Inghelbrecht 4 Chansons Pop Francaises No 3 8 Or 9 Voices

Bariller 4 Chansons Pop Du Valois No 1 La Belle Qui Fait 2 Part

Inghelbrecht 4 Chansons Pop Francaises No 2 Mon Pere 1 Or 2 Voices Bk

Cht Scol/Post Scol Chsons Pop Prov Franc Serie 1 Vol 3 Vx Unison S/Acc

Guillou Jean Toccata Organ Book

This Toccata Opus 9, an early work dating from 1963, is one of Guillou’s most often-played works. This brilliant piece works through three themes whose individual character creates a progressive increase in tension. The wholework serves to display the two aspects of the organ: its melodic flexibility and percussive power, lending the work a character that is at the same time tragic and passionate. A masterpiece of the 20th Century, suitable forconcert performance and competitions.

Armando Ghidoni: Sweet And Go (Oboe)

A strongly influential piece of repertoire, the piece Sweet And Go for solo Oboe, composed by Armando Ghidoni for Marika Lombardi, elegantly explores the poetic and technical resources of the instrument.  The diptych, approximately six minutes in length, opens with an Adagio, a free declamation in recitative that is an oasis of tenderness to which the glissandi bring a whiff of the Orient. In contrast to this voluptuous dream, the second section, marked Vivo brilante ben ritmato, enables the soloist to display a sparkling virtuosity. Melodies, rhythms, nuances and colours all contribute to this festival of ingenuity.

Armando Ghidoni: Sweet And Go (Saxophone)

Premiered in 2013, Sweet And Go for solo Saxophone elegantly explores the poetic and technical resources of the instrument Armando Ghidoni knows so well (Concerto pour saxophone et orchestre à cordes; Concerto Grosso pour saxophone alto, piano et orchestre).  The diptych, approximately five minutes in length, opens with an Adagio, a free de­clamation in recitative that is an oasis of tenderness to which the glissandi bring a whiff of the Orient. In contrast to this voluptuous dream, the second section, marked Vivo brilante ben ritmato, allows the soloist to display a sparkling virtuosity – slaps included! – without betraying the underlying spirit of improvisation. Melodies, rhythms, nuances and colours all contribute to this festival of ingenuity.

Domenico Giuseppe Scarlatti: Sonatas Vol. 2 - K53-K103

Italian composer, Domenico Scarlatti (1685-1757) is well-known for his Keyboard compositions. His 555 Keyboard Sonatas remain ever popular to this day, and it is for this reason that this second volume is indispensable to performers of the genre. Originally composed for the Harpsichord, Organ or early Pianoforte, the Sonatas display the riveting use of discords and unconventional modulations to remote keys. It is also thought that much of Scarlatti 's Keyboard music contains influences of Iberian music, considering that he spent much of his working life in the service of the Spanish and Portuguese royal families. The second volume, comprising Sonatas 53-103 , includes the popular and recognised Sonatas in F minor (K. 69) and B minor (K. 87). Bearing in mind that Domenico Scarlatti was a highly competent and popular Keyboard player in his day, so much so that he was employed in the service of two royal families, his Sonatas are composed with much experience, understanding and expertise, creating an essential addition to the repertoire of all Keyboard players of the Baroque genre.

Domenico Scarlatti: Sonatas Vol. 8

Italian composer, Domenico Scarlatti (1685-1757) is well-known for his Keyboard compositions. His 555 Keyboard Sonatas remain ever popular to this day, and it is for this reason that this eighth volume is indispensable to performers of the genre. Originally composed for the Harpsichord, Organ or early Pianoforte, the Sonatas display the riveting use of discords and unconventional modulations to remote keys. It is also thought that much of Scarlatti 's Keyboard music contains influences of Iberian music, considering that he spent much of his working life in the service of the Spanish and Portuguese royal families. The eighth volume, comprising Sonatas 358-407 , includes the popular and recognised Sonatas in B minor (K. 377) and E major (K. 380). Bearing in mind that Domenico Scarlatti was a highly competent and popular Keyboard player in his day, so much so that he was employed in the service of two royal families, his Sonatas are composed with much experience, understanding and expertise, creating an essential addition to the repertoire of all Keyboard players of the Baroque genre.

Domenico Giuseppe Scarlatti: Sonatas Volume Five - K206-K255

Italian composer, Domenico Scarlatti (1685-1757) is well-known for his Keyboard compositions. His 555 Keyboard Sonatas remain ever popular to this day, and it is for this reason that this fifth volume is indispensable to performers of the genre. Originally composed for the Harpsichord, Organ or early Pianoforte, the Sonatas display the riveting use of discords and unconventional modulations to remote keys. It is also thought that much of Scarlatti 's Keyboard music contains influences of Iberian music, considering that he spent much of his working life in the service of the Spanish and Portuguese royal families. The fifth volume, comprising Sonatas 206-255 , includes many of the popular and recognised Sonatas in a variety of keys. Bearing in mind that Domenico Scarlatti was a highly competent and popular Keyboard player in his day, so much so that he was employed in the service of two royal families, his Sonatas are composed with much experience, understanding and expertise, creating an essential addition to the repertoire of all Keyboard players of the Baroque genre.

Domenico Giuseppe Scarlatti: Sonatas Vol. 9 K408-K457

Italian composer, Domenico Scarlatti (1685-1757) is well-known for his Keyboard compositions. His 555 Keyboard Sonatas remain ever popular to this day, and it is for this reason that this ninth volume is indispensable to performers of the genre. Originally composed for the Harpsichord, Organ or early Pianoforte, the Sonatas display the riveting use of discords and unconventional modulations to remote keys. It is also thought that much of Scarlatti 's Keyboard music contains influences of Iberian music, considering that he spent much of his working life in the service of the Spanish and Portuguese royal families. The ninth volume, comprising Sonatas 408-457 , includes many of the popular and recognised Sonatas in a variety of keys. Bearing in mind that Domenico Scarlatti was a highly competent and popular Keyboard player in his day, so much so that he was employed in the service of two royal families, his Sonatas are composed with much experience, understanding and expertise, creating an essential addition to the repertoire of all Keyboard players of the Baroque genre.

Domenico Giuseppe Scarlatti: Sonatas Volume1 - K1-K52 (Harpsichord solo)

Italian composer, Domenico Scarlatti (1685-1757) is well-known for his Keyboard compositions. His 555 Keyboard Sonatas remain ever popular to this day, and it is for this reason that this first volume is indispensable to performers of the genre. Originally composed for the Harpsichord, Organ or early Pianoforte, the Sonatas display the riveting use of discords and unconventional modulations to remote keys. It is also thought that much of Scarlatti 's Keyboard music contains influences of Iberian music, considering that he spent much of his working life in the service of the Spanish and Portuguese royal families. This first volume, comprising Sonatas 1-52 , includes the popular and recognised Sonatas in D minor (K. 9), E major (K. 20) and B minor (K. 27). Bearing in mind that Domenico Scarlatti was a highly competent and popular Keyboard player in his day, so much so that he was employed in the service of two royal families, his Sonatas are composed with much experience, understanding and expertise, creating an essential addition to the repertoire of all Keyboard players of the Baroque genre.

Domenico Giuseppe Scarlatti: Sonatas Vol.4: K156-K205 (LP34) (Harpsichord solo)

Italian composer, Domenico Scarlatti (1685-1757) is well-known for his Keyboard compositions. His 555 Keyboard Sonatas remain ever popular to this day, and it is for this reason that this fourth volume is indispensable to performers of the genre. Originally composed for the Harpsichord, Organ or early Pianoforte, the Sonatas display the riveting use of discords and unconventional modulations to remote keys. It is also thought that much of Scarlatti 's Keyboard music contains influences of Iberian music, considering that he spent much of his working life in the service of the Spanish and Portuguese royal families. The fourth volume, comprising Sonatas 156-205 , includes the popular and recognisable Sonata in C major (K. 159). Bearing in mind that Domenico Scarlatti was a highly competent and popular Keyboard player in his day, so much so that he was employed in the service of two royal families, his Sonatas are composed with much experience, understanding and expertise, creating an essential addition to the repertoire of all Keyboard players of the Baroque genre.

Bourbasquet: Drum Session 17 - 29 Pièces Pour Batterie Livre & CD (Le Livre)

Drummers Jacky Bourbasquet (founder of the Sonor school network) and Claude Gastaldin (professor at the Geneva Conservatoire) have a “long and faithful friendship” that goes beyond playing music. Since 1997, the two percussionists have pursued a large-scale educational adventure that earned its fame under the name Drum Session . Offered in a multilingual version (French, English, German, Spanish), the 17th Volume includes everything that brought the series its success: a progress­ive structure divided into levels, clear method instructions and a range of pieces – 29 in total – showcasing a wide variety of styles: jazz, progressive pop, tango and funk.  The method, which favours group work with orchestra, is enhanced with a CD (sold separately) in which each piece is recorded without the drums in two versions: one as an étude (slower), the other a tempo. A variety of tracks have been added for a total of 70 minutes of music. “A very useful tool, well-designed and including enough styles to satisfy nearly everyone” (Batteur magazine). This book must be purchased with the CD accompaniment (AL30675) separately.

Janet Vogt/Leon Bates: Le Voyage Magique - Niveau 1, Découvreur (with staves)

Conceived for Piano beginners, Le Voyage Magique - Niveau 1, Découvreur , with staves (equivalent to the 1B) is really progressive and includes nice illustrations, which enable children to get familiar with the instrument and with the theory. The second of a series of eight, it introduces the reading of musical sheets and the positioning of the notes on the staves. Le Voyage Magique is the translation and adaptation by Stéphane Blet of the American series Piano Discoveries by Janet Vogt and Leon Bates . The pedagogy of this book has been studied to be quite close to the language of children, in order to develop their interest and concentration. A CD is provided to accompany the player while learning with Le Voyage Magique , offering some small melodic pieces to develop a musical ear. Janet Vogt is an American pianist, professor at the College-Conservatory of Music. She also composed pieces for Keyboards, for Choirs, and some pop music. br Leon Bates (born 1949) is a renowned American pianist who performed with the New York Symphony, the Cleveland Symphony and many others. He is also a professor and participated to the conception of this method. Stéphane Blet is an international solo pianist who decided to focus on the composition of pieces and on teaching. He is currently professor in the École Normale de Musique “Alfred Cortot”.