26 resultat (0,15873 sekunder)

Visa alla filter

Märke

Butik

Pris (EUR)

Nollställ filter

Produkter
Från
Butiker

Air - Bach, Johann Sebastian

Air - Bach, Johann Sebastian

Upptäck Johann Sebastian Bachs odödliga “Air” från Orkestersvit nr 3 (BWV 1068) i en banbrytande soloversion för violin — arrangerad av den unga violinvirtuosen Roman Kim. Det här är inte bara en bearbetning, utan ett fullfjädrat kontrapunktiskt verk där melodin och harmoniken smälter samman i ett enastående framförande utan ackompanjemang. Roman Kims inspelning av detta arrangemang blev en viral succé på YouTube och har hyllats för sin tekniska briljans och emotionella kraft. Med en sällsynt kombination av klassisk tradition och modern virtuositet lyckas Kim ge Bachs verk en helt ny dimension. Ett perfekt val för avancerade violinister som söker ett solostycke som är både musikaliskt djupgående och tekniskt utmanande. Ett stycke som fångar publiken och demonstrerar violinens fulla potential. • Virtuos och nyskapande tolkning av Bachs “Air” • Perfekt för soloframträdanden, tävlingar och provspelningar • En musikalisk utmaning för den seriösa violinisten

SEK 131.00
1

Von der Renaissance zum Ragtime

Von der Renaissance zum Ragtime

The combination of Flute and Guitar is becoming increasingly popular among music school pupils and concert performers. This publication, From Renaissance To Ragtime, expands the fairly narrow repertoire forthis combination of instruments to include arrangements of famous compositions, such as variations on the famous English Renaissance song Greensleeves, famous melodies by Johann Sebastian Bach (Air,Siciliana, Badinerie), the popular Minuet by Luigi Boccherini, Chopin's virtuoso Variations on a Theme of Rossini, and Scott Joplin's popular ragtime tune TheEntertainer(familiar from the film The Sting). In order that these relatively demanding arrangements can be enjoyed by a broad spectrum of performers, editor Pavel Kloub selected compositions which can easily beplayed not only on the Flute, but also on the Oboe or Violin.Contents:Green Sleeves (variations on the english renaissance song) [Fleury, Louis]Le Basque [Marais, Marin]Air [Bach, Johann Sebastian]Siciliano[Bach, Johann Sebastian]Menuet [Bach, Johann Sebastian]Badinerie [Bach, Johann Sebastian]Menuet [Boccherini, Luigi]Variations on a theme of Rossini [Chopin, Frederic]The Entertainer [Joplin, Scott]

SEK 207.00
1

Music Midsummer 2 Full Sc

Music Midsummer 2 Full Sc

In completion of the first part (Hortus Musicus 50 now out of print) this second part to the 'Music To The Midsummer Night's Dream' contains all the remaining four-part instrumental pieces from HenryPurcell's opera 'The Fairy Queen' (1692). Similar to the pieces in the first part the composer wrote them for performance by Strings, but they can also be played by Wind Instruments only (in particular wood-wind) or withstring and wind instruments mixed, and also with one or several instruments to a part. The pieces were put in such an order that they again present a small self-contained suite.The titles to the several numbers whicharepartly mentioned more exactly in this book indicate their place in the above named opera by Purcell. They elucidate at the same time the character of the various pieces. Thus No.1, Air (Second Music) is originally a(second) introductory piece of music for the opera which still precedes the actual Overture. No.2, Jig, No.5, Air, and No.8, Air, are instrumental postludes to the first, fourth and second acts of the opera respectively, whereasNo.4 'Dance for the Followers of Night', No.6 'Dance for the Green Men' and No.7 'Monkeys' Dance' present a motley picture of the operatic construction which provided a great number of allegoric persons and figures. From apurely musical point of view, this second part too of the 'Music To The Midsummer Night's Dream' contains gems of old instrumental music. May this present book help to gain new friends for the noble art of thegreat Old-English composer.

SEK 261.00
1

Spielmusik zum Sommernachtstraum. Bd 2 (Nr. 1 -9)

Spielmusik zum Sommernachtstraum. Bd 2 (Nr. 1 -9)

In completion of the first part (Hortus Musicus 50 now out of print) this second part to the 'Music To The Midsummer Night's Dream' contains all the remaining four-part instrumental pieces from HenryPurcell's opera 'The Fairy Queen' (1692). Similar to the pieces in the first part the composer wrote them for performance by Strings, but they can also be played by Wind Instruments only (in particular wood-wind) or withstring and wind instruments mixed, and also with one or several instruments to a part. The pieces were put in such an order that they again present a small self-contained suite.The titles to the several numbers whicharepartly mentioned more exactly in this book indicate their place in the above named opera by Purcell. They elucidate at the same time the character of the various pieces. Thus No.1, Air (Second Music) is originally a(second) introductory piece of music for the opera which still precedes the actual Overture. No.2, Jig, No.5, Air, and No.8, Air, are instrumental postludes to the first, fourth and second acts of the opera respectively, whereasNo.4 'Dance for the Followers of Night', No.6 'Dance for the Green Men' and No.7 'Monkeys' Dance' present a motley picture of the operatic construction which provided a great number of allegoric persons and figures. From apurely musical point of view, this second part too of the 'Music To The Midsummer Night's Dream' contains gems of old instrumental music. May this present book help to gain new friends for the noble art of thegreat Old-English composer.

SEK 96.00
1

Spielmusik zum Sommernachtstraum. Bd 2 (Nr. 1 -9)

Spielmusik zum Sommernachtstraum. Bd 2 (Nr. 1 -9)

In completion of the first part (Hortus Musicus 50 now out of print) this second part to the 'Music To The Midsummer Night's Dream' contains all the remaining four-part instrumental pieces from HenryPurcell's opera 'The Fairy Queen' (1692). Similar to the pieces in the first part the composer wrote them for performance by Strings, but they can also be played by Wind Instruments only (in particular wood-wind) or withstring and wind instruments mixed, and also with one or several instruments to a part. The pieces were put in such an order that they again present a small self-contained suite.The titles to the several numbers whicharepartly mentioned more exactly in this book indicate their place in the above named opera by Purcell. They elucidate at the same time the character of the various pieces. Thus No.1, Air (Second Music) is originally a(second) introductory piece of music for the opera which still precedes the actual Overture. No.2, Jig, No.5, Air, and No.8, Air, are instrumental postludes to the first, fourth and second acts of the opera respectively, whereasNo.4 'Dance for the Followers of Night', No.6 'Dance for the Green Men' and No.7 'Monkeys' Dance' present a motley picture of the operatic construction which provided a great number of allegoric persons and figures. From apurely musical point of view, this second part too of the 'Music To The Midsummer Night's Dream' contains gems of old instrumental music. May this present book help to gain new friends for the noble art of thegreat Old-English composer.

SEK 96.00
1

Spielmusik zum Sommernachtstraum. Bd 2 (Nr. 1 -9)

Spielmusik zum Sommernachtstraum. Bd 2 (Nr. 1 -9)

In completion of the first part (Hortus Musicus 50 now out of print) this second part to the 'Music To The Midsummer Night's Dream' contains all the remaining four-part instrumental pieces from HenryPurcell's opera 'The Fairy Queen' (1692). Similar to the pieces in the first part the composer wrote them for performance by Strings, but they can also be played by Wind Instruments only (in particular wood-wind) or withstring and wind instruments mixed, and also with one or several instruments to a part. The pieces were put in such an order that they again present a small self-contained suite.The titles to the several numbers whicharepartly mentioned more exactly in this book indicate their place in the above named opera by Purcell. They elucidate at the same time the character of the various pieces. Thus No.1, Air (Second Music) is originally a(second) introductory piece of music for the opera which still precedes the actual Overture. No.2, Jig, No.5, Air, and No.8, Air, are instrumental postludes to the first, fourth and second acts of the opera respectively, whereasNo.4 'Dance for the Followers of Night', No.6 'Dance for the Green Men' and No.7 'Monkeys' Dance' present a motley picture of the operatic construction which provided a great number of allegoric persons and figures. From apurely musical point of view, this second part too of the 'Music To The Midsummer Night's Dream' contains gems of old instrumental music. May this present book help to gain new friends for the noble art of thegreat Old-English composer.

SEK 96.00
1

Spielmusik zum Sommernachtstraum. Bd 2 (Nr. 1 -9)

Spielmusik zum Sommernachtstraum. Bd 2 (Nr. 1 -9)

In completion of the first part (Hortus Musicus 50 now out of print) this second part to the 'Music To The Midsummer Night's Dream' contains all the remaining four-part instrumental pieces from HenryPurcell's opera 'The Fairy Queen' (1692). Similar to the pieces in the first part the composer wrote them for performance by Strings, but they can also be played by Wind Instruments only (in particular wood-wind) or withstring and wind instruments mixed, and also with one or several instruments to a part. The pieces were put in such an order that they again present a small self-contained suite.The titles to the several numbers whicharepartly mentioned more exactly in this book indicate their place in the above named opera by Purcell. They elucidate at the same time the character of the various pieces. Thus No.1, Air (Second Music) is originally a(second) introductory piece of music for the opera which still precedes the actual Overture. No.2, Jig, No.5, Air, and No.8, Air, are instrumental postludes to the first, fourth and second acts of the opera respectively, whereasNo.4 'Dance for the Followers of Night', No.6 'Dance for the Green Men' and No.7 'Monkeys' Dance' present a motley picture of the operatic construction which provided a great number of allegoric persons and figures. From apurely musical point of view, this second part too of the 'Music To The Midsummer Night's Dream' contains gems of old instrumental music. May this present book help to gain new friends for the noble art of thegreat Old-English composer.

SEK 96.00
1

Water Music Suite I Arranged For Brass Quintet : Teil I

Water Music Suite I Arranged For Brass Quintet : Teil I

Water Music - Suite I: 2 Trumpets, Horn, Trombone, Tuba.Handel's world-known Water Music belongs to the most performed pieces by the composer. It is an example of a Baroquecomposition written for open air concerts, in this case, for the grandiose music productions at the River Thames.The arrangement of selected compositions from the 1st and 2nd suite of Handel's WaterMusic for Wind Quintet was done by the professor of Prague Conservatory Antonin Vaigl.Also available Suite II H7648.

SEK 277.00
1

Water Music Suite II Arranged For Brass Quintet : Teil II

Water Music Suite II Arranged For Brass Quintet : Teil II

Water Music - Suite II: 2 Trumpets, Horn, Trombone, Tuba.Handel's world-known Water Music belongs to the most performed pieces by the composer. It is an example of a Baroquecomposition written for open air concerts, in this case, for the grandiose music productions at the River Thames.The arrangement of selected compositions from the 1st and 2nd suite of Handel's WaterMusic for Wind Quintet was done by the professor of Prague Conservatory Antonin Vaigl.Also available Suite I H7647.

SEK 287.00
1

Eine kleine Nachtmusik : Allegro from Serenade No. 13 K. 525

Eine kleine Nachtmusik : Allegro from Serenade No. 13 K. 525

Mozart’s Serenade No. 13 in G major for Strings K. 525 has become world-famous under the entry he made in his personal catalogue of works: “Eine kleine Nachtmusik”. Though normally performed by a string ensemble, Roman Kim plays its first movement “Allegro” on a single violin! As with Bach’s “Air”, Kim has produced a “violin reduction” containing all the essential parts. Its performance requires not only double stops but triple and even quadruple stops, left-hand pizzicato and many other tricks of the trade. The show effect is guaranteed!Mozart’s Serenade No. 13 in G major for Strings K. 525 has become world-famous under the entry he made in his personal catalogue of works: “Eine kleine Nachtmusik”. Though normally performed by a string ensemble, Roman Kim plays its first movement “Allegro” on a single violin! As with Bach’s “Air”, Kim has produced a “violin reduction” containing all the essential parts. Its performance requires not only double stops but triple and even quadruple stops, left-hand pizzicato and many other tricks of the trade. The show effect is guaranteed!

SEK 175.00
1

Orchestral Suite - Overture No.2 In B Minor

Orchestral Suite - Overture No.2 In B Minor

J.S. Bach’s four Orchestral Suites belong to that select group of works one could truly call classical hits! They stem from Bach’s extremely productive time in Cöthen which ended in 1721.Unfortunately the only sourcesthat have come down to us are copyist parts from Leipzig. These originally formed the basis for the critical complete edition volume which was published in 1967 as part of the “New Bach Edition”.At that time Bärenreiteralso issued separate scores and parts which however were prepared with additional articulation and performance suggestions. Bärenreiter’s new edition of Bach’s great four suites now presents the Urtext as found in the “NewBachEdition” i.e. without emendations and performance suggestions. The orchestral parts have been re-engraved and the material includes an alternative version of the Overture and Air to the D major suite BWV 1068 including a“Violino concertato” part.Urtext editions of these important works.Newly engraved parts and fully realized continuo.For the first time an alternative version of the Overture and Air to the D major suiteBWV 1068 with “ Violino concertato ” is included.Full scores, study scores & performance material available for sale

SEK 117.00
1

Orchestral Suite - Overture No.2 In B Minor

Orchestral Suite - Overture No.2 In B Minor

J.S. Bach’s four Orchestral Suites belong to that select group of works one could truly call classical hits! They stem from Bach’s extremely productive time in Cöthen which ended in 1721.Unfortunately the only sourcesthat have come down to us are copyist parts from Leipzig. These originally formed the basis for the critical complete edition volume which was published in 1967 as part of the “New Bach Edition”.At that time Bärenreiteralso issued separate scores and parts which however were prepared with additional articulation and performance suggestions. Bärenreiter’s new edition of Bach’s great four suites now presents the Urtext as found in the “NewBachEdition” i.e. without emendations and performance suggestions. The orchestral parts have been re-engraved and the material includes an alternative version of the Overture and Air to the D major suite BWV 1068 including a“Violino concertato” part.Urtext editions of these important works.Newly engraved parts and fully realized continuo.For the first time an alternative version of the Overture and Air to the D major suiteBWV 1068 with “ Violino concertato ” is included.Full scores, study scores & performance material available for sale

SEK 117.00
1

Orchestral Suite - Overture No.2 In B Minor

Orchestral Suite - Overture No.2 In B Minor

J.S. Bach’s four Orchestral Suites belong to that select group of works one could truly call classical hits! They stem from Bach’s extremely productive time in Cöthen which ended in 1721.Unfortunately the only sourcesthat have come down to us are copyist parts from Leipzig. These originally formed the basis for the critical complete edition volume which was published in 1967 as part of the “New Bach Edition”.At that time Bärenreiteralso issued separate scores and parts which however were prepared with additional articulation and performance suggestions. Bärenreiter’s new edition of Bach’s great four suites now presents the Urtext as found in the “NewBachEdition” i.e. without emendations and performance suggestions. The orchestral parts have been re-engraved and the material includes an alternative version of the Overture and Air to the D major suite BWV 1068 including a“Violino concertato” part.Urtext editions of these important works.Newly engraved parts and fully realized continuo.For the first time an alternative version of the Overture and Air to the D major suiteBWV 1068 with “ Violino concertato ” is included.Full scores, study scores & performance material available for sale

SEK 165.00
1

Orchestral Suite - Overture No.3 In D BWV 1068

Orchestral Suite - Overture No.3 In D BWV 1068

J.S. Bach’s Four Orchestral Suites belong to that select group of works one could truly call classical hits! They stem from Bach’s extremely productive time in Cöthen which ended in1721.Unfortunately the only sources that have come down to us are copyist parts from Leipzig. These originally formed the basis for the critical complete edition volume which was published in 1967 as part of the “New BachEdition”.At that time Bärenreiter also issued separate scores and parts which however were prepared with additional articulation and performance suggestions. Bärenreiter’s new edition of Bach’s great four suitesnowpresents the Urtext as found in the “New Bach Edition” i.e. without emendations and performance suggestions. The orchestral parts have been re-engraved and the material includes an alternative version of the Overture and Air tothe D major suite BWV 1068 including a “Violino concertato” part.- Urtext editions of these important works.- Newly engraved parts and fully realized continuo.- For the first time an alternative version of theOverture and Air to the D major suite BWV 1068 with “Violino concertato” is included.- Full scores, study scores and performance material available for sale.

SEK 277.00
1

Orchestral Suite - Overture No.4 In D BWV 1069

Orchestral Suite - Overture No.4 In D BWV 1069

J.S. Bach’s Four Orchestral Suites belong to that select group of works one could truly call classical hits! They stem from Bach’s extremely productive time in Cöthen which ended in1721.Unfortunately the only sources that have come down to us are copyist parts from Leipzig. These originally formed the basis for the critical complete edition volume which was published in 1967 as part of the “New BachEdition”.At that time Bärenreiter also issued separate scores and parts which however were prepared with additional articulation and performance suggestions. Bärenreiter’s new edition of Bach’s great four suitesnowpresents the Urtext as found in the “New Bach Edition” i.e. without emendations and performance suggestions. The orchestral parts have been re-engraved and the material includes an alternative version of the Overture and Air tothe D major suite BWV 1068 including a “Violino concertato” part.- Urtext editions of these important works.- Newly engraved parts and fully realized continuo.- For the first time an alternative version of theOverture and Air to the D major suite BWV 1068 with “Violino concertato” is included.- Full scores, study scores and performance material available for sale.

SEK 334.00
1

Orchestral Suite - Overture No.2 In B Minor

Orchestral Suite - Overture No.2 In B Minor

J.S. Bach’s four Orchestral Suites belong to that select group of works one could truly call classical hits! They stem from Bach’s extremely productive time in Cöthen which ended in 1721. Unfortunatelythe only sources that have come down to us are copyist parts from Leipzig. These originally formed the basis for the critical complete edition volume which was published in 1967 as part of the “New Bach Edition”.At that time Bärenreiter also issued separate scores and parts which however were prepared with additional articulation and performance suggestions. Bärenreiter’s new edition of Bach’s great four suitesnowpresents the Urtext as found in the “New Bach Edition” i.e. without emendations and performance suggestions. The orchestral parts have been re-engraved and the material includes an alternative version of the Overtureand Air to the D major suite BWV 1068 including a “Violino concertato” part. Urtext editions of these important works. Newly engraved parts and fully realized continuo. For the first timean alternative version of the Overture and Air to the D major suite BWV 1068 with “ Violino concertato ” is included. Full scores, study scores & performance material available for sale

SEK 117.00
1

Orchestral Suite - Overture No.1 In C BWV 1066

Orchestral Suite - Overture No.1 In C BWV 1066

J.S. Bach’s Four Orchestral Suites belong to that select group of works one could truly call classical hits! They stem from Bach’s extremely productive time in Cöthen which ended in1721.Unfortunately the only sources that have come down to us are copyist parts from Leipzig. These originally formed the basis for the critical complete edition volume which was published in 1967 as part of the “New BachEdition”.At that time Bärenreiter also issued separate scores and parts which however were prepared with additional articulation and performance suggestions. Bärenreiter’s new edition of Bach’s great four suitesnowpresents the Urtext as found in the “New Bach Edition” i.e. without emendations and performance suggestions. The orchestral parts have been re-engraved and the material includes an alternative version of the Overture and Air tothe D major suite BWV 1068 including a “Violino concertato” part.- Urtext editions of these important works.- Newly engraved parts and fully realized continuo.- For the first time an alternative version of theOverture and Air to the D major suite BWV 1068 with “ Violino concertato ” is included.- Full scores, study scores and performance material available for sale.

SEK 266.00
1

Divertimento in B-flat major : Zweite Lodronische Nachtmusik KV 287 (271b, 271 H)

Divertimento in B-flat major : Zweite Lodronische Nachtmusik KV 287 (271b, 271 H)

Mozart composed his two “Lodron Serenades” for open-air performances on the name day of Countess Antonia Lodron in June 1776 and 1777. Their bright “al fresco” character is immediately recognisable. Alfred Einstein consideredthese two divertimentos to be “among the purest, gayest, most satisfying, and most perfect that ever assumed musical form”.For both works Mozart chose an ensemble of two horns, two violins, viola and bass instruments. However,the second Lodron Serenade, the Divertimento in B-flat major K. 287, stands out from this sextet format by assigning a remarkably virtuosic solo role to the first violin, from the richly diverse opening movement to the finale withits almost ironic recitative and an exhilarating passage on the folk song “D’Bäurin hat d’Katz verlorn”. Mozart himself played first violin in the 1777 performance. Later he wrote, “They all opened their eyes! I played as though Iwere the finest fiddler in all Europe”.

SEK 356.00
1

Faust : Opera with a Prologue and four Acts (First version) / Opera in five Acts (Second version)

Faust : Opera with a Prologue and four Acts (First version) / Opera in five Acts (Second version)

Charles Gounod’s “Faust” secured its international recognition in the version as an entirely sung opera, which from thenceforth has largely obscured the fact that the work was originally composed with spoken dialogues. The earlyversions staged prior to the 1869 performance at the Paris Opéra containing substantial unknown material and with dialogues and melodramas are the subject of this new edition. (The third version “version opera” was published in aseparate edition BA 8713 in 2016.)Even as the rehearsals were taking place at the Théâtre-Lyrique in 1858, during the first series of performances at the theatre in 1859, furthermore as the 1862 revival was approaching andduring the performances on the smaller stage at the Place du Châtelet, there were constant changes and revisions. It is, thus, impossible to identify manifestly definitive versions. Nevertheless, by drawing on the entire sourcematerial now at hand (including fascinating material only recently discovered) and on the whole gamut of aspects communicated by the reception, Paul Prévost systematically presents us with a score laid out in two main versions inwhose chronology constancy and change become transparent. With all the musical changes having been documented, the result is a practicable score for performances which reveals a still far too unknown “Faust” – a “Faust” that isrooted in the tradition of the opéra comique.Quite a few musical numbers are published as a score for the first time in this edition: the trio for Faust, Wagner and Siebel “À l’étude ô mon maître”, the duet of Valentin andMarguerite “Adieu, mon bon frère!”, Méphistophélès’ air “Maître Scarabée”, Siebel’s romance “Versez vos chagrins dans mon âme!”, Valentin’s air with chorus “Chaque jour, nouvelle affaire”, the chorus of witches “Un deux et trois”,and also seven melodramas whose missing or incomplete orchestration has been written for our edition. It was only recently that the long-lost second part of Faust’s original cavatina “Salut! demeure chaste et pure” was unearthed.Only in details of orchestration do other numbers differ from the well-known pieces.

SEK 15141.00
1

Orchestral Suite

Orchestral Suite

J.S. Bach’s Four Orchestral Suites belong to that select group of works one could truly call classical hits! They stem from Bach’s extremely productive time in Cöthen which ended in1721.Unfortunately the only sources that have come down to us are copyist parts from Leipzig. These originally formed the basis for the critical complete edition volume which was published in 1967 as part of the “New BachEdition”.At that time Bärenreiter also issued separate scores and parts which however were prepared with additional articulation and performance suggestions. Bärenreiter’s new edition of Bach’s great four suitesnowpresents the Urtext as found in the “New Bach Edition” i.e. without emendations and performance suggestions. The orchestral parts have been re-engraved and the material includes an alternative version of the Overture and Airto the D major suite BWV 1068 including a “Violino concertato” part.- Urtext editions of these important works.- Newly engraved parts and fully realized continuo.- For the first time an alternative version ofthe Overture and Air to the D major suite BWV 1068 with “ Violino concertato ” is included.- Full scores, study scores and performance material available for sale.

SEK 266.00
1

Orchestral Suite - Overture No.2 In B Minor

Orchestral Suite - Overture No.2 In B Minor

J.S. Bach’s Four Orchestral Suites belong to that select group of works one could truly call classical hits! They stem from Bach’s extremely productive time in Cöthen which ended in1721.Unfortunately the only sources that have come down to us are copyist parts from Leipzig. These originally formed the basis for the critical complete edition volume which was published in 1967 as part of the “New BachEdition”.At that time Bärenreiter also issued separate scores and parts which however were prepared with additional articulation and performance suggestions. Bärenreiter’s new edition of Bach’s great four suitesnowpresents the Urtext as found in the “New Bach Edition” i.e. without emendations and performance suggestions. The orchestral parts have been re-engraved and the material includes an alternative version of the Overture and Airto the D major suite BWV 1068 including a “Violino concertato” part.- Urtext editions of these important works.- Newly engraved parts and fully realized continuo.- For the first time an alternative version ofthe Overture and Air to the D major suite BWV 1068 with “ Violino concertato ” is included.- Full scores, study scores and performance material available for sale.

SEK 122.00
1

Orchestral Suite

Orchestral Suite

J.S. Bach’s Four Orchestral Suites belong to that select group of works one could truly call classical hits! They stem from Bach’s extremely productive time in Cöthen which ended in1721.Unfortunately the only sources that have come down to us are copyist parts from Leipzig. These originally formed the basis for the critical complete edition volume which was published in 1967 as part of the “New BachEdition”.At that time Bärenreiter also issued separate scores and parts which however were prepared with additional articulation and performance suggestions. Bärenreiter’s new edition of Bach’s great four suitesnowpresents the Urtext as found in the “New Bach Edition” i.e. without emendations and performance suggestions. The orchestral parts have been re-engraved and the material includes an alternative version of the Overture and Airto the D major suite BWV 1068 including a “Violino concertato” part.- Urtext editions of these important works.- Newly engraved parts and fully realized continuo.- For the first time an alternative version ofthe Overture and Air to the D major suite BWV 1068 with “ Violino concertato ” is included.- Full scores, study scores and performance material available for sale.

SEK 266.00
1

Orchestral Suite - Overture No.2 In B Minor

Orchestral Suite - Overture No.2 In B Minor

J.S. Bach’s Four Orchestral Suites belong to that select group of works one could truly call classical hits! They stem from Bach’s extremely productive time in Cöthen which ended in1721.Unfortunately the only sources that have come down to us are copyist parts from Leipzig. These originally formed the basis for the critical complete edition volume which was published in 1967 as part of the “New BachEdition”.At that time Bärenreiter also issued separate scores and parts which however were prepared with additional articulation and performance suggestions. Bärenreiter’s new edition of Bach’s great four suitesnowpresents the Urtext as found in the “New Bach Edition” i.e. without emendations and performance suggestions. The orchestral parts have been re-engraved and the material includes an alternative version of the Overture and Airto the D major suite BWV 1068 including a “Violino concertato” part.- Urtext editions of these important works.- Newly engraved parts and fully realized continuo.- For the first time an alternative version ofthe Overture and Air to the D major suite BWV 1068 with “ Violino concertato ” is included.- Full scores, study scores and performance material available for sale.

SEK 117.00
1