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The Great Barrier Reef Biology Environment and Management Second Edition

India’s Great Power Politics Managing China’s Rise

Ugandan Asians in Great Britain Forced Migration and Social Absorption

The Making of Modern Economics The Lives and Ideas of the Great Thinkers

Ancient Chinese Encyclopedia of Technology Translation and Annotation of Kaogong ji The Artificers' Record

Phase Change Material-Based Heat Sinks A Multi-Objective Perspective

Issues in American Political Life Money Violence and Biology

Sports Concussions A Complete Guide to Recovery and Management

Cold-Formed Steel Structures to the AISI Specification

Activated Charcoal in Medical Applications

Design of Structural Elements Concrete Steelwork Masonry and Timber Designs to Eurocodes

GBP 46.99
1

Room Acoustics

The Economics of Estuary Restoration in South Africa

A Treatise of the Laws for the Relief and Settlement of the Poor Volume II

Revival: Famous Chemists (1935) The Men and Their Work

Revival: The Jews of Asia (1920) Especially in the Sixteenth and Seventeenth Centuries

Freshwater Crayfish A Global Overview

Early Modern East Asia War Commerce and Cultural Exchange

Organic Chemistry Structure and Mechanisms

On Animation The Director's Perspective Vol 1

On Animation The Director's Perspective Vol 1

Be a fly on the wall as industry leaders Bill Kroyer and Tom Sito take us through insightful face-to-face interviews revealing in these two volumes the journeys of 23 world-class directors as they candidly share their experiences and personal views on the process of making feature animated films. The interviews were produced and edited by Ron Diamond. Your job is not to be the one with the answers. You should be the one that gets the answers. That’s your job. You need to make friends and get to know your crew. These folks are your talent your bag of tricks. And that’s where you’re going to find answers to the big problems - Andrew Stanton It’s hard. Yet the pain you go through to get what you need for your film enriches you and it enriches the film. – Brenda Chapman Frank and Ollie always used to say that great character animation contains movement that is generated by the character’s thought process. It can’t be plain movement. – John Lasseter The beauty of clay is that it doesn’t have to be too polished or too smooth and sophisticated. You don’t want it to be mechanical and lifeless. – Nick Park The good thing about animation is that tape is very cheap. Let the actor try things. This is where animation gets to play with spontaneity. You want to capture that line as it has never been said before. And most likely if you asked the actor to do it again he or she just can’t repeat that exact performance. But you got it. – Ron Clements | On Animation The Director's Perspective Vol 1

GBP 43.99
1

Ceramic Fibers and Their Applications

Innovation and Research in Education

Revival: The Church of England in the Eighteenth Century (1910)