5 resultat (0,17192 sekunder)

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Au-Delà Du Temps

Au-Delà Du Temps

Commissioned by Ensemble Sillages and IMEP de Namur, and premiered on 24 January 2009 by Isabel Soccoja (mezzo-soprano) and A da Aragoneses (harp) at Auditorium du Quartz, Brest. The composer writes: 'Beyond Time is a sort ofchallenge to try and grasp the ungraspable, the fleeting, the inaccessible. The work consists of five sections that follow each other without a gap, revealing five allegories of Time: Virtual Instant, Mirror of Time, The Abyss ofTime, Paradoxal Spirals, Beyond Time.'

SEK 296.00
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Denise Mégevand: Play and Learn the Celtic Harp

Denise Mégevand: Play and Learn the Celtic Harp

As a student of famous harpist Lily Laskine, Denise Mégevand (1917-2004) received high quality musical education and was significantly instrumental in the revival of the Celtic Harp. She compiled numerous, prolific books for the instrument, Play and Learn the Celtic Harp being no exception. The Celtic Harp characteristically has metal strings, and is notoriously challenging to play. However, Mégevand 's Play and Learn the Celtic Harp provides excellent and clear instruction to progression on the instrument. The book addresses general principles of the Celtic Harp, intervals, arpeggios, chords and scales, as well as including 13 pieces. For all aspiring players of the Celtic Harp, Mégevand 's Play and Learn the Celtic Harp provides excellent insight and instruction for beginners.

SEK 325.00
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Trois Esquisses Lyriques Op.144

Trois Esquisses Lyriques Op.144

Nos. 3-5 of Bacri's 'Esquisses Lyriques'. Valse triste is Bacri's third Esquisse Lyrique and third attempt at reviving the outdated genre of ’salon music’ that, in the 19th century, was meant to be a convivial genre expressing intimate feelings in the most acceptable way possible, thereby creating a sort of comedy of immodesty. Chanson et valse (Esquisses lyriques nos. 4 and 5) was commissioned by Maria Canyigueral, a Catalan pianist residing in London, for her ‘Avant-guarding Mompou’ project, consisting of several new pieces based on fragments of Catalan folk melodies and thereby echoing the music of the great composer Federico Mompou. The six notes from a Sardana – F A G C A F– form the beginning of a sweet, plaintive song whilst only the first three constitute the beginning of a melody that takes the form of a waltz of similar character, the whole being placed under the sign of a simplicity that does not rule out lyricism.

SEK 186.00
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Allain Gaussin: Tokyo-City

Allain Gaussin: Tokyo-City

Allain Gaussin , a pupil of Olivier Messiaen at the CNSM in Paris, and a veritable alchemist of sound, created a sensual and sparkling work that aims to induce in listeners the sort of “internal awakening” that the Japanese refer to as Satori – the title given to a piece for solo clarinet he wrote in 1998. Composed a decade later, Tokyo-City for solo Piano draws on the same inspiration, fuelled by several stays in Japan. Gaussin sets out to reproduce the various sensations he experienced during his walks around the Japanese megalopolis: a fear of being swallowed up by its vastness gives way to a bedazzlement in the face of a buzzing universe awash with harmonies and colours. The work follows a dual symmetrical structure (in terms of register and tempo): after an enigmatic start entrusted to the low notes of the piano, a musical figure gradually emerges from “floating polyphonies”, producing a veritable toccata which is slowly deformed, like an ana­morphosis. Then, only a glimmering of crystal-clear harmonies remains, and the work ends sparsely on the highest notes of the piano.

SEK 286.00
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