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Daniel Lavialle: Méthode de Guitare (Guitar solo)

Daniel Lavialle: Méthode de Guitare (Guitar solo)

Guitar Method – Year 1 by Daniel Lavialle is a method for beginners (including children). This really educational and melodic method requires a basic knowledge of theory and rhythms which could be taught by a teacher. It can also be chosen for a tailored-learning method, the professor deciding which parts fit the player the best. Daniel Lavialle also edited a set of fifteen studies for Guitar, initially by Mauro Giuliani, Fernando Sor and Matteo Carcassi.

SEK 400.00
1

Odette Gartenlaub: Three Faces (Piano)

Odette Gartenlaub: Three Faces (Piano)

Trois Visages  is a set of three pieces for Piano written by Odette Gartenlaub . These pieces are considered challenging and difficult and would fit advanced players. Very melodic, each of these three pieces covers 2 pages and they can be played separately. Winner of the Prix de Rome in 1948, Odette Gartenlaub (1922-2014) has written various works for orchestra, chamber ensemble and solo instruments such as 'For the Horn', 'Seven Little studies' or 'Five easy pieces for Flute and Piano' among others.

SEK 196.00
1

Giuseppe Gariboldi: 20 Etudes chantantes Op.88 (Flute solo)

Giuseppe Gariboldi: 20 Etudes chantantes Op.88 (Flute solo)

20 Melodic Studies, Op. 88 by Giuseppe Gariboldi is a series of 20 pleasant studies arranged for Flute. Quite challenging and with many nuances, 20 Melodic Studies, Op. 88 would fit intermediate/advanced players and fill them with enjoyment while developing their learning and techniques. Giuseppe Gariboldi (1833-1905) is an Italian flautist and composer who wrote numerous pieces for Flute. Most of his study books are still used to teach the Flute, including also 'Dainty studies, Op. 131' or 'Daily exercises, Op. 89'.

SEK 206.00
1

Wolfgang Amadeus Mozart: Menuet de Duport (Classiques No.80) (Flute & Piano)

Wolfgang Amadeus Mozart: Menuet de Duport (Classiques No.80) (Flute & Piano)

Number 80 of the collection "Classics for Flute" by Marcel Moyse, Minuet Of Mr. Duport is a piece initially composed by Mozart and arranged for Flute and Piano accompaniment. The main theme starts with a Tempo di Minuetto, which is then followed by four variations and a final part Allegro ending up with a Cadenza. Quite amazing, this piece is difficult to play and will fit upper intermediate players. It is a great piece to listen to that would definitely work well in a concert or in a recital.

SEK 226.00
1

Eugene Bourdeau: Solo No.1 (Bassoon/Piano)

Eugene Bourdeau: Solo No.1 (Bassoon/Piano)

Composed by Eugène Bourdeau ,  Premier Solo (1894) is a fabulous piece for Bassoon and Piano written for the Paris Conservatoire contest. This edition was edited by G. Dhérin , a professor at the Paris Conservatoire. Really rich but also challenging, this piece is a standard of the Bassoon repertoire and would fit the skills of upper-intermediate players. It lasts for around 5 minutes. Eugène Bourdeau (1850-1925) was a professor at the Paris Conservatoire. He composed other pieces for Bassoon such as the 'Second solo' or the '30 Exercises'.

SEK 206.00
1

Jeanine Rueff: Concertino Op.17 (Saxophone-Alto & Piano)

Jeanine Rueff: Concertino Op.17 (Saxophone-Alto & Piano)

Composed by Jeanine Rueff , Concertino is dedicated to Marcel Mule. Initially for Alto Saxophone and Chamber Orchestra, these scores are arranged for Alto Saxophone and Piano, and would fit players with advanced skills and ability. Written in three distinctive parts: Allegro Molto (tempo 144), Lento (tempo 54) and Vivo (tempo 132). Well composed, quite challenging but very lyrical, this piece is really enjoyable and would be perfect for recitals. Jeanine Rueff composed numerous pieces for Saxophone which are often used in contests, as well as many pieces for Saxhorn, Clarinet, Horn and Cornet.

SEK 325.00
1

Paul Jeanjean: Etudes modernes (Flute solo)

Paul Jeanjean: Etudes modernes (Flute solo)

Études Modernes  for the Flute is a set of sixteen studies by Paul Jeanjean (1874-1928). Composed in 1868, and initially composed for Clarinet, these studies would fit advanced players. Each one of these  Études Modernes  is 3 or 4 pages long and extremely technically challenging. They all require strong attention, good endurance and they could be used to prepare the player for combinations of chords and rhythmic figures of contemporary music. Paul Jeanjean (1874-1928) is a French composer known for his clarinet compositions. He also composed '"Vade-Mecum" of the Clarinet Player', 'Arabesques' and 'Clair Matin'.

SEK 414.00
1

Auguste Périer: 331 Exercices journaliers de Mécanisme (Clarinet solo)

Auguste Périer: 331 Exercices journaliers de Mécanisme (Clarinet solo)

Written by Auguste Périer ,  331 Exercices Journaliers De Mécanisme  is a must-have set of daily exercises that will help to develop a better technique. With exercises that fit intermediate to advanced players, this volume will definitely help the Clarinet players to gain agility and dexterity. Each exercise is very short, and a guide on how to use the book is written at the beginning. Auguste Périer (1883-1947) is a French clarinettist who obtained the First Prize of the Paris Conservatoire. He was later solo Clarinet at the Opéra-Comique and professor at the Conservatoire.

SEK 246.00
1

Marcel Tournier: Féérie (Prélude et Danse) (Harp solo)

Marcel Tournier: Féérie (Prélude et Danse) (Harp solo)

Written by Marcel Tournier ,  Féerie – Prelude Et Dance is a piece for Harp dedicated to Alphonse Hasselmans and to be played on the Pedal Harps. This piece would fit the skills and abilities of advanced Harp players and the technical difficulties encountered are numerous: hand-crossings, numerous arpeggios, natural harmonies, many accidental alterations as well as some pedal changes. Marcel Tournier (1879-1951) was a French harpist and teacher. He studied with Alphonse Hasselmans at the Paris Conservatoire and composed numerous pieces for Solo Harp: ' Russian Lullabies', 'Six Christmas', 'Four Preludes' and 'Three images, suite 1, Op. 29' among many others.

SEK 315.00
1

Eugène Bozza: Aria (Book/Download Card)

Eugène Bozza: Aria (Book/Download Card)

Composer and conductor Eugène Bozza (1905-1991) was a pupil of Henri Büsser and Henri Rabaud at the Conservatoire de Paris, and received the first Prix de Rome in 1934. It was during his stay the Villa Medici that he wrote his Aria Pour Saxophone Alto Et Piano – an adaptation of the third movement of Johan Sebastian Bach’s Organ Pastorale in F Major BWV 590, which was to tour the world. This nostalgia-imbued melody, which expands over a regular meter, has, in turn, been the subject of numerous transcriptions, first for clarinet, then for Violin (or Flute) and Piano. Éditions Leduc have chosen to republish this last version, with the added bonus of an audio version that should be of valuable assistance to all musicians!

SEK 226.00
1

Jules-Auguste Edouard Demersseman: Solo de Concert No.6, Op.82 (Classiques No.74) (Flute & Piano)

Jules-Auguste Edouard Demersseman: Solo de Concert No.6, Op.82 (Classiques No.74) (Flute & Piano)

Composed by Jules Demersseman (1833-1866), Concert Solo n°6, Op. 74 has been reviewed by the French flautist Marcel Moyse . Written for Flute and Piano, it would fit players with advanced skills and abilities and a great endurance. It contains up to 5 flats and 4 sharps. Part of the series 'Flute Classics', this piece number 76 is among those adapted by P. Taffanel, Ph. Gaubert, M. Moyse and others. Very enjoyable, yet very difficult, this piece was written as a Concert Solo and could be easily be used in recitals or contests. Considered as a maestro by some musicians, Marcel Moyse has composed many Flute methods and exercise books that have also been published by Alphonse Leduc. His methods are widely used and recognised worldwide.

SEK 206.00
1

Eugène Bozza: Aria (Book/Download Card)

Eugène Bozza: Aria (Book/Download Card)

Born to an Italian father and a French mother, Eugène Bozza (1905-1991) divided his music studies between the Academia Santa Cecilia in Rome and the Conservatoire de Paris, where he was taught by Henri Büsser and Henri Rabaud. His chamber music compositions reveal a marked predilection for wind instruments, as reflected in Fantaisie pastorale for oboe and piano (1939) and New-Orléans for bass saxhorn and piano (1944). During his stay a few years earlier at the Villa Medici in Rome (1936), Bozza had written his Aria Pour Saxophone Alto Et Piano – a free adaptation of the third movement of Johann Sebastian Bach’s Organ Pastorale in F major BWV 590. This expansive and nostalgic melody, which unfolds over a regular meter, has become one of the most widely played Saxo­phone pieces in the world. Having enjoyed such success, Éditions Leduc has decided to supplement its republication with an audio version that will enable saxo­phonists to carry out “full-scale” practice.

SEK 226.00
1

J. Chailley, H. Challan: Complete theory of music - Vol. 1

J. Chailley, H. Challan: Complete theory of music - Vol. 1

Complete theory of music by Jacques Chailley and Henri Challan is a really complete method for beginning musicians. This first volume of a series of two covers the nine first chapters of the method. It features: I. Different elements of music II. Music writing and symbols III. Rhythms IV. Intervals elements V. Intervals VI. Theory of Tonality [1/2] VII. Theory of Tonality [2/2] VIII. Tonality application IX. Additional music symbols Really focused on theory and including some exercises, this book will be a better fit for mature music beginners. Henri Challan was a French composer and professor at the Paris Conservatoire who won the Grand Prix de Rome and who has wrote many music analysis. Jacques Chailley was a musician and Deputy Director of the Paris Conservatoire.

SEK 350.00
1

J. Chailley, H. Challan: Complete theory of music - Vol. 2

J. Chailley, H. Challan: Complete theory of music - Vol. 2

Complete theory of music by Jacques Chailley and Henri Challan is a really complete method for musician beginners. This second and final volume is following the first one and covers the eleven last chapters of the method. It features: I. Principle of chords: Consonant and Dissonant II. Natural consonant chords III. Artifical consonant chords IV. Cadenza V. Modes VI. Rhythm VII. Ornaments VIII. Rigorous intonation IX. Transcribing X. Transcribing Instruments XI. Gregorian Songs Appendix Really focused on theory and including some exercises, this book will be a better fit for mature music beginners. Henri Challan was a French composer and professor at the Paris Conservatoire who won the Grand Prix de Rome and who has wrote many music analysis. Jacques Chailley was a musician and Deputy Director of the Paris Conservatoire.

SEK 350.00
1

Domenico Dragonetti: Concerto (Classiques No.23) (Double Bass & Piano)

Domenico Dragonetti: Concerto (Classiques No.23) (Double Bass & Piano)

This famous Concerto for Double Bass and Piano accompaniment by Edouard Nanny is part of the “Double Bass Classics”. It is the famous piece n°23 of this collection which, even though attributed to Dragonetti, is commonly acknowledge as a tribute to him composed by Edouard Nanny. The book features a score and Double Bass part. Written in A major and divided in three parts, Allegro Moderato, Andante and Allegro Giusto, all its movements start with the Piano which is later joined by the Double Bass. This latter then becomes the main element, the Piano accompaniment being mainly chords. Quite difficult, this piece would fit the skills and abilities of advanced players, for recitals or concerts. Edouard Nanny (1872-1942) was a well-known French Double Bass player, composer and professor.

SEK 286.00
1

Marcel Grandjany: Fantaisie sur un Thème de Haydn (Harp solo)

Marcel Grandjany: Fantaisie sur un Thème de Haydn (Harp solo)

Written by Marcel Grandjany on a theme of Haydn, Fantasie is a piece for Harp that includes 5 variations of the main theme. Ideally to be played on pedal Harp, it would fit the skills and abilities of advanced Harp players. The technical difficulties encountered are various as this piece involves some hand-crossings, arpeggios, natural harmonies, accidental alterations as well as some pedal changes. Marcel Grandjany is a French-born American who lived in the 20th century. He studied with Alphonse Hasselmans at the Paris Conservatoire from the age of 11 and got the First Prize at 13 years old. He composed numerous pieces for Harp, of all levels: '3 Very Easy Little Pieces, Op. 7', 'Divertissement, Op. 29', 'Variation on the Londonderry Air, Op. 20' and 'Two Duets for 2 harps, Op. 26' among many others.

SEK 196.00
1

Alfred Désenclos: Quatuor (Saxophones 4)

Alfred Désenclos: Quatuor (Saxophones 4)

Quartet for Saxophones is a piece for four Saxophones composed by Alfred Desenclos in 1964, which lasts around 15 minutes and 30 seconds. Initially written for the Marcel Mule Quartet, Quartet for Saxophones is a typical French quartet, quite smooth and suave. The beginning of the piece that sets up the Soprano Saxophone against the others is quite jazzy but then it continues on to a more lyrical part, quite slow, with a simple melody. The tension is gradually built up and the finale unison is introduced quite dramatically, with some bursts of energy. This Quartet for Saxophones would fit a Quartet of advanced to professional players. Alfred Desenclos (1912-1961) is a French Composer who won the Prix de Rome in 1942. He also composed masses such as 'Messe de Requiem' and other pieces for Double Bass, Harp, Flute, Trumpet or French Horn.

SEK 509.00
1

Johann Sebastian Bach: Sonata pour Flûte No.6 (Classiques No.92) (Saxophone-Alto & Piano)

Johann Sebastian Bach: Sonata pour Flûte No.6 (Classiques No.92) (Saxophone-Alto & Piano)

Composed by J. S. Bach for Flute and Piano, this edition of Sonata No.6 was arranged for Alto Saxophone in E flat and Piano by Marcel Mule . Its difficulty would fit the skills and abilities of intermediate players. In terms of composition, this piece was created in four different sections: Adagio ma non tanto, Allegro, Siciliano and Allegro. Marcel Mule (1901-2001) is one of the greatest French saxophonists, renowned worldwide for his work on the classical Saxophone repertoire. He was teaching his students how to obtain a good quality of sound and believed it was dependent on the embouchure, the emission, the mastery of vibrato and thus of breathing. He wrote different methods that focus on technique, articulation and tone productions such as 'Scale and Arpeggios' (in three books), 'Daily exercises after Terschack' or '30 Great exercises or studies after Soussmann' (in two books), among others.

SEK 127.00
1

Marcel Mule: Exercices journaliers d'après Terschack (Saxophone solo)

Marcel Mule: Exercices journaliers d'après Terschack (Saxophone solo)

Daily Exercises after Terschack for all Saxophones by Marcel Mule (1901-2001) is a set of twenty six exercises, each one lasting a page and a half. Initially composed by the flautist Adolph Terschak, these Daily Exercises after Terschack would fit the skills of advanced-intermediate and advanced players, with keys from 5 flats to 7 sharps. Marcel Mule (1901-2001) is one of the greatest French Saxophonists, renowned worldwide for his work on the classical Saxophone repertoire. He was teaching his students how to obtain a good quality of sound and believed it was dependent on the embouchure, the emission, the mastery of vibrato and thus of breathing. He wrote different methods that focus on technique, articulation and tone productions such as '18 Exercises or Studies', 'Varied Studies in all keys' or '30 Great Exercises or Studies after Soussmann' (in two books), among others.

SEK 325.00
1

Johann Sebastian Bach: Sonata pour Flûte No.4 (Classiques No.91) (Saxophone-Alto & Piano)

Johann Sebastian Bach: Sonata pour Flûte No.4 (Classiques No.91) (Saxophone-Alto & Piano)

Composed by J. S. Bach for Flute and Piano, this edition of 4th Sonata was arranged for Alto Saxophone in E flat and Piano by Marcel Mule . Its difficulty would fit the skills and abilities of intermediate players. In terms of composition, this piece was created in three different sections: the first one is divided into three parts (Andante with a tempo at 96°, Allegro at 116° and Adagio at 72°) followed by Minuet and Minuet 2. Marcel Mule (1901-2001) is one of the greatest French saxophonists, renowned worldwide for his work on the classical Saxophone repertoire. He was teaching his students how to obtain a good quality of sound and believed it was dependent on the embouchure, the emission, the mastery of vibrato and thus of breathing. He wrote different methods that focus on technique, articulation and tone productions such as 'Scale and Arpeggios' (in three books), 'Daily exercises after Terschack' or '30 Great exercises or studies after Soussmann' (in two books), among others.

SEK 127.00
1

Allain Gaussin: Les Céphéides, Trio For Violin, Cello And Piano

Allain Gaussin: Les Céphéides, Trio For Violin, Cello And Piano

For more than forty years, Allain Gaussin , fascinated by astrophysics, has found a major source of inspiration in observing the cosmos, as attest a number of works going from Vent solaire (1974) to Philae (2015), by way of L’Harmonie des sphères (2006). Ten years later, the 'Messiaen du Pays de la Meije' Festival hosted the first performance of the piano trio Les Céphéides. The musical journey enables the listener to enter a space 'just as impalpable and fragile' as that in which moves each Cepheid variable – this star whose brightness varies over regular periods according to two elements: the diameter of the heavenly body and the temperature reading of its surface. How does one translate such a change in music? The bow's sautillé gettato on the violin and cello gives the score's opening pages this granular glittering that leads us 'towards the centre of the Cepheid variables'. From there, a stream of colourful arabesques – the composer's 'ribbon figures' – gushes forth. After a weightless transition, the cello unfurls its contemplative meditation, which ends up in a suspended coda, open onto the infinity of the starry vault. As musicologist Michèle Tosi accurately says, so it is that the full richness 'of a teeming imaginary universe' unfolds.

SEK 405.00
1

Reynaldo Hahn: Works For Cello And Piano

Reynaldo Hahn: Works For Cello And Piano

For quite some time, posterity remembered Reynaldo Hahn (1874-1947) for just a handful of songs and the operetta Ciboulette , overlooking the incredible diversity of a catalogue as eclectic as it is appealing. Yet his chamber music contains many little-known treasures: thus, cellist Steven Isserlis, in his preface, hastens to hail the first modern edition of these two scores, which he regularly plays in recital, so much does their beauty enchant the audience. Published in 1911, the Two Improvisations on Irish Airs for cello and piano turn out to be the transcription of his first and third Preludes for piano four hands (1894). These folk themes come from the collection Songs of Old Ireland , published 12 years earlier by Charles Villiers Stanford: gracefully and tenderly, The Little Red Lark unfurls a melancholic tune of which the regular foundation respects the breadth of phrase typical of folk songs; in The Willow-Tree , the lover begs his beloved in vain to take him in her arms one last time before he lies down, lifeless, in the shade of the tree. Beyond this sensitive exploration of the Irish soul, Hahn offers us a journey into the past: the Variations chantantes sur un air ancien develop a theme borrowed from Cavalli’s opera Xerse . In this aria (1660 version: Act IV, sc. 6), Ambassador Periarco dreams of moving away from court intrigues to be able to taste the pleasures ‘to which the gods have destined him’. Reynaldo Hahn’s variations succeed in maintaining the sweet simplicity of this theme, as noble as it is refined.

SEK 206.00
1