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Chamber Music with String Instruments

Chamber Music with String Instruments

Chamber music lovers will be thrilled about this special offer: Beethoven’s complete music for string instruments and mixed wind/string ensembles is now available in a slipcase with 13 study editions. The collection spans from small occasional pieces for string duos, to that central genre for Beethoven, the string quartet, with the immeasurable, boundless Grosse Fuge op. 133, to the famous early Septet op. 20, one of the most popular works for larger chamber ensemble. All study editions follow the musical text from the Beethoven Complete Edition and contain an informative preface and a short Critical Report with information on the sources and the most important readings foreach work.  

SEK 1661.00
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Klaviersonate F-Dur KV. 332 : Piano Sonata F major K. 332 (300k)

Klaviersonate F-Dur KV. 332 : Piano Sonata F major K. 332 (300k)

The three piano sonatas K. 330 332 were probably written in Vienna or Salzburg in summer 1783, thus many years later than previous Mozart scholarship had assumed. This F-major sonata K. 332 was published in Vienna the following year, 1784, together with its two “sisters” K. 330 and 331. Textual differences between the first printed edition and the autograph are so severe that the editor of this Henle Urtext edition has chosen to adopt both the richer dynamic markings of the latter (presented in small print) and the more sumptuous ornamentation from the first edition of the slow movement (in the main text, the plainer autograph version is offered there as an “ossia”). One ofMozart’s technically more challenging sonatas, especially in the finale.

SEK 160.00
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Sonatinen 3

Sonatinen 3

Through the amiable genre of the “sonatina”, generations of piano pupils have slowly and cautiously approached its “big sister”, the sonata. With the aid of our three-volume selection of sonatinas from two centuries, intermediate piano pupils large and small can undertake an excursion through the development of piano music from the early 18th to the end of the 19th century. This third volume contains eight easy to moderately difficult sonatinas from the romantic period by composers such as Fibich, Heller, Kirchner, Raff and Schumann. A number of 19th-century composers took advantage of the generic term “sonatina” in order to evade the high demands being made on the sonata at thattime. Thus the pupil will need to deal here with works that are longer and more demanding in terms of technique and content than those in volumes I and II. For advanced piano pupils!

SEK 335.00
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