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Poet's Love Op. 48 : Song Cycle On Poems By Heine

Poet's Love Op. 48 : Song Cycle On Poems By Heine

The ups and downs of disappointed love: who could fail to sympathize with the feelings that Schumann immortalized in his song cycle Dichterliebe after Heine? The pieces range from hopeful anticipation („Im wunderschönen Monat Mai“) to solitary grief („Und wüssten’s die Blumen, die kleinen“) and bitter sarcasm („Die alten bösen Lieder“). Schumann knew what he was writing about: the cycle originated in the year of his marriage to Clara Wieck, an event that took place only after years of struggle. The tried-and-tested Henle Urtext edition by the Schumann specialist Kazuko Ozawa is now also available for singers with medium voice: in close collaboration with the experienced pianist and renowned Lied accompanist Gerold Huber, we have adapted the whole cycle, including the four songs of the appendix, for medium and low voices.

SEK 324.00
1

Leichte Klaviervariationen Aus Barock Und Klassik

Leichte Klaviervariationen Aus Barock Und Klassik

With this selection of piano variations from the Baroque and Classical eras, we aim to facilitate the player’s discovery of a vast staple of literature which represents, next to the sonata, the most important group within the classical piano repertoire. Variations by the two Bach sons Carl Philipp Emanuel and Johann Christian Bach as well as by Georg Friederic Handel neighbour on three cycles by the great Viennese classics Haydn, Mozart and Beethoven. Caution was taken so as not to surpass a medium level of difficulty (level 5).

SEK 208.00
1

Song Cycle op. 24 on Poems by Heine

Song Cycle op. 24 on Poems by Heine

At long last, singers with a lower vocal range can also rely on Henle’s Urtext editions of Schumann: the wonderful Song Cycle op. 24 on poems by Heine now appears in a transposed version, edited by Schumann expert Kazuko Ozawa. With the support of celebrated Lieder accompanist Gerold Huber, Henle now offers altos carefully arranged transpositions for medium voice. This Urtext edition includes an extensive preface on the origin of the work and a detailed Critical Report on the edition. The original edition for high voice is available in HN 548.

SEK 245.00
1

Dances - Selection : Dances

Dances - Selection : Dances

Schubert at the piano, with his inexhaustible wealth of dance melodies, his friends around him dancing and playing jokes this is one of the traditional images of Schubert that we so cherish. The term Schubertiade invented for this kind of get-together is now solidly established. In this selection of the loveliest and most frequently played dances, one finds 59 waltzes, 40 ländler or Deutsche as well as four écossaises and a minuet. In selecting the works, care was taken to ensure that individual pieces of more or less the same level of difficulty are grouped together (from easy to medium: 3 to 5).

SEK 261.00
1

Poet's Love Op. 48 : Song Cycle On Poems By Heine

Poet's Love Op. 48 : Song Cycle On Poems By Heine

The ups and downs of disappointed love: who could fail to sympathize with the feelings that Schumann immortalized in his song cycle Dichterliebe after Heine? The pieces range from hopeful anticipation („Im wunderschönen Monat Mai“) to solitary grief („Und wüssten’s die Blumen, die kleinen“) and bitter sarcasm („Die alten bösen Lieder“). Schumann knew what he was writing about: the cycle originated in the year of his marriage to Clara Wieck, an event that took place only after years of struggle. The tried-and-tested Henle Urtext edition by the Schumann specialist Kazuko Ozawa is now also available for singers with low voice: in close collaboration with the experienced pianist and renowned Lied accompanist Gerold Huber, we have adapted the whole cycle, including the four songs of the appendix, for medium and low voices.

SEK 324.00
1

Kol Nidrei Opus 47 for Violoncello and Orchestra

Kol Nidrei Opus 47 for Violoncello and Orchestra

Aside from his popular Violin Concerto no. 1, “Kol Nidrei” numbers among Max Bruch’s most famous compositions. The melancholy “Adagio after Hebrew melodies” was written in 1880 for the cellist Robert Hausmann. It treats two old Jewish songs whose extraordinary beauty proved deeply moving to the Protestant Bruch, by his own admission. The tenor Cello sound is the ideal medium for the voice of a Jewish cantor, and thus to this day “Kol Nidrei” offers every cellist a wonderful opportunity to make the instrument “sing”. In this text, based on the first edition of 1881, “Kol Nidrei” appears for the first time in an Urtextedition substantiated by scholarly research, for which not just the musical sources, but also numerous letters and documents from the Max Bruch Archive were consulted. Christian Poltéra was able to be procured for the markings in the solo part.

SEK 165.00
1