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Resignazione 1. und 2. Fassungen : 1. und 2. Fassungen

Resignazione 1. und 2. Fassungen : 1. und 2. Fassungen

The catalogues list under the title 'Resignazione' a short work for organ consisting merely of 29 bars. The investigation of sources carried out by the editors in connection with the New Complete Edition of Liszt's Works revealed that this is, in fact a work for piano the final version of which was worked out later. Liszt never published this manuscript and this late masterpiece has remained unknown for scholars as well. The present edition publishes the work for the first time. The publication includes the first version of the work too.

SEK 147.00
1

113 Etüden - Volume 3

113 Etüden - Volume 3

Dotzauer was a trained musician who wrote an opera, symphonies, overtures, a Mass, concertos and chamber music. Of his extensive life-work the abundance of educational compositions has proved to be of lasting value in the first place. The idea to compile and publish a selection from his educational life-work that meets the demands of the time emerged at the end of the 19th century already. Of the several publications of this kind the work by Johannes Klingenberg has turned out to be the most successful.

SEK 177.00
1

113 Etüden - Volume 4

113 Etüden - Volume 4

Dotzauer was a trained musician who wrote an opera, symphonies, overtures, a Mass, concertos and chamber music. Of his extensive life-work the abundance of educational compositions has proved to be of lasting value in the first place. The idea to compile and publish a selection from his educational life-work that meets the demands of the time emerged at the end of the 19th century already. Of the several publications of this kind the work by Johannes Klingenberg has turned out to be the most successful.

SEK 177.00
1

Notices : for strings

Notices : for strings

Notices (1972) for strings, uses traditional forms of reprise, although his instrumentation brings in many soloistic touches and a typically modern thematic sound arises from his long melodies and tight chromaticism. This and his harmonic search for a new treatment of tonality mark an important stage in his return to tradition in the early 1970s. The work alternates between slow passages that resemble a lament and fast, fidgety, clamorous ones. The composed noise at the end of the work forms a notable example of Maros's instrumental technique. (Anna Dalos)

SEK 160.00
1

The Golden Key - Der goldene Schlüssel : Sixteen little piano pieces - Sechzehn Klavierstücke für Anfänger

The Golden Key - Der goldene Schlüssel : Sixteen little piano pieces - Sechzehn Klavierstücke für Anfänger

The Hungarian composer and piano teacher wrote a number of highly popular educational and performace pieces for children. In this work the well-known composer presents the events of a story by the brothers Grimm in the form of very easy piano pieces. This unusual, incomplete story has inspired an unusual musical work: the young players can make up titles for the last eight pieces, and they are also encouraged to note down their thoughts and feelings inspired by the music, or express them in drawings, in the score.

SEK 167.00
1

Sideways Air on a Black Hole for Clarinet in Sib : Konzertstück. Solo

Sideways Air on a Black Hole for Clarinet in Sib : Konzertstück. Solo

The composer writes the following about this work: 'As if we could only walk sideways in a tilted force field, Petruska-Harlequin in my piece evokes waltz fragments on a capsized 'Titanic', or Berlioz's Romeo und Juliet. Vertiginous chromatic martellato-staccato sequences keep tearing apart the clarinet's virtuosic aerial gymnastics interspersed among the fragments and half-heard wisps of sound. We suddenly find ourselves now in the depths, now in the highest regions, sidelong, as if all these fragments of musical memories were dancing on the edge of the event-horizon of a black hole...' This work, dedicated to the clarinettist Csaba Klenyán, was composed in 2002 inSaskatoon (Canada).

SEK 147.00
1

Klangfarben-Spiele für zwei Flöten

Klangfarben-Spiele für zwei Flöten

Miklós Kocsár wrote this work in 1993, it was commissioned by the artists Bea Berényi and her husband Ákos Dratsay. It was given its premi?re at the end of that year at a concert of works by the composer. As the title indicates, the composer?s intention was to display the tone and colour potential of the two flutes. The overall form of the work is provided by the sequence of eight sharply contrasting movements of differing length. It is characterized by thematic correspondences, variations, formal arcs that gradually reach completion, different styles of playing, alternating slow and fast musical materials, free and fixed rhythms, as well as cantabile and virtuosic sections.

SEK 167.00
1

Bottle Dance

Bottle Dance

The forerunner of the Bottle Dance was written for the Blue Danube Harmonica Band in the early 1960s. Later, at the instigation of the excellent folk dance choreographer Miklós Manninger, an arrangement for wind band was prepared, in order to widen the ensemble’s repertoire of German national pieces by the addition of a Hungarian dance. The production scored a resounding success not only with the audience but also with the musicians who performed in it, with the result that before long the composer prepared from the Bottle Dance an independent work for wind ensemble - a showy piece, virtuosic in its effect yet easily playable. The youth orchestra arrangement is a simplified andshortened version of the work for full-scale orchestra.

SEK 177.00
1