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Wagner Earthenware Vase - Small - Galvin and Galloway

Wagner Earthenware Vase - Small - Galvin and Galloway

<p>Elevate your home decor with the Wagner Vase from Home Done's collection. Handmade and truly unique, this vase features a rough line design in white against an earthy background, adding texture and a chic rustic style to any room. Available in two sizes, small and large, you can pair both together for the most impact. Whether displayed on its own or with fresh or artificial flowers, this vase will effortlessly enhance the ambiance of your living space.</p>

GBP 34.65
1

Wagner Earthenware Vase - Large - Galvin and Galloway

Wagner Earthenware Vase - Large - Galvin and Galloway

<p>Elevate your home decor with the Wagner Vase from Home Done's collection. Handmade and truly unique, this vase features a rough line design in white against an earthy background, adding texture and a chic rustic style to any room. Available in two sizes, small and large, you can pair both together for the most impact. Whether displayed on its own or with fresh or artificial flowers, this vase will effortlessly enhance the ambiance of your living space.</p>

GBP 41.59
1

Tipclean Airless Tip Cleaning Solution 200ml

Tipclean Airless Tip Cleaning Solution 200ml

Wagner Tipclean Airless Tip Cleaning Solution 200ml TipClean is a handy product from Wagner for cleaning your sprayer tips anywhere, anytime, without getting your hands dirty. There are no special instructions or arrangements necessary. Open the lid, place the nozzles in the container, then place upright. Touch briefly and the nozzle cleaning starts. The nozzle is one of the most important parts of your airless paint sprayer. It is not always easy to clean nozzles for reuse. With TipClean, you can do this quickly and simply. Due to geographical locations we are unable to deliver to: Isle of Wight, Isle of Man and Ireland.

GBP 27.99
1

WAGNER - SYSTEM GMBH Load Skates, Max. Load 200 Kg, Pack Of 4, Panel 60mm, Black, Hard Castors

WAGNER - SYSTEM GMBH Load Skates, Max. Load 200 Kg, Pack Of 4, Panel 60mm, Black, Hard Castors

Load skates, max. load 200 kg, pack of 4, panel 60 mm, black, hard castors. Supplied = assembled. Max. load = 200 kg. Number of wheels = 8 pcs. Castor width = 12 mm. Design of castors = hard castors for soft floors. Height = 34 mm. Length = 117 mm. Width = 79 mm. Platform material = plastic. Platform width = 60 mm. Platform colour = black. Product type = transport dollies. Fittings = non-slip support base. Application = diverse. Optionally with soft or hard castors depending on floor conditions. With turntable and anti-tipping device for more safety. With rubberised platform. Ideally suited for pushing and transporting loads.

GBP 41.99
1

WAGNER - SYSTEM GMBH Eco Light Duty Swivel Castors Wheel 50 mm Pack of 4 Plastic Swivel Castor

WAGNER - SYSTEM GMBH Eco Light Duty Swivel Castors Wheel 50 mm Pack of 4 Plastic Swivel Castor

ECO light duty swivel castors, wheel 50 mm, pack of 4, plastic, swivel castor. Supplied = pre-assembled, final assembly by customer. Wheel diameter = 50 mm. Structure = swivel castor. Wheel material = plastic. Max. load at 4 km/h = 50 kg. Type of mounting = with top plate. Overall height = 72 mm. Swivel castor offset = 25 mm. Screw hole diameter = 6 mm. Swivel castor plate dimensions = 50x50 mm. Screw hole spacing = 35x35 mm. Housing surface = zinc plated. Wheel made of high quality plastic, hard running surface for soft/robust floor surfaces. Max. load 50 kg.

GBP 41.99
1

Opera in Paris from the Empire to the Commune

Opera in Paris from the Empire to the Commune

Studies in the history of French nineteenth-century stage music have blossomed in the last decade encouraging a revision of the view of the primacy of Austro-German music during the period and rebalancing the scholarly field away from instrumental music (key to the Austro-German hegemony) and towards music for the stage. This change of emphasis is having an impact on the world of opera production with new productions of works not heard since the nineteenth century taking their place in the modern repertory. This awakening of enthusiasm has come at something of a price. Selling French opera as little more than an important precursor to Verdi or Wagner has entailed a focus on works produced exclusively for the Paris Opéra at the expense of the vast range of other types of stage music produced in the capital: opéra comique opérette comédie-vaudeville and mélodrame for example. The first part of this book therefore seeks to reintroduce a number of norms to the study of stage music in Paris: to re-establish contexts and conventions that still remain obscure. The second and third parts acknowledge Paris as an importer and exporter of opera and its focus moves towards the music of its closest neighbours the Italian-speaking states and of its most problematic partners the German-speaking states especially the music of Weber and Wagner. Prefaced by an introduction that develops the volume’s overriding intellectual drivers of cultural exchange genre and institution this collection brings together twelve of the author’s previously published articles and essays fully updated for this volume and translated into English for the first time. | Opera in Paris from the Empire to the Commune

GBP 38.99
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The Psychobiology of Human Motivation

The Psychobiology of Human Motivation

This is a classic edition of Hugh Wagner’s influential overview of the biopsychological underpinnings of human motivation. It includes a new foreword written by Michael Richter who reflects on Wagner’s 20 years of teaching writing and research in the field of biopsychology and promises an engaging succinct and accessible introductory text that remains relevant and useful to students today. The Psychobiology of Human Motivation explores what directs our behaviour from basic physiological needs like hunger and thirst to more complex aspects of social behaviour like altruism. Wagner explores the limits of biological explanations and shows how humans can influence ‘basic’ physiological drives in order to adapt to a complex social environment. An accessible engaging resource strengthened by many applied examples Wagner’s text continues to be integral reading for undergraduate students seeking a solid introduction to the psychology of human motivation across the social and behavioural sciences.

GBP 39.99
1

Nietzsche and the Fate of Art

Nietzsche and the Fate of Art

This title was first published in 2002. Challenging the accepted orthodoxy on Nietzsche's views on art this book seeks both to challenge and to establish a new set of concerns as far as discourses on Nietzsche's thoughts on aesthetics are concerned whilst at the same time using such insights to illuminate more central concerns of Nietzsche scholarship such as the will to power the illusion/truth question the eternal return the death of God tragedy Wagner. Following the development of Nietzsche's thoughts on art from his earliest writings to his last Pothen counters traditionally accepted interpretations by suggesting a need to recognize the deep suspicion and at times hostility that Nietzsche displays towards art and the artist throughout his text by emphasising the philosophical arguments underlying this deep suspicion and by viewing this tendency as something deeply connected to the other areas of his thought. Readers with interests in Nietzsche studies aesthetics German philosophy and the philosophy of music will find this a particularly invaluable and distinctive contribution to Nietzsche scholarship. | Nietzsche and the Fate of Art

GBP 31.99
1

The Muse as Eros Music Erotic Fantasy and Male Creativity in the Romantic and Modern Imagination

The Muse as Eros Music Erotic Fantasy and Male Creativity in the Romantic and Modern Imagination

The Muse has long been figured as a divine or erotically alluring consort to the virile male artist who may inspire him or lead him to the edge of madness. This book explores the changing cultural expressions of the relationship between the male artist with a beloved imagined or desired Muse to offer new and penetrating perspectives on musical representations and transformations of creative masculine subjectivity and important aspects of the shift from the styles and aesthetics of Romantic Idealism to Modernist Anxiety in music of the nineteenth and twentieth centuries. Each of the chapters begins with explorations into male artists' relationships with their Muse and moves to analysis and interpretation which uncovers cultural constructions of masculine artistic inspiration and production and their association with creatively inspiring and erotically charged relationships with a Muse. New insights are offered into the musical meaning and cultural significance of selected works by Rossini Beethoven Chopin Liszt Schumann Wagner Sibelius Mahler Bart³k Scriabin Szymanowski Debussy Berg Poulenc and Weill. | The Muse as Eros Music Erotic Fantasy and Male Creativity in the Romantic and Modern Imagination

GBP 42.99
1

James McNeill Whistler and France A Dialogue in Paint Poetry and Music

James McNeill Whistler and France A Dialogue in Paint Poetry and Music

James McNeill Whistler and France: A Dialogue in Paint Poetry and Music is the first full-length and in-depth study to position this painter within the overall trajectory of French modernism during the second half of the nineteenth century and to view the artist as integral to the aesthetic projects of its most original contributors. Suzanne M. Singletary maintains that Whistler was in a unique situation as an insider within the emerging French avant-garde thereby in an enviable position to both absorb and transform the innovations of others – and that until now his widespread influence as a catalyst among his colleagues has been neither investigated nor appreciated. Singletary contends that Whistler’s importance rivals that of Manet whose multi-layered (and often unexpected) interconnections with Whistler are the focus of one chapter. In addition Whistler’s pivotal role in linking the legacies of Baudelaire Delacroix Gautier Wagner and other mid-century innovators to the later French Symbolists has previously been largely ignored. Courbet Degas Monet and Seurat complete the roster of French artists whose dialogue with Whistler is highlighted. | James McNeill Whistler and France A Dialogue in Paint Poetry and Music

GBP 39.99
1

United Artists

United Artists

Established in 1919 by Hollywood's top talent United Artists has had an illustrious history from Hollywood minor to industry leader to a second-tier media company in the shadow of MGM. This edited collection brings together leading film historians to examine key aspects of United Artists' centennial history from its origins to the sometimes chaotic developments of the last four decades. The focus is on several key executives – ranging from Joseph Schenck to Paula Wagner and Tom Cruise – and on many of the people making films for United Artists including Gloria Swanson David O. Selznick Kirk Douglas the Mirisch brothers and Woody Allen. Drawing on a wide range of primary sources individual case studies explore the mutually supportive but also in places highly contentious relationships between United Artists and its producers the difficult balance between artistic and commercial objectives and the resulting hits and misses (among them The General the Pink Panther franchise Heaven’s Gate Cruising and Hot Tub Time Machine). The second volume in the Routledge Hollywood Centenary series United Artists is a fascinating and comprehensive study of the firm’s history and legacy perfect for students and researchers of cinema and film history media industries and Hollywood.

GBP 36.99
1

Fifty Key Theatre Designers

Fifty Key Theatre Designers

Fifty Key Theatre Designers looks at the history of theatrical scenography by examining the work and contributions of fifty ground-breaking set costume lighting and projection designers since the Renaissance. Developments of scenic design are traced from the introduction of perspective painting to create illusionistic scenery in Renaissance Italy to the use of digital projection in the twenty-first century. The book also discusses important landmarks in the evolution of costume and lighting design as well as the introduction of film and video technology to stage design. A broad range of work is explored including opera dance Broadway and West End commercial theatre avant-garde performance and even Olympic spectacles. Each chapter features one designer including basic biographical information and a discussion of that artist’s style aesthetics and contributions. Designers covered include Sebastiano Serlio Ferdinando Bibiena Richard Wagner Adolphe Appia and Edward Gordon Craig amongst many other notable individuals. Each chapter also includes references to other significant designers with similar aesthetics or who made similarly important contributions to the development of that aspect of scenography. This book is ideal for undergraduates and graduates of scenography theatrical design and theatre history.

GBP 39.99
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