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Wagner/Liszt: Overture To Tannhauser Piano Solo

Wagner/Liszt: Overture To Tannhauser Piano Solo

Looking back in 1876, Liszt admitted candidly to the publisher Breitkopf & Härtel that his “Wagner transcriptions” had “only served as modest propaganda for Wagner’s noble genius, using the meagre possibilities of the piano”. In fact, in around 1850, Wagner’s operas Der fliegende Holländer, Tannhäuser and Lohengrin – which would later be so successful – were only being performed at the Weimar Court Theatre under Liszt’s baton. Liszt was inspired to compose his Tannhäuser Paraphrase by performances in Weimar of the overture in 1848 and of the whole opera in February 1849. Liszt’s piano arrangement of the overture is a technically brilliant piece of the highest order. It is a further milestone in Henle Publishers’ series of Liszt’s Wagner arrangements.

SEK 218.00
1

Felix Mendelssohn: Violin Concerto In E Minor Op.64 (Violin/Piano)

Felix Mendelssohn: Violin Concerto In E Minor Op.64 (Violin/Piano)

For the first time this celebrated concerto will now appear in a source-critical edition. Ullrich Scheideler depicts how the work evolved, describes its sources, and comments on the musical text. The well-known violinist Igor Ozim has marked up Mendelssohn ’s approved Violin part, adding fingering and bowing marks as an aid to today’s performers. He has also supplied a separate commentary showing that Mendelssohn ’s autograph already contains useful suggestions for shaping the solo part. The Piano reduction – a revised version of the one that accompanied the first edition – lies well under the fingers while remaining as faithful as possible to the original text.

SEK 351.00
1

Sonatinas For Piano Volume I Baroque to Pre-Classic

Sonatinas For Piano Volume I Baroque to Pre-Classic

Through the amiable genre of the sonatina, generations of piano pupils have slowly and cautiously approached its “big sister”, the sonata. With the aid of our three-volume selection of sonatinas from two centuries, intermediate piano pupils large and small can undertake an excursion through the development of piano music from the early 18th to the end of the 19th century. This first volume contains 26 easy to moderately difficult sonatinas from the time of the High Baroque and pre-classical periods by composers including C.P.E. and J.C.F. Bach, Handel, Georg Benda, Domenico Scarlatti and Antonio Soler. Since the term “sonatina” had quite diverse meanings at this time, the volumeoffers works of varied character. The simple pieces at the beginning provide a way in, then the sonatinas follow in chronological order. A table shows the most important embellishments and their correct execution according to the rules of the time. A large body of literature for piano lessons!

SEK 308.00
1

Béla Bartók: Sonatina

Béla Bartók: Sonatina

**Please note: This title is not available for sale outside of the UK and Commonwealth.** Béla Bartók 's Sonatina for solo Piano. Suitable for pianists at an intermediate level. In his Sonatina, Bartók used different melodies taken from Romanian instrumental folk. From examining the sources, it is clear to see how, in 1915, the piece slowly evolved out of a series of Piano transcriptions of Romanian folk melodies into its three-movement form. This Henle Urtext Edition has been released prior to its publication as part of the Complete Edition. In this edition, Bartók specialist László Somfai outlines the work’s exciting genesis and expounds on Bartók ’s later revision, during which he not only changed the tempi but also the fingerings. The insightful notes on the work's background are complemented by indications on how to play the very complex Piano notation by Bartók himself and from his recordings. This edition provides an invitation to pianists to rediscover this Sonatina .

SEK 160.00
1

Johann Sebastian Bach: Flute Sonatas, Volume II (Three Sonatas attributed to J. S. Bach)

Johann Sebastian Bach: Flute Sonatas, Volume II (Three Sonatas attributed to J. S. Bach)

is now possible to add the epithet“previously“ to the formulation of these sonatas as “attributed to Bach” in the title of our Urtext edition, today it is assumed that none of the three sonatas was written by “Father” Bach, but rather by his son Carl Philipp Emanuel. Yet this, too, cannot be completely and unambiguously authenticated, doubts linger. In any case, the issue does not detract from the extraordinary popularity of, for example, the Sonatas in E flat major and g minor, which have stunningly beautiful slow movements. The sonatas are part of the flautist’s daily bread.

SEK 292.00
1

W.A. Mozart: Piano Sonata In C K.309 (284b) - Urtext

W.A. Mozart: Piano Sonata In C K.309 (284b) - Urtext

?I wish to do it to reflect the character of Mad:selle Rose,? Mozart replied when asked how he intended to set out the Andante of his Sonata in C major. In autumn 1777 he had got to know Rosina Cannabich in Mannheim and during her lessons immediately introduced her to the Sonata K. 309 that he had composed for her. Indeed, in December 1777 according to her teacher she was already able to perform it ?excellently?. So that a great many other pupils might follow in her footsteps, Henle are now publishing this small gem that shows Mozart?s great skill in composing for the piano as a single edition with a new preface by the editor; it was previously only available in the complete volumes (HN1 and HN3).

SEK 160.00
1

Franz Joseph Haydn: Klavierstucke Klaviervariationen

Franz Joseph Haydn: Klavierstucke Klaviervariationen

The works in this volume show the development of Keyboard instruments in an exemplary manner: the early works were intended for Harpsichord, two of which were for an instrument with the so-called “Viennese bass octave”, which enabled the musician to play chords larger than a hand span with one hand. In our edition, these passages have footnotes with suggestions on how to play them. The Pianoforte was the inspiration behind the later works. Haydn was also happy to arrange his own compositions for Piano, as with the “Largo assai” from the “Reiterquartett”. Christine Schornsheim, a specialist in historical performance practice, provided fingerings for this completely revised and extended Urtext edition.

SEK 334.00
1

Ravel: Introduction & Allegro Harp/Flute/Clarinet/String Quartet Parts

Ravel: Introduction & Allegro Harp/Flute/Clarinet/String Quartet Parts

In June 1905, Ravel told a friend shortly before setting off on a long holiday: “I was terribly busy because of a piece for harp commissioned by the Érard company. I was able to finish it after a fashion, thanks to 8 days of dogged work and three sleepless nights”. But the piece itself shows nothing of the haste in which it was written. In fact, it seems as if Ravel knew how to explore all the musical possibilities of the harp in this brief, but highly striking piece. This septet with its unusual combination of instruments is a further enrichment of Henle’s Urtext editions of Ravel’s chamber music.

SEK 245.00
1

Gabriel Fauré: Élégie Op.24 For Violoncello And Piano

Gabriel Fauré: Élégie Op.24 For Violoncello And Piano

Following the enthusiastic reception of his first Violin Sonata (HN980), it was clear to Fauré that he would continue to write chamber music. In 1880 he wrote a little piece for cello and piano that was intended as the slow movement for a sonata. However, Fauré gave up the sonata project, instead publishing the piece under the title Élégie. It was so successful that Fauré was urged by the publisher to write further pieces. The conductor Édouard Colonne commissioned a version of the Élégie for orchestra in 1895, which was premièred two years later. As usual, our Urtext edition contains both a marked and an unmarked solo part.

SEK 149.00
1

Robert Schumann: Bunte Blätter Op. 99

Robert Schumann: Bunte Blätter Op. 99

In Schumann ’s middle years there was a longer period in which he favoured larger groups of instruments. Although he composed a few single pieces for Piano, they remained unpublished at first. It was only after the resounding success of the “Album for the Young” that he once again turned to several of these pieces to combine them in an album. Originally the collection was to be called “Spreu” (chaff) but the publisher was not convinced by this. Some of the altogether 34 pieces were finally published under the title “ Coloured Leaves ”, which quickly became a bestseller. As part of our Schumann revision we have now produced a new version of this edition to reflect the latest in scholarly research.

SEK 167.00
1

W.A. Mozart: Sonata In F K.533/494

W.A. Mozart: Sonata In F K.533/494

Mozart assembled this sonata from two parts that had been composed at different times. The Rondo K. 494 is from 1786. It was only in January 1788 that Mozart composed the two pieces K. 533, and had Hoffmeister in Vienna publish the three movements as a sonata. To this end he did, however, thoroughly rework the Rondo, incorporating a small fugue-like passage - perhaps to bring the finale closer to the other two movements. In its final version the work shows how intensively Mozart had looked into the style of Bach and Handel at the time. Henle are now offering this sonata, included in the complete volume, as an attractive single edition with a new preface by the editor.

SEK 160.00
1

Franz Joseph Haydn: Klavierstucke (Urtext)

Franz Joseph Haydn: Klavierstucke (Urtext)

The works in this volume show the development of Keyboard instruments in an exemplary manner: the early works were intended for harpsichord, two of which were for an instrument with the so-called “Viennese bass octave”, which enabled the musician to play chords larger than a hand span with one hand. In this Henle edition, these passages have footnotes with suggestions on how to play them. The Pianoforte was the inspiration behind the later works. Haydn was also happy to arrange his own compositions for Piano, as with the “Largo assai” from the “Reiterquartett”. Christine Schornsheim, a specialist in historical performance practice, provided fingerings for this completely revised and extended Urtext edition.

SEK 324.00
1

Edvard Grieg: Lyric Pieces - Volume 1 Op.12

Edvard Grieg: Lyric Pieces - Volume 1 Op.12

The “Little Lyrical Pieces” which is how the title still reads in the earliest editions rank among Grieg’s most popular works. He had just turned 24 when these delightful and easily playable miniatures appeared, since when they have accompanied many piano students on the path towards classical music. Grieg himself would never have dreamed in 1867 that a further nine books of Lyric Pieces were to follow, the series ended in 1901 with Book Ten.

SEK 165.00
1

Georg Friedrich Händel: Flute Sonatas, Volume II [Hallenser-Sonatas], three Sonatas attributed to Händel (with separate Flute/Basso Continuo part (two

Georg Friedrich Händel: Flute Sonatas, Volume II [Hallenser-Sonatas], three Sonatas attributed to Händel (with separate Flute/Basso Continuo part (two

The fact that the three so-called “Hallenser” Sonatas do not all date from Handel’s youth in Halle does not adversely affect their popularity. Since only very little is known about them, and because certain stylistic characteristics suggest an early composition date, the sonatas were formerly assigned to Handel’s Halle years. However, we now know that at least the e minor Sonata was written in London. We include a combined part for Flute/Basso in this Urtext edition, so that both players flautist and accompanist can play from this musical text. We are also offering, in addition to the thoroughbass figuring, a historically-appropriate thoroughbass realization withinthe score.

SEK 271.00
1

Frédéric Chopin: Berceuse In D Flat Op. 57

Frédéric Chopin: Berceuse In D Flat Op. 57

Frédéric Chopin spent his fifth summer at George Sand’s country estate in Nohant in 1844. The time away from Paris gave the composer the necessary creative free space to produce the delicate Berceuse (lullaby) as well as the B minor sonata that year. The former is known for its dreamy, exquisite ambient sound – and yet it still numbers amongst Chopin’s most fabricated works. It was originally intended to have the somewhat sober title “Variantes”: a sketch shows how Chopin conceived these “Variantes”. The genesis and source situation are explored in this Henle revised edition that reflects the latest scholarly findings. A classic with a new look in the Henle catalogue.

SEK 64.00
1

Alban Berg: String Quartet Op. 3

Alban Berg: String Quartet Op. 3

Alban Berg ’s String Quartet can be considered to be one of the founding works of the Second Viennese School. Already composed in 1910 and first published in 1920, it was the last composition the 25-year-old wrote under the tutelage of Arnold Schoenberg, who admired “ the fullness and unconstraint of his musical language, the strength and sureness of its presentation, its careful working and significant originality ”. Even today the extremely complex work places the highest technical demands on the interpreters; for this reason this edition contains parts that are especially good to play from, in which each musician can also follow what is going on in the other parts.

SEK 483.00
1

Claude Debussy: Danse (Tarentelle Styrienne)

Claude Debussy: Danse (Tarentelle Styrienne)

Debussy ’s early Piano piece Tarentelle Styrienne was published by Choudens in 1891. In 1903 the composer had it reissued under the new title Danse , with a few small revisions, by Fromont, with whom he worked a great deal at the time. He probably did not like the original title for this showpiece. Although Styriennes (Styrian dances) were fashionable in salon music, one tends to think of dances such as the Ländler, rather than the tarantella of southern Italy. Following Debussy ’s death in 1918, Maurice Ravel was asked to develop the Danse into a version for orchestra, and it was first performed in 1923.

SEK 192.00
1

Gabriel Fauré: Fantaisie Op. 79 And Morceau De Lecture For Flute And Piano

Gabriel Fauré: Fantaisie Op. 79 And Morceau De Lecture For Flute And Piano

Fauré ’s exquisite Fantaisie is one of the jewels in chamber music for which we are indebted to his time at the Paris Conservatoire. The Flute professor there, Paul Taffanel, had asked his colleague for a virtuoso examination piece. Fauré presented him with the manuscript in 1898 with the explicit indication “to modify unplayable passages” before using it in the exam. As the autograph score no longer exists, we do not know what and how much Taffanel might have changed; however, the result is a brilliant recital piece. In this Henle edition they have added a little Adagio without opus number that Fauré also composed in 1898 for the exams at the Conservatoire as a sight-reading piece.

SEK 218.00
1

Ludwig Van Beethoven: Piano Sonata No.14 In C Sharp Minor Op.27 No.2 (Moonlight) - Urtext

Ludwig Van Beethoven: Piano Sonata No.14 In C Sharp Minor Op.27 No.2 (Moonlight) - Urtext

?Sonata quasi una fantasia? was the title given to it by Beethoven, and yet the world of music knows it as the ?Moonlight Sonata? ? an epithet that was already around during the composer?s lifetime. ?The lake rests quiet under the light of the moon at twilight; the wave thuds against the dark bank?, wrote Ludwig Rellstab on the 1st movement in 1823. ?It is as if we catch sight of a colossal grave in the middle of a lonely plain, palely lit by the sickle moon?, was what Wilhelm von Lenz wrote. Beethoven might have been influenced by the sound of the Aeolian harp, as Murray Perahia and Norbert Gertsch explain in the introductory texts to this edition, referring to the latest research. Perahia also provided the fingerings.

SEK 133.00
1

Franz Joseph Haydn: Sonata For Piano And Violin In G

Franz Joseph Haydn: Sonata For Piano And Violin In G

It is not known exactly how many violin sonatas Joseph Haydn composed, since the authorship of several works attributed to him is uncertain. There is even some evidence that the present G major Sonata Hob. XV:32 may be Haydn’s only original work in this genre. The striking correspondence of its opening with the theme of the second movement from Wolfgang Amadeus Mozart’s Sonata in G major K. 301, which is likewise a two-movement violin sonata, could be regarded as a conscious quotation.

SEK 202.00
1

Alban Berg: String Quartet Op. 3

Alban Berg: String Quartet Op. 3

Alban Berg ’s String Quartet can be considered to be one of the founding works of the Second Viennese School. Already composed in 1910 and first published in 1920, it was the last composition the 25-year-old wrote under the tutelage of Arnold Schoenberg, who admired “ the fullness and unconstraint of his musical language, the strength and sureness of its presentation, its careful working and significant originality ”. Even today the extremely complex work places the highest technical demands on the interpreters.

SEK 213.00
1

Ludwig van Beethoven: Sonatas for Piano and Violin, Volume I/II

Ludwig van Beethoven: Sonatas for Piano and Violin, Volume I/II

Ludwig van Beethoven wrote his ten violin sonatas during a period of just fifteen years, between 1797 and 1812. Using our carefully revised two-volume edition of the complete sonatas, the performer can observe with fascination how Beethoven refashions, and varies, the principles of sonata form in each work. What makes this Urtext edition particularly valuable is the fact that all the sonatas have been edited using the surviving manuscripts as well as the original print editions personally supervised by Beethoven. When laying out the text, our editor has attempted to preserve the layout of these sources as exactly as possible. Thus Beethoven’s original notation is reproduced instrict conformity with these models, vividly elucidating the musical relationships desired by the composer. Along with an annotated part, an extra part without fingerings is included for violinists who want to establish their own approach to Beethoven’s violin sonatas.

SEK 1279.00
1