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Franz Liszt: Hungarian Rhapsody No.15 - Rákóczi March

Franz Liszt: Hungarian Rhapsody No.15 - Rákóczi March

The Rákóczi March is often referred to as the "Hungarian Marseillaise". The beginnings of this march song go back to around 1730. In the text, the Hungarians summon Franz II Rákóczi to free his people from the Habsburg oppression. The melody has been arranged many times, e. g. by Brahms and Berlioz, even Liszt made several arrangements of varying degrees of difficulty. He eventually did a "concert arrangement" of the theme in his highly virtuosic Hungarian Rhapsody No.15. This Urtext edition opens with a knowledgeable preface by the Hungarian Liszt scholar Mária Eckhardt.

SEK 165.00
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Brahms: Waltz Op 39 No 15 Original & Simplified Piano

Brahms: Waltz Op 39 No 15 Original & Simplified Piano

“Do you love Brahms?” The majority of music lovers will answer “yes”, and they might be thinking of the Waltz op. 39 no. 15 – its gently rocking melody is one of Brahms’s most famous inspirations. Both original versions of this popular miniature for piano solo are now offered by G. Henle Publishers in a practical, stand-alone Urtext edition. The more demanding version in A-flat major (taken from HN 1286) is followed by Brahms’s own easier arrangement in A major (from HN 1287). A must for every Brahms lover!

SEK 102.00
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Frederic Chopin: Prelude In D Flat Op.28 No.15 (Raindrop)

Frederic Chopin: Prelude In D Flat Op.28 No.15 (Raindrop)

The stories surrounding Frédéric Chopin ’s winter holiday on Mallorca with George Sand in 1838/39 are widely known. It was there, in adverse conditions, that Chopin completed his “Préludes” op. 28 which he had already begun in Paris. According to George Sand, the famous “ Raindrop Prélude ” (no. 15) is said to have been composed during a storm on Mallorca; however, other sources show that the first sketches were already made in Paris. Our single edition has been taken from the revised edition of the “Préludes” (HN 882). Detailed information on the genesis of this work and an evaluation of the sources can be downloaded free-of-charge.

SEK 128.00
1

Wolfgang Amadeus Mozart: "Wunderkind" Sonatas Volume II K.10-15 - Piano Solo

Wolfgang Amadeus Mozart: "Wunderkind" Sonatas Volume II K.10-15 - Piano Solo

In 1764 the eight-year-old Mozart wrote the Sonatas K. 10?15 in London. Leopold Mozart was only able to understand his son?s musical genius in terms of it being a God-given wonder: ?That my boy [?] knows all of this with his 8 years that could be expected of a man of forty years. In short: whoever has not seen or heard it, cannot believe it?. According to the title page the six sonatas can either be played as piano trios, violin sonatas or simply piano solo. As Henle have already published them in the form of Piano trios and Violin sonatas (HN 1078), they are now presenting them in an Urtext Edition for Piano solo.

SEK 271.00
1

Bartok: 15 Hungarian Peasant Songs Piano

Bartok: 15 Hungarian Peasant Songs Piano

In a note for the planned first edition of his Hungarian Peasant Songs in 1914, Bartók wrote that “the melodies published here are folksongs in the truest sense of the word; more precisely, peasant songs”. Bartók initially withdrew this work from publication, however, and added new pieces to it using folk music he had collected in the meantime. The first edition was only finally published in 1920. The Bartók scholar László Somfai explains the work’s complicated genesis in his preface. The comments at the close of this edition include important indications regarding performance practice derived from the two recordings that the composer made of several of its pieces in 1927 and 1936. The musical text here follows that of the corresponding volume of the Bartók Complete Edition that is currently in preparation. This is yet another highly popular Bartók work on offer from G. Henle Publishers!

SEK 192.00
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Bedrich Smetana: Piano Trio G Minor Op. 15

Bedrich Smetana: Piano Trio G Minor Op. 15

When Smetana composed his Piano trio in the autumn of 1855, it was an act of catharsis to recover from the death of his four-year-old daughter Friederike. This highly emotional work was also his first large-scale piece of chamber music. Its first public performance in December 1855 was regrettably not a great success, and so Smetana embarked on a protracted process of reworking it. By the late 1850s, it had reached its current form. Smetana always liked to perform it, but only found a publisher for it in 1880, when one of his pupils invited the Hamburg publisher Hugo Pohle to a performance at short notice. Smetana specialist Milan Pospíšil has based this Henle Urtext edition on the first edition by Pohle, but has also drawn upon the earlier sources. This has enabled him to iron out numerous inconsistencies found in the first edition.

SEK 399.00
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Wolfgang Amadeus Mozart: "Wunderkind" Sonatas Volume 2 K.10-15

Wolfgang Amadeus Mozart: "Wunderkind" Sonatas Volume 2 K.10-15

Leopold Mozart was only able to understand his son?s musical genius in terms of it being a God-given wonder: ?That my boy [...] knows all of this with his 8 years that could be expected of a man of forty years. In short: whoever has not seen or heard it, cannot believe it?. In 1764 Wolfgang composed six sonatas in London ? possibly after the model of Johann Christian Bach?s ?Opus 2? ? that can either be played as piano trios, as violin sonatas or simply on the piano. ?Royal? sources were consulted for the edition: the copy in the British Library bears the handwritten note: ?This Volume belongs to the Queen 1788?.With marked and unmarked string parts.

SEK 351.00
1

Franz Joseph Haydn: Streichtrios Heft II

Franz Joseph Haydn: Streichtrios Heft II

Joseph Haydn composed twenty-one string trios for two violins and violoncello, of which three have been lost. These chamber music gems, which do not turn up very often on concert programs, are full of surprises and provide much playing enjoyment. Based on the Haydn Complete Edition, also published by G. Henle, Haydn’s eighteen surviving string trios are presented in two practical volumes. The second contains Trios Hob. V:15 21. The Critical Report provides valuable information about the trios’ genesis and sources.

SEK 462.00
1

Beethoven: Piano Sonatas - Volume 1 (Henle Urtext Edition)

Beethoven: Piano Sonatas - Volume 1 (Henle Urtext Edition)

Beethoven's Piano Sonatas, along with his Symphonies, mark a peak in the Classical style of composition, full of the hallmarks and innovations that are now regarded as characteristic of the very finest compositional achievements. The works are required repertoire for any serious Pianist, and this Urtext edition, edited by Bertha Antonia Wallner, is a thorough and accurate version with preface and editorial comments. A complete list of Beethoven's sonatas is provided here, and this first Henle Urtext Edition comprises Sonatas 1-15, .

SEK 536.00
1

Johannes Brahms: Serenade No. 2 In A Major OP 16

Johannes Brahms: Serenade No. 2 In A Major OP 16

In his Serenade no. 2 op. 16, composed in 1858?60, Johannes Brahms keeps to the usual, smaller, scoring for this genre, using pairs of winds and horns as well as low strings (no violins!). His friend Clara Schumann was ?delighted? with the work, but the public reaction was restrained and even Brahms himself was not happy with some details. Thus 15 years after the first performance he rigorously revised the serenade. Henle are now publishing this definitive version from 1875 that was ?new, revised by the author? as a study score with the musical text from the Brahms Complete Edition.

SEK 165.00
1

J.S. Bach: Sinfonias BWV 787-801

J.S. Bach: Sinfonias BWV 787-801

Johann Sebastian Bach was not only an extremely skilled composer, but also an ingenious teacher. Even today, many Piano students learn the basics of technique with his “Inventions” and “ Sinfonias ” and at the same time the most important elements of classical music. Bach called the 15 two-part pieces “Inventions” and the three-part ones “ Sinfonias ”. He wrote a preface to the musical text, dedicating it to “amateurs of the Piano, but in particular to those who desire to learn”. Bach ’s preface and a table with the most common ornaments in the “Clavierbüchlein für Wilhelm Friedemann Bach” are also reproduced in the Henle edition. The complete collection of inventions and sinfonias (HN 64) is also available.

SEK 165.00
1

Béla Bartók: Improvisations On Hungarian Peasant Songs Op. 20

Béla Bartók: Improvisations On Hungarian Peasant Songs Op. 20

After his 15 Hungarian peasant songs (HN 1404), these Improvisations on Hungarian peasant songs are the second of Bartók’s works to feature the words “Hungarian peasant songs” in their title. The manner in which he confronts folk melodies with subtle, avant-garde sounds here was later described by Bartók himself as venturing to “the outermost limits”. He also breaks up the song structures so radically into their constituent motives that the title “improvisations” best conveys his approach to this folk music. The musical text of this Urtext edition, edited by Bartók expert László Somfai, is taken from the relevant volume of the Bartók Complete Edition. Comments at the close of this edition offer important hints on performance practice.

SEK 192.00
1

Isaac Albéniz: Sevilla

Isaac Albéniz: Sevilla

When Isaac Albéniz ’s work Sevilla was performed in Madrid in 1886, it not only brought the composer public recognition but also a commission to compose an eight-movement Suite espagnole for Piano (HN 783). Although it took him a further 15 years to complete the latter, Sevilla was already published in a single edition in 1886. Most people are probably not familiar with the original version of this spirited miniature about the Spanish city and its native flamenco. This is because Albéniz captured the musical character so effectively that Guitar players immediately claimed the piece for themselves. This Henle Urtext edition gives pianists the chance to reclaim flamenco for the Piano.

SEK 133.00
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Wolfgang Amadeus Mozart: Piano Variations

Wolfgang Amadeus Mozart: Piano Variations

Though 18 piano sonatas is a respectable amount for any composer, Mozart also left almost as many namely 15 variation cycles. Variations on popular themes, but also on original tunes, were a kind of fashion craze back then, and Mozart made his contribution in this field as well. Certainly, financial considerations played a role here, after all, fashionable items sell well. Thus Mozart’s variations, in contrast to his piano sonatas, were all published during his lifetime. The fact that these were articles of taste did not mean that they were not of the finest quality, especially with Mozart. In these variations, a wealth of imagination and stylish elegance come together forjoyful music-making. One should not underestimate them, but simply take pleasure in these wonderful works.

SEK 404.00
1

J.S. Bach: Sinfonias (Three Part Inventions)

J.S. Bach: Sinfonias (Three Part Inventions)

Bach's Sinfonias 1-15 (Three Part Inventions), included in this edition, were a part of what Bach described as his "honest method by which amateurs of the keyboard - especially, however, those desirous of learning - are shown a clear way not only (1) to learn to play cleanly in two parts, but also, after further progress, (2) to handle three obligate parts correctly and well; and along with this not only to obtain good inventions (ideas) but to develop the same well; above all, however, to achieve a cantabile style in playing and at the same time acquire a strong foretaste of composition." This Urtext edition makes use of the latest research, and thus is as accurate as possible. Recommended follow up to Bach's Two Part Inventions, also published by G. Henle Verlag HN1169.

SEK 148.00
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Max Reger: Drei Suiten Viola Solo Op. 131d

Max Reger: Drei Suiten Viola Solo Op. 131d

Max Reger’s reception of Bach was not limited to the organ and orchestra. Like Bach, Reger wanted to compose sonatas and suites for a solo string instrument that were not merely études, but rather presented a compositional compendium. Among them are his three Suites for viola solo op. 131d. Reger published these in the last year of his life, 1914/15, together with Six Preludes and Fugues for violin solo, Three Duos in Ancient Style for two violins and Three Suites for violoncello solo, grouping all these works under the opus number 131. The present Urtext edition of the Suites for viola solo op. 131d is based on the first edition of 1916, which was prepared using the nowlost manuscript. The editor discusses all the divergences between this edition and the first edition in his preface and Critical Report.

SEK 202.00
1

J.S. Bach: Two Part Inventions

J.S. Bach: Two Part Inventions

Bach's Two Part Inventions 1-15, included in this edition, were a part of what Bach described as his "honest method by which amateurs of the keyboard - especially, however, those desirous of learning - are shown a clear way not only (1) to learn to play cleanly in two parts, but also, after further progress, (2) to handle three obligate parts correctly and well; and along with this not only to obtain good inventions (ideas) but to develop the same well; above all, however, to achieve a cantabile style in playing and at the same time acquire a strong foretaste of composition." This Urtext edition makes use of the latest research, and thus is as accurate as possible. Those wishing to go on to three parts using this method may also consider Bach's Sinfonias (Three Part Inventions) HN1360.

SEK 146.00
1

Frédéric Chopin: Rondos (Henle Urtext Paperbound)

Frédéric Chopin: Rondos (Henle Urtext Paperbound)

Chopin's early works include a wealth of new stimuli for anyone wishing to take a closer look at the creative works of the Polish genius. Up to now the four Rondos have been missing from our catalogue; but now they are finally available in Henle Urtext. Although they have been unfairly neglected, there are real discoveries to be made. It is hard to imagine that Chopin was only 15 when his Opus 1, the Rondo in c minor, was first published. Likewise, his Rondo op. 5, which incorporates the exotic sounds of Polish folk music, and the brilliant work in C major op. 73 were also written during his time in Warsaw. Without a doubt the young composer, who was the darling of the Warsaw salons, wrote these works as showpieces for himself. Here, and also with the Rondo op. 16, his mark is unmistakable. Our Urtext edition is also available as an affordable study score.Rondo c minor op. 1Rondo F major op. 5Rondo E flat major op. 16Rondo C major op. post 73A

SEK 314.00
1

Franz Schubert: Piano Trios (Henle Urtext Edition)

Franz Schubert: Piano Trios (Henle Urtext Edition)

One needn’t hesitate a second in assigning Schubert’s two piano trios to his best works. Both were written no later than 1827, hence one year before the composer’s death, and are typical works of his maturity: abounding in blissful melodies paired with formative power and profound depths of expressiveness. Whereas Schubert had sold the E flat major Trio op. 100 D 929 to the Leipzig publisher Probst (it appeared just after Schubert’s death, however), the B flat major Trio op. 99 D 898 did not make it to publication during Schubert’s lifetime.The Adagio in E flat major op. post. 148 D 897, which is reproduced in the Appendix and which has become known as Notturno, was mostlikely originally planned as the slow movement of the B flat major Trio. With its expressiveness ascending to darkest despair, Schubert possibly considered it as unsuited for publication. It was not published until 1846, in the Appendix of this volume one will find Schubert’s first attempt in this genre, which he wrote at the age of 15 in summer 1812.

SEK 696.00
1