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Vierzig Variationen Für Violine Op. 3

Vierzig Variationen Für Violine Op. 3

Otakar Ševcik’s single-volume Forty Variations for the Violin occupies a special position in his extensive oeuvre of teaching material. Here he follows up on his systematic “step by step” work for the right hand, which hecovered in detail in his previous Op.2.Nonetheless, this volume can be used as a self-contained unit, enlivening the violinist’s daily regimen and offering a concise and highly effective method for mastering the right hand,from elementary exercises to virtuoso technique.The editor, Pavel Kudelásek, is a teacher at the Prague Conservatory.New edition of another Ševc k opus for training the right handA follow-up to SchoolofBowing Technique Op.2Foreword by the editor (Cz/Eng/Ger)Medium to high level of difficulty

SEK 133.00
1

Violin Concerto In D Minor BWV 1043

Violin Concerto In D Minor BWV 1043

In 2001 Bärenreiter issued a newly engraved keyboard reduction and solo parts to this concerto based on the acclaimed New Bach Edition.The present expanded publication goes a step further in that it offers notonly the two solo violin parts as presented in the New Bach Edition, but also two additional parts with fingerings and bowings by the baroque specialist Andrew Manze.Manze also offers players enlightened comments(English/German) on historical performance practices dealing with how the instrument was held, fingerings, bowing, shifting, the use of open strings and much much more.

SEK 234.00
1

Double Concerto For Two Violins In D Minor

Double Concerto For Two Violins In D Minor

In 2001 Bärenreiter issued a newly engraved keyboard reduction and solo parts to this concerto based on the acclaimed New Bach Edition.The present expanded new publication goes a step further in that it offers not onlythe two solo Violin parts as presented in the New Bach Edition, but also two additional parts with fingerings and bowings by the baroque specialist Andrew Manze.Manze also offers players enlightened comments(English/German) on historical performance practices dealing with how the instrument was held, fingerings, bowing, shifting, the use of open strings and much much more.Full score & parts (BA5188), 2 Violins andPianoreduction (BA5188-90) and study score (TP284) available for sale.

SEK 112.00
1

Double Concerto For Two Violins In D Minor

Double Concerto For Two Violins In D Minor

In 2001 Bärenreiter issued a newly engraved keyboard reduction and solo parts to this concerto based on the acclaimed New Bach Edition.The present expanded new publication goes a step further in that it offers not onlythe two solo Violin parts as presented in the New Bach Edition, but also two additional parts with fingerings and bowings by the baroque specialist Andrew Manze.Manze also offers players enlightened comments(English/German) on historical performance practices dealing with how the instrument was held, fingerings, bowing, shifting, the use of open strings and much much more.Full score & parts (BA5188), 2 Violins andPianoreduction (BA5188-90) and study score (TP284) available for sale.

SEK 112.00
1

Double Concerto For Two Violins In D Minor

Double Concerto For Two Violins In D Minor

In 2001 Bärenreiter issued a newly engraved keyboard reduction and solo parts to this concerto based on the acclaimed New Bach Edition.The present expanded new publication goes a step further in that it offers not onlythe two solo Violin parts as presented in the New Bach Edition, but also two additional parts with fingerings and bowings by the baroque specialist Andrew Manze.Manze also offers players enlightened comments(English/German) on historical performance practices dealing with how the instrument was held, fingerings, bowing, shifting, the use of open strings and much much more.Full score & parts (BA5188), 2 Violins andPianoreduction (BA5188-90) and study score (TP284) available for sale.

SEK 112.00
1

Double Concerto For Two Violins In D Minor

Double Concerto For Two Violins In D Minor

In 2001 Bärenreiter issued a newly engraved keyboard reduction and solo parts to this concerto based on the acclaimed New Bach Edition.The present expanded new publication goes a step further in that it offers not onlythe two solo Violin parts as presented in the New Bach Edition, but also two additional parts with fingerings and bowings by the baroque specialist Andrew Manze.Manze also offers players enlightened comments(English/German) on historical performance practices dealing with how the instrument was held, fingerings, bowing, shifting, the use of open strings and much much more.Full score & parts (BA5188), 2 Violins andPianoreduction (BA5188-90) and study score (TP284) available for sale.

SEK 112.00
1

Cantata BWV 130 Herr Gott, Dich Loben Alle Wir : Cantata for the Feast of St. Michael

Cantata BWV 130 Herr Gott, Dich Loben Alle Wir : Cantata for the Feast of St. Michael

Herr Gott, dich loben alle wir (Lord God, we praise Thee all of us) BWV 130Cantata for the Feast of St. MichaelComposed for Michaelmas, 1724, Bach's cantata 'Herr Gott dich lobenalle wir' belongs to the cycle of chorale cantatas which uses a hymn, as perhaps various preachers also did, to interptet the ideas of the Biblical texts. The hymn used here, composed by Paul Eber in 1554, hastwelve stanzas. Texts for two recitatives and two arias were written to go with each of stanzas 2 to 10. Bach used the first stanza as a processional, and the last two stanzas were made into a concluding chorale withtheoriginal text.- Urtext of the New Bach Edition

SEK 213.00
1

Cantata BWV 130 Herr Gott, Dich Loben Alle Wir : Cantata for the Feast of St. Michael

Cantata BWV 130 Herr Gott, Dich Loben Alle Wir : Cantata for the Feast of St. Michael

Herr Gott, dich loben alle wir (Lord God, we praise Thee all of us) BWV 130Cantata for the Feast of St. MichaelComposed for Michaelmas, 1724, Bach's cantata 'Herr Gott dich lobenalle wir' belongs to the cycle of chorale cantatas which uses a hymn, as perhaps various preachers also did, to interptet the ideas of the Biblical texts. The hymn used here, composed by Paul Eber in 1554, hastwelve stanzas. Texts for two recitatives and two arias were written to go with each of stanzas 2 to 10. Bach used the first stanza as a processional, and the last two stanzas were made into a concluding chorale withtheoriginal text.- Urtext of the New Bach Edition

SEK 86.00
1

Cantata BWV 130 Herr Gott, Dich Loben Alle Wir : Cantata for the Feast of St. Michael

Cantata BWV 130 Herr Gott, Dich Loben Alle Wir : Cantata for the Feast of St. Michael

Herr Gott, dich loben alle wir (Lord God, we praise Thee all of us) BWV 130Cantata for the Feast of St. MichaelComposed for Michaelmas, 1724, Bach's cantata 'Herr Gott dich lobenalle wir' belongs to the cycle of chorale cantatas which uses a hymn, as perhaps various preachers also did, to interptet the ideas of the Biblical texts. The hymn used here, composed by Paul Eber in 1554, hastwelve stanzas. Texts for two recitatives and two arias were written to go with each of stanzas 2 to 10. Bach used the first stanza as a processional, and the last two stanzas were made into a concluding chorale withtheoriginal text.- Urtext of the New Bach Edition

SEK 136.00
1

Cantata BWV 130 Herr Gott, Dich Loben Alle Wir : Cantata for the Feast of St. Michael

Cantata BWV 130 Herr Gott, Dich Loben Alle Wir : Cantata for the Feast of St. Michael

Herr Gott, dich loben alle wir (Lord God, we praise Thee all of us) BWV 130Cantata for the Feast of St. MichaelComposed for Michaelmas, 1724, Bach's cantata 'Herr Gott dich lobenalle wir' belongs to the cycle of chorale cantatas which uses a hymn, as perhaps various preachers also did, to interptet the ideas of the Biblical texts. The hymn used here, composed by Paul Eber in 1554, hastwelve stanzas. Texts for two recitatives and two arias were written to go with each of stanzas 2 to 10. Bach used the first stanza as a processional, and the last two stanzas were made into a concluding chorale withtheoriginal text.- Urtext of the New Bach Edition

SEK 86.00
1

Cantata BWV 130 Herr Gott, Dich Loben Alle Wir : Cantata for the Feast of St. Michael

Cantata BWV 130 Herr Gott, Dich Loben Alle Wir : Cantata for the Feast of St. Michael

Herr Gott, dich loben alle wir (Lord God, we praise Thee all of us) BWV 130Cantata for the Feast of St. MichaelComposed for Michaelmas, 1724, Bach's cantata 'Herr Gott dich lobenalle wir' belongs to the cycle of chorale cantatas which uses a hymn, as perhaps various preachers also did, to interptet the ideas of the Biblical texts. The hymn used here, composed by Paul Eber in 1554, hastwelve stanzas. Texts for two recitatives and two arias were written to go with each of stanzas 2 to 10. Bach used the first stanza as a processional, and the last two stanzas were made into a concluding chorale withtheoriginal text.- Urtext of the New Bach Edition

SEK 86.00
1

Cantata BWV 130 Herr Gott, Dich Loben Alle Wir : Cantata for the Feast of St. Michael

Cantata BWV 130 Herr Gott, Dich Loben Alle Wir : Cantata for the Feast of St. Michael

Herr Gott, dich loben alle wir (Lord God, we praise Thee all of us) BWV 130Cantata for the Feast of St. MichaelComposed for Michaelmas, 1724, Bach's cantata 'Herr Gott dich lobenalle wir' belongs to the cycle of chorale cantatas which uses a hymn, as perhaps various preachers also did, to interptet the ideas of the Biblical texts. The hymn used here, composed by Paul Eber in 1554, hastwelve stanzas. Texts for two recitatives and two arias were written to go with each of stanzas 2 to 10. Bach used the first stanza as a processional, and the last two stanzas were made into a concluding chorale withtheoriginal text.- Urtext of the New Bach Edition

SEK 398.00
1

Cantata BWV 130 Herr Gott, Dich Loben Alle Wir : Cantata for the Feast of St. Michael

Cantata BWV 130 Herr Gott, Dich Loben Alle Wir : Cantata for the Feast of St. Michael

Herr Gott, dich loben alle wir (Lord God, we praise Thee all of us) BWV 130Cantata for the Feast of St. MichaelComposed for Michaelmas, 1724, Bach's cantata 'Herr Gott dich lobenalle wir' belongs to the cycle of chorale cantatas which uses a hymn, as perhaps various preachers also did, to interptet the ideas of the Biblical texts. The hymn used here, composed by Paul Eber in 1554, hastwelve stanzas. Texts for two recitatives and two arias were written to go with each of stanzas 2 to 10. Bach used the first stanza as a processional, and the last two stanzas were made into a concluding chorale withtheoriginal text.- Urtext of the New Bach Edition

SEK 202.00
1

String Quartet No.6 H.312 - Study Score

String Quartet No.6 H.312 - Study Score

An informative preface and critical commentary by Ales Brezina and Ivan Straus (Cz / Ger / Engl / Fr) - A new, practical edition at the forefront of Martinu scholarship - All existing sources consulted.The StringQuartet no. 6 by Bohuslav Martinu (1890-1959) represents a distinct step on the journey which the composer characterised as his development from geometry to fantasy and for which the almost continuous use of theprinciple of developing variations, restless harmonic development, the pulsation of minute rhythmic values and inventive work with sound are characteristic.The quartet, which was written in New York in the autumn of1946,constitutes the beginning of the composer's later works, in which moods freely overflow regardless of any predefined formal layout. The editors of the new edition (based on the composer's autograph) have carefully removed allof the problematic and somewhat arbitrary editorial intervention in the sole existing edition dating from 1950 (actually 1955).With its urtext edition of the 6th quartet, Editio Bareneriter Praha has continued in itsseries of new publications of works by Bohuslav Martinu - quartets nos. 4 and 5 have already been published for this instrumental line-up.

SEK 366.00
1

Mass In C Op.86

Mass In C Op.86

Features of the Barenreiter Urtext edition of Beethoven's Mass In C Major:Score with realisation of the Organ partBilingual Foreword (Eng/Ger) and Critical Commentary(Eng)Straight-forward Piano reductionFull score and performance material (BA9039) and Vocal score (BA9039-90) available for saleAmongst Beethoven’s sacred works are two settings of theMass. The Mass In C Major was completed and premiered in 1807 and has been unjustly described as a preliminary step towards the great Missa solemnis. Yet it is a self-contained and, for its time, distinctlymodernpiece of sacred music.Beethoven specialist Barry Cooper has drawn on a rich body of sources to suggests practical solutions to the work’s musical and interpretative problems. His in-depth study ofthe sources convinced him to include a fully realised Organ part in the score, just as Beethoven envisioned it for the first printed edition. As stated in the original sources, the parts for the soloists and choir arenotated on joint staves to demonstrate that the soloists are also to sing the choral passages.This Barenreiter Urtext edition is rounded off with a foreword on the work’s genesis and a detailed critical commentary.

SEK 234.00
1

Mass In C Op.86

Mass In C Op.86

Features of the Barenreiter Urtext edition of Beethoven's Mass In C Major:Score with realisation of the Organ partBilingual Foreword (Eng/Ger) and Critical Commentary(Eng)Straight-forward Piano reductionFull score and performance material (BA9039) and Vocal score (BA9039-90) available for saleAmongst Beethoven’s sacred works are two settings of theMass. The Mass In C Major was completed and premiered in 1807 and has been unjustly described as a preliminary step towards the great Missa solemnis. Yet it is a self-contained and, for its time, distinctlymodernpiece of sacred music.Beethoven specialist Barry Cooper has drawn on a rich body of sources to suggests practical solutions to the work’s musical and interpretative problems. His in-depth study ofthe sources convinced him to include a fully realised Organ part in the score, just as Beethoven envisioned it for the first printed edition. As stated in the original sources, the parts for the soloists and choir arenotated on joint staves to demonstrate that the soloists are also to sing the choral passages.This Barenreiter Urtext edition is rounded off with a foreword on the work’s genesis and a detailed critical commentary.

SEK 117.00
1

Mass In C Op.86

Mass In C Op.86

Features of the Barenreiter Urtext edition of Beethoven's Mass In C Major:Score with realisation of the Organ partBilingual Foreword (Eng/Ger) and Critical Commentary(Eng)Straight-forward Piano reductionFull score and performance material (BA9039) and Vocal score (BA9039-90) available for saleAmongst Beethoven’s sacred works are two settings of theMass. The Mass In C Major was completed and premiered in 1807 and has been unjustly described as a preliminary step towards the great Missa solemnis. Yet it is a self-contained and, for its time, distinctlymodernpiece of sacred music.Beethoven specialist Barry Cooper has drawn on a rich body of sources to suggests practical solutions to the work’s musical and interpretative problems. His in-depth study ofthe sources convinced him to include a fully realised Organ part in the score, just as Beethoven envisioned it for the first printed edition. As stated in the original sources, the parts for the soloists and choir arenotated on joint staves to demonstrate that the soloists are also to sing the choral passages.This Barenreiter Urtext edition is rounded off with a foreword on the work’s genesis and a detailed critical commentary.

SEK 117.00
1

Mass In C Op.86

Mass In C Op.86

Features of the Barenreiter Urtext edition of Beethoven's Mass In C Major:Score with realisation of the Organ partBilingual Foreword (Eng/Ger) and Critical Commentary(Eng)Straight-forward Piano reductionFull score and performance material (BA9039) and Vocal score (BA9039-90) available for saleAmongst Beethoven’s sacred works are two settings of theMass. The Mass In C Major was completed and premiered in 1807 and has been unjustly described as a preliminary step towards the great Missa solemnis. Yet it is a self-contained and, for its time, distinctlymodernpiece of sacred music.Beethoven specialist Barry Cooper has drawn on a rich body of sources to suggests practical solutions to the work’s musical and interpretative problems. His in-depth study ofthe sources convinced him to include a fully realised Organ part in the score, just as Beethoven envisioned it for the first printed edition. As stated in the original sources, the parts for the soloists and choir arenotated on joint staves to demonstrate that the soloists are also to sing the choral passages.This Barenreiter Urtext edition is rounded off with a foreword on the work’s genesis and a detailed critical commentary.

SEK 213.00
1

Mass In C Op.86

Mass In C Op.86

Features of the Barenreiter Urtext edition of Beethoven's Mass In C Major:Score with realisation of the Organ partBilingual Foreword (Eng/Ger) and Critical Commentary(Eng)Straight-forward Piano reductionFull score and performance material (BA9039) and Vocal score (BA9039-90) available for saleAmongst Beethoven’s sacred works are two settings of theMass. The Mass In C Major was completed and premiered in 1807 and has been unjustly described as a preliminary step towards the great Missa solemnis. Yet it is a self-contained and, for its time, distinctlymodernpiece of sacred music.Beethoven specialist Barry Cooper has drawn on a rich body of sources to suggests practical solutions to the work’s musical and interpretative problems. His in-depth study ofthe sources convinced him to include a fully realised Organ part in the score, just as Beethoven envisioned it for the first printed edition. As stated in the original sources, the parts for the soloists and choir arenotated on joint staves to demonstrate that the soloists are also to sing the choral passages.This Barenreiter Urtext edition is rounded off with a foreword on the work’s genesis and a detailed critical commentary.

SEK 117.00
1

Mass In C Op.86

Mass In C Op.86

Features of the Barenreiter Urtext edition of Beethoven's Mass In C Major:Score with realisation of the Organ partBilingual Foreword (Eng/Ger) and Critical Commentary(Eng)Straight-forward Piano reductionFull score and performance material (BA9039) and Vocal score (BA9039-90) available for saleAmongst Beethoven’s sacred works are two settings of theMass. The Mass In C Major was completed and premiered in 1807 and has been unjustly described as a preliminary step towards the great Missa solemnis. Yet it is a self-contained and, for its time, distinctlymodernpiece of sacred music.Beethoven specialist Barry Cooper has drawn on a rich body of sources to suggests practical solutions to the work’s musical and interpretative problems. His in-depth study ofthe sources convinced him to include a fully realised Organ part in the score, just as Beethoven envisioned it for the first printed edition. As stated in the original sources, the parts for the soloists and choir arenotated on joint staves to demonstrate that the soloists are also to sing the choral passages.This Barenreiter Urtext edition is rounded off with a foreword on the work’s genesis and a detailed critical commentary.

SEK 117.00
1

Mass In C Op.86

Mass In C Op.86

Features of the Barenreiter Urtext edition of Beethoven's Mass In C Major:Score with realisation of the Organ partBilingual Foreword (Eng/Ger) and Critical Commentary(Eng)Straight-forward Piano reductionFull score and performance material (BA9039) and Vocal score (BA9039-90) available for saleAmongst Beethoven’s sacred works are two settings of theMass. The Mass In C Major was completed and premiered in 1807 and has been unjustly described as a preliminary step towards the great Missa solemnis. Yet it is a self-contained and, for its time, distinctlymodernpiece of sacred music.Beethoven specialist Barry Cooper has drawn on a rich body of sources to suggests practical solutions to the work’s musical and interpretative problems. His in-depth study ofthe sources convinced him to include a fully realised Organ part in the score, just as Beethoven envisioned it for the first printed edition. As stated in the original sources, the parts for the soloists and choir arenotated on joint staves to demonstrate that the soloists are also to sing the choral passages.This Barenreiter Urtext edition is rounded off with a foreword on the work’s genesis and a detailed critical commentary.

SEK 117.00
1

Mass In C Op.86

Mass In C Op.86

Features of the Barenreiter Urtext edition of Beethoven's Mass In C Major:Score with realisation of the Organ partBilingual Foreword (Eng/Ger) and Critical Commentary(Eng)Straight-forward Piano reductionFull score and performance material (BA9039) and Vocal score (BA9039-90) available for saleAmongst Beethoven’s sacred works are two settings of theMass. The Mass In C Major was completed and premiered in 1807 and has been unjustly described as a preliminary step towards the great Missa solemnis. Yet it is a self-contained and, for its time, distinctlymodernpiece of sacred music.Beethoven specialist Barry Cooper has drawn on a rich body of sources to suggests practical solutions to the work’s musical and interpretative problems. His in-depth study ofthe sources convinced him to include a fully realised Organ part in the score, just as Beethoven envisioned it for the first printed edition. As stated in the original sources, the parts for the soloists and choir arenotated on joint staves to demonstrate that the soloists are also to sing the choral passages.This Barenreiter Urtext edition is rounded off with a foreword on the work’s genesis and a detailed critical commentary.

SEK 876.00
1

Kyrie

Kyrie

Vivaldi's Kyrie RV 587 (BA 8950), is scored for two choirs and two groups of stringed instruments. The date of its composition remains unclear. It is a purely a Choral work without solopassages.Today the “Gloria” RV 589 (BA 7674) is one of Vivaldi’s best-known compositions and one of the most frequently performed sacred Vocal works from the Baroque period. Vivaldi wrotethe “Gloria” as a self-contained work in the style of a concertante mass. However, it was probably also performed within church services. The scoring of the solo voices (SSA) suggests that the work was written during his periodatthe Ospedale della Piet , around 1716. In the twelve movements of the “Gloria”, Vivaldi displays the whole range of his mastery from festive, sublime outer movements to tender, transparently scored solopassages.Both works can be performed independently but can also be combined as a kind of short mass. Although the authenticity of the autograph manuscript score is beyond doubt, these new editions contain somere-evaluations in phrasing and performance practice which go beyond what other editions have to offer. The Piano reductions are straightforward, clearly presented and preserve the character of the works.- Attractive choralpieces which can be combined to form a short mass.- Informative foreword (Ger/Eng).

SEK 83.00
1