, composed in 1924, was given by the French flautist Louis Fleury, who also gave the first performance of the work. As suggested by the title, the four single movements are dedicated to particular flautists, yet not real people but imaginary ones in mythology, religion and literature. ?Pan?, ?Tityre?, ?Krishna? and ?Monsieur de la Péjaudie? (a character in a novel by Henri de Régnier) are the individual titles in the composition, which is a loose type of Sonatine. The specific cast of the pieces is given by the sophisticated rhythm and striking harmony. It is fitting that this charming work has recently been enjoying increasing popularity.

SEK 245.00
1

Franz Liszt: Balladen

Franz Liszt: Balladen

Liszt wrote his two Ballades in 1845–49 and 1853 during a time of personal turmoil. The successful virtuoso increasingly saw himself as a composer who strove after formal clarity, as shown by the B minor sonata that was also composed in 1853. When Liszt began work on the first Ballade, he had just separated from his mistress of many years, Marie Comtesse d’Agoult. He called the first sketches for the work Dernières Illusions. A better-known work is the second Ballade in B minor , with whose ending he struggled (the two fortissimo endings in Liszt ’s autograph have been published for the first time in the appendix to our edition).

SEK 271.00
1

Claude Debussy: String Quartet (Parts)

Claude Debussy: String Quartet (Parts)

Debussy?s new string quartet received a very cool reception at its première in Paris in December 1893, performed by the famous Quatuor Ysaÿe. The critics were upset by its unusual harmonies and orchestral sounds, and the musicians who were later presented with it considered it ?unplayable?. Nevertheless the work was able to establish itself in the years that followed and today belongs to the core chamber music repertoire. The work was published in 1894 as ?1er Quatuor?; showing that the composer was at least toying with the idea of writing another such work at this time ? yet he never did fulfil this promise.

SEK 388.00
1

Claude Debussy: String Quartet (Study Score)

Claude Debussy: String Quartet (Study Score)

Debussy?s new string quartet received a very cool reception at its première in Paris in December 1893, performed by the famous Quatuor Ysaÿe. The critics were upset by its unusual harmonies and orchestral sounds, and the musicians who were later presented with it considered it ?unplayable?. Nevertheless the work was able to establish itself in the years that followed and today belongs to the core chamber music repertoire. The work was published in 1894 as ?1er Quatuor?; showing that the composer was at least toying with the idea of writing another such work at this time ? yet he never did fulfil this promise.

SEK 224.00
1

Max Reger: Clarinet Sonata Op.107 - Version For Violin (Urtext)

Max Reger: Clarinet Sonata Op.107 - Version For Violin (Urtext)

When Reger submitted his Clarinet Sonata op. 107 for printing, he remarked: "You immediately notice that the work was originally for clarinet (viola) but that it can also be played by violin and piano." He wrote the violin part himself, adjusting it to suit the needs of the violin. Even before the first performance of the original for clarinet, he had tried out the work with a violinist. "Should the critics claim once again that it is incomprehensible - then these gentlemen are simply first class asses. The work sounds very good, is intimate chamber music and not difficult to play together." There is nothing more to be said.?

SEK 314.00
1

Max Reger: Clarinet Sonata Op.107 - Version For Viola (Urtext)

Max Reger: Clarinet Sonata Op.107 - Version For Viola (Urtext)

Just as Johannes Brahms had done with his Opus 120, Reger also provided parts for two alternative solo instruments for his Sonata op. 107: "I will also arrange the clarinet part for viola, so that the work can also be played thus" (letter to his publisher). He by no means wanted to leave the arrangement of the viola part to the publisher, as slurs had to be changed here and there as well as octave transpositions had to be made - "only I can do this work!" The viola?s sonorous mid range comes close to that of the clarinet, but lends the work its own timbre. Viola players will also value this Urtext edition on account of the practical fingerings and bowing marks.?

SEK 314.00
1

Camille Saint-Saëns: The Swan - Cello/Piano (Urtext)

Camille Saint-Saëns: The Swan - Cello/Piano (Urtext)

Charles-Joseph Lebouc organised the première of this work and also played the cello part. With the composer's permission, he then adapted this sonorous romance, accompanied by two pianos in the original, for Violoncello and one Piano.Henle are presenting the first ever Urtext edition of this popular cello work. The second Piano part is reproduced in small print, thus permitting a comparison of the two versions. Two Cello parts are provided, one with markings, and one without.

SEK 149.00
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Robert Schumann: Abegg Variations Op.1 (Urtext Edition)

Robert Schumann: Abegg Variations Op.1 (Urtext Edition)

Although originally conceived as a virtuoso piece for Piano and Orchestra, with a thematically unrelated introduction, Schumann's Abegg Variations Op.1 remains an important work in the solo piano repertoire. Full of rich textures, sonorous harmonies and extensive passagework, this work is an exciting and challenging piece for the advancing and accomplished pianist alike.This highly authoritative Urtext edition of the score provides the closest representation of the composer's original intentions, as edited with critical commentaries by Ernst Herttrich and fingered by Walther Lampe.

SEK 149.00
1

Johann Pachelbel: Canon And Gigue In D (Henle Urtext)

Johann Pachelbel: Canon And Gigue In D (Henle Urtext)

Johann Pachelbel, born in Nuremberg in 1653, a generation before Bach, is one of Southern Germany?s most important post-Reformation organ composers. His compositions were already widely known at the time. The most popular work today is probably the canon with ensuing gigue in D major. The canon - according to the source ?a 3 Violinis con Basso c.? - is built up over an ostinato bass whose two bar fi gure is repeated a total of 28 times. The following short gigue is also in a strict contrapuntal style. It is not known when the work was composed. As with most of his other chamber music works, Pachelbel might have composed it during his time in Thuringia between 1677 and 1695. This pleasing work is also popular with amateur ensembles.

SEK 271.00
1

W.A. Mozart: String Quintets - Volume 1 (Henle Urtext Edition)

W.A. Mozart: String Quintets - Volume 1 (Henle Urtext Edition)

Full score Henle Urtext edition of W.A. Mozart's String Quintets Volume 1. Mozart applied himself to this genre six times, even giving important parts to the two violas. For this edition, the editors were able to refer to the autograph, which is once again accessible. It shows Mozart?s intensive compositional work, resulting in the fact that he composed the minuet and finale of the work a second time. The first version of both movements is included in the appendix of our edition, enabling insightful comparisons.

SEK 446.00
1

Joseph Haydn: Variations In F Minor (Sonata) Hob. XVII:6

Joseph Haydn: Variations In F Minor (Sonata) Hob. XVII:6

Haydn's last Piano work is also considered to be his most famous single work for this instrument. The minor theme is filled with emotional depth: a melancholy andante in f minor, with variations, as only a genius can do them, that almost sounds like a free fantasia (thus described in a review of the time). The form is also demanding: not merely one theme but two - one in a major key, the other in a minor one - are varied in turn. The autograph gives one to believe that the work was originally intended to be the first movement of a sonata. This single edition has been taken from the recently revised volume of Piano Pieces (HN 224) and furnished with a detailed commentary. Henle also recently published a facsimile of Haydn's autograph of the Variations in F minor: HN 3218.

SEK 96.00
1

Piano Sonata No. 2 G Sharp Minor Op. 19 (Sonate-Fantaisie)

Piano Sonata No. 2 G Sharp Minor Op. 19 (Sonate-Fantaisie)

Piano Sonata No. 2 G Sharp Minor Op. 19 (Sonate-Fantaisie) was composed over a relatively lengthy period of time. Alexander Scriabin first began work on it in 1892, but in the summer of 1896, after Scriabin had performed the sonata several times in public in Paris, he told his publisher that the piece was finished but even despite having revised it 7 times he was still completely dissatisfied with it. It was not till 1898 that the work was in Scriabin's eyes good enough to be finally published.

SEK 202.00
1

Franz Joseph Haydn: Quintett Fur Klavier, 2 Horner, Violine Und Violoncello

Franz Joseph Haydn: Quintett Fur Klavier, 2 Horner, Violine Und Violoncello

Haydn ’s charming and sole Piano Quintet is for such an unusual combination of instruments - two Horns and Piano trio - that hardly any musicians are familiar with it. Horn players will get their money’s worth in this very early work by Haydn (ca. 1765), and pianists and String players are also kept busy. Our edition is based on the flawless musical text in the Haydn Complete Edition. We hope that a great many Horn players will discover our edition and that the work will finally be able to emerge from the shadows!

SEK 167.00
1

Carl Maria Von Weber: Aufforderung Zum Tanze - Rondo Brillant

Carl Maria Von Weber: Aufforderung Zum Tanze - Rondo Brillant

Alongside the opera “Der Freischütz”, Weber’s “Invitation to the Dance” in D flat major op. 65 is his most famous work. In the 19th century, Weber’s spirited piece was considered the virtual incarnation of the waltz. Weber here arranged the waltz frenzy of the dance-crazy Biedermeier era in a concertante form, letting one waltz follow the other, sometimes gently swaying, sometimes wildly stomping. The movements are framed by a poetic introduction and a finale. The work is presented here in an Urtext edition based on the autograph fair copy, but also takes into account the first edition and a copyist’s manuscript. Besides information concerning these sources, one can read in theeditor’s detailed preface about the programmatic interpretation that Weber is supposed to have given to the introduction and finale at the first performance, allowing one to vividly imagine a danced execution of the work.

SEK 149.00
1

Isaac Albéniz: Suite Espagnole Op. 47

Isaac Albéniz: Suite Espagnole Op. 47

“One closes one’s eyes and is bedazzled by the sheer wealth of invention in this music!” The person who spoke so enthusiastically about Albéniz , one of the founders of the Spanish national style, was none other than Claude Debussy. The “ Suite Espagnole ” for Piano is surely his most popular work. It reflects the manifold rhythms and melodies of different Spanish regions – and in the last piece even Cuba is represented. The much loved composition “ Asturias ” was also included in the collection. This work now joins “Iberia” and the “Chants d’Espagne” in our much renowned series of Albéniz ’ Piano works.

SEK 340.00
1

Ludwig van Beethoven: String Trios op. 3, 8 and 9 and String Duo WoO 32

Ludwig van Beethoven: String Trios op. 3, 8 and 9 and String Duo WoO 32

As the opus numbers suggest, the five string trios are relatively early works. Beethoven had sent opus 3 to print in early 1796, and in the same year, he began his compositional work on the Serenade op. 8, which was then followed by the three Trios op. 9. This marked the definitive close of Beethoven’s work on this genre. Nevertheless, the five pieces are thoroughbred Beethoven and often played to this day. Also included in the volume is the piece designated in the autograph as “Duet for two obbligato eye-glasses” that Beethoven had apparently written for two myopic friends.

SEK 696.00
1

Franz Liszt: Rigoletto - Concert Paraphrase

Franz Liszt: Rigoletto - Concert Paraphrase

Liszt drew on three themes from Verdi?s ?Rigoletto? in this glittering virtuoso work; its climax is the finale with the theme in the quartet from Act III ?Bella fi glia dell?amore?. If one ignores the fact that at this point in the opera the betrayal of Gilda's love is made known, the work offers no sign that it was written at a time of deep depression: Liszt?s hope of legally marrying Princess von Sayn-Wittgenstein was slowly disappearing. Maybe Liszt's opera paraphrases are therefore to be understood as memories of happier times in Weimar.

SEK 165.00
1

Franz Liszt: Bénédiction De Dieu Dans La Solitude

Franz Liszt: Bénédiction De Dieu Dans La Solitude

Liszt?s piano cycle ?Harmonies poétiques et religieuses? (HN639) was inspired by religious-philosophical poems of the French Romantic Alphonse de Lamartine. Whereas the cycle as a whole remained comparatively unknown, single works have become an established part of the demanding standard repertoire for pianists. Aside from ?Funérailles? (HN748), the same is true of the longest work in the volume ?Bénédiction de Dieu dans la solitude?. This work, which is particularly expressive musically, is now appearing for the first time in Henle's catalogue as a single volume; it is prefaced by Lamartine?s text in three languages. The fingering is by the composer.

SEK 165.00
1

Claude Debussy: Première Rhapsodie Und Petite Pièce

Claude Debussy: Première Rhapsodie Und Petite Pièce

Originally written for the final year Clarinet examination at the Paris Conservatoire, Debussy ’s “ Première Rhapsodie ” has quickly become a bestseller of the Clarinet repertoire, being a highly impressionistic work that plays marvellously with the timbral possibilities of the Clarinet. Its success was so pervasive that Debussy later arranged the Piano accompaniment for Orchestra, and in this form the rhapsody is today to be heard all around the world. Our edition also contains as a “lollipop” the popular “ Petite pièce ”, an original work of under forty bars that was in fact devised as a sight-reading test.

SEK 271.00
1

Ludwig Van Beethoven: Streichtrios Und Streichduo

Ludwig Van Beethoven: Streichtrios Und Streichduo

As the opus numbers suggest, the five string trios are relatively early works. Beethoven had sent opus 3 to print in early 1796, and in the same year, he began his compositional work on the Serenade op. 8, which was then followed by the three Trios op. 9. This marked the definitive close of Beethoven’s work on this genre. Nevertheless, the five pieces are thoroughbred Beethoven and often played to this day. Also included in the volume is the piece designated in the autograph as “Duet for two obbligato eye-glasses” that Beethoven had apparently written for two myopic friends.

SEK 367.00
1

Frédéric Chopin: Scherzo In E Op. 54

Frédéric Chopin: Scherzo In E Op. 54

Chopin published his Scherzi nos. 1–3 at more-or-less regular intervals, in 1835, 1837 and 1840 – almost as if he’d planned them in advance. He published his fourth and final work in this genre after a further three years, in 1843. When compared with its predecessors, which were largely bleak in mood, this Scherzo no. 4 is surprisingly cheerful. With its sparkling runs and its chains of chords like dappled brush strokes, this work seems to summon up the fairy-like spirit of Mendelssohn’s scherzi. In editorial terms, however, it is problematical. Three parallel first editions were published – in Germany, France and England – and the many variants between them have to be investigated one at a time to determine their authenticity. This is a task that has been solved meticulously in this revised, stand-alone Urtext edition, which explains the transmission of this work in an exemplary, transparent manner for today’s pianists.

SEK 155.00
1