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Sonata for Pianoforte in E major op. 109

Sonata for Pianoforte in E major op. 109

Beethoven’s final three piano sonatas have always been a source of great fascination. Composed in 1820, the Sonata op. 109 opened the door to the future with its extreme expressivity, its abandonment of traditional techniques and its radical departure from familiar aesthetic norms. Beethoven specialist Jonathan Del Mar has competently solved the questions raised by the highly complex source material of this work headed “Sonata for the Hammerklavier” in the autograph score. The result is a reliable musical text and a Critical Commentary explaining alternative readings and editorial decisions. In addition to a reader-friendly engraving and practical page-turns, the edition is roundedoff with an informative Introduction and valuable notes on historical performance practice. Beethoven’s final three piano sonatas have always been a source of great fascination. Composed in 1820, the Sonata op. 109 opened the door to the future with its extreme expressivity, its abandonment of traditional techniques and its radical departure from familiar aesthetic norms.Beethoven specialist Jonathan Del Mar has competently solved the questions raised by the highly complex source material of this work headed “Sonata for the Hammerklavier” in the autograph score. The result is a reliable musical text and a Critical Commentary explaining alternative readings and editorial decisions.In addition to a reader-friendly engraving and practicalpage-turns, the edition is rounded off with an informative Introduction and valuable notes on historical performance practice.

SEK 165.00
1

Concerto for two Violoncellos in G minor RV 531

Concerto for two Violoncellos in G minor RV 531

Throughout his life, Antonio Vivaldi wrote almost thirty instrumental works that use the cello as a solo instrument. Vivaldi knew how to tailor his music to the cello and in doing so, helped to establish this still younginstrument in the music of that time.The Concerto RV 531 is the only double concerto in Vivaldi’s œuvre for two solo violoncellos. The two solo parts take centre stage with virtuosic passages but lie on the instrument so wellthat they can be comfortably mastered by advanced students.The edition is based on the careful evaluation of Vivaldi’s autograph score which is the main source and several inconsistencies found in previous editions have beenclarified. At the same time the edition allows for a flexible realisation of this concerto: it can be performed by a full tutti orchestra or by one performer per part. The cello part in the basso continuo group can be played byorchestral cellists or by the soloists.

SEK 351.00
1

Concerto for two Violoncellos in G minor RV 531

Concerto for two Violoncellos in G minor RV 531

Throughout his life, Antonio Vivaldi wrote almost thirty instrumental works that use the cello as a solo instrument. Vivaldi knew how to tailor his music to the cello and in doing so, helped to establish this still younginstrument in the music of that time.The Concerto RV 531 is the only double concerto in Vivaldi’s œuvre for two solo violoncellos. The two solo parts take centre stage with virtuosic passages but lie on the instrument so wellthat they can be comfortably mastered by advanced students.The edition is based on the careful evaluation of Vivaldi’s autograph score which is the main source and several inconsistencies found in previous editions have beenclarified. At the same time the edition allows for a flexible realisation of this concerto: it can be performed by a full tutti orchestra or by one performer per part. The cello part in the basso continuo group can be played byorchestral cellists or by the soloists.

SEK 277.00
1

Early String Ensemble Playing : 1. Violin, 2. Violin (Viola) Violoncello

Early String Ensemble Playing : 1. Violin, 2. Violin (Viola) Violoncello

The Sassmannshaus “Early Start” string methods cultivate playing together as early as possible, initially in duets. However playing in larger mixed ensembles is also encouraged and this tried-and-trusted edition for strings provides the perfect start for this. The first songs can all be performed in canon: each piece is notated in violin, viola and bass clef so that all three string instruments can play together in any number and combination. The collection then continues with through-composed pieces by such composers as Johann Valentin Rathgeber and Johann Joseph Fuchs. Here the middle part may optionally be performed by a viola or second violin.

SEK 196.00
1

Don't Feed The Animals : 12 Pieces for String Ensemble

Don't Feed The Animals : 12 Pieces for String Ensemble

In this edition George Speckert has depicted an entire menagerie of small animals in 12 movements. Framed by an overture and epilogue, ten animals/species make an appearance. These easy little character pieces can be played inany order by two violins, viola and cello, either one or more to a part. It is a fun-to-play collection especially suited for children and invites them to expand on these pieces by adding little tales, pictures or scenes.-Easy fun pieces on animals geared towards children- Suitable for smaller and larger recitals- Can be played by a variable number of string players- Score & 5 parts (Violin I,II,III; Viola [or ViolinIII];Cello)

SEK 250.00
1

German Mass D 872

German Mass D 872

Franz Schubert’s popular German Mass of 1827 follows in the footsteps of Michael Haydn’s work Deutsches Hochamt by turning to a German translation of the Ordinary mass. Its homophonic texture and largely syllabic setting of thewords make it more accessible to lay choruses than Schubert’s masses in Latin, an advantage reinforced by its diatonic melodic writing and constantly slow tempos.The present edition reproduces the Urtext from the NewSchubert Edition and presents the definitive second version for chorus and wind instruments. Since the piano reduction basically follows the choral lines and Schubert’s original organ part, however, the Mass can also beperformedwith organ accompaniment.- Urtext from the New Schubert Edition- Standard work in the church music repertoire- Can be accompanied by organ or wind instruments- No vocalsoloists necessary

SEK 143.00
1

German Mass D 872

German Mass D 872

Franz Schubert’s popular German Mass of 1827 follows in the footsteps of Michael Haydn’s work Deutsches Hochamt by turning to a German translation of the Ordinary mass. Its homophonic texture and largely syllabic setting of thewords make it more accessible to lay choruses than Schubert’s masses in Latin, an advantage reinforced by its diatonic melodic writing and constantly slow tempos.The present edition reproduces the Urtext from the NewSchubert Edition and presents the definitive second version for chorus and wind instruments. Since the piano reduction basically follows the choral lines and Schubert’s original organ part, however, the Mass can also beperformedwith organ accompaniment.- Urtext from the New Schubert Edition- Standard work in the church music repertoire- Can be accompanied by organ or wind instruments- No vocalsoloists necessary

SEK 493.00
1

German Mass D 872

German Mass D 872

Franz Schubert’s popular German Mass of 1827 follows in the footsteps of Michael Haydn’s work Deutsches Hochamt by turning to a German translation of the Ordinary mass. Its homophonic texture and largely syllabic setting of thewords make it more accessible to lay choruses than Schubert’s masses in Latin, an advantage reinforced by its diatonic melodic writing and constantly slow tempos.The present edition reproduces the Urtext from the NewSchubert Edition and presents the definitive second version for chorus and wind instruments. Since the piano reduction basically follows the choral lines and Schubert’s original organ part, however, the Mass can also beperformedwith organ accompaniment.- Urtext from the New Schubert Edition- Standard work in the church music repertoire- Can be accompanied by organ or wind instruments- No vocalsoloists necessary

SEK 133.00
1

Jazz Inspirations for Organ, Vol. 4

Jazz Inspirations for Organ, Vol. 4

Jazz, swing, samba, rhumba and more all found their way to the organ long ago. Not only do the melodies, harmonies and rhythms of these styles enrich the organ’s concert literature, they can also be meaningfullyincorporated in the liturgy. The series “Jazz Inspirations” for Organ offers a delightful and personal combination of many forms and highly contrasting styles at a moderate level of difficulty. Volume 4 presentsa new array of stylistic and thematic focuses: “Funky Praise” and ”Ich lobe dich von ganzer Seelen” (“I praise thee with all my soul”) can be found alongside a “LittleShepherd’sChachacha” and the familiar carol “Kommet, ihr Hirten”. It even contains two compositions from the American organ scene. Jazz, swing and much more for the organ Authoritativeeditors and composers Pieces of a moderate level of difficulty Bilingual Foreword (Ger/Eng)

SEK 440.00
1

Viola Recital Album : First Position - Volume 2

Viola Recital Album : First Position - Volume 2

These volumes contain a wide selection of easy recital pieces. They are designed as companion volumes to the Early Start on the Viola method but work equally well as a supplement to any other viola method. As all pieces arewritten entirely in first position, they can be used just after a few months of lessons. Well-known as well as unfamiliar pieces provide welcome additional repertoire for young students and teachers.The piano part may beplayed by the teacher or an advanced student. Alternatively a second viola part allows duet playing with the teacher during lessons.The Viola Recital Album, Volume 1, can be used as a supplement to the Early Start ontheViola method, Volumes 1 and 2 (BA 9686 and BA 9687). The 18 pieces in Volume 1 are structured to follow the same progression of finger patterns introduced in the Early Start method. This systematic progression helps the studentto solidify the hand position and improve intonation. The basic bowing techniques do not require changes in bow speed or sounding point. The young performer can focus on a straight and beautifully placed bow that produces apleasing and clear sound.- New pieces to supplement the Sassmannshaus Viola method- All pieces in first position- Include an additional viola part for duet version and a piano accompaniment

SEK 186.00
1

Kyrie RV 587 - SSAA

Kyrie RV 587 - SSAA

The “Gloria” RV 589 is one of Vivaldi’s most popular compositions today and one of the most regularly performed sacred vocal works from the Baroque era. The work was, in all probability, composed around 1716 during Vivaldi’stime at the Ospedale della Piet , an orphanage for girls in Venice. Although Vivaldi’s “Gloria” (BA 8953) was written for solo voices and mixed choir, it is likely that it was performed at the girls’ orphanage with femalevoices only. Taking this into account, Malcolm Bruno’s careful arrangement for choir SSAA is of some relevance. The work, when set for female voices or children’s choir, remains a true masterpiece.The “Kyrie” RV 587(BA8954)for two choirs and two string ensembles, as arranged here for female choir, displays its own charm. It can be performed together with the Gloria as a type of short mass.Both arrangements are based on the recentlypublished Urtext editions of these works. The piano reductions by editor Malcolm Bruno are easy to play and preserve the character of the works.Effective arrangements for female choirForewords in English andGermanStraightforward, idiomatic piano reductionsKyrie and Gloria can be combined for performanceThe orchestral parts for the original SATB version can be used for the performance of thesearrangements.

SEK 152.00
1

Kyrie Rv587

Kyrie Rv587

Vivaldi's Kyrie RV 587 (BA 8950), is scored for two choirs and two groups of stringed instruments. The date of its composition remains unclear. It is a purely a Choral work without solopassages.Today the “Gloria” RV 589 (BA 7674) is one of Vivaldi’s best-known compositions and one of the most frequently performed sacred Vocal works from the Baroque period. Vivaldi wrotethe “Gloria” as a self-contained work in the style of a concertante mass. However, it was probably also performed within church services. The scoring of the solo voices (SSA) suggests that the work was written during his periodatthe Ospedale della Piet , around 1716. In the twelve movements of the “Gloria”, Vivaldi displays the whole range of his mastery from festive, sublime outer movements to tender, transparently scored solopassages.Both works can be performed independently but can also be combined as a kind of short mass. Although the authenticity of the autograph manuscript score is beyond doubt, these new editions contain somere-evaluations in phrasing and performance practice which go beyond what other editions have to offer. The Piano reductions are straightforward, clearly presented and preserve the character of the works.- Attractive choralpieces which can be combined to form a short mass.- Informative foreword (Ger/Eng).

SEK 152.00
1

Kyrie

Kyrie

Vivaldi's Kyrie RV 587 (BA 8950), is scored for two choirs and two groups of stringed instruments. The date of its composition remains unclear. It is a purely a Choral work without solopassages.Today the “Gloria” RV 589 (BA 7674) is one of Vivaldi’s best-known compositions and one of the most frequently performed sacred Vocal works from the Baroque period. Vivaldi wrotethe “Gloria” as a self-contained work in the style of a concertante mass. However, it was probably also performed within church services. The scoring of the solo voices (SSA) suggests that the work was written during his periodatthe Ospedale della Piet , around 1716. In the twelve movements of the “Gloria”, Vivaldi displays the whole range of his mastery from festive, sublime outer movements to tender, transparently scored solopassages.Both works can be performed independently but can also be combined as a kind of short mass. Although the authenticity of the autograph manuscript score is beyond doubt, these new editions contain somere-evaluations in phrasing and performance practice which go beyond what other editions have to offer. The Piano reductions are straightforward, clearly presented and preserve the character of the works.- Attractive choralpieces which can be combined to form a short mass.- Informative foreword (Ger/Eng).

SEK 83.00
1

Viola Recital Album : First Position - Volume 3

Viola Recital Album : First Position - Volume 3

These volumes contain a wide selection of easy recital pieces. They are designed as companion volumes to the Early Start on the Viola method but work equally well as a supplement to any other viola method. As all pieces arewritten entirely in first position, they can be used just after a few months of lessons. Well-known as well as unfamiliar pieces provide welcome additional repertoire for young students and teachers.The piano part may beplayed by the teacher or an advanced student. Alternatively a second viola part allows duet playing with the teacher during lessons.The Viola Recital Album, Volume 1, can be used as a supplement to the Early Start ontheViola method, Volumes 1 and 2 (BA 9686 and BA 9687). The 18 pieces in Volume 1 are structured to follow the same progression of finger patterns introduced in the Early Start method. This systematic progression helps the studentto solidify the hand position and improve intonation. The basic bowing techniques do not require changes in bow speed or sounding point. The young performer can focus on a straight and beautifully placed bow that produces apleasing and clear sound.- New pieces to supplement the Sassmannshaus Viola method- All pieces in first position- Include an additional viola part for duet version and a piano accompaniment

SEK 186.00
1

Viola Recital Album : First Position - Volume 4

Viola Recital Album : First Position - Volume 4

These volumes contain a wide selection of easy recital pieces. They are designed as companion volumes to the Early Start on the Viola method but work equally well as a supplement to any other viola method. As all pieces arewritten entirely in first position, they can be used just after a few months of lessons. Well-known as well as unfamiliar pieces provide welcome additional repertoire for young students and teachers.The piano part may beplayed by the teacher or an advanced student. Alternatively a second viola part allows duet playing with the teacher during lessons.The Viola Recital Album, Volume 1, can be used as a supplement to the Early Start ontheViola method, Volumes 1 and 2 (BA 9686 and BA 9687). The 18 pieces in Volume 1 are structured to follow the same progression of finger patterns introduced in the Early Start method. This systematic progression helps the studentto solidify the hand position and improve intonation. The basic bowing techniques do not require changes in bow speed or sounding point. The young performer can focus on a straight and beautifully placed bow that produces apleasing and clear sound.- New pieces to supplement the Sassmannshaus Viola method- All pieces in first position- Include an additional viola part for duet version and a piano accompaniment

SEK 186.00
1

Gloria RV 589 - SSAA

Gloria RV 589 - SSAA

The “Gloria” RV 589 is one of Vivaldi’s most popular compositions today and one of the most regularly performed sacred vocal works from the Baroque era. The work was, in all probability, composed around 1716 during Vivaldi’stime at the Ospedale della Piet , an orphanage for girls in Venice. Although Vivaldi’s “Gloria” (BA 8953) was written for solo voices and mixed choir, it is likely that it was performed at the girls’ orphanage with femalevoices only. Taking this into account, Malcolm Bruno’s careful arrangement for choir SSAA is of some relevance. The work, when set for female voices or children’s choir, remains a true masterpiece.The “Kyrie” RV 587(BA8954)for two choirs and two string ensembles, as arranged here for female choir, displays its own charm. It can be performed together with the Gloria as a type of short mass.Both arrangements are based on the recentlypublished Urtext editions of these works. The piano reductions by editor Malcolm Bruno are easy to play and preserve the character of the works.Effective arrangements for female choirForewords in English andGermanStraightforward, idiomatic piano reductionsKyrie and Gloria can be combined for performanceThe orchestral parts for the original SATB version can be used for the performance of thesearrangements.

SEK 175.00
1