Reger Edition of Work, vol. I/7: Organ pieces III

The Max-Reger-Institut (MRI), located in Karlsruhe, Germany, has initiated the first ever scholarly-critical edition of works by Max Reger. The Reger-Werkausgabe (RWA) is sponsored by the Mainzer Akademie der Wissenschaften und der Literatur and with its design as a hybrid edition breaks new ground in the editorial techniques. The seventh and final volume in the series of organ works includes, in chronological order, the organ pieces Max Reger composed in 1904 and 1906 in Munich, in 1912 in Berchtesgaden, in 1913 in Kolberg, and in 1915 to 1916 in Jena.

Bachs h-Moll-Messe

Analysis of the entire work with many musical examples

Reger Edition Of Work, Vol. II/7 : Vocal Works With Organ Accompaniment

Reger Edition Of Work Vol. II : Works For Mixed Voice Unaccompanied Choir I

Sgambati: Messa da Requiem

“Through the fine performance in this production, a work unjustly forgotten becomes a lasting experience“.

Gloria in D. Revised edition : RV 589

The Gloria in D Major RV 589 is Vivaldi's most famous sacred work and it is among his most important church music compositions. An independent work in one movement, it was probably composed between 1713 and 1717 for the Ospedale della Pietà, one of the orphanages of Venice in which young girls received a thorough musical training. The musically representative work is divided into 12 sections which differ in scoring, movement type, key and expressed emotions.

Gloria in D. Revised edition : RV 589

The Gloria in D Major RV 589 is Vivaldi's most famous sacred work and it is among his most important church music compositions. An independent work in one movement, it was probably composed between 1713 and 1717 for the Ospedale della Pietà, one of the orphanages of Venice in which young girls received a thorough musical training. The musically representative work is divided into 12 sections which differ in scoring, movement type, key and expressed emotions.

Gloria in D. Revised edition : RV 589 - Orchestral Parts

The Gloria in D Major RV 589 is Vivaldi's most famous sacred work and it is among his most important church music compositions. An independent work in one movement, it was probably composed between 1713 and 1717 for the Ospedale della Pietà, one of the orphanages of Venice in which young girls received a thorough musical training. The musically representative work is divided into 12 sections which differ in scoring, movement type, key and expressed emotions.

Gloria in D. Revised edition : RV 589

The Gloria in D Major RV 589 is Vivaldi's most famous sacred work and it is among his most important church music compositions. An independent work in one movement, it was probably composed between 1713 and 1717 for the Ospedale della Pietà, one of the orphanages of Venice in which young girls received a thorough musical training. The musically representative work is divided into 12 sections which differ in scoring, movement type, key and expressed emotions.

Gloria in D. Revised edition : RV 589

The Gloria in D Major RV 589 is Vivaldi's most famous sacred work and it is among his most important church music compositions. An independent work in one movement, it was probably composed between 1713 and 1717 for the Ospedale della Pietà, one of the orphanages of Venice in which young girls received a thorough musical training. The musically representative work is divided into 12 sections which differ in scoring, movement type, key and expressed emotions.

Gloria in D. Revised edition : RV 589 - Harmony Parts

The Gloria in D Major RV 589 is Vivaldi's most famous sacred work and it is among his most important church music compositions. An independent work in one movement, it was probably composed between 1713 and 1717 for the Ospedale della Pietà, one of the orphanages of Venice in which young girls received a thorough musical training. The musically representative work is divided into 12 sections which differ in scoring, movement type, key and expressed emotions.

Gloria in D. Revised edition : RV 589

The Gloria in D Major RV 589 is Vivaldi's most famous sacred work and it is among his most important church music compositions. An independent work in one movement, it was probably composed between 1713 and 1717 for the Ospedale della Pietà, one of the orphanages of Venice in which young girls received a thorough musical training. The musically representative work is divided into 12 sections which differ in scoring, movement type, key and expressed emotions.

Masses, Passions and Oratorios (1 slip case) : Gehört zu Gesamtedition in 23 Bänden

With the Bach vocal project, we are publishing Johann Sebastian Bachs complete sacred vocal music in a high-quality complete edition: This up-to-date Bach Edition over 12,500 pages of score contains all the cantatas, oratorios, passions, motetsand masses.

Briefe und Dokumente seines Lebens VI : 13.12.1884 - 3.1.1893

A collection of letters, critical reviews, reports of performances, diary entries, and other contemporary documents. An indispensible reference work for Rheinberger research and a living biography of the composer.

Briefe und Dokumente seines Lebens IX : Register mit Addenda zu Band III

A collection of letters, critical reviews, reports of performances, diary entries, and other contemporary documents. An indispensible reference work for Rheinberger research and a living biography of the composer.

Briefe und Dokumente seines Lebens VIII : Briefe an Henriette Hecker 20.8.1900 - November 1901

A collection of letters, critical reviews, reports of performances, diary entries, and other contemporary documents. An indispensible reference work for Rheinberger research and a living biography of the composer.

Der Stern von Bethlehem [Musica Sacra I] : Weihnachtskantate

This idyllic and lyrical work, which finely underscores the Christmas story in nine scenes, is rendered in a recording in which the joy of Christmas Eve is emphatically communicated.

Briefe und Dokumente seines Lebens V : 1.1.1874 - 28.10.1884

A collection of letters, critical reviews, reports of performances, diary entries, and other contemporary documents. An indispensible reference work for Rheinberger research and a living biography of the composer.

Briefe und Dokumente seines Lebens II : 9.12.1859 - 16.1.1868

A collection of letters, critical reviews, reports of performances, diary entries, and other contemporary documents. An indispensible reference work for Rheinberger research and a living biography of the composer.

Briefe und Dokumente seines Lebens IV : 13.7.1870 - 31.12.1873

A collection of letters, critical reviews, reports of performances, diary entries, and other contemporary documents. An indispensible reference work for Rheinberger research and a living biography of the composer.

Briefe und Dokumente seines Lebens III : 22.6.1868 - 12.7.1870

A collection of letters, critical reviews, reports of performances, diary entries, and other contemporary documents. An indispensible reference work for Rheinberger research and a living biography of the composer.

Briefe und Dokumente seines Lebens VII : 26.1.1893 - 11.12.1901

A collection of letters, critical reviews, reports of performances, diary entries, and other contemporary documents. An indispensible reference work for Rheinberger research and a living biography of the composer.

Sergei Rachmaninoff: All-Night Vigil op. 37

Sergei Rachmaninoff's All-Night Vigil op. 37 (also known as the Vespers) is his last contribution to Russian Orthodox church music. The liturgical model for this piece is a worship service which is held on the evening preceding high feast days and consists of a sequence of prayers, readings and chants. Composed in 1915, in this work for a cappella choir Rachmaninoff succeeded in adapting ideas of late Romanticism to the monophonic liturgical chants of the Russian Orthodox Church. Since then, with its warm resplendant sound this work is regarded as a showpiece for large choirs. The emotional depth of this work is brought to the fore most impressively in the outstanding recordingby the West German Radio Choir (WDR), under the direction of Nicolas Fink.

Brockes-Passion : Der für die Sünde der Welt gemarterte und sterbende Jesu

The extraordinarily high reputation among Handel's contemporaries of his Passion Oratorio to words by Brockes is indicated by the fact that no less eminent a musician than Johann Sebastian Bach himself made a copy of this work. Although Bach copied it without making substantial changes in it, our edition of the work brings together two of the greatest baroque composers. The Brockes Passion was not only for the Leipzig Thomaskantor an alternative to the betterknown Bach Passions