Isabelle Aboulker: If I was a grown-up (Children Voices and Baritone)

If I was a grown-up is a song for Children and Baritone voices, composed by Isabelle Aboulker , with lyrics by Eva Janikovszky . It is only a part of the full piece, which is to be sung with a Flute, an Oboe, a Clarinet, a Bassoon and a Piano. Really easy, with range and intervals adapted to children’s capacities, this song is very entertaining in term of lyrics and sonority. The lyrics focuses on what children are always asked to do which is not fun, such as washing hands before dinner, being always nice and quiet, staying seated among other things, while adults can do whatever they want to do. Children then sing what they would do if they were grown-ups. Quite energetic, this song is great for children and would be great for a concert. Isabelle Aboulker is a French composer specially known for her opera, her vocal works, and for her adaptations of stories and fables.

Remaud Berna En Do Trombone Solo Book

Héricard: Zoo en Do (high) (Voice & Piano)

Etudes pour Chant sériel

Bernard Wystraëte: L'Enfant do...l'Enfant dormira bientôt (Flute & Piano)

Berceuse

Michelle-Odile Gillot: Learn and Understand how to sing Schumann (2)

With Schumann 's Lied having such a prominent role in the Vocal repertoire, Michelle-Odile Gillot compiles an essential study book to aid learning and understanding of the great composer's much-loved style. The second volume of Gillot 's Learn and Understand how to sing Schumann addresses analysis, the text, rhythm, intonation, ornamentation, memorisation and intervals in detail, amongst many other aspects. With clear, helpful examples highlighted and detailed instruction in Japanese, Gillot 's Learn and Understand how to Sing Schumann is an essential complement to ensure a high standard performance of Schumann 's Lied.

Jo Gougat, Jacqueline Toussaint, Serge Lecussant: Initiation to Musical Studies (1)

Significant music pedagogues, Jo Gougat, Jacqueline Toussaint and Serge Lecussant compile a helpful aid for parents regarding their child's initiation to music theory. The compilation informs parents of the different elements of music theory and how their child can be supported in order to progress.

Marcel & Jérôme Galiègue M.& Naulais J.: Gammi si do (Trombone & Piano)

Maurice Hauchard: To Distract Little Father, for Two Violins

Maurice Hauchard (1870-1957) was a French violinist and composer. As a minor composer, often in the shadow of his contemporary, Maurice Ravel, much of Hauchard 's music is not widely known. However, his To Distract Little Father is a charming suite, perfect for beginners. As an excellent, versatile musician Hauchard loved his art and remains one of the greatest contributors to music education. To Distract Little Father is a collection of twelve easy pieces arranged for a Violin Duet. Each movement is varied in tempo, time and key signatures, articulation and rhythm, making for an exciting compilation for the students. All beginners should play this quirky Hauchard suite for its engaging contrasts and distinction.

Emmanuel & Guy Boursault E.& Lefèvre G.: Déchiffrage Vol.1: Easy to medium Difficulty (Percussion solo)

Déchiffrages Pour Batterie - Vol. 1 is the first volume of a series of two focusing on the reading of rhythms for Drums. Written by Emmanuel Boursault and Guy Lefevre , this book should be used as a complementary work to the traditional Drum methods. This method introduces the players to repetitions, coda, D.C. Fill, different measures (3/8, 5/8, 5/4) and improvisation among others aspects of the rhythms.  Déchiffrages Pour Batterie - Vol. 1 also uses a manuscript font in order for the student to become familiar with the kind of sheet music they could face in their everyday work. Emmanuel Boursault and Guy Lefevre were both Conservatoire professors, who contributed to the creation of the Emmanuel Boursault school of Drums.

Turellier Per Cantare E Sonare Pj75 What Shall We Do 4 Pt & 2 Guitars

Valérie Bime-Apparailly: My First Studies To Play Together - 30 Short Melodic And Rhythmic Pieces For viola

Written for 2nd and 3rd year instrumental students, My First Studies, To Play Together for Viola presents itself as the little brother of the collection for Violin, available under reference number AL30683. Valerie Bime-Apparailly once again deploys her usual teaching talent by transforming this genre, often seen as boring and austere, into a progressive introduction to the mysteries of technique, captivating students with its clear, clean design and focus on fun. In My First Studies, To Play Together for Viola , each unit begins with the melody that the young musician is to learn. The technical challenge to master is indicated in boxed text. Explanations may follow (on the notation of Da Capo, for example), after which comes the complete score and the accompaniment to be played by the teacher. Mozart, Spohr and Beethoven, but also great teachers like Charles de Bériot, Jean-Delphin Alard and Maurice Hauchard help students absorb fundamental musical concepts like slurs, syncopation, appogiatura and bow indications without losing sight of the most important part: the pleasure of playing music.

Valérie Bime-Apparailly: My First Studies To Play Together - 30 Short Melodic And Rhythmic Pieces For Violin

Valérie Bime-Apparailly ’s My First Studies, To Play Together for Violin. Published by the Editions Leduc, Valérie Bime-Apparailly ’s instrumental beginner books – such as ‘Je débute le violon’ and ‘Mes premières doubles cordes en chansons’ – have enjoyed overwhelming popularity since the day they were published. This excellent educator here turns her attention to the delicate matter of studies: how can these pieces be made less tedious for young violinists? With a crisp, clear design enhanced by drawings and carefully crafted explanatory notes, the My First Studies, To Play Together collection for Violin takes away the dreariness of these pieces, giving them, beyond their technical importance, a musical charm that appeals to 2nd and 3rd year students. The adaptation of the Marche en rondeau , which opens Marc-Antoine Charpentier’s ‘Te Deum’, allows players to discover the subtleties of the dal segno; the author also reminds us that this tune gained fame as the Eurovision credits song. These pieces, some of which are original, some of which borrow from the classical repertoire (Mozart, Spohr, Beethoven) or from works of great teachers like Charles de Bériot and Frédéric Berr, familiarise violinists with musical concepts as basic as syncopation or bowing indications without sacrificing the pleasure of playing music.

Pierre Max Dubois: Characteristic Pieces in the Form of a Suite (To the Russian Woman), for Alto Saxophone and Piano

French composer Pierre Max Dubois (1930-1995) significantly contributed to the woodwind repertoire, particularly for Saxophone. Characteristic Pieces in the Form of a Suite for Alto Saxophone and Piano was published in 1962 and remains popular in the advanced saxophonist's repertoire. Dubois ' music is characteristically light-hearted with unusual harmonic and melodic textures. The second movement of Characteristic Pieces in the Form of a Suite for Alto Saxophone and Piano, To the Russian Woman reflects Dubois ' compositional characteristics as well as elements of Russian characteristics, with a typical performance lasts about two and a half minutes. Characteristic Pieces in the Form of a Suite is essential to the advanced saxophonist's repertoire. Dubois ' most famous work makes for an exciting and enjoyable performance for players and audiences alike.

Reynaldo Hahn: Selected Songs

Exceptional singer Reynaldo Hahn (1875-1947) owes his early successes to the “songs for voice and piano” genre, whose raison d’être he defines in his journal as follows: “To highlight a poem, word for word but without uniformity; to emphasize its meaning without distorting it; to shine light upon one idea, obscure another and present it all in vocal, sung form; to produce a sharp, precise sensation by touching a heartstring or evoking an image - all in a well-structured and tastefully written piece”. Enhanced by an audio version attached as a download card, this anthology of songs should dispel a good many misconceptions. This is no salon miniature: L’Heure exquise radiates an infinite tenderness, exalted by the high vocal cadences of Ô Bien-Aimée! and C’est l’heure exquise , which surely wrought tears from the author of the verses, Verlaine. Tyndaris , the jewel of Heures latines, clears a crystal-clear space given over to the delights of slumber and of love. Like D’une prison and Cygnes , these songs do more than wet the eyes: they grip the heart.

Valérie Bime-Apparailly: Je Débute L'Alto Vol. 2 - Book & CD (Book Only)

An educationalist of renown, Viola player Valérie Bime-Apparailly (born in 1962 in Bordeaux) is the author of numerous beginner methods for string instruments that have met with unflagging success. The second volume of the series Je Débute L’Alto once again takes up the challenge of the first collection: to combine precision with the pleasure of playing. To do this, each chapter starts with a short sequence of exercises enabling pupils to approach the pieces with serenity and concentration. Reduced to their simplest expression, the theoretical explanations are accompanied by sketches that enhance their clarity. The album comes with a playback CD containing recordings of the different pieces. A relaxed eclecticism runs through the work: illustrious classics such as the Habanera from Carmen or the Variations sur “Ah ! Vous dirai-je Maman” (“Twinkle Twinkle Little Star”) by Mozart can be found alongside Un éléphant, ça trompe énormément and Rock’n’roll des Gallinacés. Education is an art form.

François Guin: About to leave (Trombones 4)

for 4 trombones, piano, bass and percussion

Buxton Orr: Salute to the States (Trumpets 3)

Music for Brass no.159.

Gordon Jacob: Salute to USA (Ensemble-Brass 8 or more)

Fanfare for the Bicentennial (for 3 trumpets, 4 horns, 3 trombones and tuba, with timpani ad lib.)

Jean-Louis & Pierre Charbonnier J.& Jacquier: L'Art de jouer la Basse de Viole Vol.1 (Viola da Gamba solo)

Written in French by Pierre Jacquier and Jean-Louis Charbonnier ,  L'Art De Jouer La Basse De Viole – Vol. 1 is a method for beginners who want to discover this instrument. The book introduces the player to the history of the Viola da Gamba and to the necessary techniques to be able to play. The book is divided as per below as if it were a game: the first part, “Pieces of the game” explains where the instrument comes from and the “Rules of the Game” part gives directions to follow to be able to play the instrument. It includes scales, studies, scales and small pieces, as well as advice. This really interesting volume requires some solid music theory knowledge.

Robert Nicholas Charles Bochsa: 50 Etudes Op.34 Vol.1 (Harp Solo)

This book is the first volume of Famous Studies For The Harp – Fifty Studies, Op. 34 by Nicolas-Charles Bochsa was dedicated to J.B. Cramer. Edited and arranged according to Hasselmans’ methods by R. Martenot, it features the studies 1 to 25 for intermediate Harp players and above. This volume is followed by a second book including the studies 26 to 50. Nicolas-Charles Bochsa (1789-1856) was a musician and composer able to play the Flute, the Piano and the Harp. He became the harpist of the Imperial Orchestra but had to move to London where he was one of the founders of the Royal Academy of Music.

H. Chavanne: 25 Etudes de Virtuosité (Trumpet solo)

Vingt-Cinq Études De Virtuosité - Vol.1 is the first volume of a series of two for Cornet or Trumpet by Henri Chavanne . Written for advanced players to maintain and develop their virtuosity, it features the studies 1 to 13. The book includes some descriptions and advice to practise each study correctly. Each study is approximately two pages long. Vingt-Cinq Études De Virtuosité - Vol.1 is a must-have for the advanced player who would like to develop their skill to evolve toward to a more professional level.

Pierre Paubon: La Flûte traversière Vol.3 (Flute solo)

medium to superior difficulty

Arthur Bliss: Greetings to a City (Ensemble-Brass 8 or more)

for 2 choirs of 2 trumpets, 2 horns and 3 trombones each, plus tuba and percussion

Arthur Bliss: Fanfare, Homage to Shakespeare (Ensemble-Brass 8 or more)

for 5 trumpets, 3 trombones, tuba and percussion

Jacky & Claude Bourbasquet J.& Gastaldin: R'n'Funk Session (Percussion solo)

R’N’Funk Session is a volume that will help you to get ready to be involve in a collective performance. On the music of Lionel Melot , it was composed by Jacky Bourbasquet and Claude Gastaldin and features a CD to provide an audio backup. It includes 25 pieces with the following genres: Funk, West Coast, Funk '80s, Slow Funk and R’N’Funk 5/4 and 7/4. It contains pieces for all levels, from beginners to advanced players. The CD includes each title, at different tempi according to each level, to get the players used to it. R’N’Funk Session is part of a series of books including the 'Studio Session 1 & 2', the 'Stage Session 1 & 2' and the 'R’N’B Session' among others. The co-writers, Jacky Bourbasquet and Claude Gastaldin are professional Drummers and/or professors who believe in progressive methods to be able to gain in skills and technique.