Alte Musik für Violoncello Werke aus dem 17-18. : Werke aus dem 17-18. Jahrhundert für Violoncello gesetzt

Besard, Jean-Baptiste: BalletLosy, J. A.: BourréeClarke, Jeremiah: MinuetAnonymous: ArietteAnonymous: Flon-FlonHändel, Georg Friedrich: MinuetHotteterre, Jacques-Martin: CotillonBach, Carl Philipp Emanuel: LiedBach, Johann Christoph Friedrich: SchwäbischHaydn, Joseph: AllemandeTürk, Daniel Gottlob: ScherzandoBeethoven, Ludwig van: Theme

Vierzehn leichte Stücke für Kinderstreichorchester

This latest volume in the series is devoted mainly to works written by Joseph Haydn in his youth: dances, divertimento and quartet-movements, arranged for three violins and cello. Every part can be played in the first position.

Titan

Cadenze : Per Il Concerto per Pianoforte in Re Maggiore di Joseph Haydn

Missa Coronationalis (Krönungsmesse) Für Soli, G

The Coronation Mass was composed by Liszt for the coronation of King Franz Joseph I and Queen Elisabeth. The first performance of the work took place on June 8, 1867 at the Mathias Church at Buda. Also the composer was present at this occasion. Territorial restrictions may apply. Please ask before ordering.

Missa choralis für gem. Chor und Orgel : für gem. Chor und Orgel

The Coronation Mass was composed by Liszt for the coronation of King Franz Joseph I and Queen Elisabeth. The first performance of the work took place on June 8, 1867 at the Mathias Church at Buda. Also the composer was present at this occasion. Territorial restrictions may apply. Please ask before ordering. (Hungaroton HCD 12747)

Cadenze : Per Il Concerto per Violoncello in Do Maggiore e Re Maggiore di Joseph Haydn

Sonata per due flauti e basso continuo RV 80 (F. : per due flauti e basso continuo RV 80 (F. XV. No. 7, P.V. -)

Vivaldi's composition published in this edition is, according to our present state of knowledge, the only work of the composer for 2 flutes and basso continuo. Its copy in an alien hand is held at the Library of the University of Lund, Sweden, in the collection of the German composer Joseph Martin Kraus (1756-1792). According to Ryom's catalogue the piece survives in the hand of one Vivaldi's contemporaries.

30 leichte und fortgeschrittene Etüden für Flöte : 30 Easy and Progressive Studies for Flute

The '30 Easy and Progressive Studies for flute' by the Italian composer and flute virtuoso Giuseppe Gariboldi (1833-1905) are among the standard works for flute teaching.

Vier Weihnachtsgesänge

Dániel Csengery (1974) dedicated his cycle Four Christmas Songs to Gabriella Thész and the Children's Choir of the Hungarian Radio. The four choral works for children?s choir and piano: 1. Kirje, kirje?(Hungarian folksong), 2. O santissima (Sicilian folksong), 3. Stille Nacht (after Stille Nacht by Joseph Mohr and Franz Xaver Gruber), 4. Personent hodie? (Christmas song from the 14th century) was written in 2003. The text of the choruses are in Hungarian, Italian, German and Latin.

Chamber Music for/ Kammermusik für Violoncelli 11 : for 3 violoncellos

Volume 11 of this popular series contains seven trios for cellos, from various periods of music history: two 18th-century Hungarian dances, D. Gabrielli's Balleto and Sarabande, a set of variations by Joseph Haydn, two famous minuets by L. van Beethoven, an Andante by Dotzauer and one of Schubert's Ländler. Most of the works are playable by music school pupils, but the effective pieces by outstanding composers will be of interest to more experienced musicians as well.

Kleine Vortragsstücke : für Flöte mit Klavierbegleitung

This publication - edited by renowned pedagogues Vilmos Bántai, Imre Kovács, and Béla Vavrinecz - offers a great selection of pieces for flutists in the lower grades of music schools. It includes compositions by prominent Baroque and Viennese Classical composers, including Arcangelo Corelli s Sarabande, excerpts from Christoph Willibald Gluck s opera Orpheus (Dance of the Blessed Spirits), Joseph Haydn s Serenade, and Franz Schubert s Andante. This collection of pieces has remained a valuable resource for musicians for several decades, and it can also serve as a basis for the chamber music repertoire of flutists and pianists.

Etüden für Oboe

Joseph Sellner (1787-1843) was a famous oboe player of his time… In 1825 Sellner published an oboe tutor in three volumes entitled Theoretisch-Praktische Oboen-Schule. Irrespective of the fact that the instrument has undergone considerable changes and improvements since his time, the majority of Sellner's work has still retained its usefulness to this day. His studies provide valuable help for achieving smooth technique and tone-colour, especially at the level of beginners. The obsolete two-part exercises and interval studies written for the instrument of his time have been omitted in this volume. The studies have been arranged here, as opposed to the original sequence,according to the increasing order of key signatures.' Péter Pongrácz

Spanische Tänze für Violine mit Klavierbegleitung : Malague a

Pablo de Sarasate (1844-1908) was a Spanish violinist and composer. As a feted virtuoso he travelled the world for a decade giving concerts, and in 1886 he performed in Budapest. He composed many works for himself with piano or orchestral accompaniment, to enrich his repertoire. These virtuoso pieces most often contain typical Spanish melodies and rhythms. The Spanish Dances were commissioned from him by the German publisher Fritz Simrock, a few years after Brahms' Hungarian Dances. The set of Spanish Dances consists of eight pieces, published two at a time in four volumes from 1878 to 1882. The first volume contained the Malague?a (published here) and the Habanera, and wasdedicated by Sarasate to the Hungarian violinist living in Germany Joseph Joachim.

Two Concert Studies, Ab irato, Morceau de salon : Waldesrauschen, Gnomenreigen

The Two Concert Studies, which Liszt composed in 1863 for Grand Theoretical and Practical Piano School by Sigmund Lebert and Ludwig Stark, became rather popular already in his lifetime.Today they are among the most often played works by Liszt. Morceau de salon is also a publication for piano education and was written for the Méthode des méthodes de piano of François-Joseph Fétis and Ignaz Moscheles and published in 1840. The virtuoso concert study was revised by Liszt under the title Ab irato a decade later. This edition contains the score of and critical notes to the above works as published in the New Liszt Edition, as well as prefaces in English and German, which provideinformation about all the important issues concerning the genesis and performance rendering.

Konzert C-Dur (Ignaz Pleyel) : für Violoncello oder Flöte oder Klarinette und Orchester

Ignaz Joseph Pleyel (1757-1831), a pupil of Haydn whom the master loved as his own son, composed his Concerto in C major in the late 18th century in three versions: for cello, flute and clarinet. In these three pieces only the orchestral accompaniment is identical, the solo parts were elaborated according to the capabilities of the instrument in each case. Thus the composer created three versions of the same work which are of equal value. An examination of the orchestral material renders it probable that first the cello version was completed, while the first to be printed, presumably in 1797 by Falter in Munich, was the clarinet version. The composer published the three versionssimultaneously in 1799 in his own edition. The work must have been very popular in Pleyel's time which is also shown by the fact that it was printed by ten publishers. Territorial restrictions may apply. Please ask before ordering.

Flötenkonzert D-Dur

Joseph Schubert, born in Warnsdorf (Bohemia) in 1757, is related neither to his famous namesake, Franz Schubert, nor to the well-known musical family of Dresden (Davis, Franz Anton, Franz and Georgine Schubert). He received his first musical instruction from his father, a curator by profession. Then, after moving to Prague and Berlin, he developed his knowledge of violin and viola playing, as well as of composition. In 1779 he entered the service of the Markgraf of Schwerin as a viola player. He lived in Dresden from 1788, where he died on 28 July 1837, at the age of 80. In Gerber's volume Historisch-biographisches Laxicon der Tonkünstler (Leipzig 1790/92) his work in highlyesteemed. Among his most important works are four operas, masses, piano works, chamber music and concertos. Gerber knew of over forty-nine concertos. Among his published works the designation opus 1 was given to two works: a set of three violin dous and the present concerto for flute and orchestra.

Zephir op. 30, No. 5

Evening : for Men's Voices, BB 30 (1903)

Ungarische Volksmusik : 30 kleine Klavierstücke für die Jugend

Irrlichtspiel für Violine und EnsZle

Three compositions which belong together were written by Tihanyi in 1991-1992: Winterszenen, Nachtszene (night Scene) and Irrlichtspiel (Will o the wisp). The Irrlichtspiel composition for violin solo and 19 instruments ensemble, came out of thenotes for the song entitled Irrlicht in the fifth scene of Winterszenen (...this composition exactly follows the musical process of Winterreise by Schubert...). Here, the starting point was the refrain-like, pregnant rhythm motive, attached to thepiano introduction of the Schubert song. At the end of the first part called Prelude, a miniature exposition prepares for the five developments. Their titles are: Adagio, Capriccio, Monolog,Pantomime and Postludio. World première: Budapest, 30 April,1996. Ildikó Line - violin, Budapest Sinfonietta, conducted by Gergely Vajda.