Gabriel Fauré: Au Bord de l'Eau Op.8, No.1 (con/bass) (Voice & Piano)

S'asseoir tous deux au Bord du Flot qui passe... (French text)

Gabriel Fauré: Pièces célèbres: Mélodies (Saxophone-Alto & Piano)

Sérénade toscane; Au Bord de l'Eau; Après un Rêve; Les Berceaux; Les Roses d'Ispahan; Clair de Lune

Henriette Renié: Au Bord Du Ruisseau (Harp solo)

from '6 Pièces - Suite No.1'

Adolfo Mindlin: Rêve au Bord de l'Eau (Horn & Piano)

Gabriel Fauré: 20 Mélodies Vol.1 (sop) (Voice & Piano)

Apres Un ReveAu Bord De L'eauAubadeChanson Du PecheurChant D'automneDans les runies d'une abbayeHymneIci-bas!La RanconL'absentLe Papillon Et La FleurLes MatelotsLydiaMaiNoelReve D'amourSerenade ToscaneSeule!SylvieTristesse

Gabriel Fauré: 20 Mélodies Vol.1 (mezzo) (Voice & Piano)

Apres Un ReveAu Bord De L'eauAubadeBevatChanson Du PecheurDans Les Ruines D'une AbbayeHymneIci-bas!La RanconL'absentLe Papillon Et La FleurLes MatelotsLydia ; Chant d'automneMaiNoelReve D'amourSerenade ToscaneSeule!SylvieTristesse

Passani Sur Le Bord De La Riviere 4 Part Mixed & Piano Book

Gabriel Fauré: Au Bord de l'Eau Op.8, No.1 (mezzo/bar) (Voice & Piano)

Eugène Bozza: Jour d'Eté à la Montagne (Flutes 4)

Summer days in the mountain by Eugène Bozza (1905-1991) is a famous Flute Quartet, published in 1955. Technically and musically challenging, this piece was written for advanced flautists. Summer days in the mountain was composed in four movements: 1. Pastorale, 2. Au bord du torrent, 3. Le Chant des fôrets, 4. Ronde. These four movements are all well-crafted to captivate the attention of the flautists (with their technicality, tempo and musicality) but also those of the audience. Eugène Bozza won different prizes at the Conservatoire de Paris such as the First Prizes for the Violin, conducting and composition, as well as the Grand Prix de Rome. He composed several operas, chamber works and ballets, among others.

Gabriel Fauré: Selected Songs (Book/Download Card)

Widely acclaimed by music lovers for over a century, Selected Songs  of Gabriel Fauré (1845-1924) are here collected into an anthology, complete with an audio version in the form of a download card. Excerpted from the 1st collection published in 1879, Au bord de l’eau and Ici bas bestow an aura of internal reverie on Sully Prudhomme’s simple poems, made palp­able by the harmonic refinement and vocal fluidity that constitutes the very essence of Faurean charm.  Several vocal pages selected in the 2nd volume (1897) continue to be favourites: Les Roses d’Ispahan restored to their dreamy stillness, Les Berceaux whose oscillation evokes the swaying of boats, and the very nostalgic Clair de lune in which Verlaine’s words, set to music for the first time, inspired Fauré to write what would become one of his masterpieces: La Bonne Chanson .  From this cycle, drunk on lovelorn lyricism, the collection retains Puisque l’aube grandit , an exalted melody if there ever was one, and La lune blanche luit dans les bois , a nocturnal landscape in F sharp major – two pearls that distil the same mystery of solace.