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Beethoven Framed Music Engraving Plate : Unique Copy

Beethoven Framed Music Engraving Plate : Unique Copy

This music engraving plate is a unique historic original, handcrafted in the traditional art of music engraving. Up into the 1990s Henle maintained their high quality of sheet music through metal engraving, because until thendigital notation of music was inferior to the possibilities metal offered for visualizing even the finest nuances. The engraving plate is made of an alloy of zinc, antimony and lead. Mounted with an alder wood frame. Comes boxed.Beethoven.

SEK 466.00
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Impromptu In E Flat D.899

Impromptu In E Flat D.899

At the end of his short life, Franz Schubert impressively illustrated, in his collections of “Impromptus” and “Moments musicaux”, how lyrical-songlike form could be rendered on the piano. Nothing can be added to these perfectly fashioned masterworks. Thus in the E flat major Impromptu op. 90 no. 2 the player using our Urtext edition can abandon himself/herself to a perpetuum mobile of scurrying eighth-note triplets and at the same time delight in the piece’s very demanding playing technique and sound-world.

SEK 128.00
1

5 Capricci (Erstausgabe) : 5 Capricci (First Edition)

5 Capricci (Erstausgabe) : 5 Capricci (First Edition)

On hearing Joseph Anton Steffan’s (1726 1797) numerous songs or piano works, he can immediately be identified as an original precursor of Romanticism. His harmonically refined “Capricci” whose tempi and metre often change are particularly attractive, although to date they have lain around in archives in manuscript form. We have dug up these treasures and are offering a first edition of the five Capricci with excellent Henle engraving and with a short introductory preface.

SEK 377.00
1

Song Cycle op. 24 on Poems by Heine

Song Cycle op. 24 on Poems by Heine

At long last, singers with a lower vocal range can also rely on Henle’s Urtext editions of Schumann: the wonderful Song Cycle op. 24 on poems by Heine now appears in a transposed version, edited by Schumann expert Kazuko Ozawa. With the support of celebrated Lieder accompanist Gerold Huber, Henle now offers altos carefully arranged transpositions for medium voice. This Urtext edition includes an extensive preface on the origin of the work and a detailed Critical Report on the edition. The original edition for high voice is available in HN 548.

SEK 245.00
1

Song Cycle op. 24 on Poems by Heine

Song Cycle op. 24 on Poems by Heine

At long last, singers with a lower vocal range can also rely on Henle’s Urtext editions of Schumann: the wonderful Song Cycle op. 24 on poems by Heine now appears in a transposed version, edited by Schumann expert Kazuko Ozawa. With the support of celebrated Lieder accompanist Gerold Huber, Henle now offers baritones carefully arranged transpositions for low voice. This Urtext edition includes an extensive preface on the origin of the work and a detailed Critical Report on the edition. The original edition for high voice is available in HN 548.

SEK 245.00
1

Concerto for Organ : Concerto for Organ (Harpsichord)

Concerto for Organ : Concerto for Organ (Harpsichord)

Joseph Haydn left five organ concerti to posterity. Their genesis can only be approximately determined, but is probably datable to the 1750s, when Haydn was still active, inter alia, as organist to Count Haugwitz. The C major Concerto Hob. XVIII: 10, transmitted only in one single manuscript, was not rediscovered until the 1960s and first published by the Henle Urtext edition in 1969. In the sole surviving manuscript, the solo instrument is identified as a harpsichord, but various criteria unequivocally suggest that it was intended for the organ. It belongs to the type of brief, easily playable solo concerto with string accompaniment.

SEK 314.00
1

Romanian Folk Dances

Romanian Folk Dances

Bartók’s Rumanian Folk Dances, composed in 1915, are among his best-known works. They exist in multiple forms, since as well as several piano arrangements and a later orchestral version of his own there also exist arrangements by his contemporaries that were made with his consent. Today we can even access performances of the dances by Bartók himself; these recordings document varied repeats enriched by octave doublings to make a sort of “concert version” of the dances. Bartók expert László Somfai brings order to the rich fund of sources, and in Henle’s Urtext edition enters significant variants directly into the musical text itself.

SEK 160.00
1

Norwegian Dances op. 35 : for Piano Four-hands

Norwegian Dances op. 35 : for Piano Four-hands

The decisive role that Norwegian folk music played for Edvard Grieg can be felt in almost all of his works. The Norwegian Dances op. 35 of 1880, presented here in an Urtext edition, are arrangements for piano four hands of old folk tunes that Grieg took from a collection published by the musician and researcher Ludvig Mathias Lindeman. For this Henle Urtext edition, all the extant autographs in the Grieg Archive in Bergen, Norway were consulted along with the contemporary first editions. The co-editor here is the Norwegian pianist and Grieg specialist Einar Steen-Nøkleberg, who is also responsible for the fingerings.

SEK 202.00
1

Trio Sonata Canon Perpetuos : aus dem Musikalischen Opfer

Trio Sonata Canon Perpetuos : aus dem Musikalischen Opfer

Bach’s Trio Sonata for flute, violin and basso continuo from the Musical Offering is probably the pre-eminent trio sonata in music history. When Bach met King Frederick the Great in Potsdam in 1747, the sovereign presented the composer with the celebrated “Royal Theme”, composed by himself. It underpins the entire Musical Offering, which also contains several fugues and canons as well as the Trio Sonata. The Canon perpetuus that follows the Trio can also be played by a trio. The term “perpetuus” here means that the performers themselves are to determine when the canon ends.

SEK 271.00
1

Leichte Klaviermusik des 18. und 19. Jahrhunderts : Easy PianoMusic - 18th and 19th Century, Volume II

Leichte Klaviermusik des 18. und 19. Jahrhunderts : Easy PianoMusic - 18th and 19th Century, Volume II

With this Urtext edition compiled by the expert pianist and piano instructor Walter Georgii, the budding pianist is offered a little overview of the variety of classical-romantic piano literature. The selection and organization is chiefly oriented on the beauty, popularity and performability of the pieces. Behind this is the intent to present to the player, in a way, a colourful spectrum of interesting works ranging clear across the largest variety of eras, Next to the “great” names, one can also make surprising discoveries of less well-known composers. Volume II contains the technically more demanding pieces which lie between difficulty levels 3 and 5.

SEK 261.00
1

Sonata In F For Piano And Horn Or Cello Op.17

Sonata In F For Piano And Horn Or Cello Op.17

Even though the majority of Beethoven’s wind chamber music works were composed for specific occasions with prescribed scorings, their importance is not limited by their functional nature. Beethoven always aspired to treat the various genres in the most original way possible. Horn players can thus enjoy Beethoven’s Horn Sonata op. 17, which the composer wrote in 1800 for a concert in Vienna’s Hofburg Theatre for the most famous horn player of his day, Giovanni Punto (Johann Wenzel Stich). At that time, an alternative instrumentation was necessary for successful dissemination of the work, so this Urtext edition, like the first one, includes a violoncello part in addition to theone for horn.

SEK 245.00
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Leichte Klaviermusik des 18. und 19. Jahrhunderts : Easy Piano Music - 18th and 19th Century

Leichte Klaviermusik des 18. und 19. Jahrhunderts : Easy Piano Music - 18th and 19th Century

With this Urtext edition compiled by the expert pianist and piano instructor Walter Georgii, the budding pianist is offered a little overview of the variety of classical-romantic piano literature. The selection and organization is chiefly oriented on the beauty, popularity and performability of the pieces. Behind this is the intent to present to the player a kind of colourful spectrum of interesting works ranging from clear across a wide variety of eras, next to the “great” names, one can also make surprising discoveries of lesser known composers. Volume I contains the easier pieces, while only two reach difficulty level 5, most of the others lie between levels 2 and 4.

SEK 245.00
1

Kleine Präludien und Fughetten : Little Preludes and Fugues

Kleine Präludien und Fughetten : Little Preludes and Fugues

This edition with over 50 pages contains the universally known selection of easy preludes and little fugues that has proved extremely successful in teaching the piano. Bach’s sons, with Wilhelm Friedemann and Carl Philip Emanuel leading the way, were already able to learn them. If you make your way through these pieces (which gradually become more challenging), you can make great progress on the piano, and what is more these 300-year-old compositions are still able to work their musical magic. Those who are technically more advanced should still occasionally sight read through them- you will then immediately see that they are real gems. Incidentally, all of Bach’s piano works areavailable from Henle both with and without fingerings.

SEK 202.00
1

Sonata in G major op. 13

Sonata in G major op. 13

Of Grieg’s three Violin sonatas, the great C-minor Sonata op. 45 is the best known today. And unjustly so, because the two early sonatas are captivating in their joy to play and their fresh, youthful tone. And what is more, they can also be played by advanced students due to their somewhat lesser technical demands. Written in 1867, the G-major Violin Sonata op. 13, palpably draws on Grieg’s enthusiasm for Norwegian folk music; the lively outer movements in particular take as their model the traditional “jumping dance.” Aside from the second print edition of 1887 revised by Grieg himself, the autograph manuscript in Stockholm wasalso consulted for this edition, thus offering an optimally ascertained musical text.

SEK 271.00
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Piano Sonatas Op.49 Nos.1 And 2

Piano Sonatas Op.49 Nos.1 And 2

The opus number of Beethoven’s Easy Piano Sonatas op. 49 is misleading. The pieces were written not long after the Sonatas opp. 2, and most likely in part, at least before his Sonata op. 7. Sketches can be found in the “Kafka Miscellany” sketchbook, which Beethoven used for several years both in Bonn and subsequently in Vienna until the late 1790s. The second sonata seems to be the earlier of the two. The composer also reprised the theme of the second movement, Tempo di Menuetto, for the Menuet in the Septet op. 20. It is one of his best-known piano pieces, which just about every budding pianist encounters early in his lessons.

SEK 117.00
1

Piano Sonatas Nos. 1-10

Piano Sonatas Nos. 1-10

In the years 2001-2014, G. Henle Publishers issued Urtext editions of the ten piano sonatas by Alexander Scriabin. The Scriabin specialist Valentina Rubcova from Moscow, the editor of these ten editions, studied all of theavailable sources for each work. In many cases, Henle's were the first-ever Urtext editions, offering these highly complex musical texts in an immaculate, uncluttered, newly engraved format that was truly a landmark event! Whoeverwould like to study all these ten sonatas can now buy them in a single volume, enabling them to trace Scriabin's development from his Romantic early oeuvre to his mystical late works. This is an edition that belongs in the libraryof every discerning pianist!

SEK 632.00
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Morceau de Concert f-moll Opus 94

Morceau de Concert f-moll Opus 94

As with Schumann’s "Concert Piece for four Horns" op. 86 (HN 1138) Saint-Saëns’ "Morceau de Concert" was also composed with the idea of exploiting the technical possibilities of the new valve-horn mechanism. In this case, the French horn player HenriChaussier provided the impulse. He had developed a novel “Cor omnitonique” and wanted to demonstrate the merits of his instrument with Saint-Saëns’ composition. Chaussier’s invention did not gain acceptance amongst horn players although the"Morceau de Concert" did! From today’s standpoint the popular work with one movement is not overly demanding technically; in addition, Saint-Saëns himself suggested two abridgements to simplify the piece, meaning that even advanced pupils can ventureto play it.

SEK 218.00
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Norwegian Dances op. 35 : Version for Piano

Norwegian Dances op. 35 : Version for Piano

The decisive role that Norwegian folk music played for Edvard Grieg can be felt in almost all of his works. For his Norwegian Dances op. 35, presented here in an Urtext edition, Grieg took old folk tunes from a collection published by the musician and researcher Ludvig Mathias Lindeman and arranged them for piano four hands in 1880. A few years later, Grieg also made the two-hand version presented here. For this Henle Urtext edition, all the extant autographs in the Grieg Archive in Bergen, Norway were consulted along with the contemporary first editions. The co-editor here is the Norwegian pianist and Grieg specialist Einar Steen-Nøkleberg, who is also responsible for thefingerings.

SEK 176.00
1

3 Piano Sonatas WoO 47 [Kurfürsten]

3 Piano Sonatas WoO 47 [Kurfürsten]

Called “Kurfürstensonaten” (Prince-Elector sonatas), these three sonatas were published in fall 1783. In the dedication which was most certainly not formulated by Beethoven one reads: “Most lofty sir ... I have now reached my eleventh year” (whereby the composer has been made two years younger), “and since then my Muse has whispered to me often during the hours of devotion: Be bold and lay down the harmonies of your soul!” ... May I now, exalted Prince, dare to lay the first of my juvenile outpourings at the steps of your throne?” In fact, the three sonatas have a special place among Beethoven’s earliest compositions, already exude his spirit, and can be used to acquaintthe budding pianist with this composer.

SEK 229.00
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Johannes Brahms: Clarinet Sonatas Op.120

Johannes Brahms: Clarinet Sonatas Op.120

In the later years of his life, in the 1890s, Johannes Brahms was inspired by the clarinettist Richard Mühlfeld to compose Trio Op.114, Quintet Op.115 and the Sonatas Op.120 – three gems in the Clarinet chamber music repertoire. Brahms also provided a part for Viola as an alternative to the Clarinet. The revision of this Henle Urtext edition of the Viola version of Op.120 is based on the musical text of the New Brahms Complete Edition and in many respects contains significant improvements: the original autograph was consulted for the first time, the newly set Piano score now contains the Viola part, and Viola players can benefit from fingerings and bowings by Tabea Zimmermann in the solo part.

SEK 345.00
1

Henry Vieuxtemps: Viola Sonata In B Flat Op.36

Henry Vieuxtemps: Viola Sonata In B Flat Op.36

Henry Vieuxtemps ' Viola Sonata In B Flat Op.36 . Urtext edition. Following a concert by the 14-year old 'wunderkind' Henry Vieuxtemps in 1834, none other than Robert Schumann said 'With Henri one can safely close one’s eyes. His playing is like a flower, at the same time both fragrant and bright'. Vieuxtemps is nowadays considered to be the foremost exponent of the Franco-Belgian Violin school. The composer was, however, an excellent Viola player and wrote several compositions for the instrument. Sonata Op.36 , published in 1862, is one of the gems of Viola literature with its oscillation between expressive maestoso, elegiac barcarola and scherzando passages. This edition by Henle is the first Urtext version of the work to be published.

SEK 319.00
1

For Children Volume 1

For Children Volume 1

Long before his famous Mikrokosmos, Bartók composed a comprehensive collection of little piano pieces, entitled For Children. Written in 1908 1911, its two volumes are based on Hungarian and Slovakian folk tunes respectively. Both are organised in ascending difficulty, from simple two-part pieces to Impressionistic miniatures, and they offer everything that children’s hands can manage. Bartók revised this collection in the 1940s. He did not just make musical improvements, but also gave every movement a title. This revised version forms the main text of our Urtext edition, while an appendix offers movements from the early version that diverge significantly from the revisedones. As always in Henle’s Bartók editions, there are indications regarding performance practice and insights into how the composer himself played these pieces.

SEK 229.00
1

For Children Volume 2

For Children Volume 2

Long before his famous Mikrokosmos, Bartók composed a comprehensive collection of little piano pieces, entitled For Children. Written in 1908 1911, its two volumes are based on Hungarian and Slovakian folk tunes respectively. Both are organised in ascending difficulty, from simple two-part pieces to Impressionistic miniatures, and they offer everything that children’s hands can manage. Bartók revised this collection in the 1940s. He did not just make musical improvements, but also gave every movement a title. This revised version forms the main text of our Urtext edition, while an appendix offers movements from the early version that diverge significantly from the revisedones. As always in Henle’s Bartók editions, there are indications regarding performance practice and insights into how the composer himself played these pieces.

SEK 229.00
1

Variationen f-moll (Sonata) Hob. XVII:6 : Variations f minor (Sonata) Hob. XVII:6

Variationen f-moll (Sonata) Hob. XVII:6 : Variations f minor (Sonata) Hob. XVII:6

It was by a roundabout route that the autograph score of Haydn’s most important piano work ended up in the New York Library via a collector. Its four leaves contain a fair copy of the work- two leaves with a sketch-like character follow. Haydn composed the work, at the time still entitled “Sonate”, for “Signora de Ployer” (probably the pianist Barbara Ployer associated with Mozart). The variation movement was apparently intended as the beginning of a sonata with several movements. As can be seen from the second part of the autograph score, Haydn later extended the movement and ended it with an expansive Capriccio Coda. The first print already bears the title “Variations”. Themoving masterpiece has been played all over the world under the title “Variations in f minor” ever since.

SEK 770.00
1

Two Easy Piano Sonatas : Nos. 19 And 20 Op. 49

Two Easy Piano Sonatas : Nos. 19 And 20 Op. 49

The two piano sonatas op. 49, described in their first publication as Sonates faciles, are often the first-ever Beethoven sonatas with which advanced piano pupils can demonstrate their ability. Their relatively high opus number ismisleading, however, for both these two-movement works were composed at roughly the same time as the piano sonatas op. 10, between 1796 and 1798. The fact that they were actually published seven years later is presumably thanks tothe business dealings of Beethoven's brother Carl, who initially offered them to several publishers without success. Finally, in 1805, a Viennese publisher relented and accepted them not yet aware of the treasures that had falleninto his lap. These little masterpieces, cast in an easily manageable format, soon became highly popular. This Henle Urtext edition continues our successful revised series of Beethoven's sonatas under the auspices of MurrayPerahia and Norbert Gertsch.

SEK 128.00
1