DO-Quintett - Antoniou, Theodore

Performance score 2Trp/Hn/trombone/Tb Hæftet udgave

Concerto K 246 Do

Please Don't Do It In Here

I?d do anything for love

Tri-ra-ro, der Sommertag is do!

Rusalka's Song To The Moon

Antonin Dvorak's Rusalka's Song To The Moon for Soprano and Piano accompaniment, as arranged by Karel Solc.

I Want To Be A Guitarist

This children’s album by renowned Czech composer-guitarist Lukáš Sommer reflects the latest trends in playing and teaching the Guitar. It is suitable for the first three years of lessons. Some of the pieces have even been performed by children and young Guitar students at competitions and concerts in Europe.Each of these little programme pieces is written in a different style with brief explanations of its technical features. Several are composed in an open-ended form that allows players to define the rhythm or to add an accompaniment on open bass strings. In this way the author grants leeway to the learners’ creativity and stimulates their musicalimagination.The pieces are easy to play and the edition comes with attractive illustrations.

Tri-ra-ro, der Sommertag is do! - Bresgen, Cesar

part(s) Folded

Tri-ra-ro, der Sommertag is do! - Bresgen, Cesar

part(s) Folded

Tri-ra-ro, der Sommertag is do! - Bresgen, Cesar

part(s) Folded

Tri-ra-ro, der Sommertag is do! - Bresgen, Cesar

score, set of parts Ch (children choir)/2recorder-S/Str Hæftet udgave

Tri-ra-ro, der Sommertag is do! - Bresgen, Cesar

part(s) Folded

Lélio (The Return to Life) - Berlioz, Hector

A Lyric Monodrama The sequel to Symphonie fantastique complete edition, Anthology, Urtext edition 2TSolo/BarSolo/speaker/mixed choir: SSTTBB/2Fl/2Ob/2clarinet/2bassoon/4Hn/2Trp/3trombone/Op/timpani/percussion/piano/Str Indbundet udgave

Music to Soliman second, ou Les Trois Sultanes : Comédie (Laxenburg 1765)

The critical edition presents the music to the verse comedy “Soliman second, ou Les Trois Sultanes” by Charles-Simon Favart (1710–1792), which was performed before the Viennese courtly audience in the Schlosstheater Laxenburg bythe French troupe of the Burgtheater on 18 May 1765. This is the first time that Gluck’s music to the Favartian comedy has appeared in print.A popular comedy which in particular was known for its exotic colour, “Solimansecond” quickly made its mark on many European stages. Through the good offices of the court theatre director Count Durazzo, the libretto made its way to Vienna too. As “Direttore della Musica” at Vienna’s Burgtheater and anaccomplished writer of French opéras-comiques, Gluck may have been commissioned to compose the vocal numbers – four solo airs and a duet – which were meant to be performed in the comedy. As far as can be established, Gluck’sinvolvement in incidental music is an exception in his artistic output.In addition to the detailed introduction to the history of the work, the volume contains the Critical Report providing exhaustive information on the sourcematerial, editorial technique and performance practice. The libretto for the premiere performance and illustrative extracts from the sources are reproduced in facsimile.

Fantasia on All People That on Earth Do Dwell : Op. 109

Die Entführung Aus Dem Serail : German singspiel in three acts

“I know for a fact that the Emperor is proposing to mount a German opera in Vienna, and that he is making every effort to find a young Kapellmeister who understands German, has talent and is capable of striking out on a newpath. [...] I think it would be a good thing for me provided, of course, that the pay is good. If the Emperor will give me a thousand gulden, I will write a German opera for him.”Thus Mozart in a letter of 1011 January 1778 from Mannheim to his father, Leopold. He continued by asking his father to “write to every good friend in Vienna you can think of and say that it is in my power to do honor to the Emperor. If he won’t take meonany other terms, then let him try me with an opera. After that he can do what he likes for all I care.”Urtext of the New Mozart EditionFull score (BA4591-01), vocal score (BA4591-90) and studyscore format 22.5 x 16.5cm (TP311) available for salePerformance material available for hire (BA4591-72)

Die Entführung Aus Dem Serail : German singspiel in three acts

“I know for a fact that the Emperor is proposing to mount a German opera in Vienna, and that he is making every effort to find a young Kapellmeister who understands German, has talent and is capable of striking out on a newpath. [...] I think it would be a good thing for me provided, of course, that the pay is good. If the Emperor will give me a thousand gulden, I will write a German opera for him.”Thus Mozart in a letter of 1011 January 1778 from Mannheim to his father, Leopold. He continued by asking his father to “write to every good friend in Vienna you can think of and say that it is in my power to do honor to the Emperor. If he won’t take meonany other terms, then let him try me with an opera. After that he can do what he likes for all I care.”Urtext of the New Mozart EditionFull score (BA4591-01), vocal score (BA4591-90) and studyscore format 22.5 x 16.5cm (TP311) available for salePerformance material available for hire (BA4591-72)

A Taste Of Schubert : For High Voice

Do you know our performing edition of Schubert Lieder? 13 volumes containing the complete Lieder for solo voice and piano in editions for high, medium and low voice are planned. Nine of these volumes have already been published and provide the basis for this special sampler at a very special price. “A Taste of Schubert” presents one to three pieces from each volume to create a cross-section of Schubert’s complete lieder œuvre. Lieder from his famous cycles are included as well as “Sehnsucht”, of which he wrote several settings.

A Taste Of Schubert : For Medium Voice

Do you know our performing edition of Schubert Lieder? 13 volumes containing the complete Lieder for solo voice and piano in editions for high, medium and low voice are planned. Nine of these volumes have already been published and provide the basis for this special sampler at a very special price. “A Taste of Schubert” presents one to three pieces from each volume to create a cross-section of Schubert’s complete lieder œuvre. Lieder from his famous cycles are included as well as “Sehnsucht”, of which he wrote several settings.

Two Sonatas RV40 And RV46 : Edition specially prepared for the ABRSM & TRINITY GUILDHALL exam syllabuses

Vivaldi was familiar with the technique and idiomatic qualities of the cello and writing for the cello seems to have drawn from Vivaldi a special empathy: there is a degree of seriousness and expressive depth which isencountered much less consistently in his violin music. Perhaps it has something to do with the cello's low register, since similar qualities inform his writing for bassoon.This Urtext edition, edited by BettinaHoffmann, provides you with a clear and accurate realisation of the composer’s original intentions with thoroughly detailed editorial markings and suggestions. The solo cello part is also included on a separate insert.

Festive Choral settings from Cantatas : Arranged for Choir and Organ

Festive Choral Settings From Cantatas Arranged For Choir & Organ is ideal for church services and concerts and has easy-to-play Organ reductions.The six choral settings of this edition come from cantatasby Johann Sebastian Bach, offering richly sounding ensemble forces for festive occasions of the ecclesiastical year (New Year, Easter, Ascension Day, Whitsuntide, Trinity Sunday). These arrangements for Choir andOrgan by the church musician and organist of the Stiftskirche Tübingen, Ingo Bredenbach, will allow choirs unable to call on large orchestral forces with wind instruments and strings to perform these choralsettings.Concertante cantata movements giving prominence to the choir have been selected; at the same time their texts do not restrict them to the particular religious holiday they were meant for in the Church year. Thesearrangements follow the score of the “New Bach Edition”. They are playable on every two-manual instrument with pedal. The arrangements available here, however, require no imitation of the orchestral sound, but stand asindependent versions.

Fragments to Stage Works

Missa in C major K.167 : Trinity Sunday Mass

The Missa in honorem SS:mae Trinitatis K.167 is Mozart's only mass bearing a dedication in its title and the only one written for chorus and orchestra without vocal soloists. We do not know the occasion for which the mass waswritten, although it was undoubtedly related to the dedication. Perhaps it was first performed on Trinity Sunday 1773, since the autograph bears the date Giugno 1773 and Trinity Sunday fell an 5 June that year. The heavy scoring- for two oboes, two clarini, two trombe, timpani, two violins, bass and organ - suggests that the mass owes its origin to a special festivity.Urtext of the New Mozart EditionFull score, performancematerial(BA4783) and vocal score (BA4783-90) available for sale.

Missa in C major K.167 : Trinity Sunday Mass

The Missa in honorem SS:mae Trinitatis K.167 is Mozart's only mass bearing a dedication in its title and the only one written for chorus and orchestra without vocal soloists. We do not know the occasion for which the mass waswritten, although it was undoubtedly related to the dedication. Perhaps it was first performed on Trinity Sunday 1773, since the autograph bears the date Giugno 1773 and Trinity Sunday fell an 5 June that year. The heavy scoring- for two oboes, two clarini, two trombe, timpani, two violins, bass and organ - suggests that the mass owes its origin to a special festivity.Urtext of the New Mozart EditionFull score, performancematerial(BA4783) and vocal score (BA4783-90) available for sale.

Missa in C major K.167 : Trinity Sunday Mass

The Missa in honorem SS:mae Trinitatis K.167 is Mozart's only mass bearing a dedication in its title and the only one written for chorus and orchestra without vocal soloists. We do not know the occasion for which the mass waswritten, although it was undoubtedly related to the dedication. Perhaps it was first performed on Trinity Sunday 1773, since the autograph bears the date Giugno 1773 and Trinity Sunday fell an 5 June that year. The heavy scoring- for two oboes, two clarini, two trombe, timpani, two violins, bass and organ - suggests that the mass owes its origin to a special festivity.Urtext of the New Mozart EditionFull score, performancematerial(BA4783) and vocal score (BA4783-90) available for sale.