24 Vorübungen op. 37 : zu Etüden von Kreutzer und Rode

Jakob Dont's 24 Preliminary Studies are an important stepping stone towards acquiring the fundamentals of violin technique. Developing violinists typically work on Dont's Opus 37 before starting Kreutzer's 42 Etudes or Caprices. By working through these preliminary studies, budding musicians can develop a solid foundation for their playing technique so that they can comfortably take on intermediate-level etudes.

Sonate Op. 37

Einige Sätze aus den Sudelbüchern G.C.Lichtenbergs : Op. 37a, Für Sopran und Kontrabass

The polymath, naturalist and aesthetician Georg Christoph Lichtenberg (1742-1799) is an interesting figure of 18th-century German cultural history. Yet his most important work, his collection of aphorisms, only appeared posthumously. It embraces almost all the themes that concerned the thinkers of the era, often with a satirical tone. Kurtág selected texts from these volumes for his work, which in its original version (op. 37, 1996) was indeed a musical aphorism collection freely assembled by the performer - this version was withdrawn. However, the final form, composed in 1999, cannot be disjoined. It is a unified composition, although the material for the vocal scoreremained almost unchanged.

For Children Vol. 1

Bartók composed his first pedagogical collection For Children between 1908 and 1911. The first edition was issued between 1909 and 1911 in four volumes, comprising two of Hungarian and two of Slovak folk song arrangements. Aftermoving to America, Bartók considered it important to produce new editions of his earlier works. Thus in autumn 1943, together with his new publisher Boosey & Hawkes, he planned a new edition of For Children, and to this endcompletely revised the collection. Although Bartók had already completed his revision by the end of 1943, the revised edition was only issued in 1946. The pieces were published without titles in the first edition, but the folksong lyrics were included. These lyrics, deemed unnecessary for the non-Hungarian audiences, were not taken over to the American revised edition: however, a significant number of pieces were provided with a title conveying theirmood and their background in folk music and folk life. The present edition - which contains the same scores as those in Volume 37 of the Béla Bartók Complete Critical Edition (Z. 15037) - is based on the revised version that thecomposer made in 1943 for the new edition, to which he also referred to as ''corrected''. We have added Hungarian translations to the English titles but we have also restored the original collection of folk song texts withparallel English translations. The pieces discarded from the revised version, as well as early versions that are significantly different from the revised version, are included in the Appendix. The Appendix also contains twotranscriptions of Bartók's recordings from 1945 that show typical concert variants of For Children. This publication contains a preface and editorial comments in both Hungarian and English.

For Children Vol. 2

Bartók composed his first pedagogical collection For Children between 1908 and 1911. The first edition was issued between 1909 and 1911 in four volumes, comprising two of Hungarian and two of Slovak folk song arrangements. Aftermoving to America, Bartók considered it important to produce new editions of his earlier works. Thus in autumn 1943, together with his new publisher Boosey & Hawkes, he planned a new edition of For Children, and to this endcompletely revised the collection. Although Bartók had already completed his revision by the end of 1943, the revised edition was only issued in 1946. The pieces were published without titles in the first edition, but the folksong lyrics were included. These lyrics, deemed unnecessary for the non-Hungarian audiences, were not taken over to the American revised edition: however, a significant number of pieces were provided with a title conveying theirmood and their background in folk music and folk life. The American edition omitted the folk songs lyrics that seemed unnecessary to the audience there, but the titles of the first edition were replaced with English titles (somewith the same meaning and some with modified interpretations) conveying each song's mood and background in folk music and folk life.The present edition - which contains the same scores as those in Volume 37 of the Béla BartókComplete Critical Edition (Z. 15037) - is based on the revised version that the composer made in 1943 for the new edition, to which he also referred to as ''corrected''. We have added Hungarian translations to the English titlesbut we have also restored the original collection of folk song texts with parallel English translations. The pieces discarded from the revised version, as well as early versions that are significantly different from the revisedversion, are included in the Appendix. This publication contains a preface and editorial comments in both Hungarian and English.