Gershwin Nice Work Vocal Sels Pvg Bk

But Not For MeBy StraussDo-Do-DoDo It AgainDelishiousHangin' Around With YouI've Got To Be ThereTreat Me RoughWill You Remember Me?Demon RumBlah, Blah, BlahFascinating RhythmThree Note WaltzI've Got A Crush On YouLet's Call The Whole Thing OffLooking For A BoyNice Work If You Can Get It'S WonderfulSomeone To Watch Over MeThey All LaughedSweet And Low-Down

Konrad Max Kunz: Late-Elementary Piano Solos Book 1

200 Short Two-Part Canons Opus 14 Nos 1-100. Book 1 contains canons number 1 through number 100 representing the first half of Two Hundred Short Two-Part Canons by Konrad Max Kunz.

Scissor Sisters: Night Work

This is the matching folio to the third studio album by the Scissor Sisters, which debuted at number 2 in the UK album charts. This songbook contains all the songs from the album, including the singles Fire With Fire and Any Which Way, arranged for Piano, Voice and Guitar.

The Work : The lyrics of Scott Hutchison

Benjamin Britten: Moderato And Nocturne (Sonatina Romantica)

This musical work, Moderato And Nocturne is from the rejected work Sonatina Romantica. Although Britten himself rejected the whole work, his Trustees felt that the first 2 movements (the Moderato And Nocturne) have both 'character and charm' and could play an inportant and useful role in teaching pieces.

Brass Band: A Christmas Festival

An arrangement for Brass and Percussion of Leroy Anderson's popular work.

Symphony No.3 (Score)

. . .The symphony is the work of a modern Ravel.The Independent, 27 June 1988

The Company Of Heaven (Vocal Score)

A dramatic work of considerable substance, from which individual movements may be performed separately as anthems or concert works. The work sets a variety of texts from authors as varied as John Ruskin, Francis Thompson, Christina Rossetti, Blake and Bunyan.

Carl Vine: Piano Sonata No.2

A complex and challenging Sonata brimming with the stark contrasts and conmtemporary harmonies that characterise the work of the Australian composer. Suitable for the accomplished Piano soloist. Written in 1997 for, and dedicated to the pianist Michael Kieran Harvey who premiered the work.

Lament For Strings (Score)

? a lovely work, wistful, yearning, elusive, and full of atmosphere.Central Western Daily (E.M.W.), 2 June 1976

Benjamin Britten: The Company Of Heaven (Score)

Benjamin Britten's 1937 composition, The Company Of Heaven is a dramatic work of considerable substance, from which individual movements may be performed separately as anthems or concert works. The work sets a variety of texts from authors as varied as John Ruskin, Francis Thompson, Christina Rossetti, Blake and Bunyan.

Nicholas Maw: Piano Trio (Score/Parts)

Written for the Monticello Trio, this work is for Violin, Cello and Piano. This is the Score and Parts edition.

Frank Bridge: Isabella

'Isabella' is Bridge's second symphonic poem, and was completed on January 1907, and was the first orchestral work he chose to acknowledge. It is the only one of Bridge's orchestral work to follow a detailed narrative. It is based on Keats' "Isabella or the The Pot of Basil", a poetic version of Boccasccio's gruesome Florentine tale.

String Quartet No.6 (Parts)

It is an exceptionally impressive work, possibly a great or near-great one.Donald Mintz, The Musical Quarterly vol.53, no.4, 1967

String Quartet No.11 (Parts)

. . .a 13-minute work of strong, compacted and wide-ranging emotions that demands further hearings.Daniel Cariaga, Los Angeles Times, 27 January 1992

Thomas Adès: The Four Quarters (String Quartet Score)

Thomas Adès’s second work for string quartet, The Four Quarters was written for the Emerson Quartet and was premiered by them at Carnegie Hall in 2011. The winner of the 2012 British Composer Award for Chamber Composition, the 20-minute work charts the progress of a day. Glassy harmonics typify the opening movement Nightfalls, whilst playful pizzicati abound in Serenade – Morning Dew. A sombre third movement, Days, is underpinned by a searching ostinato before the work breaks free from conventional time in The Twenty-Fifth Hour, the glittering finale which swings and dances in the unusual time signature of 25/16.

Thomas Adès: The Four Quarters (String Quartet Parts)

Thomas Adès’s second work for string quartet, The Four Quarters was written for the Emerson Quartet and was premiered by them at Carnegie Hall in 2011. The winner of the 2012 British Composer Award for Chamber Composition, the 20-minute work charts the progress of a day. Glassy harmonics typify the opening movement Nightfalls, whilst playful pizzicati abound in Serenade – Morning Dew. A sombre third movement, Days, is underpinned by a searching ostinato before the work breaks free from conventional time in The Twenty-Fifth Hour, the glittering finale which swings and dances in the unusual time signature of 25/16.

Concerto for Cello: Cello Part and Piano Reduction

Composed for Steven Isserlis in 2004, Carl Vine’s Cello Concerto is an exhilarating 20-minute work that traverses a vast emotional palette.  The Concerto begins arrestingly, with soloist pitted against orchestra, though as it develops the two factions move towards union. A slow chorale led by the cellist frames the central section, whilst relentless motor rhythms drive the work to its close.

Anders Hillborg: The Peacock Moment (Clarinet and Piano)

Despite its short duration, The Peacock Moment holds a central place in Anders Hillborg’s worklist. Much of material in this frenetic 1-minute work for clarinet and piano derive from a prime-number series – a common feature in his subsequent work. Particularly striking is the way Hillborg creates the impression of a polyphony of voices within the clarinet’s solo lines.

Concerto for Cello: Full Score

Composed for Steven Isserlis in 2004, Carl Vine’s Cello Concerto is an exhilarating 20-minute work that traverses a vast emotional palette.  The Concerto begins arrestingly, with soloist pitted against orchestra, though as it develops the two factions move towards union. A slow chorale led by the cellist frames the central section, whilst relentless motor rhythms drive the work to its close.

Arr. Alexander L'Estrange: Hodie (Upper Voices With Organ)

Hodie was written for Portsmouth Grammar School and is an ideal opener for Christmas concerts. The soaring vocal lines are underpinned by a rhythmic and harmonically rich Organ part, resulting in a joyous and accessible work suitable for choral societies, church and school choirs. This work is arranged for Soprano and Alto voices and Organ and is part of Faber Music’s Choral Signature Series.

Never To Forget

Never To Forget is a powerfully emotive choral work written in honour of the NHS health and care workers in the UK who died caring for others during the COVID-19 pandemic. The text comprises their names, each sung separately inturn, in a poignant and moving homage. The piece is designed as a living tribute, to memorialise their dedication and sacrifice through each performance. This is a work of remembrance, respect and gratitude for these courageousworkers, never to be forgotten. The work is scored for SATB choir and chamber ensemble, with this vocal score including a piano reduction. Instrumental parts are available to hire from hire@fabermusic.com.

Stabat Mater (Vocal Score)

This thoughtful, delicate, dramatic and at times joyful Stabat Mater, is the vocal work that established Haydn throughout Europe as a great composer of religious music.

Charlie’s Flea Circus

Composed for one of the world's leading saxophonists, John Harle, on the occasion of his sixtieth birthday, Charlie's Flea Circus is a delightful 5-minute work for saxophone and piano by Carl Davis. Taking in waltzes and mazurkas, this characterful and witty work makes a wonderful addition to the repertoire and is presented here in a versions for alto saxophone and piano, or alto doubling sopranino saxophone and piano.

Ferruccio Busoni: Serenata For Cello And Piano Op.34

Busoni was just sixteen years old when he wrote the extraordinary Serenata, and the quality of the music is exceptional. The work draws inspiration from the serenade as love song, and the interplay between the warm, lyrical cello line countered by its bright and lively piano partner is highly effective. In preparing this new addition, cellist Lowrii Blake has consulted the original manuscript of this undeservedly neglected work.