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Consolations, Grand solo de concert and Other Work : Suppl. 10

Consolations, Grand solo de concert and Other Work : Suppl. 10

Of the early versions of works included in this volume the first versions of the notably popular Consolations cycle and Grand solo de concert (published in 1850) are of particular interest. In the first version of Consolations the third movement was a style hongrois piece whose thematic material was later used by Liszt in his Hungarian Rhapsody No. 1 (published in 1851). The first version of Grand solo de concert shows that the work did not originally include a slow middle section to be recapitulated towards the end as seen in the final version. This is a characteristically Lisztian feature that would reappear a few years later in his Sonata in B minor.

SEK 1277.00
1

Quartetto per archi No. 3 op. 40

Quartetto per archi No. 3 op. 40

'Bozay's new quartet is an imposingly splendid work. Its slow second movement reaches almost Bartókian depths. The final rondeau is of elemental force. Each movement is characterized by lucid structure. The aleatoric sections fit perfectly the ones fixed precisely by notation. The tone is controlled and lucid to an utmost degree throughout. The thematic materials are characteristic, their combination is logical, but not commonplace… it is a work written with amazing skill of the craft.' (Porrectus, Muzsika, March 1999). The fourmovement work composed in 1996-1997 was first performed with great success by the String Quartet Somogyi at the 1999 Mini-Festival in Budapest.

SEK 484.00
1

Resignazione 1. und 2. Fassungen : 1. und 2. Fassungen

Resignazione 1. und 2. Fassungen : 1. und 2. Fassungen

The catalogues list under the title 'Resignazione' a short work for organ consisting merely of 29 bars. The investigation of sources carried out by the editors in connection with the New Complete Edition of Liszt's Works revealed that this is, in fact a work for piano the final version of which was worked out later. Liszt never published this manuscript and this late masterpiece has remained unknown for scholars as well. The present edition publishes the work for the first time. The publication includes the first version of the work too.

SEK 147.00
1

Linos for harp : Solo

Linos for harp : Solo

Greek mythology seems spontaneously to have offered the figure of linos as the central character in a work for solo harp. (Linos was a poet, believed to be the brother of Orpheus, and according to Greek tradition no greater musician ever appeared among mankind.) The musical material, conforming to the characteristics of the harp, consits of two interesting seven-degree note rows incorporating all the possible pedal combinations, their mirror inversions and the five-degree noterows that fit between them. The nine-section composition is made up of scenes from the imagined life of Linos, an imagined 'Linos's hymn', and laments played in his honour.

SEK 266.00
1

113 Etüden - Volume 1

113 Etüden - Volume 1

Dotzauer was a trained musician who wrote an opera, symphonies, overtures, a Mass, concertos and chamber music. Of his extensive life-work the abundance of educational compositions has proved to be of lasting value in the first place. The idea to compile and publish a selection from his educational life-work that meets the demands of the time emerged at the end of the 19th century already. Of the several publications of this kind the work by Johannes Klingenberg has turned out to be the most successful.

SEK 216.00
1

113 Etüden - Volume 4

113 Etüden - Volume 4

Dotzauer was a trained musician who wrote an opera, symphonies, overtures, a Mass, concertos and chamber music. Of his extensive life-work the abundance of educational compositions has proved to be of lasting value in the first place. The idea to compile and publish a selection from his educational life-work that meets the demands of the time emerged at the end of the 19th century already. Of the several publications of this kind the work by Johannes Klingenberg has turned out to be the most successful.

SEK 177.00
1

113 Etüden - Volume 3

113 Etüden - Volume 3

Dotzauer was a trained musician who wrote an opera, symphonies, overtures, a Mass, concertos and chamber music. Of his extensive life-work the abundance of educational compositions has proved to be of lasting value in the first place. The idea to compile and publish a selection from his educational life-work that meets the demands of the time emerged at the end of the 19th century already. Of the several publications of this kind the work by Johannes Klingenberg has turned out to be the most successful.

SEK 177.00
1

113 Etüden - Volume 2

113 Etüden - Volume 2

Dotzauer was a trained musician who wrote an opera, symphonies, overtures, a Mass, concertos and chamber music. Of his extensive life-work the abundance of educational compositions has proved to be of lasting value in the first place. The idea to compile and publish a selection from his educational life-work that meets the demands of the time emerged at the end of the 19th century already. Of the several publications of this kind the work by Johannes Klingenberg has turned out to be the most successful.

SEK 226.00
1

A la Chapelle Sixtine Fantaisie pour orchestre : Fantaisie pour orchestre

A la Chapelle Sixtine Fantaisie pour orchestre : Fantaisie pour orchestre

Fantasia to large symphonic orchestra based on themes of the world famous choral work 'Miserere' by Gregorio Allegri (1582-1652) and on W. A. Mozart's motet 'Ave verum Corpus'. Its program, in Liszt's words, says: 'Man's misery and anguish are expressed in Miserere: God's infinite mercy and attention.. reply and sing.. in Ave verum corpus..'. Liszt composed the work in Rome in 1862, but the exact date of instrumentation (orchestral score) is not known-presumably it was also 1862 or 1863. The work is also known in piano, organ and piano duet versions.

SEK 75.00
1