Frederic Chopin: Nocturne In G Op. 37 No. 2

The Nocturne op. 37 no. 2, composed in 1839, is a perfect example of the rich, pearling cascades of thirds and sixths that keep Chopin’s piano works at the top of the popularity list and as beloved today as in his time. Although no autograph of op. 37 has survived, an engraver’s exemplar for the 1840 edition from Breitkopf & Härtel is extant, and was corrected by Chopin himself. We have of course consulted this source for our Urtext edition.

Muzio Clementi: Piano Sonata In G Op.37 No.2

Clementi not only dedicated himself to the piano as a virtuoso and composer but also as a teacher, music publisher and instrument maker ? so it is no wonder that he was referred to as the ?Father of the Piano Forte? at the time. Alongside basic educational works he also wrote a great many instructive sonatas and sonatinas that form the basis of piano tuition even today. The Sonata in G major ? from his opus 37 that was published in 1798 ? is a must for all budding pianists. This is reason enough for us to publish this work of medium level of difficulty in a reasonably priced single edition. It was previously only available in a collected edition (HN 330).

Henry Vieuxtemps: Violin Concerto No. 5 In A Minor Op. 37

Of all of Henry Vieuxtemps ' Violin concertos, his fifth in a minor is the best known and most popular by far. The Violin Concerto No. 5 In A Minor Op. 37 was composed between 1860-61 as an obligatory examination piece for the students of Vieuxtemps ' friend Hubert Léonard at the Brussels Conservatory. The work soon made its way into the concert hall and owes its popularity not only to the brilliant Violin part but also to the distinguished form of the three movements that combine without interruption. This Henle Urtext edition has been edited by the The violinist and musicologist Ray Iwazumi, who also undertook the bowings for the solo part. The preface was penned by the Belgian expert on Vieuxtemps, Marie Cornaz.

Franz Joseph Haydn: Klaviersonate Hob. XVI:37

Ludwig Van Beethoven: Trio For Piano, Flute And Bassoon WoO 37

Flutists are always grateful for chamber music works that include their instrument as part of the original scoring. They can thus take pleasure in this Urtext edition of Beethoven’s Trio for piano, flute and bassoon, which is based on the text of the new Beethoven Complete Edition. Beethoven probably composed this virtuoso concertante Trio at the age of fifteen. Its unusual instrumentation can be explained by the fact that the piece was written for the aristocratic Westerholt-Gysenberg family. Baron Westerholt-Gysenberg played the bassoon, his son the flute, and his daughter, Maria Anna Wilhelmine, was Beethoven’s piano pupil. Enchanting chamber music!

Ludwig Van Beethoven: Concerto For Piano And Orchestra No. 3 Op. 37

Ludwig van Beethoven composed his five large piano concertos over a period of twenty-five years. When the composer sold his first two piano concertos in late 1800, he mentioned that he had even “better” ones which for the time being he was keeping for himself until he went on tour. He probably meant a concert tour with the just finished Third Piano Concerto in c minor, which is presented here in a piano reduction. The edition, of our customary Urtext quality, is arranged for practical use and based on the Beethoven Complete Edition, for which Beethoven’s autograph served as the source. The detailed editor’s preface by Beethoven scholar Hans-Werner Küthen concludes withvaluable information about the edition.

Ludwig van Beethoven: Concerto for Piano and Orchestra No. 3 c minor op. 37

Ludwig van Beethoven composed his five large piano concertos over a period of twenty-five years. When the composer sold his first two piano concertos in late 1800, he mentioned that he had even “better” ones which for the time being he was keeping for himself until he went on tour. He probably meant a concert tour with the just finished Third Piano Concerto in c minor, which is presented here in a piano reduction. The edition, of our customary Urtext quality, is arranged for practical use and based on the Beethoven Complete Edition, for which Beethoven’s autograph served as the source. The detailed editor’s preface by Beethoven scholar Hans-Werner Küthen concludes withvaluable information about the edition.

Pyotr Ilyich Tchaikovsky: The Seasons Op.37bis - Piano Solo (Henle Urtext)

Förutom Tjajkovskijs berömda pianokonsert ger hans omfattande oeuvre för solopiano också ett viktigt bidrag till romantisk pianomusik. Den innehåller "Årstider" op. 37 – trevliga spelbara stycken som speglar en svunnen borgerlig atmosfär och därför kan hänföras till kategorin "hemmusik". Dessa tolv intima stämningsbilder gör det möjligt för pianisten att plotta årets tolv månader. Inga. 11, "Troika", visar en rysk karaktär särskilt väl, när slädklockorna och passagerarnas glada sång i november skapar ett förtrollande ljud. Vår utgåva är baserad på autografen och den ryska förstaupplagan; dessutom innehåller den Klaus Schildes högt ansedda fingersättningar.

Johannes Brahms: Piano Pieces (Paperback)

Johannes Brahms ’ late Piano works in the form of the two editions HN 36 (paperbound) and 37 (clothbound) have been a cornerstone of the Henle catalogue ever since the early 1950s. In 2011 the volume with Piano pieces (HN 6014) was published in the new Brahms Complete Edition, an edition of these important works that reflected the latest in scholarly research. Having already published single volumes of the Urtext editions of opus numbers 76, 79 and 116–119 with the up-to-date musical text in the Complete Edition, Henle are now rounding off this Brahms project by publishing the revised volume of collected works, available as a classic paperbound, clothbound or handy study edition. An open invitation to all those who wish to immerse themselves in Brahms ’ fascinating Piano cosmos.

Johannes Brahms: Piano Pieces (Clothbound)

Johannes Brahms ’ late Piano works in the form of the two editions HN 36 (paperbound) and 37 (clothbound) have been a cornerstone of the Henle catalogue ever since the early 1950s. In 2011 the volume with Piano pieces (HN 6014) was published in the new Brahms Complete Edition, an edition of these important works that reflected the latest in scholarly research. Having already published single volumes of the Urtext editions of opus numbers 76, 79 and 116–119 with the up-to-date musical text in the Complete Edition, Henle are now rounding off this Brahms project by publishing the revised volume of collected works, available as a classic paperbound, clothbound or handy study edition. An open invitation to all those who wish to immerse themselves in Brahms ’ fascinating Piano cosmos.

Franz Schubert: Songs with Lyrics by Goethe, Schiller and other Poets

Urtext of the New Schubert Complete Edition in both original key and transposition, edited by Walther Dürr. A coproduction with Bärenreiter-Verlag, Kassel.Contents:An Emma op. 58 D 113Auf dem See op. 92 D 543Der Alpenjäger op. 37D 588Der Jüngling am Bache op. 87 D 638Der Musensohn op. 92 D 764Der Pilgrim op. 37 D 794Der Unglückliche op. 87 D 713Des Mädchens Klage op. 58 D 191Geistes-Gruß op. 92 D 142Gesänge aus "Wilhelm Meister" op. 62 D877Gruppe aus dem Tartarus op. 24 D 583Hektors Abschied op. 58 D 312Hoffnung op. 87 D 637Lied der Mignon [Heiß mich nicht reden] op. 62 D 877Lied der Mignon [Nur wer die Sehnsucht kennt] op. 62 D 877Lied der Mignon [Solaßtmich scheinen] op. 62 D 877Mignon und der Harfner [Nur wer die Sehnsucht kennt] op. 62 D 877Schlaflied op. 24 D 527Sehnsucht op. 39 D 636Suleika II op. 31 D 717

Ludwig van Beethoven: Piano Trios, Volume III

In the Classical period, and well into the 19th century, piano trios were something of a musical fashion accessory. There was thus good reason for Beethoven also to engage with the genre, following the example set by Haydn and Mozart. He left 13 piano trios in all. +B107The works contained in Volume III almost all present a few peculiarities: opus 44 is also not a complete trio, for instance, but consists of only one single variation movement! WoO 37, written while Beethoven was still in Bonn, is striking for its scoring (piano, flute and bassoon). He wrote WoO39 for Maximiliane, youngest daughter of the Brentano family, “to encourage her piano playing”. Op. 38 is anarrangement of the Septet op. 20 for piano, clarinet and violoncello, and the last piece has come down to us only in one sketchbook from Beethoven’s Bonn period. None of these works has the weight of Beethoven’s major piano trios, nevertheless, they remain witnesses to his supeme artistry.

Ludwig Van Beethoven: Cadenzas And Lead-ins For Piano Concertos

This volume contains all of Beethoven?s surviving cadenzas and lead-ins for Piano concertos: both for his own concertos nos. 1?4, for his Piano arrangement of the Violin Concerto op. 61 as well as for Mozart?s Concerto in d minor K. 466. They were in all probability not intended for his own use, as Beethoven?s improvisatory skills were legendary. His pupil and patron Archduke Rudolph of Austria, in whose library the unpublished autographs were kept for decades during the composer?s lifetime, might well have prompted him to do so. This Henle edition contains the musical text of the Beethoven Complete Edition that has been put into a new order and updated.Piano Concerto no. 1 in C major op. 15: first cadenza 1st movement Piano Concerto no. 2 in B flat major op. 19: cadenza 1st movement Piano Concerto no. 3 in C minor op. 37: cadenza 1st movement Piano Concerto no. 4 G major op. 58: first cadenza 1st movement Piano Transcription of the Violin concerto in D major op. 61a: cadenza 1st movement Piano Transcription of the Violin concerto D major op. 61a: Transition: 2nd to 3rd movement Piano Transcription of the Violin concerto in D major op. 61a: first cadenza 3rd movement Piano Concerto in d minor K. 466 by W.A. Mozart: Cadenza 1st movement WoO 58,1 Piano Concerto in d minor K. 466 by W. A. Mozart: Cadenza 3rd movement WoO 58,2