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The Architecture Drawing Book: RIBA Collections

The Architecture Drawing Book: RIBA Collections

A club house in a castle in the West End of London complete with battlements and turrets from 1882. A design for the post-war reconstruction of the City of London in 1945. A fantasy landscape featuring Le Corbusier’s Capriccio of Notre-Dame du Haut in ruins. A section of a 19th-century townhouse showing a slice of the staircase wallpaper winding from deep navy on the ground floor to pale sky blue at the top. This is a treasury of architectural drawing from the 16th century to the present day. Exploring both how and why architects draw it offers a rich visual history from Palladio Inigo Jones and Augustus Pugin to contemporaries such as Richard Rogers Foster Associates and Zaha Hadid via Sir Christopher Wren George Gilbert Scott and Erno Goldfinger and everything else in between. From back-of-envelope concept sketches to painstaking pen and ink perspectives exploded axonometrics and born-digital drawings this book celebrates the full gamut of architectural representation. With over 200 lush full-colour reproductions this is a window into soul of architectural drawing over the past five hundred years. Includes newly digitised never-seen-before material from the RIBA Collections one of the largest architectural archives in the world. Explores rare drawings and designs from John Nash Sir Edwin Lutyens Frank Lloyd Wright and many more. Insightful commentary alongside each drawing ensures that they are as accessible and engaging as possible. Wide-ranging in scope this book will both inspire and inform. | The Architecture Drawing Book: RIBA Collections

GBP 45.00
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Self-Consolidating Concrete Applying what we know

Self-Consolidating Concrete Applying what we know

A very interesting and useful book for all the different practitioners in the concrete industry. Each necessary step is thoroughly dealt with and explained in a nice and pedagogic way. —Peter Billberg Swedish Cement and Concrete Research Institute (CBI)Quite comprehensive and with a narrative style at the practitioner level. —Lloyd Keller Director of R&D and Quality Assurance EllisDon CanadaSelf-consolidating concrete (SCC) is an innovative material used successfully throughout the world. It is a highly flowable non-segregating concrete that can spread into place fill the formwork and encapsulate the reinforcement without any mechanical consolidation improving the overall efficiency of a concrete construction project. SCC mixtures are highly fluid yet their flowing properties can be adapted for a range of applications and allow practitioners to select and determine levels of filling ability passing ability and stability. Self-Consolidating Concrete: Applying What We Know discusses all aspects of SCC including:Benefits and limitations Raw material components Mixture proportions Production and quality control Placement and curing Presenting a basis for consistently producing and applying SCC in a regular production environment this book is written from the perspective of the concrete practitioner. It uses descriptions and case studies throughout as examples of specific types of applications to identify where the practitioner needs to focus attention. This book bridges the gap between research and practice. It links science with practical application describing a number of projects and types of applications where SCC has been used successfully. It will be useful for new practitioners as well as for those already using SCC. | Self-Consolidating Concrete Applying what we know

GBP 44.99
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Honor-Based Violence Policing and Prevention

Honor-Based Violence Policing and Prevention

Honor-based violence (HBV) is a crime committed to protect or defend the honor of a family and/or a community. It is usually triggered by the victim’s behavior which the family and/or community regards as causing offense or dishonor. HBV has existed for thousands of years but has only very recently become a focus of law enforcement policy makers and statutory and non-statutory agencies. A volume in the Advances in Police Theory and Practice Series Honor-Based Violence: Policing and Prevention is designed to assist all those who confront these crimes in understanding what HBV is how it can be recognized and how we can support the victims families and communities that experience it. Topics include: An overview of what is known about the psychological and cultural factors relevant to understanding of HBV Gaps in current knowledge and the strengths and weaknesses of various investigative and management strategies Factors related to risk assessment of HBV Best practices based on the authors’ experience for individuals involved in all levels of policing HBV—from first responders to those involved in strategic management How working in partnership with multiple agencies can reduce risk support investigations and help protect victims The importance of sensitivity toward differences in race culture and religion The research and best practices are drawn largely from the work done by the Violent Crime Directorate of the Metropolitan Police Service (London UK) managed by authors Gerry Campbell and Glen Lloyd. The accessible style of this text makes it a valuable resource for law enforcement and policing professionals who investigate these crimes and a suitable textbook for policing and criminal justice courses. | Honor-Based Violence Policing and Prevention

GBP 44.99
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Shipboard Life and Organisation 1731-1815

Shipboard Life and Organisation 1731-1815

The idea behind this volume according to its editor Brian Lavery was to give a rounded picture of life at sea during the age of sail. It concentrates on the daily routine of shipboard life rather than more dramatic events such as battles and mutiny. It supplements other volumes produced by the Navy Records Society notably Five Naval Journals 1789-1817 (vol 91 1951 ed H G Thursfield) and The Health of Seamen (vol 107 1965 ed C C Lloyd. )The selection begins in the second quarter of the eighteenth century because stated Brian Lavery ‘there are no suitable documents from earlier periods’ and closes in 1815 when the navy entered a new era with the advent of steam and a long period of peace. One of the most important aspects of shipboard life was that it was intensely self-contained especially in the later part of the age of sail. After the conquest of scurvy ships were able to stay at sea for many months at a time and the world-wide battle for empire caused them to make very long voyages often away from their home bases over a period of years. Even in port seamen often stayed on board and shore leave was not in any sense a right. This volume throws a spotlight on the way in which a crew of up to 850 men could be crammed into a small space for many months at a time and the ways in which they were fed clothed allocated space for eating and sleeping at the same time as they were organised for sailing and battle duties. It contains separate sections dealing with Admiralty Regulations Captain’s Orders Medical Journals discipline and punishment. It also includes an extensive glossary of the nautical terms and descriptions of the time. | Shipboard Life and Organisation 1731-1815

GBP 44.99
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Imagination and the Imaginary

Imagination and the Imaginary

The concept of the imaginary is pervasive within contemporary thought yet can be a baffling and often controversial term. In Imagination and the Imaginary Kathleen Lennon explores the links between imagination - regarded as the faculty of creating images or forms - and the imaginary which links such imagery with affect or emotion and captures the significance which the world carries for us. Beginning with an examination of contrasting theories of imagination proposed by Hume and Kant Lennon argues that the imaginary is not something in opposition to the real but the very faculty through which the world is made real to us. She then turns to the vexed relationship between perception and imagination and drawing on Kant Merleau-Ponty and Sartre explores some fundamental questions such as whether there is a distinction between the perceived and the imagined; the relationship between imagination and creativity; and the role of the body in perception and imagination. Invoking also Spinoza and Coleridge Lennon argues that far from being a realm of illusion the imaginary world is our most direct mode of perception. She then explores the role the imaginary plays in the formation of the self and the social world. A unique feature of the volume is that it compares and contrasts a philosophical tradition of thinking about the imagination - running from Kant and Hume to Strawson and John McDowell - with the work of phenomenological psychoanalytic poststructuralist and feminist thinkers such as Merleau-Ponty Sartre Lacan Castoriadis Irigaray Gatens and Lloyd. This makes Imagination and the Imaginary essential reading for students and scholars working in phenomenology philosophy of perception social theory cultural studies and aesthetics. Cover Image: Bronze Bowl with Lace Ursula Von Rydingsvard 2014. Courtesy the artist Galerie Lelong and Yorkshire Sculpture Park. Photo Jonty Wilde.

GBP 48.99
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