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Georg Friedrich Händel: Flute Sonatas, Volume II [Hallenser-Sonatas], three Sonatas attributed to Händel (with separate Flute/Basso Continuo part (two

Georg Friedrich Händel: Flute Sonatas, Volume II [Hallenser-Sonatas], three Sonatas attributed to Händel (with separate Flute/Basso Continuo part (two

The fact that the three so-called “Hallenser” Sonatas do not all date from Handel’s youth in Halle does not adversely affect their popularity. Since only very little is known about them, and because certain stylistic characteristics suggest an early composition date, the sonatas were formerly assigned to Handel’s Halle years. However, we now know that at least the e minor Sonata was written in London. We include a combined part for Flute/Basso in this Urtext edition, so that both players flautist and accompanist can play from this musical text. We are also offering, in addition to the thoroughbass figuring, a historically-appropriate thoroughbass realization withinthe score.

SEK 271.00
1

Wagner/Liszt: Overture To Tannhauser Piano Solo

Wagner/Liszt: Overture To Tannhauser Piano Solo

Looking back in 1876, Liszt admitted candidly to the publisher Breitkopf & Härtel that his “Wagner transcriptions” had “only served as modest propaganda for Wagner’s noble genius, using the meagre possibilities of the piano”. In fact, in around 1850, Wagner’s operas Der fliegende Holländer, Tannhäuser and Lohengrin – which would later be so successful – were only being performed at the Weimar Court Theatre under Liszt’s baton. Liszt was inspired to compose his Tannhäuser Paraphrase by performances in Weimar of the overture in 1848 and of the whole opera in February 1849. Liszt’s piano arrangement of the overture is a technically brilliant piece of the highest order. It is a further milestone in Henle Publishers’ series of Liszt’s Wagner arrangements.

SEK 218.00
1

Sonatinas For Piano Volume I Baroque to Pre-Classic

Sonatinas For Piano Volume I Baroque to Pre-Classic

Through the amiable genre of the sonatina, generations of piano pupils have slowly and cautiously approached its “big sister”, the sonata. With the aid of our three-volume selection of sonatinas from two centuries, intermediate piano pupils large and small can undertake an excursion through the development of piano music from the early 18th to the end of the 19th century. This first volume contains 26 easy to moderately difficult sonatinas from the time of the High Baroque and pre-classical periods by composers including C.P.E. and J.C.F. Bach, Handel, Georg Benda, Domenico Scarlatti and Antonio Soler. Since the term “sonatina” had quite diverse meanings at this time, the volumeoffers works of varied character. The simple pieces at the beginning provide a way in, then the sonatinas follow in chronological order. A table shows the most important embellishments and their correct execution according to the rules of the time. A large body of literature for piano lessons!

SEK 308.00
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Johann Sebastian Bach: Suites, Sonatas, Capriccios, Variations

Johann Sebastian Bach: Suites, Sonatas, Capriccios, Variations

Apart from the major cycles (partitas, French and English suites), a whole series of separate keyboard suites by Bach have come down to us, including individual sonatas or sonata movements, variations, and fragments of various sorts called Capriccios. None of them reached the degree of popularity of the aforementioned large collections. Most of them go back to Bach’s youth and student years, to wit, to the years between 1700 and 1710, and do not yet reach the mastery of the later years. However, this is compensated by the enormous joy one derives in playing these works.

SEK 457.00
1

Easy Piano Music: Classical and Romantical Eras - Volume 1

Easy Piano Music: Classical and Romantical Eras - Volume 1

With this rewarding “sampler,” beginners can enjoy a stimulating introduction to the standard canon of classical piano literature. The journey begins with little pieces by Daniel Gottlob Türk and compositions from Mozart’s early music books, then goes on to Clementi sonatinas, easy piano sonatas by Haydn, a few single pieces by Beethoven and dances by Schubert, to the first “romantic” works by Robert Schumann. Rounding off each volume are the helpful comments by the knowlegeable piano instructor Walter Georgii. They were selected in such a way that they do not exceed level 4 of difficulty.

SEK 229.00
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Johann Sebastian Bach: Flute Sonatas, Volume II (Three Sonatas attributed to J. S. Bach)

Johann Sebastian Bach: Flute Sonatas, Volume II (Three Sonatas attributed to J. S. Bach)

is now possible to add the epithet“previously“ to the formulation of these sonatas as “attributed to Bach” in the title of our Urtext edition, today it is assumed that none of the three sonatas was written by “Father” Bach, but rather by his son Carl Philipp Emanuel. Yet this, too, cannot be completely and unambiguously authenticated, doubts linger. In any case, the issue does not detract from the extraordinary popularity of, for example, the Sonatas in E flat major and g minor, which have stunningly beautiful slow movements. The sonatas are part of the flautist’s daily bread.

SEK 292.00
1

Max Reger: Clarinet Sonata Op.107 - Version For Viola (Urtext)

Max Reger: Clarinet Sonata Op.107 - Version For Viola (Urtext)

Just as Johannes Brahms had done with his Opus 120, Reger also provided parts for two alternative solo instruments for his Sonata op. 107: "I will also arrange the clarinet part for viola, so that the work can also be played thus" (letter to his publisher). He by no means wanted to leave the arrangement of the viola part to the publisher, as slurs had to be changed here and there as well as octave transpositions had to be made - "only I can do this work!" The viola?s sonorous mid range comes close to that of the clarinet, but lends the work its own timbre. Viola players will also value this Urtext edition on account of the practical fingerings and bowing marks.?

SEK 314.00
1

W.A. Mozart: Piano Sonata In C K.309 (284b) - Urtext

W.A. Mozart: Piano Sonata In C K.309 (284b) - Urtext

?I wish to do it to reflect the character of Mad:selle Rose,? Mozart replied when asked how he intended to set out the Andante of his Sonata in C major. In autumn 1777 he had got to know Rosina Cannabich in Mannheim and during her lessons immediately introduced her to the Sonata K. 309 that he had composed for her. Indeed, in December 1777 according to her teacher she was already able to perform it ?excellently?. So that a great many other pupils might follow in her footsteps, Henle are now publishing this small gem that shows Mozart?s great skill in composing for the piano as a single edition with a new preface by the editor; it was previously only available in the complete volumes (HN1 and HN3).

SEK 160.00
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Joseph Haydn: String Quartets Book VII

Joseph Haydn: String Quartets Book VII

The chamber music world has been eagerly awaiting this ? all of Haydn's string quartets are finally available in Henle Urtext quality! The last edition to be finished contains the String Quartets op. 54/55, sometimes also known as the "First Tost Quartets". Contrary to what the opus numbers might suggest, it is a cohesive cycle of six works. Mozart's influence is felt more deeply, the forms are more diverse and the first Violin is every now and then required to do real acrobatics. In this volume in particular several treasures can be found that are not often played.

SEK 717.00
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Franz Liszt: Valses Oubliées

Franz Liszt: Valses Oubliées

The ?Valses oubliées? belong to Liszt?s late work, characterised by themes such as memory, sorrow and grief. They do not form a cycle but were written as separate pieces between 1881 and 1884. The title ?Forgotten Waltzes? alludes to the fact that certain forms and genres were no longer fashionable. These four pieces are reminiscent of Liszt?s waltzes for piano from the 1830s, but embed typical melodic and rhythmic clichés from salon waltzes in new harmonic progressions. Up to now only the first of the ?Valses oubliées? has found its way into concert repertoire. This new edition affords pianists an opportunity to discover all four waltzes and their characteristic idiosyncrasies.Valse oubliéeDeuxième Valse oubliéeTroisième Valse oubliéeQuatrième Valse oubliée

SEK 245.00
1

Frédéric Chopin: Piano Sonata In C Minor Op.4 - Urtext

Frédéric Chopin: Piano Sonata In C Minor Op.4 - Urtext

The early Piano Sonata op. 4 offers interesting insights into the young Chopin's compositional development. In all probability written during his student years at the Warsaw Conservatory and highly prized by Chopin himself, the nineteen-year-old composer presented the work to the publisher Tobias Haslinger on a visit to Vienna. But the publisher put off the still unknown composer.It was only when Chopin was at the height of his fame that Haslinger saw a possibility to do business - but this time it was Chopin who declined. Thus his first sonata was never published during his lifetime. To date an inside tip, this work is now available for the first time in Henle quality.

SEK 218.00
1

Claude Debussy: Préludes, 1er livre

Claude Debussy: Préludes, 1er livre

After several single pieces and several smaller Piano cycles, in 1910 the recently composed Préludes, Premier Livre was published. The title draws on a traditional form, following Chopin’s example. In addition Debussy discreetly characterized his Préludes by dispensing with titles but giving the pieces programmatic directions at the end of each Prélude. This first volume became an immediate success and even today is considered to be the epitome of Debussy ’s Piano artistry. Some of these more substantial pieces are also within reach of those who do not intend to become concert pianists.

SEK 308.00
1

Joseph Haydn: Streichquartette Op.54/55 (String Quartet)

Joseph Haydn: Streichquartette Op.54/55 (String Quartet)

The chamber music world has been eagerly awaiting this ? all of Haydn's string quartets are finally available in Henle Urtext quality! This edition contains the String Quartets op. 54/55, sometimes also known as the "First Tost Quartets". Contrary to what the opus numbers might suggest, it is a cohesive cycle of six works. Mozart's influence is felt more deeply, the forms are more diverse and the first Violin is every now and then required to do real acrobatics. In this volume in particular several treasures can be found that are not often played.

SEK 367.00
1

Wolfgang Amadeus Mozart: "Wunderkind" Sonatas Volume 3 K.26-31

Wolfgang Amadeus Mozart: "Wunderkind" Sonatas Volume 3 K.26-31

In autumn 1765 Mozart?s family was in Holland, not least at the request of Princess Caroline von Nassau-Weilburg. The fame of the prodigy Wolfgang Amadeus had already reached her so that she ?had an extraordinary desire to see this child? (according to Leopold Mozart). The Sonatas for Piano K. 26?31 that can also have a violin accompaniment were composed in The Hague. They were published in 1766 and were naturally dedicated to the princess. An early copy which has nothing to do with Mozart was consulted by the New Mozart Edition as a primary source alongside the first edition. Our Urtext edition revises the musical text, deleting the misleading additions from this source.With marked and unmarked string parts.

SEK 351.00
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Franz Joseph Haydn: Streichquartette Op.20 (Urtext Score)

Franz Joseph Haydn: Streichquartette Op.20 (Urtext Score)

Joseph Haydn's String Quartets Op.20 were composed in 1772 according to the date of the autographs. They are the last group in the series of string quartets with the opus numbers 9, 17, 20, composed a long time after the early string quartets, in the years around 1770. Following these compositions, several years were to pass before once again before Haydn wrote his next string quartets for a long while following completion of Op.20 does not necessarily imply that he was having a 'crisis'; it might have had to do with the increasing load on Haydn occasioned by the regular performances at the Eszterhaza opera house, leaving him with little time for other activities.

SEK 324.00
1

Max Bruch: Violin Concerto In G Minor Op.26

Max Bruch: Violin Concerto In G Minor Op.26

It made its creator world-famous and added a towering masterpiece to the standard repertoire: Max Bruch ’s First Violin Concerto In G Minor . Now it’s appearing at last in an urtext edition from Henle. Bruch himself was not always overjoyed at his work’s popularity: "I can’t listen to this concerto anymore," he once complained to his publisher Simrock, "do you suppose I’ve only written one concerto?" By now the Bruch Concerto has found a permanent place in the world’s concert halls. Henle’s edition provides not only a razor-sharp urtext for the solo part, but a preface that alone is worth the price of the volume: who could have guessed that the concerto went through a convoluted genesis with multi-layered revisions, and that some of the changes go back to the famous violinist Joseph Joachim?

SEK 314.00
1

Ludwig Van Beethoven: Piano Concerto No. 5 In E Flat Major Op. 73

Ludwig Van Beethoven: Piano Concerto No. 5 In E Flat Major Op. 73

Ludwig van Beethoven composed his five large piano concertos over a period of twenty years. His Fifth Concerto in E-flat major op. 73, first published in 1810/11, is here presented in a piano reduction for two pianos. This edition, in the quality one has come to expect from an Urtext, is based on the Beethoven Complete Edition and is designed for practical use. In order to do justice to Beethoven’s intentions, the composer’s characteristic notation has been retained in the solo part. The preface, by the Beethoven researcher Hans-Werner Küthen, offers valuable details on the source situation and on its historical context, describing the circumstances of the year of itscomposition (1809) during the Napoleonic occupation of Vienna.

SEK 367.00
1

Ludwig Van Beethoven: Concerto For Piano And Orchestra No. 5 Op. 73

Ludwig Van Beethoven: Concerto For Piano And Orchestra No. 5 Op. 73

Ludwig van Beethoven composed his five large piano concertos over a period of twenty years. His Fifth Concerto in E-flat major op. 73, first published in 1810/11, is here presented in a piano reduction for two pianos. This edition, in the quality one has come to expect from an Urtext, is based on the Beethoven Complete Edition and is designed for practical use. In order to do justice to Beethoven’s intentions, the composer’s characteristic notation has been retained in the solo part. The preface, by the Beethoven researcher Hans-Werner Küthen, offers valuable details on the source situation and on its historical context, describing the circumstances of the year of itscomposition (1809) during the Napoleonic occupation of Vienna.

SEK 208.00
1

Leos Janácek: March Of The Bluebirds For Piccolo And Piano

Leos Janácek: March Of The Bluebirds For Piccolo And Piano

The little march composed in 1924 forms the nucleus of the suite for Wind Instruments Mládí (HN 1093/7093), in which the jaunty Flute theme weaves through the 3rd movement. Incidentally, the “bluebirds” do not refer to birds but to the light blue robes worn by the choristers at the monastery in Brno, which Janáček entered at the age of eleven. Almost 60 years later during a visit to Potsdam he remembered the Prussian troops’ invasion of Brno and, with this in mind, wrote a chamber music miniature with a military element. This Janáček edition by Jiří Zahrádka , a specialist on the life and work of the great Czech composer, contains top-quality Urtext as well as detailed information on the work’s genesis and transmission.

SEK 176.00
1

Claude Debussy: Images -1894 (Henle Urtext Edition)

Claude Debussy: Images -1894 (Henle Urtext Edition)

This work only has the title in common with the well-known “ Images ” I and II from 1905 and 1908. Debussy dedicated the three-part cycle to the daughter of a painter friend, writing: “These pieces shy away from brightly lit salons, in which people are usually to be found who do not care for music. They are rather soliloquies of the Piano and the self and it is not forbidden to employ the special mood conjured up by rainy days”. The slow movement – it resurfaces in a slightly altered form as the middle movement of “Pour le Piano” – is associated with the atmosphere in the Louvre and its old paintings. This is Impressionist music of a very special kind.

SEK 245.00
1

J.S. Bach: Fantasien, Praludien Und Fugen (Urtext)

J.S. Bach: Fantasien, Praludien Und Fugen (Urtext)

In contrast to the large collections of partitas, along with the French and English Suites, Bach’s Fantasies, and his Preludes and Fugues besides the Well-Tempered Clavier have not come down to us as interconnected cycles. Perhaps this is one of the reasons why only few of these works gained widespread popularity. Only the much-acclaimed Chromatic Fantasy and Fugue BWV 903/903a and the great c-minor Fantasy BWV 919 have found a permanent place in pianists’ concert repertoires. Some of the works compiled in this volume are undoubtedly juvenilia that do not yet hint at the mature Bach whilst nevertheless pointing out the composer’s fresh power of invention.

SEK 457.00
1

Robert Schumann: Humoresque In B Flat Op.20 - Revised Edition (Urtext)

Robert Schumann: Humoresque In B Flat Op.20 - Revised Edition (Urtext)

Do you not know Jean Paul, our great writer? I have learnt more counterpoint from him than from my music teacher. Jean Paul's "Vorschule der Ästhetik" with its extensive treatment of humour probably occasioned Schumann to think of giving a Piano work the title "Humoreske" ? thus giving birth to a new musical genre. The "romantic humour" is not, however, aimed at humour in a modern sense of the word, but rather at a portrayal of the fragility and contradictory nature of the human condition. As if in a kaleidoscope, Schumann juxtaposes the most diverse elements of form and moods. Ernst Herttrich's revision reflects the latest scholarly findings for this unusual work.

SEK 218.00
1

Gabriel Fauré: Fantaisie Op. 79 And Morceau De Lecture For Flute And Piano

Gabriel Fauré: Fantaisie Op. 79 And Morceau De Lecture For Flute And Piano

Fauré ’s exquisite Fantaisie is one of the jewels in chamber music for which we are indebted to his time at the Paris Conservatoire. The Flute professor there, Paul Taffanel, had asked his colleague for a virtuoso examination piece. Fauré presented him with the manuscript in 1898 with the explicit indication “to modify unplayable passages” before using it in the exam. As the autograph score no longer exists, we do not know what and how much Taffanel might have changed; however, the result is a brilliant recital piece. In this Henle edition they have added a little Adagio without opus number that Fauré also composed in 1898 for the exams at the Conservatoire as a sight-reading piece.

SEK 218.00
1