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Claude Pichaureau: 30 Etudes dans tous les Tons (Trombone solo)

Claude Pichaureau: 30 Etudes dans tous les Tons (Trombone solo)

Written by Gérard Pichaureau ,  Trente Études Dans Tous Les Tons  is a volume which is part of his method for Trombone. For intermediate players, this book is a great tool to gain a great sonority in all tonalities. Each study is approximately a page long and is written in the medium range of the instrument. It uses all tonalities to enable musicians to play some notes they are not always used to. It completes the other book of technique studies by Gerard Pichaureau . Born in 1916, Gerard Pichaureau is a Trombonist and composer. Soloist for the French Republican Guard, he also taught Trombone at the Paris Conservatoire after André Lafosse.

SEK 424.00
1

Marcel Moÿse: 26 Exercices de Fürstenau Op.107, Vol.1 (Flute solo)

Marcel Moÿse: 26 Exercices de Fürstenau Op.107, Vol.1 (Flute solo)

26 Studies, Op.107 By Fürstenau - Vol. 1 is the first volume of a series of two for Flute revised by Marcel Moyse . Featuring the studies 1 to 13, this book is written in French, English and German and contains some comments and explanations on how to execute each study. Great for advanced players, these difficult studies will help to maintain the technique already acquired and to master their breathing as well as the instrument and its sonority. It is great for players who aim towards virtuosity. Considered as a maestro by some musicians, Marcel Moyse has composed many Flute methods and exercise books which are also published by Alphonse Leduc, such as 'Gammes et Arpèges' (1933), 'Exercices Journaliers' (1922) and 'Mécanisme-Chromatisme' (1927). His methods are widely used and recognised worldwide.

SEK 325.00
1

Michelle-Odile Gillot, Christian Bickel: Aural Music

Michelle-Odile Gillot, Christian Bickel: Aural Music

Michelle-Odile Gillot and Christian Bickel compiles an excellent aid to aural training. Aural Music contains 14 lessons with corresponding text. Included within the 14 lessons in Aural Music are movements from famous works, including J. S. Bach's Magnificat, String Quartets by Beethoven and Schumann and Stravinsky's Octet. Gillot and Bickel 's Aural Music provides progressive aural training through use of exciting and well-loved pieces by the great composers.

SEK 286.00
1

Marcel Moÿse: Twelve Studies Of Virtuosity (Flute)

Marcel Moÿse: Twelve Studies Of Virtuosity (Flute)

12 Studies Of Great Virtuosity After Chopin , compiled by the French flautist and composer Marcel Moyse (1889-1984), contains a set of 12 difficult studies for flautists, initially written by F. Chopin . Considered as a maestro, Marcel Moyse has composed many Flute methods and exercise books also published by Alphonse Leduc, such as 'Mécanisme-Chromatisme' (1927) and 'De la Sonorité' (1934). His methods are widely used and recognised worldwide.

SEK 325.00
1

Aurelio Magnani: 10 Etudes-Caprices de grande Difficulté (Clarinet solo)

Aurelio Magnani: 10 Etudes-Caprices de grande Difficulté (Clarinet solo)

Written for advanced players,  Ten Tantrum Studies Of Great Difficulty  by Aurelio Magnani is a set of ten studies of 2 pages for Clarinet. This edition was entirely reviewed by A. Giampieri, a professor at the Milano Conservatory. Aurelio Magnani (1856-1921) was an Italian teacher and Clarinet performer. He also wrote a method for Clarinet, a Solo de Concert (dedicated to the French clarinetist Charles Turban), and the Mazurka Caprice.

SEK 256.00
1

Isabelle Aboulker: If I was a grown-up (Children Voices and Baritone)

Isabelle Aboulker: If I was a grown-up (Children Voices and Baritone)

If I was a grown-up is a song for Children and Baritone voices, composed by Isabelle Aboulker , with lyrics by Eva Janikovszky . It is only a part of the full piece, which is to be sung with a Flute, an Oboe, a Clarinet, a Bassoon and a Piano. Really easy, with range and intervals adapted to children’s capacities, this song is very entertaining in term of lyrics and sonority. The lyrics focuses on what children are always asked to do which is not fun, such as washing hands before dinner, being always nice and quiet, staying seated among other things, while adults can do whatever they want to do. Children then sing what they would do if they were grown-ups. Quite energetic, this song is great for children and would be great for a concert. Isabelle Aboulker is a French composer specially known for her opera, her vocal works, and for her adaptations of stories and fables.

SEK 177.00
1

Ulysse Delécluse: 14 Grandes Etudes (Clarinet solo)

Ulysse Delécluse: 14 Grandes Etudes (Clarinet solo)

Fourteen great studies by Ulysse Delécluse is a set of works based on some sections of famous music pieces. Arranged for clarinettists, the level of this set can be considered as difficult, including trills, rapid rhythms, fast tempos, accidental sharps and flats, accidental notes and keys up to four sharps and 2 flats. Fourteen great studies revisits: - Fantastical Symphony , by H. Berlioz - The Scherzo of A Midsummer Night's Dream , by F. Mendelssohn - Mozartiana and The Nutcracker , by P. Tchaïkowsky - Symphony n°6 “Pathetic” , by P. Tchaïkowsky - The Scherzo-Waltz of the Pastoral Suite , by E. Chabrier - Sheherazade , by Rimsky-Korsakow - Children’s corner , by C. Debussy - The Prodigy , The afternoon of a Faun and Games , by C. Debussy - Till Eulenspiegel , by R. Strauss - The Sorcerer’s apprentice , by P. Dukas - Daphnis and Chloé , by M. Ravel - The final of Daphnis and Chloé , by M. Ravel - The Firebird , by I. Stravinsky - Petrouchka and The Rite of Spring , by I. Stravinsky

SEK 325.00
1

Mario Castelnuovo-Tedesco: Chant Hébraïque For Violin And Piano

Mario Castelnuovo-Tedesco: Chant Hébraïque For Violin And Piano

Born into a family that had lived in Florence since the expulsion of the Jews from Spain in 1492, Mario Castelnuovo-Tedesco (1895-1968) entertained only a distant relationship with the music he heard at synagogue: a Renaissance church held more appeal for the Florentine artist than the Oriental décor of his forefathers’ place of worship. It was only when he discovered Schelemo, a rhapsody for cello and orchestra written in 1916 by Ernest Bloch, that he began to understand what “Jewish music” could be. It would take until the death of his maternal grandfather, and the discovery of a collection of prayers set to music among his papers, for the young Castelnuovo-Tedesco to begin to explore Jewish music. In 1928, two years after publishing the Dances of King David, he wrote this Vocalise-Étude for medium voice and piano at the request of vocal teacher Amédée-Landély Hettich, who wanted to include it in the Répertoire moderne de Vocalises-Études published by Leduc. The piece became so popular that it led to several adaptations, and the composer asked his close friend Gioacchino Maglioni (1891-1966) to transcribe it for violin and piano. Divided into three sections, the work opens with a poignant lamento that grieves the tragic fate of the Jewish people. Countering what he felt to be a tendency of Jewish music to transform into a “Wailing Wall”, Castelnuovo-Tedesco follows the lamento with a folk dance whose brisk, “lively and stubborn” movement has great panache. The third section returns to the initial poignant theme before briefly reiterating the dance motif, allowing the piece to conclude on a hopeful note.

SEK 177.00
1

Michelle-Odile Gillot: Apprendre et Comprendre en Chantant Schubert Vol.1 (Voice & Piano)

Michelle-Odile Gillot: Apprendre et Comprendre en Chantant Schubert Vol.1 (Voice & Piano)

With Schubert's Lied having such a prominent role in the Vocal repertoire, Michelle-Odile Gillot compiles an essential study book to aid learning and understanding of the great composer's much-loved style. The first volume of Gillot 's Learn and Understand how to sing Schubert addresses analysis, the text, rhythm, intonation, memorisation and intervals in detail, among many other aspects. With clear, helpful examples highlighted, Gillot 's Learn and Understand how to Sing is an essential complement to ensure a high standard performance of Schubert's Lied.

SEK 276.00
1

Augustin Savard: Morceau de Concours (Bb trpt) (Trumpet & Piano)

Augustin Savard: Morceau de Concours (Bb trpt) (Trumpet & Piano)

Morceau De Concours  (1903) is a work for Cornet and Piano by Augustin Savard . Composed for the Paris Conservatoire contest, this piece lasts approximately seven minutes and can be played by upper-intermediate and above level players . Starting solemnly, the first half of the piece is quite slow while the second half is more energetic and more cheerful. This piece would also be great to use in recitals. Augustin Savard (1861-1942) is a French composer who won the Prix de Rome who composed some oratories and some orchestral works.

SEK 266.00
1

Max d' Ollone: Fantaisie orientale (Clarinet & Piano)

Max d' Ollone: Fantaisie orientale (Clarinet & Piano)

Composed for the Paris Conservatoire contest,  Fantaisie Orientale  is a piece by Max d'Ollone for Bb Clarinet and Piano accompaniment. Really melodious, this piece is quite complex to play. This work starts slowly, with some accelerations, followed by a more quiet and melancholic part. The end is more lyrical and features some trills and numerous accidentals. Max d'Ollone (1875-1959) is a French musician who won the first Grand Prix de Rome in 1897. He was a great professor and composer, who produced numerous pieces including ballets, symphonies and chamber music.

SEK 325.00
1

J. S. Bach: 10. Choral, extract from Cantata BWV 147

J. S. Bach: 10. Choral, extract from Cantata BWV 147

Written by J. S. Bach and arranged by Maurice Duruflé for Organ, “Chorale: Jesus bleibet meine Freude“ (Jésus, que ma joie demeure) is the tenth movement extract of the “Rejoice yourself, my soul”, the cantata BWV 147 . Part of the expanded version composed for the feast of Visitation, it was added to the main Cantata in 1923. This religious piece is quite difficult and features the use of: - Swell: Oboe 8’ - Choir: Bourdons 16’ 8’ Principal 8’ Octave 4’ Fifteen 2’ Mixture - Great: Bourdon 8’ - Pedals: Bourdons 16’ 8’

SEK 147.00
1

Jeanine Rueff: Interval Studies, Theory lessons

Jeanine Rueff: Interval Studies, Theory lessons

Études d'intervalles, dix-huit leçons de solfège by Jeanine Rueff is a set of eighteen studies of intervals with Piano accompaniment. This theory book is written in G and F key. From seconds, thirds, to diminished sixths, sevenths and to octavias, these eighteen studies cover a wide range of intervals. It is a great book for musicians who wish to learn the necessary basics on the subject. Jeanine Rueff composed numerous pieces for Saxophones often used in contests, as well as many pieces for Saxhorn, Clarinet, Horn and Cornet.

SEK 459.00
1

Michelle-Odile Gillot: Learn and Understand how to sing Schumann (2)

Michelle-Odile Gillot: Learn and Understand how to sing Schumann (2)

With Schumann 's Lied having such a prominent role in the Vocal repertoire, Michelle-Odile Gillot compiles an essential study book to aid learning and understanding of the great composer's much-loved style. The second volume of Gillot 's Learn and Understand how to sing Schumann addresses analysis, the text, rhythm, intonation, ornamentation, memorisation and intervals in detail, amongst many other aspects. With clear, helpful examples highlighted and detailed instruction in Japanese, Gillot 's Learn and Understand how to Sing Schumann is an essential complement to ensure a high standard performance of Schumann 's Lied.

SEK 266.00
1

Wolfgang Amadeus Mozart: Menuet de Duport (Classiques No.80) (Flute & Piano)

Wolfgang Amadeus Mozart: Menuet de Duport (Classiques No.80) (Flute & Piano)

Number 80 of the collection "Classics for Flute" by Marcel Moyse, Minuet Of Mr. Duport is a piece initially composed by Mozart and arranged for Flute and Piano accompaniment. The main theme starts with a Tempo di Minuetto, which is then followed by four variations and a final part Allegro ending up with a Cadenza. Quite amazing, this piece is difficult to play and will fit upper intermediate players. It is a great piece to listen to that would definitely work well in a concert or in a recital.

SEK 226.00
1

Eugène Bigot: Variations (Trombone & Piano)

Eugène Bigot: Variations (Trombone & Piano)

Variations by Eugène Bigot is a piece for Trombone and Piano, written for advanced players. Initially composed for the Paris Conservatoire contest, this lyrical piece is quite long and difficult. It covers numerous sections using a good knowledge of the instrument and a great ability to play it. Variations is divided in five parts: Cantabile, Comodo, Gracioso, Scherzando and Impetuoso. This interesting and challenging piece can be used for contests as well as recitals. Eugène Bigot (1888–1965) was a professor at the Paris Conservatoire, a conductor and a composer.

SEK 286.00
1

Jean Michel Defaye: A la Manière de Schumann (Trombone & Piano)

Jean Michel Defaye: A la Manière de Schumann (Trombone & Piano)

French pianist, arranger, composer and conductor, Jean-Michel Defaye (b. 1932) entered the Paris Conservatoire at the mere age of ten years old. His successful compositions and arrangements are mainly for brass, À La Manière De Schumann, composed in 2000, being no exception. With a typical performance lasting about four and a half minutes, Defaye 's À La Manière De Schumann is so named due to the composer drawing on compositional techniques of the great Robert Schumann. For all aspiring trombonists wishing to vary and expand their repertoire, À La Manière De Schumann by Jean-Michel Defaye is essential.

SEK 266.00
1

Thierry Escaich: Evocation II (Organ)

Thierry Escaich: Evocation II (Organ)

Born in 1965, Thierry Escaich studied in Paris where he obtained eight first prizes for Organ and Composition. His performances and works during his professional career have also received various distinctions, Evocation II being no exception. Composed in 1996, Evocation II is very modern, exploiting tonality, rhythm, harmony, and many other elements to a virtuosic level. Esciach is a great improvisation expert and Evocation II reflects aspects of this through use of complex rhythms and developed melodies. For all advanced organists seeking to vary and expand their contemporary repertoire, Esciach 's Evocation II is an exciting addition to the repertoire.

SEK 246.00
1

Pierre Revel: Fantaisie (Clarinet & Piano)

Pierre Revel: Fantaisie (Clarinet & Piano)

Composed for the Paris Conservatoire contest by Pierre Revel (1901-1984),  Fantaisie  is a melodious piece for Bb Clarinet and Piano. Rated as difficult (8°), this piece is perfect for demonstrating your skills and technique. Dedicated to Ulysse Delécluse,  Fantaisie  is divided in three main sections: - Prélude – Modderato (senza rigore) - Andante, featuring a Cadenza by the Clarinet solo - Final which include a “Meno mosso” part and a “1 tempo”, before closing on a really harmonious note. The mastering of breathing techniques and a great flexibility are required for this piece which demonstrates the whole range of the instrument.

SEK 226.00
1

François Couperin: Pièces en Concert (Cello & Orchestra)

François Couperin: Pièces en Concert (Cello & Orchestra)

Couperin 's Concert Pieces for Cello and String Quartet accompaniment is an exciting addition to the string repertoire for its slightly unusual instrumentation. François Couperin (1668-1733) is often nicknamed 'Couperin the Great' to distinguish him from other members of the musical family. Concert Pieces is made up of five movements; 1) Prelude, 2) Sicilienne, 3) The Trumpet, 4) The Complaint, and 5) Devil's Air. Couperin 's moods are expressed through choices of keys, adventurous harmonies and discords. With a significant amount of variation and inspiration, Concert Pieces is essential to the repertoire of aspiring, advanced String Quartets and solo cellists.

SEK 256.00
1

Eugène Bozza: Dialogue (Trumpets 2)

Eugène Bozza: Dialogue (Trumpets 2)

Dialogue by Eugène Bozza is a piece for two Trumpets, lasting three minutes. Sounding really majestic, this work exhibits the two Trumpets having an exchange, like a dialogue. The piece is divided into three movements: Allegro Mastoso (4/4, tempo 120) – Moderato (4/4, tempo 80) – Tempo di Marcha (2/4, tempo 120). This piece is a great work to play during a recital. Eugène Bozza won different prizes at the Conservatoire de Paris such as the First Prizes for the Violin, conducting and composition, as well as the Grand Prix de Rome. He composed several operas, chamber works and ballets among others.

SEK 206.00
1