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The Symphonies - Beethoven

The Symphonies - Beethoven

Beethoven’s nine symphonies, composed over a period of around 25 years between 1799 and 1824, were already regarded as his musical legacy soon after his death.   The composer explores the entire spectrum of the genre, finding in each work new solutions for the fundamental problem of how to find the right balance between motivic unity and distinctive characters for each movement. What proved pioneering was how he made the symphony a prolific vehicle for developing musical ideas, ranging from the heroic, the sublime, or the emotions of country life, culminating in the appeal to fraternity in the choral finale to the Ninth.   Now Beethoven’s symphonies are available in nine handystudy editions, based on the musical text of reference from the Beethoven Complete Edition and collected in a practical slipcase. A wonderful gift for every devotee of the great Viennese master, at an attractive price!

SEK 1146.00
1

Sonatas, Scherzo and Ballads pb

Sonatas, Scherzo and Ballads pb

With opuses 1, 2, 4, 5, and 10, this volume contains virtually all of Johannes Brahms’ early piano oeuvre, with which the budding composer and pianist introduced himself to the public. The Scherzo op. 4 from 1851 stands alongside the sonatas composed between 1851–53 as a substantial single movement that particularly delighted Robert Schumann, leading him to direct the public’s special attention to his young colleague in his famous article “New Paths” in 1853. Written the following year, the Four Ballades op. 10 complete the volume. Already they strike a new, more Romantic note that Brahms described to Clara Schumann thus: “They are not very difficult, and even less difficult tounderstand”. This Urtext edition offers a revision of the musical text based on the new Brahms Complete Edition, with an extensive preface by editor Katrin Eich. With opuses 1, 2, 4, 5, and 10, this volume contains virtually all of Johannes Brahms’ early piano oeuvre, with which the budding composer and pianist introduced himself to the public. The Scherzo op. 4 from 1851 stands alongside the sonatas composed between 1851–53 as a substantial single movement that particularly delighted Robert Schumann, leading him to direct the public’s special attention to his young colleague in his famous article “New Paths” in 1853. Written the following year, the Four Ballades op. 10 complete the volume. Already they strike a new, more Romantic note that Brahms described to Clara Schumann thus: “They are not very difficult, and even less difficult tounderstand”. This Urtext edition offers a revision of the musical text based on the new Brahms Complete Edition, with an extensive preface by editor Katrin Eich.

SEK 446.00
1

Sonatas, Scherzo and Ballads pb

Sonatas, Scherzo and Ballads pb

With opuses 1, 2, 4, 5, and 10, this volume contains virtually all of Johannes Brahms’ early piano oeuvre, with which the budding composer and pianist introduced himself to the public. The Scherzo op. 4 from 1851 stands alongside the sonatas composed between 1851–53 as a substantial single movement that particularly delighted Robert Schumann, leading him to direct the public’s special attention to his young colleague in his famous article “New Paths” in 1853. Written the following year, the Four Ballades op. 10 complete the volume. Already they strike a new, more Romantic note that Brahms described to Clara Schumann thus: “They are not very difficult, and even less difficult tounderstand”. This Urtext edition offers a revision of the musical text based on the new Brahms Complete Edition, with an extensive preface by editor Katrin Eich. With opuses 1, 2, 4, 5, and 10, this volume contains virtually all of Johannes Brahms’ early piano oeuvre, with which the budding composer and pianist introduced himself to the public. The Scherzo op. 4 from 1851 stands alongside the sonatas composed between 1851–53 as a substantial single movement that particularly delighted Robert Schumann, leading him to direct the public’s special attention to his young colleague in his famous article “New Paths” in 1853. Written the following year, the Four Ballades op. 10 complete the volume. Already they strike a new, more Romantic note that Brahms described to Clara Schumann thus: “They are not very difficult, and even less difficult tounderstand”. This Urtext edition offers a revision of the musical text based on the new Brahms Complete Edition, with an extensive preface by editor Katrin Eich.

SEK 642.00
1

Sonata For Cello & Piano In F Major : Sonata for Piano and Violoncello in F major op. 99

Sonata For Cello & Piano In F Major : Sonata for Piano and Violoncello in F major op. 99

Brahms’ cello sonatas are probably amongst the most beautiful that has ever been written for this instrument. The publication of the two works in the new Brahms Complete Edition has prompted us to publish a new Urtext edition of the Sonata in F major. This classic work in our catalogue (to date HN 19) has now been newly engraved and reflects current scholarly findings. Johannes Behr has also provided extensive details regarding its genesis and the edition. Both the piano and cello parts have fingerings, but there is also an unmarked part for the cello.

SEK 224.00
1

Robert Schumann: Concert Piece For Four Horns And Orchestra Op.86 (Piano Reduction)

Robert Schumann: Concert Piece For Four Horns And Orchestra Op.86 (Piano Reduction)

Composed in 1849, Robert Schumann 's Concert Piece For Four Horns And Orchestra Op.86 is still considered a romantic work for Horn par excellence and a benchmark for all soloists. 'Something quite curious, I believe' – it was thus that Schumann described his Concert Piece For Four Horns And Orchestra in a letter, and he did indeed break new ground with this work as far as the scoring and treatment of the instruments was concerned. At the time in which the work was composed the French horn was still fairly new, enabling players to play previously unheard-of runs and free modulations, a fact which Schumann made the most of, particularly with his scoring for four Horns.

SEK 446.00
1

Symphony No. 7 A major Op. 92

Symphony No. 7 A major Op. 92

The premiere of this work in December 1813 ranks among the greatest successes Beethoven ever celebrated in public as a composer. One reviewer wrote at the time that in its themes the new symphony was “so favourable and easily comprehensible that every music lover falls for the powerful allure of its beauty”. The incisiveness of the themes is fundamentally related to the basic ostinato rhythms, which help shape each movement’s distinctive character. Richard Wagner even called the composition, with its ecstatic finale, an “apotheosis of the dance”. Based on the musical text of the Beethoven Complete Edition and furnished with a new preface, this recently prepared editionreflects the latest in Beethoven scholarship. Now, in this study edition, it is available to everyone at a reasonable price and in a handy format. The premiere of this work in December 1813 ranks among the greatest successes Beethoven ever celebrated in public as a composer. One reviewer wrote at the time that in its themes the new symphony was “so favourable and easily comprehensible that every music lover falls for the powerful allure of its beauty”. The incisiveness of the themes is fundamentally related to the basic ostinato rhythms, which help shape each movement’s distinctive character. Richard Wagner even called the composition, with its ecstatic finale, an “apotheosis of the dance”. Based on the musical text of the Beethoven Complete Edition and furnished with a new preface, this recently prepared editionreflects the latest in Beethoven scholarship. Now, in this study edition, it is available to everyone at a reasonable price and in a handy format.

SEK 176.00
1

Six Variations in F major op. 34

Six Variations in F major op. 34

Like the “Eroica Variations” op. 35, the Variations op. 34, were composed in 1802 on an original theme. The “new fashion” Beethoven declared for both works to his publisher becomes apparent in opus 34 through the constant change of keys; from one variation to the next, new tone colours and moods continue to unfold, spanning the pastoral and the funereal, while the melody of the theme remains largely unaltered. For the first time, the Variations op. 34, are now available from Henle in a standalone edition. The musical text of the Urtext edition, with extensive foreword and commentary, was prepared on the basis of the later Critical Apparatus of the BeethovenComplete Edition. Here, too, the fingering comes from the esteemed hands of Ian Fountain.

SEK 133.00
1

Piano Sonata no. 13 in Eb major op. 27 no. 1

Piano Sonata no. 13 in Eb major op. 27 no. 1

Beethoven gave this sonata the unusual title “Sonata quasi una Fantasia,” which it shares, along with its opus number, with the considerably more famous “Moonlight” Sonata. Both sonatas – along with the preceding sonata with the funeral march op. 26, and the three sonatas op. 31 soon to follow – usher in Beethoven’s conquest of new musical territory in this genre. With a complex structure that oscillates between fantasia and sonata, op. 27 no. 1 has long presented pianists with great interpretive challenges that, once they have been overcome, bring to light a true jewel. G. Henle Publishers now also offers this sonata in a new edition, with provenfingering and interpretive suggestions by Murray Perahia and edited by the team of Beethoven experts Gertsch and Perahia.

SEK 149.00
1

Overture No. 1 : For the Opera Leonore (1807)

Overture No. 1 : For the Opera Leonore (1807)

Beethoven wrote a total of four overtures for his only opera, “Leonore”/ “Fidelio”. The so-called Leonore Overture no. 1 is third in the series by chronology, having been written in 1806/07 for a performance in Prague that never materialised. For a long while it was erroneously regarded as a predecessor to the Leonore Overture no. 2 that Beethoven discarded, which greatly tarnished its reception. And yet it pays off to take an impartial look at this overture, which is substantially shorter than nos. 2 and 3, since with its more lyrical than dramatic character, it casts a new light on Beethoven’s struggle to find the ideal opening to his stage work. Featuring a new preface, itnow appears as a study edition prepared on the basis of the musical text of the Beethoven Complete Edition. Beethoven wrote a total of four overtures for his only opera, “Leonore”/ “Fidelio”. The so-called Leonore Overture no. 1 is third in the series by chronology, having been written in 1806/07 for a performance in Prague that never materialised. For a long while it was erroneously regarded as a predecessor to the Leonore Overture no. 2 that Beethoven discarded, which greatly tarnished its reception. And yet it pays off to take an impartial look at this overture, which is substantially shorter than nos. 2 and 3, since with its more lyrical than dramatic character, it casts a new light on Beethoven’s struggle to find the ideal opening to his stage work. Featuring a new preface, itnow appears as a study edition prepared on the basis of the musical text of the Beethoven Complete Edition.

SEK 192.00
1

Symphony No. 8 in F major Op. 93

Symphony No. 8 in F major Op. 93

Sandwiched between the popular Symphonies Nos. 7 and 9, the relatively short Eighth Symphony finds itself in a difficult position even now. Right after the premiere in February 1814, one critic opined that it had made “no splash”. At first glance it makes recourse to already outmoded forms and genres, even reviving a minuet for the third movement (in lieu of a slow movement) after an Allegretto scherzoso. But Beethoven engages intensively with music history, breaking apart traditional procedures and patterns and finding new, surprising solutions that make his Eighth a milestone in symphonic history. Based on the musical text of the Beethoven Complete Edition and furnishedwith a new preface, this recently prepared edition reflects the latest in Beethoven scholarship. Now, in this study edition, it is available to everyone at a reasonable price and in a handy format. Sandwiched between the popular Symphonies Nos. 7 and 9, the relatively short Eighth Symphony finds itself in a difficult position even now. Right after the premiere in February 1814, one critic opined that it had made “no splash”. At first glance it makes recourse to already outmoded forms and genres, even reviving a minuet for the third movement (in lieu of a slow movement) after an Allegretto scherzoso. But Beethoven engages intensively with music history, breaking apart traditional procedures and patterns and finding new, surprising solutions that make his Eighth a milestone in symphonic history. Based on the musical text of the Beethoven Complete Edition and furnishedwith a new preface, this recently prepared edition reflects the latest in Beethoven scholarship. Now, in this study edition, it is available to everyone at a reasonable price and in a handy format.

SEK 165.00
1

Franz Liszt: Piano Sonata In B Minor

Franz Liszt: Piano Sonata In B Minor

Following the revision of Henle's facsimile of the Piano Sonata In B Minor (HN 3227) in 2015, they are now proud to present the corresponding new Henle Urtext edition. With the help of the splendid facsimile reproduction, Henle were able to analyse several passages in the autograph more reliably; in addition the editor Ernst Herttrich not only consulted the first edition but also a copy of a student of Liszt’s, in which the composer had made entries in his own hand. Clara Schumann reacted with a lack of understanding when Liszt sent the sonata: “It is only blind noise – not a single healthy thought, everything confused.” Today we view this differently. Henle's new edition of this key Piano work is further enhanced by the sophisticated fingerings supplied by the Piano titan Marc-André Hamelin .

SEK 218.00
1

Piano Sonata No. 22 in F Major Op. 54

Piano Sonata No. 22 in F Major Op. 54

Bookended by two famous sonatas, the Waldstein op. 53 and the Appassionata op. 57, the F-major Sonata op. 54 has always lived in the shadows, regrettably. In this first large-scale two-movement sonata, Beethoven experiments with striking character contrasts in the first movement and a virtuosic perpetuum mobile duet in the second. In both interpretation and mastery of technical difficulties, this sonata therefore poses a considerable challenge for pianists and might have been avoided for this reason as well. The sonata shares the fate of many early works by Beethoven in one respect: no autograph exists. Murray Perahia and Norbert Gertsch have thus only been able to examinean original edition as a source for their new edition. As always with the new editions of Beethoven sonatas from Henle, Maestro Perahia also provides the fingerings – and his own commentary on the meaning of this sonata. Bookended by two famous sonatas, the Waldstein op. 53 and the Appassionata op. 57, the F-major Sonata op. 54 has always lived in the shadows, regrettably. In this first large-scale two-movement sonata, Beethoven experiments with striking character contrasts in the first movement and a virtuosic perpetuum mobile duet in the second. In both interpretation and mastery of technical difficulties, this sonata therefore poses a considerable challenge for pianists and might have been avoided for this reason as well. The sonata shares the fate of many early works by Beethoven in one respect: no autograph exists. Murray Perahia and Norbert Gertsch have thus only been able to examinean original edition as a source for their new edition. As always with the new editions of Beethoven sonatas from Henle, Maestro Perahia also provides the fingerings – and his own commentary on the meaning of this sonata.

SEK 133.00
1

String Quartets Volume II

String Quartets Volume II

After Volumes IV and III of the series with Mozart’s complete string quartets appeared as Henle Urtext editions in early 2017 and 2019 respectively, Mozart expert Wolf-Dieter Seiffert now presents Volume II – in full score and individual parts. Included are the “Early Viennese Quartets” from 1773, K. 168–173. Entries in the autograph manuscript by the composer’s father Leopold, however, suggest that the ordering of the six works into a unified series of quartets was his doing. In his preface, Wolf-Dieter Seiffert shares brand-new findings on the actual chronology of the genesis of these quartets. Moreover, he succeeds in correcting what in prior editions were occasionalinaccuracies in dynamics and articulation, thereby producing a new, assured musical text. With artistic input from the Armida Quartet, Volume II of the String Quartets also sets the benchmark in the Mozart Edition! After Volumes IV and III of the series with Mozart’s complete string quartets appeared as Henle Urtext editions in early 2017 and 2019 respectively, Mozart expert Wolf-Dieter Seiffert now presents Volume II – in full score and individual parts. Included are the “Early Viennese Quartets” from 1773, K. 168–173. Entries in the autograph manuscript by the composer’s father Leopold, however, suggest that the ordering of the six works into a unified series of quartets was his doing. In his preface, Wolf-Dieter Seiffert shares brand-new findings on the actual chronology of the genesis of these quartets. Moreover, he succeeds in correcting what in prior editions were occasionalinaccuracies in dynamics and articulation, thereby producing a new, assured musical text. With artistic input from the Armida Quartet, Volume II of the String Quartets also sets the benchmark in the Mozart Edition!

SEK 250.00
1

String Quartets Volume II

String Quartets Volume II

After Volumes IV and III of the series with Mozart’s complete string quartets appeared as Henle Urtext editions in early 2017 and 2019 respectively, Mozart expert Wolf-Dieter Seiffert now presents Volume II – in full score and individual parts. Included are the “Early Viennese Quartets” from 1773, K. 168–173. Entries in the autograph manuscript by the composer’s father Leopold, however, suggest that the ordering of the six works into a unified series of quartets was his doing. In his preface, Wolf-Dieter Seiffert shares brand-new findings on the actual chronology of the genesis of these quartets. Moreover, he succeeds in correcting what in prior editions were occasionalinaccuracies in dynamics and articulation, thereby producing a new, assured musical text. With artistic input from the Armida Quartet, Volume II of the String Quartets also sets the benchmark in the Mozart Edition! After Volumes IV and III of the series with Mozart’s complete string quartets appeared as Henle Urtext editions in early 2017 and 2019 respectively, Mozart expert Wolf-Dieter Seiffert now presents Volume II – in full score and individual parts. Included are the “Early Viennese Quartets” from 1773, K. 168–173. Entries in the autograph manuscript by the composer’s father Leopold, however, suggest that the ordering of the six works into a unified series of quartets was his doing. In his preface, Wolf-Dieter Seiffert shares brand-new findings on the actual chronology of the genesis of these quartets. Moreover, he succeeds in correcting what in prior editions were occasionalinaccuracies in dynamics and articulation, thereby producing a new, assured musical text. With artistic input from the Armida Quartet, Volume II of the String Quartets also sets the benchmark in the Mozart Edition!

SEK 367.00
1

Complete Piano Sonatas Volume I cb.

Complete Piano Sonatas Volume I cb.

Over 50 internationally celebrated pianists were invited to adopt one Haydn piano sonata each and provide it with their personal fingerings – a who’s who” on the contemporary piano scene. G. Henle Publishers now presents this classic, revised and with a new look, to all pianists in the certainty that Haydn’s sonatas will further cement their place in the world of music. Volume I contains Haydn’s early sonatas, very much still born of the spirit of the early Classical period: catchy music, fun to play, often at a moderate level of difficulty, without which modern piano instruction would be nearly unthinkable. Time and again, the authenticity of individual sonatas from this grouphas been questioned – the preface by Armin Raab, the Scholarly Director of the Joseph Haydn Institute, now provides comprehensive information on new findings regarding this important topic area.

SEK 642.00
1

Complete Piano Sonatas Volume I pb.

Complete Piano Sonatas Volume I pb.

Over 50 internationally celebrated pianists were invited to adopt one Haydn piano sonata each and provide it with their personal fingerings – a who’s who” on the contemporary piano scene. G. Henle Publishers now presents this classic, revised and with a new look, to all pianists in the certainty that Haydn’s sonatas will further cement their place in the world of music. Volume I contains Haydn’s early sonatas, very much still born of the spirit of the early Classical period: catchy music, fun to play, often at a moderate level of difficulty, without which modern piano instruction would be nearly unthinkable. Time and again, the authenticity of individual sonatas from this grouphas been questioned – the preface by Armin Raab, the Scholarly Director of the Joseph Haydn Institute, now provides comprehensive information on new findings regarding this important topic area.

SEK 436.00
1

Quartet movement in D minor D 703

Quartet movement in D minor D 703

Schubert’s composition of a new string quartet begun in December 1820 was, alas, never to get beyond the first movement the heavily reworked autograph breaks off at the outset of the second movement. But the fragmentary work that later came into the hands of Johannes Brahms from Schubert’s estate, delighted its new owner so much after its premiere in 1867 that Brahms had the first movement published three years later as Schubert’s “Posthumous Work” – thus paving the way into audiences’ hearts for this little gem. Schubert’s autograph manuscript features such numerous divergences in dynamics and articulation that editor Egon Voss suspects it to be one of Schubert’s experiments withvariations. This is why in his Urtext edition he proceeds with extreme restraint in issuing additions and changes with respect to parallel passages ¬– thus making Schubert’s diversity of ideas comprehensible for performing musicians. For all who want a peek inside Schubert’s workshop, the few measures of the second movement are included as a bonus! Schubert’s composition of a new string quartet begun in December 1820 was, alas, never to get beyond the first movement the heavily reworked autograph breaks off at the outset of the second movement. But the fragmentary work that later came into the hands of Johannes Brahms from Schubert’s estate, delighted its new owner so much after its premiere in 1867 that Brahms had the first movement published three years later as Schubert’s “Posthumous Work” – thus paving the way into audiences’ hearts for this little gem. Schubert’s autograph manuscript features such numerous divergences in dynamics and articulation that editor Egon Voss suspects it to be one of Schubert’s experiments withvariations. This is why in his Urtext edition he proceeds with extreme restraint in issuing additions and changes with respect to parallel passages ¬– thus making Schubert’s diversity of ideas comprehensible for performing musicians. For all who want a peek inside Schubert’s workshop, the few measures of the second movement are included as a bonus!

SEK 208.00
1

Quartet Movement in C Minor D 703

Quartet Movement in C Minor D 703

Schubert’s composition of a new string quartet begun in December 1820 was, alas, never to get beyond the first movement the heavily reworked autograph breaks off at the outset of the second movement. But the fragmentary work that later came into the hands of Johannes Brahms from Schubert’s estate, delighted its new owner so much after its premiere in 1867 that Brahms had the first movement published three years later as Schubert’s “Posthumous Work” – thus paving the way into audiences’ hearts for this little gem. Schubert’s autograph manuscript features such numerous divergences in dynamics and articulation that editor Egon Voss suspects it to be one of Schubert’s experiments withvariations. This is why in his Urtext edition he proceeds with extreme restraint in issuing additions and changes with respect to parallel passages ¬– thus making Schubert’s diversity of ideas comprehensible for performing musicians. For all who want a peek inside Schubert’s workshop, the few measures of the second movement are included as a bonus! Schubert’s composition of a new string quartet begun in December 1820 was, alas, never to get beyond the first movement the heavily reworked autograph breaks off at the outset of the second movement. But the fragmentary work that later came into the hands of Johannes Brahms from Schubert’s estate, delighted its new owner so much after its premiere in 1867 that Brahms had the first movement published three years later as Schubert’s “Posthumous Work” – thus paving the way into audiences’ hearts for this little gem. Schubert’s autograph manuscript features such numerous divergences in dynamics and articulation that editor Egon Voss suspects it to be one of Schubert’s experiments withvariations. This is why in his Urtext edition he proceeds with extreme restraint in issuing additions and changes with respect to parallel passages ¬– thus making Schubert’s diversity of ideas comprehensible for performing musicians. For all who want a peek inside Schubert’s workshop, the few measures of the second movement are included as a bonus!

SEK 128.00
1

Lieder Heft 9- Mittlere Stimme

Lieder Heft 9- Mittlere Stimme

Urtext of the New Schubert Complete Edition in both original key and transposition, edited by Walther Dürr. A coproduction with Bärenreiter-Verlag, Kassel.Contents:Abschied D 957Am Meer D 957Aufenthalt D 957Das FischermädchenD 957Der Atlas D 957Der Doppelgänger D 957Die Stadt D 957Die Taubenpost D 965 ADreizehn Lieder nach Gedichten von Rellstab und Heine ("Schwanengesang") D 957:Frühlingssehnsucht D 957Herbst D 945Ihr Bild D 957In derFerne D 957Kriegers Ahnung D 957Liebesbotschaft D 957Ständchen D 957

SEK 219.00
1

Das Wohltemperierte Klavier Teil 2 BWV 8870-893 : Well-Tempered Clavier II without fingering

Das Wohltemperierte Klavier Teil 2 BWV 8870-893 : Well-Tempered Clavier II without fingering

The basis for the musical text of this edition without fingerings was Henle’s revised edition of Part I published in 1997 and Yo Tomita’s brand new revision of Part II (spring 2007). The eminent Bach scholar Tomita discusses the complicated source situation of Part II in an extensive preface. A detailed commentary rounds off the edition. Both parts of the Well-Tempered Clavier are also available as Henle Urtext editions with fingerings (HN 16) and as study editions without fingerings (HN 9016).?

SEK 319.00
1

Piatti 12 Capricci Op 25 Vlc Stsc

Piatti 12 Capricci Op 25 Vlc Stsc

One of the most celebrated cellists of his day, virtuosic composer Alfredo Piatti performed with the likes of Liszt and Mendelssohn Bartholdy. His 12 Capricci Op. 25 are a must for all advanced Cello players. Piatti 's 12 Capricci have been compared by Sir Yehudi Menuhin to the Cello Suites by J. S. Bach - in fact, Menuhin referred to the two works as the 'Old and New Testament' of Cello literature. This Henle Urtext publication is the very first time that the work has been produced in a practical study edition.

SEK 186.00
1

Five Famous Piano Sonatas

Five Famous Piano Sonatas

Five famous sonatas by Beethoven – all bearing a popular epithet known the world over – are presented to advanced pianists in this attractive volume of selected works from the new three-volume Urtext edition. These five pieces do not all number among the most difficult sonatas from Beethoven’s cosmos but do indeed demand an advanced keyboard technique. They reveal to every Beethoven enthusiast the multifarious spectrum of these impassioned compositions from his quill. This collection also features all the benefits of the editions stemming from the collaboration between Perahia and Gertsch: from extensive information on the genesis, publication, and source situation, to thefirst-rate fingerings by Maestro Perahia. Five famous sonatas by Beethoven – all bearing a popular epithet known the world over – are presented to advanced pianists in this attractive volume of selected works from the new three-volume Urtext edition. These five pieces do not all number among the most difficult sonatas from Beethoven’s cosmos but do indeed demand an advanced keyboard technique. They reveal to every Beethoven enthusiast the multifarious spectrum of these impassioned compositions from his quill. This collection also features all the benefits of the editions stemming from the collaboration between Perahia and Gertsch: from extensive information on the genesis, publication, and source situation, to thefirst-rate fingerings by Maestro Perahia.

SEK 319.00
1

Complete Piano Sonatas Volume II pb.

Complete Piano Sonatas Volume II pb.

Over 50 internationally celebrated pianists were invited to adopt one Haydn piano sonata each and provide it with their personal fingerings – a who’s who” on the contemporary piano scene. G. Henle Publishers now presents this classic, revised and with a new look, to all pianists in the certainty that Haydn’s sonatas will further cement their place in the world of music. Volume II contains three sets of six sonatas, each more famous than the last and all replete with delightful thematic ideas – it is here one finds the core of Haydn’s sonata production, which amateurs and professionals alike simply cannot do without!

SEK 436.00
1

Complete Piano Sonatas Volume II cb.

Complete Piano Sonatas Volume II cb.

Over 50 internationally celebrated pianists were invited to adopt one Haydn piano sonata each and provide it with their personal fingerings – a who’s who” on the contemporary piano scene. G. Henle Publishers now presents this classic, revised and with a new look, to all pianists in the certainty that Haydn’s sonatas will further cement their place in the world of music. Volume II contains three sets of six sonatas, each more famous than the last and all replete with delightful thematic ideas – it is here one finds the core of Haydn’s sonata production, which amateurs and professionals alike simply cannot do without!

SEK 642.00
1