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Melodic Highlights : for Alto Saxophone

Melodic Highlights : for Alto Saxophone

With this collection, you can enjoy highlights from the work of Belgian composer Bert Appermont. The pieces have been carefully selected by the composer himself, who has paid special attention to playability, and has looked for melodies that appeal to a large audience. The melodies have been arranged according to levels of difficulty and are suitable for use in music lessons or for concert performances. The pieces Innocence and Song of Hope have been provided with a second part, so that they can be performed as duets with accompaniment. The book comes with a CD containing a demo version as well as a play-long track for each piece. The piano accompaniments have beenprovided on the CD as printable PDFs!

SEK 305.00
1

Melodic Highlights : for Trumpet

Melodic Highlights : for Trumpet

With this collection, you can enjoy highlights from the work of Belgian composer Bert Appermont. The pieces have been carefully selected by the composer himself, who has paid special attention to playability, and has looked for melodies that appeal to a large audience. The melodies have been arranged according to levels of difficulty and are suitable for use in music lessons or for concert performances. The pieces Innocence and Song of Hope have been provided with a second part, so that they can be performed as duets with accompaniment. The book comes with a CD containing a demo version as well as a play-long track for each piece. The piano accompaniments have beenprovided on the CD as printable PDFs!

SEK 305.00
1

Melodic Highlights : for Bb Euphonium TC/BC

Melodic Highlights : for Bb Euphonium TC/BC

With this collection, you can enjoy highlights from the work of Belgian composer Bert Appermont. The pieces have been carefully selected by the composer himself, who has paid special attention to playability, and has looked for melodies that appeal to a large audience. The melodies have been arranged according to levels of difficulty and are suitable for use in music lessons or for concert performances. The pieces Innocence and Song of Hope have been provided with a second part, so that they can be performed as duets with accompaniment. The book comes with a CD containing a demo version as well as a play-long track for each piece. The piano accompaniments have beenprovided on the CD as printable PDFs!

SEK 305.00
1

Melodic Highlights : for C Baritone

Melodic Highlights : for C Baritone

With this collection, you can enjoy highlights from the work of Belgian composer Bert Appermont. The pieces have been carefully selected by the composer himself, who has paid special attention to playability, and has looked for melodies that appeal to a large audience. The melodies have been arranged according to levels of difficulty and are suitable for use in music lessons or for concert performances. The pieces Innocence and Song of Hope have been provided with a second part, so that they can be performed as duets with accompaniment. The book comes with a CD containing a demo version as well as a play-long track for each piece. The piano accompaniments have beenprovided on the CD as printable PDFs!with a CD containing a demo version as well as a play-long track for each piece. The piano accompaniments have been provided on the CD as printable PDFs!

SEK 305.00
1

The Source

The Source

At the heart of this piece are several elements that inspired the composer. First of all: nature, infinite and inexhaustible, giving life and power, something bigger than humans can grasp. The composer used the Gregorian hymn ‘Veni Creator Spiritus’ as a leitmotiv to reflect this idea. A second element was the passing of David Maslanka, a dear friend of the composer, honoured in the work by a few musical ‘echoes’. At the end of the work, there is a passage for optional choir in different possible settings. The Source was commissioned by the Banda Giovanlie Regionale ANBIMA FVG, Italy, and is an impressive, stirring and moving piece of music.At the heart of this piece are several elements that inspired the composer. First of all: nature, infinite and inexhaustible, giving life and power, something bigger than humans can grasp. The composer used the Gregorian hymn ‘Veni Creator Spiritus’ as a leitmotiv to reflect this idea. A second element was the passing of David Maslanka, a dear friend of the composer, honoured in the work by a few musical ‘echoes’. At the end of the work, there is a passage for optional choir in different possible settings. The Source was commissioned by the Banda Giovanlie Regionale ANBIMA FVG, Italy, and is an impressive, stirring and moving piece of music.

SEK 1396.00
1

The Source

The Source

At the heart of this piece are several elements that inspired the composer. First of all: nature, infinite and inexhaustible, giving life and power, something bigger than humans can grasp. The composer used the Gregorian hymn ‘Veni Creator Spiritus’ as a leitmotiv to reflect this idea. A second element was the passing of David Maslanka, a dear friend of the composer, honoured in the work by a few musical ‘echoes’. At the end of the work, there is a passage for optional choir in different possible settings. The Source was commissioned by the Banda Giovanlie Regionale ANBIMA FVG, Italy, and is an impressive, stirring and moving piece of music.At the heart of this piece are several elements that inspired the composer. First of all: nature, infinite and inexhaustible, giving life and power, something bigger than humans can grasp. The composer used the Gregorian hymn ‘Veni Creator Spiritus’ as a leitmotiv to reflect this idea. A second element was the passing of David Maslanka, a dear friend of the composer, honoured in the work by a few musical ‘echoes’. At the end of the work, there is a passage for optional choir in different possible settings. The Source was commissioned by the Banda Giovanlie Regionale ANBIMA FVG, Italy, and is an impressive, stirring and moving piece of music.

SEK 305.00
1

Three Blind Mice

Three Blind Mice

This composition is based on the children’s song ‘Three Blind Mice’, of which the melody is featured in a range of variations: in a canon, in inversion, in minor, transformed, with changing harmonisations and orchestrations, andin different times and tempi. The work consists of three continuous, contrasting movements: 1) Mouse March: The mice cheerfully set off while the original melody is presented as a march. - 2) Hymn: In a tuneful hymn,the wonderful praises of the life of mice are sung. - 3) Catch Me If You Can: In an animated chase, the farmer’s wife is trying to catch the mice. Following a stirring acceleration, she cuts off their tails in accordancewith the lyrics of the song. I hope this work, with its humorous touch, will be a welcome contribution to the expansion of interesting repertoire for the lower divisions. - Bert Appermont

SEK 1376.00
1

Microtopia : Papilionoidea - Hymenoptera

Microtopia : Papilionoidea - Hymenoptera

Microtopia was inspired by the wondrous nature film Microcosmos, in which the insect world is magnified into large-aslife tableaux. The title of the work is a combination of the words microscopic (micro) and biotope (topia), in reference to this weird and wonderful world. From the original four-part composition, Bert Appermont made an instrumentation of two parts for woodwind ensemble and optional string bass, harp and mallet percussion, Papilionoidea (the butterflies) and Hymenoptera (the wasps). The music aims to be suggestive rather than produce a literal evocation or depiction. I am convinced that everybody can imagine different scenes and moods when listening to these two parts, from fluttering butterflies to aggressive wasps. The colourful orchestration and harmonisation really work in this respect. The use of trills, atmospheric chords and irregular times (five-eight) gives the work an unusual character.

SEK 1128.00
1

Three Blind Mice

Three Blind Mice

This composition is based on the children’s song ‘Three Blind Mice’, of which the melody is featured in a range of variations: in a canon, in inversion, in minor, transformed, with changing harmonisations and orchestrations, andin different times and tempi. The work consists of three continuous, contrasting movements: 1) Mouse March: The mice cheerfully set off while the original melody is presented as a march. - 2) Hymn: In a tuneful hymn,the wonderful praises of the life of mice are sung. - 3) Catch Me If You Can: In an animated chase, the farmer’s wife is trying to catch the mice. Following a stirring acceleration, she cuts off their tails in accordancewith the lyrics of the song. I hope this work, with its humorous touch, will be a welcome contribution to the expansion of interesting repertoire for the lower divisions. - Bert Appermont

SEK 305.00
1

Other Lives

Other Lives

Other Lives is works perfectly for a competition but can also be programmed as concert work. The dark chords at the beginning of the piece are derived from “Der Doppelgänger”, one of Franz Schubert’s late songs. After a short development the music begins to accelerate and find its own shape, gradually moving away from the introduction. The entire first part, “Rage”, has an intensely agitated character. The ensuing “Reflection” turns back to the initial chord progression, before a series of interspersing solos explore time and space at a slower pace. After another musical surge, the music is brought close to silence and then gives way to the third part, “Redemption”.Here, a widely spaced sound field contains a remote allusion to another work by Schubert “Rückblick”. After this farewell, an abstract musical transformation triggers an emotional change, as the initial motifs are now presented in their inversed form in order to create a much brighter harmonic landscape. Moreover, in the last part of the piece, “Renewal”, the grim, tense atmosphere of the first part is transformed into a great energy. Other Lives was commissioned by the Valaisia Brass Band.

SEK 2119.00
1

Other Lives

Other Lives

Other Lives is works perfectly for a competition but can also be programmed as concert work. The dark chords at the beginning of the piece are derived from “Der Doppelgänger”, one of Franz Schubert’s late songs. After a short development the music begins to accelerate and find its own shape, gradually moving away from the introduction. The entire first part, “Rage”, has an intensely agitated character. The ensuing “Reflection” turns back to the initial chord progression, before a series of interspersing solos explore time and space at a slower pace. After another musical surge, the music is brought close to silence and then gives way to the third part, “Redemption”.Here, a widely spaced sound field contains a remote allusion to another work by Schubert “Rückblick”. After this farewell, an abstract musical transformation triggers an emotional change, as the initial motifs are now presented in their inversed form in order to create a much brighter harmonic landscape. Moreover, in the last part of the piece, “Renewal”, the grim, tense atmosphere of the first part is transformed into a great energy. Other Lives was commissioned by the Valaisia Brass Band.

SEK 484.00
1