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On Film Editing An Introduction to the Art of Film Construction

Philosophy and Film Bridging Divides

Film Genre The Basics

Bible and Film: The Basics

Bible and Film: The Basics

Bible and Film: The Basics is a concise accessible and illuminating introduction to the study of Bible and Film. The book introduces non-specialists to the essential content in Bible and Film and to some of the most common and important methods Bible and Film scholars use. Questions asked throughout the book include: How do films (re)interpret and illuminate biblical texts? How do films appropriate reconfigure and transform biblical texts? How does a film's treatment of biblical texts help interpret and illuminate the film? This book examines various types of interplay between film and the Bible. The theme of ‘Bible on film’ is explored through Hebrew Bible epics including The Prince of Egypt and Noah and Jesus films such as The Last Temptation of Christ and Son of Man. The theme ‘Bible in film’ is analyzed through films including Mary Magdalene Magnolia Pulp Fiction and The Book of Eli. Films that ‘reimagine the Bible’ include Ex Machina mother! and The Tree of Life; unusual Jesus figures in Pan’s Labyrinth Dogville and Donnie Darko are also explored. ‘Film as Bible’ considers films such as To the Wonder Silence and Parasite. A conclusion examines television shows such as Dekalog The West Wing The Handmaid’s Tale and God on Trial. With a glossary of key terms and suggestions for further reading throughout this book is an ideal starting point for anyone seeking a full introduction to religion and film bible and film bible and popular culture and theology and film.

GBP 18.99
1

Film on Video A Practical Guide to Making Video Look like Film

Film Criticism as a Cultural Institution

Film Criticism as a Cultural Institution

At the beginning of the 21st century film criticism was described as in crisis. The decline of print journalism a series of lay-offs of prominent critics and the rise of amateur reviewing online spurred a conversation about the decline even death of film criticism. This discourse flourished in part because film criticism has been little examined in scholarship to date. This book takes a deeper look at film criticism by focusing on its institutional contours. This is achieved through a combination of archival research and interviews with prominent film critics and stakeholders including Adrian Martin (LOLA) Stephanie Zacharek (Time) Peter Bart (Variety) and Andrew Sarris (The Village Voice). Film Criticism as a Cultural Institution first examines the contemporary crisis conversation surrounding film criticism comparing this to historical precedents. It then provides what today’s crisis conversation does not: an account of film criticism’s institutional formations. Using primarily U. S. and Australian case studies based on interviews observation and archival research—as well as accounts from other national schools—the book maps contemporary film criticism. Across various sites such as publications or online spaces and organisations such as film critics circles it elucidates film criticism’s institutional practices tasks comportments and personae. Looking at the history of conversations about film criticism shows us that crisis has always been a leitmotif. While acknowledging the considerable changes and challenges that film criticism faces today this book situates these within an historical context and proposes an institutional framework that allows us to move beyond crisis discourse. Looking at film criticism in this way allows us to see that the very question of what counts as film criticism is continually contested within an institutional ecology made up of distinctive critica

GBP 39.99
1

Film Music Cognition to Interpretation

Film and Place in an Intercultural Perspective India-Europe Film Connections

Film and Place in an Intercultural Perspective India-Europe Film Connections

The book offers an interdisciplinary overview of the film and place relationship from an intercultural perspective. It explores the complex domain of place and space in cinema and the film industry's role in establishing cultural connections and economic cooperation between India and Europe. With contributions from leading international scholars various case studies scrutinise European and Indian contexts exploring both the established and emerging locations. The book extends the dominantly Britain-oriented focus on India’s cinema presence in Europe to European countries such as Italy Switzerland Poland Slovenia Finland and Sweden where the Indian film industry progressively expands its presence. The chapters of this book look at Indian film production in Europe as a cultural bridge between India and Europe fostering mutual understanding of the culture and society of the two regions. This interdisciplinary book will be of interest to researchers in film studies cultural anthropology cultural geography tourism economics sociology and cultural studies. It will also be interest to practitioners working in local authorities destination management tourism and creative business all of whom see the value of film production in attracting visitors investment and creating new networks with local economic actors. The book offers much-needed data and tools to translate their professional goals and potentials into effective regional strategies and activities. | Film and Place in an Intercultural Perspective India-Europe Film Connections

GBP 130.00
1

Film Production Management How to Budget Organize and Successfully Shoot your Film

Screening American Independent Film

The Film Developing Cookbook

Investor Financing of Independent Film A Guide for Producers Attorneys and Film School Lecturers

Investor Financing of Independent Film A Guide for Producers Attorneys and Film School Lecturers

This book explains how to comply with the federal and states securities regulations when seeking to raise money from private investors for the development production and/or distribution of a feature or documentary film. Drawing from the experience and expertise of a securities and entertainment attorney who has worked with independent filmmakers for 30 plus years this resource explores securities law compliance in order to help readers comply with the law and avoid criminal and civil liability while successfully raising investor funds for their film projects. Readers will gain an understanding of why the securities laws apply to most investor financing transactions what choices need to be made by the filmmaker what information needs to be disclosed to prospective investors how to comply with the SEC’s policy regarding financial projections what is the appropriate investment vehicle for various forms of investor financing what limitations are imposed on the use of finders and how to handle the required federal and state notice filings. It is an essential resource for any film student taking a film finance course (or a production course with a film finance component) as well as any independent film producers entertainment/securities attorneys and film school instructors who want to be informed about the legal and practical aspects of investor financing of independent films. | Investor Financing of Independent Film A Guide for Producers Attorneys and Film School Lecturers

GBP 32.99
1

Film Architecture and Spatial Imagination

History on Film/Film on History

History on Film/Film on History

Making Movies Without Losing Money Practical Lessons in Film Finance

Film Theory: The Basics

The British Labour Movement and Film 1918-1939

Optical Thin Film Design

Flashbacks in Film A Cognitive and Multimodal Analysis

Film Directing Fundamentals See Your Film Before Shooting

Film Feminisms A Global Introduction

Experiments in Film and Philosophy