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Motion Design Toolkit Principles Practice and Techniques

The Theory and Practice of Motion Design Critical Perspectives and Professional Practice

The Theory and Practice of Motion Design Critical Perspectives and Professional Practice

This collection offers an expansive multiplatform exploration of the rapidly-expanding area of motion design and motion graphics taking into account both theoretical questions and creative professional practice. Spanning interaction design product interfaces kinetic data visualizations typography TV and film title design brand building narrative storytelling history exhibits and environments editors R. Brian Stone and Leah Wahlin offer an interdisciplinary range of academic essays and professional interviews that together form a dialogue between motion design theory and professional practice. Written for both those critically engaged with motion design as well as those working or aspiring to work professionally in the field the book features a range of international contributors and interviews with some of the best-known designers in the field including Kyle Cooper Karin Fong and Daniel Alenquer. The Theory and Practice of Motion Design seeks to illuminate the diverse interdisciplinary field of motion design by offering a structured examination of how motion design has evolved what forces define our current understanding and implementation of motion design and how we can plan for and imagine the future of motion design as it unfolds. An accompanying online resource site www. motionresource. com contains visual representations of the examples described in the text. | The Theory and Practice of Motion Design Critical Perspectives and Professional Practice

GBP 36.99
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Stop Motion: Craft Skills for Model Animation

Costume in Motion A Guide to Collaboration for Costume Design and Choreography

After Effects for Designers Graphic and Interactive Design in Motion

Music-Dance Sound and Motion in Contemporary Discourse

Experimental Filmmaking and the Motion Picture Camera An Introductory Guide for Artists and Filmmakers

Experimental Filmmaking and the Motion Picture Camera An Introductory Guide for Artists and Filmmakers

Experimental Filmmaking and the Motion Picture Camera is an introductory guide to experimental filmmaking surveying the practical methods of experimental film production as well as the history theory and aesthetics of experimental approaches. Author Joel Schlemowitz explains the basic mechanism of the camera before going on to discuss slow and fast motion filming single-frame time lapse the long take camera movement workings of the lens and the use of in-camera effects such as double exposure. A comprehensive guide to using the 16mm Bolex camera is provided. Strategies for making films edited in-camera are covered. A range of equipment beyond the basic non-sync camera is surveyed. The movie diary and film portrait are examined along with the work of a range of experimental filmmakers including Stan Brakhage Rudy Burckhardt Paul Clipson Christopher Harris Peter Hutton Takahiko Iimura Marie Losier Rose Lowder Jonas Mekas Marie Menken Margaret Rorison Guy Sherwin and Tomonari Nishikawa. This is the ideal book for students interested in experimental and alternative modes of filmmaking. It provides invaluable insight into the history methods and concepts inherent to experimental uses of the camera while providing students with a solid foundation of techniques and practices to foster their development as filmmakers. Supplemental material including links to films cited in the book can be found at www. experimentalfilmmaking. com. | Experimental Filmmaking and the Motion Picture Camera An Introductory Guide for Artists and Filmmakers

GBP 35.99
1

The Art and Craft of Motion Picture Editing

Social Change Theories in Motion Explaining the Past Understanding the Present Envisioning the Future

Social Change Theories in Motion Explaining the Past Understanding the Present Envisioning the Future

This book assesses how theorists explained processes of change set in motion by the rise of capitalism. It situates them in the milieu in which they wrote. They were never neutral observers standing outside the conditions they were trying to explain. Their arguments were responses to those circumstances and to the views of others commentators living and dead. Some repeated earlier views; others built on those perspectives; a few changed the way we think. While surveying earlier writers the author’s primary concerns are theorists who sought to explain industrialization imperialism and the consolidation of nation-states after 1840. Marx Durkheim and Weber still shape our understandings of the past present and future. Patterson focuses on explanations of the unsettled conditions that crystallized in the 1910s and still persist: the rise of socialist states anti-colonial movements prolonged economic crises and almost continuous war. After 1945 theorists in capitalist countries influenced by Cold War politics saw social change in terms of economic growth progress and modernization; their contemporaries elsewhere wrote about underdevelopment dependency or uneven development. In the 1980s theorists of postmodernity neoliberalism globalization innovations in communications technologies and post-socialism argued that they rendered earlier accounts insufficient. Others saw them as manifestations of a new imperialism capitalist accumulation on a global scale environmental crises and nationalist populism. | Social Change Theories in Motion Explaining the Past Understanding the Present Envisioning the Future

GBP 38.99
1

Twenty-First Century Perspectives on Indigenous Studies Native North America in (Trans)Motion

Twenty-First Century Perspectives on Indigenous Studies Native North America in (Trans)Motion

In recent years the interdisciplinary fields of Native North American and Indigenous Studies have reflected at times even foreshadowed and initiated many of the influential theoretical discussions in the humanities after the transnational turn. Global trends of identity politics performativity cultural performance and ethics comparative and revisionist historiography ecological responsibility and education as well as issues of social justice have shaped and been shaped by discussions in Native American and Indigenous Studies. This volume brings together distinguished perspectives on these topics by the Native scholars and writers Gerald Vizenor (Anishinaabe) Diane Glancy (Cherokee) and Tomson Highway (Cree) as well as non-Native authorities such as Chadwick Allen Hartmut Lutz and Helmbrecht Breinig. Contributions look at various moments in the cultural history of Native North America—from earthmounds via the Catholic appropriation of a Mohawk saint to the debates about Makah whaling rights—as well as at a diverse spectrum of literary performative and visual works of art by John Ross John Ridge Elias Boudinot Emily Pauline Johnson Leslie Marmon Silko Emma Lee Warrior Louise Erdrich N. Scott Momaday Stephen Graham Jones and Gerald Vizenor among others. In doing so the selected contributions identify new and recurrent methodological challenges outline future paths for scholarly inquiry and explore the intersections between Indigenous Studies and contemporary Literary and Cultural Studies at large. | Twenty-First Century Perspectives on Indigenous Studies Native North America in (Trans)Motion

GBP 39.99
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Introductory Physics Summaries Examples and Practice Problems

Introductory Physics Summaries Examples and Practice Problems

Physics describes how motion works in everyday life. Clothes washers and rolling pins are undergoing rotational motion. A flying bird uses forces. Tossing a set of keys involves equations that describe motion (kinematics). Two people bumping into each other while cooking in a kitchen involves linear momentum. This textbook covers topics related to units kinematics forces energy momentum circular and rotational motion Newton’s general equation for gravity and simple harmonic motion (things that go back and forth). A math review is also included with a focus on algebra and trigonometry. The goal of this textbook is to present a clear introduction to these topics in small pieces with examples that readers can relate to. Each topic comes with a short summary a fully solved example and practice problems. Full solutions are included for over 400 problems. This book is a very useful study guide for students in introductory physics courses including high school and college students in an algebra-based introductory physics course and even students in an introductory calculus-level course. It can also be used as a standalone textbook in courses where derivations are not emphasized. Key features: Organizes a difficult subject into short and clearly written sections. Can be used alongside any introductory physics textbook. Presents clear examples for every problem type discussed in the textbook. Michael Antosh teaches physics at the University of Rhode Island USA. He obtained a Ph. D. in physics from Brown University. | Introductory Physics Summaries Examples and Practice Problems

GBP 42.99
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Introduction to Mechanics

The Philosophy of Mathematics and Natural Laws Another Copernican Revolution

Sound for Moving Pictures The Four Sound Areas

Digital Image Processing with C++ Implementing Reference Algorithms with the CImg Library

Acting for Animators

Acting for Animators

Ed Hooks' essential acting guidebook for animators has been fully revised and updated in this fifth edition capturing some of the vast changes that have affected the animation industry in recent years. Written specifically for animation professionals instead of stage and movie actors this book provides an essential primer for creating empathetic and dynamic character performance and in the process shows how the strongest storytelling structure works. Hooks applies classical acting theory – from Aristotle to Stanislavsky and beyond – to animation as well as explaining scene structure character development and the connections between thinking emotion and physical action. Theory presented here applies to any and all character animation regardless of style or animation technique. Whether your project is stop-motion 2D 3D or a blend of techniques audiences are audiences are audiences and they have shown up at the theater or cinema so they can experience and enjoy your story. New to this fifth edition: Four new scene-by-scene acting analyses of animated feature films: Flee Soul Porco Rosso and The Triplets of Belleville A comprehensive and updated section titled Classroom Notes which includes a segment on experimental animation a brief history of acting training for actors and guidance on Motion and Performance Capture technology Updated online database of Hooks' previous film analyses all in one place Acting for Animators is essential reading for all students and teachers of animation courses.

GBP 28.99
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Adjustment Poverty and Employment in Mexico

Filming the Fantastic with Virtual Technology Filmmaking on the Digital Backlot

Filming the Fantastic with Virtual Technology Filmmaking on the Digital Backlot

This book brings fantasy storytelling to a whole new level by providing an in-depth insight into the tools used for virtual reality augmented reality 360 cinema and motion capture in order to repurpose them to create a virtual studio for filmmaking. Gone are the long days and months of post before seeing your final product. Composites and CG characters can now be shot together as fast as a live-action show. Using off-the-shelf software and tools authors Mark Sawicki and Juniko Moody document the set-up and production pipelines of the modern virtual/mocap studio. They reveal the procedures and secrets for making movies in virtual sets. The high-end technology that enabled the creation of films such as The Lord of the Rings Avatar and The Jungle Book is now accessible for smaller independent production companies. Do you want your actors to perform inside of an Unreal® Game Engine set and interact with the environment? Do you want to be able to put your live-action camera on a jib or dolly and move effortlessly through both a live-action and virtual space together? Do you want live performers interacting with giants elves and other creatures manipulated by motion capture in real time? This book discusses all of these scenarios and more showing readers how to create high-quality virtual content using alternative cost-effective technology. Tutorials case studies and project breakdowns provide essential tips on how to avoid and overcome common pitfalls making this book an indispensable guide for both beginners to create virtual backlot content and more advanced VFX users wanting to adopt best practices when planning and directing virtual productions with Reality™ software and performance capture equipment such as Qualysis. | Filming the Fantastic with Virtual Technology Filmmaking on the Digital Backlot

GBP 34.99
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The Physical Actor Contact Improvisation from Studio to Stage

The Routledge Companion to Jazz Studies

The Nature of Inquisitorial Processes in Administrative Regimes Global Perspectives

The Filmmaker's Eye Learning (and Breaking) the Rules of Cinematic Composition

L. Munatius Plancus Serving and Surviving in the Roman Revolution

The Underwater Photographer