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Andante e Alla Marcia : from Symphony no. 4

Andante e Alla Marcia : from Symphony no. 4

Dvorak's Symphony No.4 (1874) was a pivotal work in the career of this famous Bohemian composer. In the work Dvorák is finally freed from the influence of other composers and succeeds in producing a work in his own unique style. The slow introduction of the second movement (Andante sostenuto e molto cantabile) however clearly showed the influence of Wagne'?s Tannhäuser, but the l'Alla Marcia du Scherzo is again typical Dvorák. You can also hear the obvious references to the traditional music of Bohemia which playedan important part in late works of Dvorvák. A terrific classical work for your concert repertoire.

SEK 1772.00
1

Andante e Alla Marcia : from Symphony no. 4

Andante e Alla Marcia : from Symphony no. 4

Dvorak's Symphony No.4 (1874) was a pivotal work in the career of this famous Bohemian composer. In the work Dvorák is finally freed from the influence of other composers and succeeds in producing a work in his own unique style. The slow introduction of the second movement (Andante sostenuto e molto cantabile) however clearly showed the influence of Wagne'?s Tannhäuser, but the l'Alla Marcia du Scherzo is again typical Dvorák. You can also hear the obvious references to the traditional music of Bohemia which playedan important part in late works of Dvorvák. A terrific classical work for your concert repertoire.

SEK 1772.00
1

Andante e Alla Marcia : from Symphony no. 4

Andante e Alla Marcia : from Symphony no. 4

Dvorak's Symphony No.4 (1874) was a pivotal work in the career of this famous Bohemian composer. In the work Dvorák is finally freed from the influence of other composers and succeeds in producing a work in his own unique style. The slow introduction of the second movement (Andante sostenuto e molto cantabile) however clearly showed the influence of Wagne'?s Tannhäuser, but the l'Alla Marcia du Scherzo is again typical Dvorák. You can also hear the obvious references to the traditional music of Bohemia which playedan important part in late works of Dvorvák. A terrific classical work for your concert repertoire.

SEK 305.00
1

Extreme Make-Over

Extreme Make-Over

The work, set as the test-piece for the 2005 European Brass Band Championships was inspired by a theme from the second movement of Tchaikovsky’s String Quartet No.1 (Andante Cantabile). It consists of a number of musical metamorphoses on the theme and includes several excerpts from Tchaikovsky’s Fourth and Sixth Symphonies and Romeo and Juliet. The most unconventional element of the work is instrumentation for ten tuned bottles to be played by members of the cornet section. This gives the piece an Indonesian Gamelan effect. Why not give your players something to get their teeth into with this impressive major new work.

SEK 1723.00
1

Extreme Make-Over

Extreme Make-Over

The work, set as the test-piece for the 2005 European Brass Band Championships was inspired by a theme from the second movement of Tchaikovsky’s String Quartet No.1 (Andante Cantabile). It consists of a number of musical metamorphoses on the theme and includes several excerpts from Tchaikovsky’s Fourth and Sixth Symphonies and Romeo and Juliet. The most unconventional element of the work is instrumentation for ten tuned bottles to be played by members of the cornet section. This gives the piece an Indonesian Gamelan effect. Why not give your players something to get their teeth into with this impressive major new work.

SEK 424.00
1

Edgar : symphonic suite from the opera

Edgar : symphonic suite from the opera

Edgar was Giacomo Puccini’s second opera but despite numerous changes and adaptations, it was never able to match the success enjoyed by his first opera Le Villi. Puccini himself was never completely satisfied with the opera either. It was not until the 1970’s, after the first release of a recording of the work, that Edgar gained in popularity and recognition. Johan de Meij has created this fabulous concert band arrangement of this much under-performed work.

SEK 2268.00
1

Edgar : symphonic suite from the opera

Edgar : symphonic suite from the opera

Edgar was Giacomo Puccini’s second opera but despite numerous changes and adaptations, it was never able to match the success enjoyed by his first opera Le Villi. Puccini himself was never completely satisfied with the opera either. It was not until the 1970’s, after the first release of a recording of the work, that Edgar gained in popularity and recognition. Johan de Meij has created this fabulous concert band arrangement of this much under-performed work.

SEK 434.00
1

Extreme Make-Over : Metamorphoses on a Theme by Tchaikovsky

Extreme Make-Over : Metamorphoses on a Theme by Tchaikovsky

Extreme Make-Over was inspired by a theme from the second movement of Tchaikovsky?s String Quartet No.1 (Andante Cantabile). It consists of a number of musical metamorphoses on the theme and includes several excerpts from Tchaikovsky?s Fourth and Sixth Symphonies and Romeo and Juliet. The most unconventional element of the work is instrumentation for ten tuned bottles to be played by members of the cornet section. This gives the piece an Indonesian Gamelan effect. Why not give your players something to get their teeth into with this impressive major new work.

SEK 682.00
1

Extreme Make-Over : Metamorphoses on a Theme by Tchaikovsky

Extreme Make-Over : Metamorphoses on a Theme by Tchaikovsky

Extreme Make-Over was inspired by a theme from the second movement of Tchaikovsky?s String Quartet No.1 (Andante Cantabile). It consists of a number of musical metamorphoses on the theme and includes several excerpts from Tchaikovsky?s Fourth and Sixth Symphonies and Romeo and Juliet. The most unconventional element of the work is instrumentation for ten tuned bottles to be played by members of the cornet section. This gives the piece an Indonesian Gamelan effect. Why not give your players something to get their teeth into with this impressive major new work.

SEK 3011.00
1