Gypsy Songs Op.55 (High Voice & Piano) : Op. 55

Dvorák’s song cycle Gypsy Songs Op.55 on words by the Czech poet Adolf Heyduk, were written at the beginning of 1880 at the request of the Bohemian tenor Gustav Walter, a member of the Vienna Court Opera and thework’s dedicatee. For this Urtext edition the editor Veronika Vejvodová has taken the original print as her main source. The edition appears in two volumes, one for high voice and another for low voice. Third volume from the new five-volume Urtext edition of Dvorák’s complete songs One of the most popular and best-known song cycles of the romantic repertoire Extensive Foreword (Cz/Eng/Ger)andCritical Commentary (Eng) by the editor Vocal texts in three languages (Cz/Eng/Ger)

Gypsy Songs Op.55 (Low Voice & Piano) : Op. 55

Dvorák’s song cycle Gypsy Songs Op.55 on words by the Czech poet Adolf Heyduk, were written at the beginning of 1880 at the request of the Bohemian tenor Gustav Walter, a member of the Vienna Court Opera and thework’s dedicatee. For this Urtext edition the editor Veronika Vejvodová has taken the original print as her main source. The edition appears in two volumes, one for high voice and another for low voice. Third volume from the new five-volume Urtext edition of Dvorák’s complete songs One of the most popular and best-known song cycles of the romantic repertoire Extensive Foreword (Cz/Eng/Ger)andCritical Commentary (Eng) by the editor Vocal texts in three languages (Cz/Eng/Ger)

Overture and Conclusion in E minor TWV 55

Overture and Conclusion for 2 Flutes, Strings & Basso continuo in E minor TWV 55:e1Tafelmusik IIf Telemann was regarded by his contemporaries as one of the greatest of all composers, his star, faced with theoverwhelming presence of Bach and Handel, paled in the course of the 19th century to the verge of contempt. This assessment changed radically during the course of the last century. Through the systematic exploration of his music,Telemann, once considered purely an instrumental composer, has emerged into a highly cultivated, culturally well-connected and enormously versatile artistic personality who left an indelible mark on the musical life of histime.Again and again we discover an individual approach in his works that seems to abandon the musical conventions of his day, both large and small.The Tafelmusik (Musique de Table) is a collection of chamber pieces forvarious ensembles arranged into 3 parts and is perhaps Telemann's most celebrated collection of music. Composed in 1733, the Tafelmusik clearly demonstrates Telemann's skill in handling a diversity of musical genres and a varietyof instruments.- Urtext of the Telemann Edition- Full score & parts (BA3533) available for sale

Overture and Conclusion in E minor TWV 55

Overture and Conclusion for 2 Flutes, Strings & Basso continuo in E minor TWV 55:e1Tafelmusik IIf Telemann was regarded by his contemporaries as one of the greatest of all composers, his star, faced with theoverwhelming presence of Bach and Handel, paled in the course of the 19th century to the verge of contempt. This assessment changed radically during the course of the last century. Through the systematic exploration of his music,Telemann, once considered purely an instrumental composer, has emerged into a highly cultivated, culturally well-connected and enormously versatile artistic personality who left an indelible mark on the musical life of histime.Again and again we discover an individual approach in his works that seems to abandon the musical conventions of his day, both large and small.The Tafelmusik (Musique de Table) is a collection of chamber pieces forvarious ensembles arranged into 3 parts and is perhaps Telemann's most celebrated collection of music. Composed in 1733, the Tafelmusik clearly demonstrates Telemann's skill in handling a diversity of musical genres and a varietyof instruments.- Urtext of the Telemann Edition- Full score & parts (BA3533) available for sale

Overture and Conclusion in E minor TWV 55

Overture and Conclusion for 2 Flutes, Strings & Basso continuo in E minor TWV 55:e1Tafelmusik IIf Telemann was regarded by his contemporaries as one of the greatest of all composers, his star, faced with theoverwhelming presence of Bach and Handel, paled in the course of the 19th century to the verge of contempt. This assessment changed radically during the course of the last century. Through the systematic exploration of his music,Telemann, once considered purely an instrumental composer, has emerged into a highly cultivated, culturally well-connected and enormously versatile artistic personality who left an indelible mark on the musical life of histime.Again and again we discover an individual approach in his works that seems to abandon the musical conventions of his day, both large and small.The Tafelmusik (Musique de Table) is a collection of chamber pieces forvarious ensembles arranged into 3 parts and is perhaps Telemann's most celebrated collection of music. Composed in 1733, the Tafelmusik clearly demonstrates Telemann's skill in handling a diversity of musical genres and a varietyof instruments.- Urtext of the Telemann Edition- Full score & parts (BA3533) available for sale

Overture and Conclusion in E minor TWV 55

Overture and Conclusion for 2 Flutes, Strings & Basso continuo in E minor TWV 55:e1Tafelmusik IIf Telemann was regarded by his contemporaries as one of the greatest of all composers, his star, faced with theoverwhelming presence of Bach and Handel, paled in the course of the 19th century to the verge of contempt. This assessment changed radically during the course of the last century. Through the systematic exploration of his music,Telemann, once considered purely an instrumental composer, has emerged into a highly cultivated, culturally well-connected and enormously versatile artistic personality who left an indelible mark on the musical life of histime.Again and again we discover an individual approach in his works that seems to abandon the musical conventions of his day, both large and small.The Tafelmusik (Musique de Table) is a collection of chamber pieces forvarious ensembles arranged into 3 parts and is perhaps Telemann's most celebrated collection of music. Composed in 1733, the Tafelmusik clearly demonstrates Telemann's skill in handling a diversity of musical genres and a varietyof instruments.- Urtext of the Telemann Edition- Full score & parts (BA3533) available for sale

Overture and Conclusion in E minor TWV 55

Overture and Conclusion for 2 Flutes, Strings & Basso continuo in E minor TWV 55:e1Tafelmusik IIf Telemann was regarded by his contemporaries as one of the greatest of all composers, his star, faced with theoverwhelming presence of Bach and Handel, paled in the course of the 19th century to the verge of contempt. This assessment changed radically during the course of the last century. Through the systematic exploration of his music,Telemann, once considered purely an instrumental composer, has emerged into a highly cultivated, culturally well-connected and enormously versatile artistic personality who left an indelible mark on the musical life of histime.Again and again we discover an individual approach in his works that seems to abandon the musical conventions of his day, both large and small.The Tafelmusik (Musique de Table) is a collection of chamber pieces forvarious ensembles arranged into 3 parts and is perhaps Telemann's most celebrated collection of music. Composed in 1733, the Tafelmusik clearly demonstrates Telemann's skill in handling a diversity of musical genres and a varietyof instruments.- Urtext of the Telemann Edition- Full score & parts (BA3533) available for sale

Overture and Conclusion in E minor TWV 55

Overture and Conclusion for 2 Flutes, Strings & Basso continuo in E minor TWV 55:e1Tafelmusik IIf Telemann was regarded by his contemporaries as one of the greatest of all composers, his star, faced with theoverwhelming presence of Bach and Handel, paled in the course of the 19th century to the verge of contempt. This assessment changed radically during the course of the last century. Through the systematic exploration of his music,Telemann, once considered purely an instrumental composer, has emerged into a highly cultivated, culturally well-connected and enormously versatile artistic personality who left an indelible mark on the musical life of histime.Again and again we discover an individual approach in his works that seems to abandon the musical conventions of his day, both large and small.The Tafelmusik (Musique de Table) is a collection of chamber pieces forvarious ensembles arranged into 3 parts and is perhaps Telemann's most celebrated collection of music. Composed in 1733, the Tafelmusik clearly demonstrates Telemann's skill in handling a diversity of musical genres and a varietyof instruments.- Urtext of the Telemann Edition- Full score & parts (BA3533) available for sale

Overture and Conclusion in E minor TWV 55

Overture and Conclusion for 2 Flutes, Strings & Basso continuo in E minor TWV 55:e1Tafelmusik IIf Telemann was regarded by his contemporaries as one of the greatest of all composers, his star, faced with theoverwhelming presence of Bach and Handel, paled in the course of the 19th century to the verge of contempt. This assessment changed radically during the course of the last century. Through the systematic exploration of his music,Telemann, once considered purely an instrumental composer, has emerged into a highly cultivated, culturally well-connected and enormously versatile artistic personality who left an indelible mark on the musical life of histime.Again and again we discover an individual approach in his works that seems to abandon the musical conventions of his day, both large and small.The Tafelmusik (Musique de Table) is a collection of chamber pieces forvarious ensembles arranged into 3 parts and is perhaps Telemann's most celebrated collection of music. Composed in 1733, the Tafelmusik clearly demonstrates Telemann's skill in handling a diversity of musical genres and a varietyof instruments.- Urtext of the Telemann Edition- Full score & parts (BA3533) available for sale

Handel-Jahrbuch 2009, 55. Jahrgang

Tantum ergo : N 110a - Op. 55

Klaviermusik : 55 Begriffe, die man kennen sollte

L'Allegro, Il Penseroso Ed Il Moderato HWV 55 : Oratorio in three parts

das Sinfonische Chorstück im 19. Jahrhundert : KIELER SCHRIFTEN zum Musikwissenschaft bd 55

Kantaten zum 22. und 23. Sonntag nach Trinitatis : Kantaten BWV 55, 89, 115/ 52, 139, 163

Der Tod Jesu TVWV 5 : Piano reduction, Urtext edition

Telemann’s Passion oratorio “Der Tod Jesu” was composed in 1754/55, almost at the same time as the same-named work of note by Carl Heinrich Graun. Both compositions are based on the same libretto by Karl Wilhelm Ramler.In this late work, Telemann consciously juxtaposes carefully structured recitatives with musically reduced festive choruses, thus lending the passion text great musical expressivity.This vocal score complements the Urtext edition of this appealing work which is published as a part of the “Telemann Musical Works”.The orchestral parts are available on hire.- Urtext edition based on the “Telemann Musical Works”- Idiomatic well-presented piano reduction

Lelio (Le retour a la vie) : Musikalisches Monodram

Lélio (The Return to Life) Hol.55: A Lyric Monodrama Lélio was composed during Berlioz's stay in Italy in 1831. He conceived the idea of a semi-theatrical workthat combined music and monologues to express the idea of returning to life after a profound traumatic experience. Originally entitled Le Retour a la Vie' it consists of six separate compositions interspersed with dramaticmonologues. The monologues are to be recited by an actor in front of a curtain which conceals the Orchestra, and they reflect Berlioz's most passionate concerns in 1831, especially friendship, love, Shakespeare, andthehealing power of music. 'The work is to be played immediately after the 'Symphonie fantastique', to which it forms the conclusion and the complement. The orchestra, chorus and soloists should be out of sight on thestage, behind the curtain. The actor speaks and acts by himself on the forestage. After the last monologue he exits, and the curtain rises to reveal all the performers for the finale thus a platform must be built over theorchestral pit. The part of Lélio demands a skilful non-singing actor. In addition a Tenor is required for the Ballad, another Tenor for the Song of Bliss and a strong Baritone for the brigand-chief' - HectorBerlioz Urtext of the New Berlioz Edition Full score (BA5447) and vocal score (BA5447-90) on sale Performance material available (BA5447-72) available for hire