12 sonate per violino e basso continuo II op. 5

The present edition contains Twelve Sonatas for Violin Solo and Basso Continuo, Op. 5 by Arcangelo Corelli. The first part of the series (Z. 12050: Sonatas No. 1-3, Z. 12051: Sonatas Nos. 4-6) comprises church sonatas (sonate da chiesa), while the second one (Z. 12265: Sonatas Nos. 7-12) chamber sonatas (sonate da camera). The present edition is based on the first edition of the work published in Rome in 1700.

12 sonate per violino e basso continuo I-B op. 5

The present edition contains Twelve Sonatas for Violin Solo and Basso Continuo, Op. 5 by Arcangelo Corelli. The first part of the series (Z. 12050: Sonatas No. 1-3, Z. 12051: Sonatas Nos. 4-6) comprises church sonatas (sonate da chiesa), while the second one (Z. 12265: Sonatas Nos. 7-12) chamber sonatas (sonate da camera). The present edition is based on the first edition of the work published in Rome in 1700.

12 sonate per violino e basso continuo I-A op. 5

The present edition contains Twelve Sonatas for Violin Solo and Basso Continuo, Op. 5 by Arcangelo Corelli. The first part of the series (Z. 12050: Sonatas No. 1-3, Z. 12051: Sonatas Nos. 4-6) comprises church sonatas (sonate da chiesa), while the second one (Z. 12265: Sonatas Nos. 7-12) chamber sonatas (sonate da camera). The present edition is based on the first edition of the work published in Rome in 1700.

Mikrokosmos for piano 5 : New Definitive Edition

'The Mikrokosmos is a cycle of 153 pieces for piano, written with a didactic purpose (Vol. 1: Z. 125, Vol. 2: Z. 126, Vol. 3: Z. 127, Vol. 4: Z. 128, Vol. 5: Z. 129, Vol. 6: Z. 130). That is, to give piano pieces which can be used from the very beginning, and then going on, it is graded according to difficulties. And the word Mikrokosmos may be interpreted as a series of pieces in many different styles, representing a small world. Or it may be interpreted as "world of the little ones, the children".' (Interview broadcast by WNYC, in early 1945, on a programme entitled Ask the Composer.)

Apokalypsis Ioannou 22-5

Ákos Zarándy (b.1982) is a talented representative of the youngest generation of Hungarian composers. The text of his unusual-sounding choral work entitled Apokalypsis Ióannou is taken from the Book of Revelations 22/5, partly from the original Bible in Greek, partly from a Latin translation of it. The score includes a translation of the text into English, and instructions on how to pronounce the Greek words.

Violoncello Music for Beginners 3

This volume comprises forty-three short compositions by baroque, classical and romantic masters for the third and fourth years of studies up to the fourth position. An ABRSM syllabus title, 2010-16, Grade 5.

Symphonies de Beethoven 5-7, Marche funèbre (3,II) : Suppl. 11 - First versions

Volume11 of in the series of Supplements represents an important step towards completion of the series for solo piano included in the NLE, as a complete critical edition. By publishing all the early versions it makes the piano versions of these symphonies by Beethoven available for study by performers and those engaged in music research.Similarly to the other NLE volumes already published, this volume comes cloth-bound (Z. 14506a) or hard-paper-bound (Z. 14506), the former as part of the Complete Edition, the latter as part of the series containing solo piano works. The preface to the series, the prefaces to the works contained in this volume (in German, English and Hungarian)and the facsimiles with which it is illustrated are to be found in both versions, the critical notes in English are included only in the cloth-bound version.Territorial restrictions may apply. Please ask before ordering.

Technische Studien Band 3

The first of the Supplement volumes to be iussed is Part 3 of the Technical Studies, the manuscript of which, after enduring many vicissitudes and lying hidden for decades, turned up in Weimar only in 1975, and appeared in print in 1983. The thematic index provides an overview of the entire material of all three volumes of the Technical Studies. This publication is available in two versions: bound in blue linen, or in grey boards. Only the former version contains the descriptions of sources and the critical notes.Territorial restrictions may apply. Please ask before ordering.

Suite Nr. 1 für Orchester op. 3

'The work is closest related to the 'Kossuth Symphony' inasmuch as it melds the Magyar style, represented by verbunkos melodies, with the idiom of Wagner and Richard Strauss. It features, however, a few details that prefigure the sonority of his later works, and it reveals the composer's penchant for variation, attraction to monothematic arrangement and symmetrical formation. Moreover, the large form encompassing the five movements outlines the very typical Bartókian bridge form.' (HCD 32505 Bartók New Series Vol. 5, Virág Büky)

Violoncello ABC 3

A sequel to the Cello ABC and Cello tutor 2. The basic principle of its construction is similar to that of the previous two volumes: clearly grouped, attractive musical material for which the most effective order for teaching can be decided by the teacher, taking account of students’ capabilities. The sole aim of volume 3 is to lay the foundation for clear and confident playing in the first four positions, thus it does not contain any new tasks relating to bow-handling or rhythm. Arranged in the order of the positions, the material begins in each position with the most essential technical exercises, then progresses from easier works to longer and more demanding ones. A considerableproportion of the material consists of pieces with piano accompaniment, and duets the latter make it possible in every lesson for the learner to make music together with the teacher.

Fünf anmassende Einfälle : für Blechbläser-Sextett

All five movements require perfect virtuoso elaboration: maximum precision combined with released humour that never fails to take the musical message completely seriously. The movements are: 'Boccacce', 'Con sentimento', 'Foxtrott', 'Flicorno romantico' and 'Finalissimo'. Movements 2 and 4 as well as 3 and 5 are interchangeable.

5 Studi

Cinque studi per orchestra (1959?60) clearly documents the process by which Maros - starting from Bartók's expressionist works written during the 1920s, especially The Miraculous Mandarin and The Night's Music -escaped from the earlier tonal, classicizing realm of music. The composition takes the form of a suite, with alternating notturno and scherzo movements. Decisive to the character of both are percussion instruments hitherto used solo only rarely in Hungarian orchestral practice. (Anna Dalos)

5 Stuecke

Chamber Music for/ Kammermusik für Violoncelli 6 : for 3 violoncellos

The sixth volume in the series Chamber Music for Violoncellos contains fairly easy cello trios: none of the parts requires use of the thumb. Haydn.s 5 Cassationsstücke cycle is serenade-like,playful-sounding music. The piece by Telemann - entitled Scherzo, and linked to the methodical Triettos - is in fact a three-movement Baroque sonata, in which the different parts are of equal importance in developing the themes. Two dances by Schubert and a Pastorale by Dotzauer complete the volume.

3 Trios für 3 Violinen - 3 Trios for 3 Violins

3 Concerti Facili per Violoncelle e Piano

The source of this publication was issued in London in 1745 by John Walsh Jr. Walsh’s publication contains six four-movement works, originally written for violin, solo cello, a keyboard instrument and a second cello to reinforce the bass of the latter, but the role of the violin is insignificant, so these works can be regarded as pieces for cello. Of the six works, the arranger of the volume was publishing the three most suitable ones to that as cello concertos: the piano part incorporates both the violin interludes and the continuo. In the cello part higher positions do occur, but they do not necessarily require use of the thumb: they are playable after 4-5 years’ intensivestudy of the instrument.

Suites op. 5 pour flute trav. (flute o bec, hautb : pour flute trav. (flute à bec, hautbois, violon) e basse continue

The cycle of suites for flute and basso continuo, Op. 5 is J.-M. Hotteterre's second important set of works in this genre. The first published as Op. 2 has a special significance in the history of music and for performing practice. The composer added namely to the second edition of the work sufficient information concerning ornamentation and performance. (For the modern critical edition of Op. 2 see volume Z. 13901 of the Urtext Series of EMB.) Hotteterre's Op. 5 published in the present edition is an organic continuation of Op. 2. This fact was also emphasized by the composer himself who entitled them "Premier Livre" and "Deuxiéme Livre" on publication. The ornamentsand directions for performance occur here just as copiously as in the revised edition of "Premier Livre".

Freie Bearbeitungen 5

Kontrabassschule 5 : Daumenlagen

Violinschule Bd 5

5 Kleine Stuecke

5 Alte Taenze

Streichquartett Nr. 5

Romanze op. 5

Balkanische Tänze für Blechbläser-Sextett

Here the composer has arranged Southern Slav, Albanian and Bulgarian music material. The triple time, asymmetric 5/8, 7/8, 9/8 (2+2+2+3) bars require thorough grounding in rhythm. The first movement is a rondo, the second a trio while the third one, displaying strong burlesque features, is again a rondo. Moderately difficult.